The Renaissance names to know
If you remember one Renaissance painter, make it Leonardo da Vinci (1452–1519), the name behind Mona Lisa (La Gioconda) and The Last Supper. After that come Michelangelo, Albrecht Dürer, Raphael and Giotto. Our 100 picks go from Cimabue (born 1240) to Luca Giordano (born 1634), from 6 countries.
How we picked them. We list the artists our catalogue links to Renaissance, from the most famous down. Artists born after 1955 that we cannot yet check on Wikidata are left out. The Wikipedia number shows in how many of our 32 languages Wikipedia writes about them.
Quick facts
Meet them one by one
1of 100
Italian From Anchiano High Renaissance On Wikipedia in 32 of 32 languages
Leonardo da Vinci was born on 15 April 1452 near the Tuscan hill town of Vinci. At the age of fourteen, Leonardo da Vinci entered the workshop of Andrea del Verrocchio.
See them at The Mona Lisa remains in the Musée du Louvre in Paris.
Learned from Andrea del Verrocchio #39 · Taught Francesco Melzi #99
2of 100
Italian From Caprese Michelangelo High Renaissance, Mannerism On Wikipedia in 32 of 32 languages
Born in 1475, Michelangelo di Lodovico Buonarroti Simoni spent his early years near Settignano, where his father owned a quarry. By the time he reached Rome in 1496, he was already carving figures that possessed a heavy, palpable presence. The Pietà, completed in 1499, shows this early ability to make marble appear as soft as flesh, even as it carries the weight of a dead man.
Learned from Domenico Ghirlandaio #21
3of 100
German From Nuremberg Northern Renaissance On Wikipedia in 32 of 32 languages
His father, a goldsmith who had traveled from Hungary to find his fortune, brought with him a lineage of meticulous craftsmanship. From 1486 to 1490, he labored under Wolgemut, absorbing the secrets of composition and design.
See them at In London, the British Museum holds a vast assembly of sixty-seven of his works, offering a deep look into the precision of his vision.
Taught Hans Baldung Grien #44
4of 100
Italian From Urbino High Renaissance On Wikipedia in 32 of 32 languages
His father, a painter for the Duke, ensured that the boy’s early years were steeped in the humanist traditions of the Italian courts. His formal artistic education took him to the workshop of Pietro Perugino in Perugia.
See them at The physical remnants of his prolific career are scattered across the major centers of European art.
Learned from Pietro Perugino #23
5of 100
From Vicchio On Wikipedia in 31 of 32 languages
His early years are often described through a story of a shepherd boy. This habit caught the attention of the master Cimabue, who took the boy on as an apprentice.
See them at The Scrovegni Chapel holds the large fresco cycles that changed how stories were told on walls.
Learned from Cimabue #18 · Taught Taddeo Gaddi #62, Pietro Lorenzetti #47
6of 100
Italian From Pieve di Cadore Venetian Renaissance On Wikipedia in 32 of 32 languages
The fame of Tiziano Vecellio eventually reached the highest courts of Europe. He became a favorite of powerful men, serving as a painter to Emperor Charles V, King Philip II of Spain, and Pope Paul III.
Learned from Giovanni Bellini #20, Gentile Bellini #42
7of 100
Italian From Florence Early Renaissance On Wikipedia in 31 of 32 languages
Born Alessandro di Mariano di Vanni Filipepi around 1445, he was the son of a tanner. His work emerged during the Early Renaissance, a time when the city was a center of intense creative activity.
See them at Walking through the halls of the Galleria degli Uffizi in Florence, one finds his most famous subjects.
Learned from Filippo Lippi #26, Andrea del Verrocchio #39 · Taught Filippino Lippi #33
8of 100
Italian From San Giovanni Valdarno Early Renaissance On Wikipedia in 31 of 32 languages
Origins: Born to Giovanni di Simone Cassai, a notary, and Jacopa di Martinozzo. Apprenticeship: The details of Masaccio’s artistic training remain largely unknown, which is unusual for Renaissance artists.
9of 100
From 's-Hertogenbosch On Wikipedia in 32 of 32 languages
His grandfather, Jan van Aken, was a painter who died in 1454. The transition from a student in a family studio to a recognized figure in the municipal records occurs in 1474.
See them at The weight of Bosch's legacy is concentrated heavily in Madrid.
10of 100
Italian From Sansepolcro Early Renaissance On Wikipedia in 30 of 32 languages
Piero della Francesca was an Italian painter, mathematician, and geometer of the Early Renaissance. He was born Piero di Benedetto de' Franceschi around 1415 in Borgo San Sepolcro, Tuscany, Italy.
See them at The National Gallery in London provides a direct look at The Baptism of Christ, a work that demonstrates his command over light and spatial division.
Learned from Domenico Veneziano #60 · Taught Luca Signorelli #69
11of 100
Flemish From Breda Northern Renaissance On Wikipedia in 32 of 32 languages
He was born in or near Breda, likely within the Duchy of Brabant, sometime between 1525 and 1530. His presence in these cities helped shape the visual language of the Dutch and Flemish Renaissance.
See them at In Vienna, the Kunsthistorisches Museum holds a vast assembly of his creations, preserving many of the scenes that once filled the halls of the powerful.
12of 100
Italian From Vicchio Early Renaissance On Wikipedia in 31 of 32 languages
Around 1395, he was known as Giovanni da Fiesole. Eventually, the young Giovanni entered the Dominican Order at Fiesole.
Learned from Lorenzo Monaco #75 · Taught Benozzo Gozzoli #45
13of 100
Italian From Isola Mantegna Early Renaissance On Wikipedia in 30 of 32 languages
By the age of ten or eleven, he had been adopted by Francesco Squarcione, a local painter and collector of antiquities.
See them at The physical presence of Mantegna’s vision remains scattered across the major cultural centers of Europe and the Americas.
14of 100
Italian From Castelfranco Veneto Venetian School On Wikipedia in 31 of 32 languages
While the exact year of his birth remains a subject of debate, his presence in the Venetian art scene was established early. Records identify him as a colleague of the master Vincenzo Catena.
See them at His presence is felt most strongly in Vienna, where the Kunsthistorisches Museum houses several significant pieces, including the Portrait of Francesco Maria della Rovere.
Learned from Giovanni Bellini #20
15of 100
Italian From Pratovecchio On Wikipedia in 31 of 32 languages
By 1414, his professional standing was formalized when he was admitted to the painters' guild, Compagnia di San Luca. A year later, in 1415, he joined the Arte dei Medici e degli Speziali, further cementing his place within the professional structures of Florence.
See them at In Florence, his presence remains deeply integrated into the city's architecture.
16of 100
German From Augsburg Northern Renaissance On Wikipedia in 29 of 32 languages
Born around 1497 in Augsburg, Germany, the artist was born into a lineage of technical rigor. His development moved from the domestic sphere of the Augsburg workshop to the structured professional environment of Basel.
See them at The National Gallery in London maintains a significant presence of his output, providing a direct link to the Tudor era through several of his portraits.
17of 100
Italian From Siena Sienese School, Trecento Gothic On Wikipedia in 31 of 32 languages
Born in Siena, Italy, around 1255, Duccio di Buoninsegna lived a life deeply intertwined with the religious and civic pulse of Tuscany. His professional output was extensive, spanning from his first documented references in 1278 until his death around 1319.
See them at The physical remnants of Duccio's career are scattered across several major institutions, offering a way to encounter his specific approach to light and form.
Learned from Cimabue #18
18of 100
From Florence On Wikipedia in 28 of 32 languages
He was a child of the Florentine streets, growing up in a landscape where the heavy, golden formality of the East met a new, restless desire for something more human.
See them at To follow the path of his brush is to travel across the great cities of Europe and beyond.
Taught Giotto #5
19of 100
Italian From Verona Mannerism, Naturalism, Venetian school On Wikipedia in 31 of 32 languages
In the city of Verona, the son of a stonecutter named Gabriele began a life that would eventually drape the grandest halls of Venice in color. Born in 1528, the boy known as Paolo Caliari grew up amidst the heavy, sculpted forms of his father's trade. He began his training under Antonio Badile and later studied with Giovanni Francesco Caroto, learning the foundational mechanics of his craft.
20of 100
Italian From Venice Venetian Renaissance On Wikipedia in 30 of 32 languages
For many years, it was believed that Jacopo was his father, though modern inquiries into the family lineage suggest a different connection, perhaps that of an elder half-brother. In 1443, the young apprentice accompanied his father on a working trip to Padua.
See them at To walk through the halls of the Gallerie dell'Accademia di Venezia is to encounter the very heart of his legacy, for this collection holds twenty-four of his works.
Learned from Jacopo Bellini #55 · Taught Giorgione #14, Titian #6
21of 100
Italian From Florence Early Renaissance On Wikipedia in 31 of 32 languages
Domenico di Tommaso Curradi di Doffo Bigordi, known to history as Domenico Ghirlandaio, emerged from the vibrant artistic landscape of Florence in 1449. Notable examples include the stunning fresco cycles in the Sassetti Chapel of Santa Trinita (1482-1485), a vibrant tapestry of biblical stories interwoven with scenes of Florentine commerce and society, and the Apotheosis of St.
Learned from Andrea del Verrocchio #39 · Taught Michelangelo #2
22of 100
German From Kronach German Renaissance On Wikipedia in 31 of 32 languages
While the Protestant Reformation fractured Europe, Cranach provided the imagery that defined the new order. His association with Martin Luther was not a matter of mere friendship, but a functional partnership that transformed religious thought into tangible, reproducible art. Cranach managed a massive output through a system of assistants and apprentices, including his son, Lucas Cranach the Younger.
Taught Lucas Cranach the Younger #72
23of 100
Italian From Città della Pieve Renaissance On Wikipedia in 30 of 32 languages
Pietro Vannucci, commonly known as Le Perugino—a name derived from his birthplace—was a pivotal figure in the Florentine Renaissance, cementing his reputation as one of Italy’s most celebrated painters. Born around 1446 in Perugia, Umbria, he emerged from a family steeped in artistic tradition and quickly established himself as a prolific artist whose serene depictions of Mary and Jesus captivated audiences across Europe.
Learned from Andrea del Verrocchio #39 · Taught Raphael #4
24of 100
Italian From Venice Venetian Renaissance On Wikipedia in 26 of 32 languages
As a young man in the Venetian school, he sought out the guidance of Gentile Bellini. The training Carpaccio received under Bellini allowed him to develop a steady hand and an eye for the specific details of Venetian life.
25of 100
Italian From Cremona Renaissance, Mannerism On Wikipedia in 29 of 32 languages
Born around 1532 in Cremona to Amilcare Anguissola and Bianca Ponzoni, she benefited from an unusually progressive upbringing for a woman of her time. In 1546, Sofonisba and Elena began formal training under Bernardino Campi, a respected local painter, followed by studies with Bernardino Gatti (Il Sajarolo) around 1550 – apprenticeships that were groundbreaking in themselves, opening doors previously closed to women seeking artistic mastery.
26of 100
Italian From Florence Early Renaissance On Wikipedia in 30 of 32 languages
Filippo di Tommaso Lippi, known as Fra Filippo Lippi, was a figure both blessed by artistic genius and shadowed by a life brimming with scandal and unconventional choices. Born in Florence in 1406 to a butcher family, his early years were marked by loss; orphaned at the tender age of two, he found himself entrusted to the care of his aunt, Mona Lapaccia.
Learned from Masolino da Panicale #51, Masaccio #8 · Taught Sandro Botticelli #7, Filippino Lippi #33
27of 100
Italian From Correggio High Renaissance On Wikipedia in 29 of 32 languages
Antonio Allegri da Correggio, a name that resonates with the very essence of High Renaissance artistry, emerged from the small Italian city bearing his adopted moniker in 1489. Details surrounding Correggio’s early life remain somewhat elusive; however, it is believed he received initial training from his uncle, Lorenzo Allegri, a local painter, before venturing to Modena and then Mantua in pursuit of artistic refinement.
28of 100
German From Würzburg German Renaissance, Late Gothic On Wikipedia in 29 of 32 languages
In Würzburg, Germany, a man named Mathis Gothart Neithardt—later known by the name Matthias Grünewald—is beginning to shape a vision that rejects the calm of the south. By 1503, the tension is palpable in his Mocking of Christ. In the hospital chapel of the Monastery of St Anthony in Isenheim, Alsace, a massive polyptych is being realized.
29of 100
Flemish From Brussels Dutch Golden Age On Wikipedia in 27 of 32 languages
Born in Brussels around 1564, his life was inextricably woven into the very fabric of the Northern Renaissance. His early years were shaped by a household steeped in creativity, nurtured by his mother, Mayken Coceke van Aelst —an accomplished miniature painter—and guided by the foundational artistic wisdom of his grandmother, Mayken Verhulst.
30of 100
Italian From Florence High Renaissance and Mannerism On Wikipedia in 28 of 32 languages
By 1494, at the age of eight, he began his training as an apprentice to a goldsmith. He spent time training under Gian Barile, a painter and wood sculptor, until 1498.
See them at To see his hand in person, one often begins in Florence.
Learned from Piero di Cosimo #49
31of 100
German From Regensburg Danube School, Renaissance On Wikipedia in 28 of 32 languages
Albrecht Altdorfer, born around 1480 in Regensburg, Germany, stands as a pivotal figure bridging the late Gothic period and the burgeoning German Renaissance. A transformative journey down the Danube River and into the Alps around 1511 proved crucial to his artistic development. Among his most celebrated achievements is The Battle of Alexander at Issus (1529), commissioned by Duke William IV of Bavaria.
32of 100
Italian From Messina Early Renaissance, Flemish influence
Antonello di Giovanni di Antonio, more commonly known as Antonello da Messina (c. 1430 – February 1479), stands as a pivotal figure in the transition from Early Renaissance to High Renaissance art. Born and raised in the vibrant port city of Messina, Sicily, he forged a unique artistic identity, blending the meticulous realism of Early Netherlandish painting with the burgeoning humanist ideals of his time.
33of 100
Italian From Prato High Renaissance On Wikipedia in 26 of 32 languages
Parents: Fra Filippo Lippi (painter) and Lucrezia Buti. Early training under his father laid the foundation for his artistic career.
Learned from Filippo Lippi #26, Sandro Botticelli #7
34of 100
Italian From Perugia Renaissance On Wikipedia in 28 of 32 languages
Bernardino di Betto, known to the world as Pinturicchio – a nickname affectionately bestowed upon him for his diminutive stature – emerged from the artistic heartland of Perugia in 1454. His life unfolded during a period of immense cultural ferment, the High Renaissance blossoming across Italy, yet Pinturicchio carved out a unique path, one that blended the lingering elegance of Gothic traditions with the burgeoning innovations of the era.
Learned from Pietro Perugino #23
35of 100
Italian From Siena Sienese School On Wikipedia in 29 of 32 languages
Ambrogio Lorenzetti, born around 1290 in the heart of Siena, Italy, emerged as a pivotal figure in the transition from the medieval artistic traditions to the burgeoning Renaissance. Early works, such as the Madonna and Child from 1319, reveal a clear debt to the Byzantine tradition—the iconic frontality, the use of gold backgrounds, and the stylized rendering of figures all speak to this influence.
Learned from Duccio di Buoninsegna #17
36of 100
Flemish From Ghent Early Netherlandish painting On Wikipedia in 25 of 32 languages
Born around 1440 in the vibrant artistic hub of Ghent, Belgium, Hugo van der Goes emerged as a pivotal figure in the Northern Renaissance. Perhaps Van der Goes’s most celebrated work is the Portinari Altarpiece, commissioned by Tommaso Portinari, an Italian banker residing in Bruges. Completed around 1475, this magnificent triptych—now housed in the Uffizi Gallery in Florence—is a testament to his mastery of composition, color, and psychological insight.
37of 100
Flemish From Leuven Antwerp School On Wikipedia in 23 of 32 languages
In the vibrant, burgeoning landscape of the sixteenth-century Low Countries, few names resonate with as much foundational importance as Quentin Massys. Often heralded as the pioneer of the Antwerp School, Massys was a painter who bridged the gap between the meticulous, spiritual devotion of the Early Netherlandish tradition and the burgeoning humanism of the Northern Renaissance.
Learned from Dieric Bouts #67
38of 100
Italian From Florence Early Renaissance On Wikipedia in 31 of 32 languages
Born in Florence, Italy, Donatello grew up in a city that acted as the primary epicenter for the burgeoning Renaissance. His connection to the Florentine landscape was deep, as the city's evolving values shaped his early approach to form and figure.
39of 100
Italian From Florence Early Renaissance On Wikipedia in 31 of 32 languages
Andrea di Michele di Francesco de' Cioni, known to history as Andrea del Verrocchio, occupies a pivotal position in the Italian Renaissance. Speculation exists regarding apprenticeships under masters like Donatello or Fra Filippo Lippi, but concrete evidence is elusive. The equestrian statue of Bartolomeo Colleoni, commissioned for Venice and completed after his death in 1488, stands as Verrocchio’s undisputed masterpiece.
Learned from Donatello #38 · Taught Leonardo da Vinci #1, Lorenzo Di Credi #80, Pietro Perugino #23, Domenico Ghirlandaio #21, Sandro Botticelli #7
40of 100
Italian From Venice Renaissance, Mannerism On Wikipedia in 29 of 32 languages
Born in the vibrant heart of Venice around 1480, Lorenzo Lotto emerged as a distinctive voice within the Italian Renaissance, though his artistic journey would lead him far beyond the lagoon city’s celebrated studios.
Learned from Giovanni Bellini #20
41of 100
Italian From Florence Renaissance Sculpture On Wikipedia in 24 of 32 languages
In the heart of the Florentine Renaissance, a period defined by the rebirth of classical ideals and the pursuit of anatomical perfection, Luca della Robbia emerged as a visionary who transformed the very medium of sculpture.
42of 100
Italian From Venice Renaissance On Wikipedia in 29 of 32 languages
Gentile Bellini, born in Venice in 1429, emerged from a family deeply entrenched in the artistic heart of the city. One of Venice’s oldest surviving oil paintings, The Blessed Lorenzo Giustinian (1445), stands as a testament to this early skill and is now housed in the Accademia Museum.
Learned from Jacopo Bellini #55 · Taught Titian #6
43of 100
Italian From Florence Renaissance On Wikipedia in 23 of 32 languages
Antonio del Pollaiuolo, a name resonating with the dynamism of the Italian Renaissance, emerged in Florence around 1429 as a pivotal figure who redefined artistic expression. His father’s workshop, likely under the tutelage of Bartoluccio di Michele and influenced by Lorenzo Ghiberti, provided the foundational training that would propel him toward artistic greatness.
Learned from Andrea del Castagno #85
44of 100
German From Schwäbisch Gmünd Renaissance, Mannerism On Wikipedia in 25 of 32 languages
Born around 1485 in the Free Imperial City of Schwäbisch Gmünd, nestled within the rolling hills of Bavaria, Hans Baldung—forever distinguished as Hans Baldung Grien due to his penchant for wearing green attire—emerged from an unexpectedly scholarly lineage.
Learned from Albrecht Dürer #3
45of 100
Italian From Florence International Gothic, Early Renaissance On Wikipedia in 25 of 32 languages
Born Benozzo di Lese, the man who would become known as Benozzo Gozzoli entered the world around 1421.
See them at There, within the Palazzo Medici-Riccardi, the walls of the Magi Chapel hold the details of the procession of the Magi.
Learned from Fra Angelico #12 · Taught Lorenzo Costa #86
46of 100
Italian From Naples Late Baroque On Wikipedia in 23 of 32 languages
The influence of Ribera is heavy, visible in the dramatic chiaroscuro and the realistic, often stark, portrayal of figures that characterize his first efforts. He absorbs the master's dark manner, a style rooted in the intense shadows of the Neapolitan tradition.
See them at The physical presence of Giordano’s output remains scattered across the major repositories of Europe.
47of 100
Italian From Siena Early Renaissance On Wikipedia in 27 of 32 languages
Pietro Lorenzetti (c. 1280 – 1348) stands as a pivotal figure in Sienese art, marking the profound transition from Gothic formalism to the burgeoning humanist ideals of the early Renaissance. Born in the vibrant cultural landscape of Siena around 1280, Lorenzetti’s artistic journey unfolded during a period of significant intellectual and artistic transformation in Tuscany.
Learned from Giotto #5
48of 100
Flemish From Maubeuge Romanist Painting On Wikipedia in 23 of 32 languages
In the shifting landscape of the early sixteenth century, few artists bridged the gap between the meticulous traditions of the North and the burgeoning humanism of the South as masterfully as Jan Gossaert. Known to history by the evocative moniker Mabuse, this visionary painter emerged from Maubeuge, France, to become a cornerstone of the Romanist movement.
49of 100
Italian From Florence Florentine Renaissance On Wikipedia in 27 of 32 languages
Piero di Cosimo, born Piero di Lorenzo Battista around 1462 in Florence, Italy, stands as a singular figure within the vibrant tapestry of the Florentine Renaissance. Early Life & Training: Precise biographical details surrounding Cosimo's formative years remain elusive, primarily relying on fragmentary references in Vasari’s Lives of Artists.
Learned from Cosimo Rosselli #73 · Taught Andrea del Sarto #30, Fra Bartolomeo #77
50of 100
Italian From Venice High Renaissance, Mannerism On Wikipedia in 23 of 32 languages
Sebastiano del Piombo, born Sebastiano Luciani around 1485 in the radiant heart of Venice, occupies a unique and often enigmatic position within the High Renaissance. The year 1511 marked a pivotal moment in Sebastiano’s career as he journeyed to Rome, a city then pulsating with artistic energy under the patronage of Popes Julius II and Leo X.
51of 100
Italian From Panicale Early Renaissance On Wikipedia in 23 of 32 languages
In the vibrant, transformative atmosphere of the early Florentine Renaissance, few artists captured the delicate transition from Gothic elegance to humanistic realism as poignantly as Masolino da Panicale. Born in the quiet Italian town of Panicale around 1383, his artistic soul was forged in the workshops of Florence, where the shadows of the Middle Ages were beginning to retreat before the dawn of a new, scientifically-minded era.
Learned from Lorenzo Ghiberti #94
52of 100
Dutch From Leiden Early Netherlandish Renaissance On Wikipedia in 23 of 32 languages
lucas van leyden, a dutch painter and printmaker, was born in 1494 in leiden, netherlands. he was the son of huygh jacobsz, a painter, and began his artistic training under his father's guidance. later, he joined the workshop of cornelis engelbrechtsz in 1508, where he refined his skills.
53of 100
Netherlandish From Oudewater Early Netherlandish painting On Wikipedia in 22 of 32 languages
He was inducted as a free master into the Corporation of Imagemakers and Saddlers in Bruges in 1484, marking a pivotal moment in his ascent. Early works reveal a clear debt to painters like Jacob Janszoon, Dieric Bouts, and Geertgen tot Sint Jans – masters who instilled in him a meticulous attention to detail and a sensitivity to religious narrative.
54of 100
English From Exeter Elizabethan miniaturist On Wikipedia in 19 of 32 languages
The family's religious convictions led to a period of exile during Queen Mary I’s reign, with Hilliard accompanying John Bodley’s household to Geneva at the tender age of ten. Becoming a freeman of the Worshipful Company of Goldsmiths in 1569 solidified his position within London’s artistic community, yet it was his burgeoning talent as a limner – a painter of miniatures – that would ultimately define his legacy.
55of 100
Italian From Venice Renaissance On Wikipedia in 27 of 32 languages
Jacopo Bellini stands as a pivotal figure in the burgeoning Renaissance style of painting that flourished in Venice and northern Italy. Born in Venice around 1396, Jacopo’s formative years were steeped in the rich, decorative traditions of the late Gothic period.
Taught Giovanni Bellini #20, Gentile Bellini #42
56of 100
Italian From Vercelli High Renaissance & Mannerism On Wikipedia in 25 of 32 languages
In the vibrant tapestry of the Italian Renaissance, few figures possess a name as provocative or a legacy as multifaceted as Giovanni Antonio Bazzi, known to history by the evocative moniker Il Sodoma.
57of 100
Italian From Ferrara Early Renaissance On Wikipedia in 24 of 32 languages
Born around 1430 in the vibrant ducal city of Ferrara, Italy, Cosmè Tura emerged from humble beginnings – his father was a shoemaker named Domenico – to become one of the most distinctive and influential painters of the Early Renaissance.
58of 100
Italian From Pisa Baroque, Caravaggism On Wikipedia in 22 of 32 languages
Born in 1563 amidst the rolling hills of Tuscany, Orazio Gentileschi embarked on a journey that would see him become a pivotal figure in the transition from Mannerism to Baroque painting. Initially known as Orazio Lomi, he gravitated towards Rome, then the epicenter of artistic innovation, where he honed his skills within the workshops of Cola dell'Amata and absorbed the architectural sensibilities of Francesco da Sangallo.
59of 100
French From Tours Renaissance portraiture On Wikipedia in 21 of 32 languages
This foundation formed the bedrock of François’s training.
60of 100
Italian From Venice Early Renaissance On Wikipedia in 21 of 32 languages
Domenico Veneziano, a name that resonates with the soft glow of the Early Renaissance, remains one of the most captivating enigmas of the fifteenth century. Born around 1410 in the vibrant maritime atmosphere of Venice, his life’s journey would eventually lead him to become a pivotal figure in the Florentine school.
Learned from Masolino da Panicale #51, Masaccio #8, Donatello #38 · Taught Piero della Francesca #10
61of 100
Tyrolean From Pfalzen Renaissance & Gothic On Wikipedia in 18 of 32 languages
Michael Pacher, born around 1435 in the alpine landscapes of Bolzano, stands as a pivotal figure in the transition from Gothic artistry to the burgeoning Renaissance spirit within German-speaking lands. His journey took a decisive turn with a visit to Padua, Italy, where he encountered the revolutionary frescoes of Andrea Mantegna. Wolfgang Altarpiece, created between 1471 and 1481 for the pilgrimage church in Austria.
62of 100
Italian From Florence Early Renaissance On Wikipedia in 23 of 32 languages
In the vibrant, burgeoning atmosphere of 14th-century Florence, a period defined by the transition from the medieval to the early Renaissance, Taddeo Gaddi emerged as a master of light, narrative, and architectural grandeur. As one of the most distinguished pupils of the legendary Giotto di Bondone, Gaddi did not merely inherit a style; he expanded the visual vocabulary of his era.
Learned from Giotto #5 · Taught Agnolo Gaddi #82
63of 100
German From Rottweil Late Gothic Realism On Wikipedia in 18 of 32 languages
In the shifting landscape of fifteenth-century European art, few figures cast as long a shadow over the transition from Gothic tradition to Renaissance naturalism as Konrad Witz. Born around 1400 in the German region of Rottenburg am Neckar, Witz emerged as a visionary whose brushwork began to peel away the stylized abstractions of the Middle Ages to reveal the breathing, textured world beneath.
64of 100
Italian From Serina High Renaissance On Wikipedia in 22 of 32 languages
Jacopo Negretti, known to history as Palma Vecchio – “Palma the Elder” – emerged from the artistic landscape of early 16th-century Venice as a pivotal figure bridging the High Renaissance and the burgeoning Mannerist styles. Born around 1480 in Serina Alta near Bergamo, his career unfolded entirely within the vibrant Republic of Venice, a city already steeped in artistic innovation.
65of 100
Italian From Ferrara Italian Renaissance On Wikipedia in 17 of 32 languages
Del Cossa was the son of a stonemason, Cristofano del Cossa, who also worked as an artist.
66of 100
French From Tours Early Renaissance On Wikipedia in 24 of 32 languages
Jean Fouquet, born around 1420 in Tours, France, occupies a pivotal and often debated position in the history of French painting. A defining moment in Fouquet’s development was his sojourn to Italy between 1445 and 1447. In Rome, he encountered the works of artists like Fra Angelico and Filarete, absorbing their mastery of perspective, clarity of form, and naturalistic representation—qualities that were beginning to define the Quattrocento style.
67of 100
Dutch From Haarlem Early Netherlandish On Wikipedia in 22 of 32 languages
Dieric Bouts was an Early Netherlandish painter who worked in Leuven from 1457 until his death in 1475. Born in Haarlem, Netherlands, he was a painter and draftsperson. His career included serving as the city painter of Leuven, a position he attained in 1468.
Taught Quinten Metsys #37
68of 100
Flemish From Antwerp Northern Mannerism On Wikipedia in 18 of 32 languages
Bartholomäus Spranger (1546-1611), a name that resonates through the halls of Northern Mannerism, was more than just a painter; he was a pivotal figure in shaping artistic sensibilities during his time.
69of 100
Italian From Cortona Italian Renaissance On Wikipedia in 27 of 32 languages
Cortona, Tuscany, provides the setting for the beginning of Luca Signorelli. His maternal uncle, Lazzaro Vasari, facilitates an apprenticeship under Piero della Francesca.
Learned from Piero della Francesca #10, Andrea del Verrocchio #39
70of 100
Italian From Siena Late Gothic, Sienese School On Wikipedia in 17 of 32 languages
In the luminous era of the Italian Quattrocento, few names evoke the delicate transition from the medieval to the modern as poignantly as Stefano di Giovanni, known more affectionately to history as Sassetta. A pivotal figure of the Sienese School, his artistry represents a profound bridge between the decorative elegance of the Late Gothic period and the burgeoning realism of the Renaissance.
71of 100
Italian From Conegliano Venetian Renaissance Art On Wikipedia in 19 of 32 languages
Giovanni Battista Cima da Conegliano (c. 1459 – 1517) stands as a pivotal figure within the Venetian Renaissance, renowned for his masterful depictions of Madonna and Child compositions imbued with an unparalleled sense of tranquility and elegant symmetry.
72of 100
German From Lutherstadt Wittenberg Renaissance painting On Wikipedia in 25 of 32 languages
In the heart of the German Renaissance, a period defined by profound theological shifts and intellectual rebirth, Lucas Cranach the Younger emerged as a master of visual storytelling. Born in 1515 in Kronach, Bavaria, he was destined to inherit more than just a name; he inherited a monumental artistic legacy.
Learned from Lucas Cranach the Elder #22
73of 100
Italian From Florence Early Renaissance On Wikipedia in 24 of 32 languages
Cosimo Rosselli, born around 1439 in the vibrant heart of Florence, emerged from a family of established merchants—a background that afforded him a stable upbringing and access to the burgeoning cultural life of the Renaissance.
74of 100
Italian From Venice Late Gothic, Venetian Gothic On Wikipedia in 23 of 32 languages
Born in Venice, Carlo Crivelli emerged from a family of painters, a lineage that likely shaped his early understanding of the craft. His formative years were spent absorbing the stylistic currents of the Veneto, drawing from the Vivarini school and the linear precision of the Paduan tradition. While his contemporaries moved toward the naturalism of the early Renaissance, Crivelli maintained a devotion to the decorative exuberance of the Late Gothic.
75of 100
Italian From Siena Gothic, Early Renaissance On Wikipedia in 22 of 32 languages
Lorenzo Monaco, born Piero di Giovanni around 1370 in Siena, occupies a fascinating and pivotal position in the transition from the Gothic grace of the Trecento to the burgeoning Renaissance ideals of the Quattrocento. Apprenticed in Florence, he absorbed the lessons of masters like Giotto, Spinello Aretino, and Agnolo Gaddi – artists who established a foundation of narrative clarity and emotional resonance.
Taught Fra Angelico #12
76of 100
Italian From Fermignano High Renaissance On Wikipedia in 30 of 32 languages
Donato Bramante stands as one of the most transformative figures in the history of Western architecture, a visionary who bridged the gap between the late Gothic traditions and the luminous dawn of the High Renaissance. Born as Donato di Pascuccio d'Antonio in Fermignano, Italy, his journey through the artistic landscapes of Milan and Rome allowed him to reshape the very fabric of sacred and secular spaces.
77of 100
Italian From Prato High Renaissance On Wikipedia in 27 of 32 languages
Born Baccio della Porta on March 28, 1472, in the Tuscan town of Savignano di Prato, Fra Bartolomeo’s early life was steeped in the vibrant artistic atmosphere of Renaissance Italy.
Learned from Piero di Cosimo #49, Cosimo Rosselli #73
78of 100
Venetian From Bassano del Grappa Venetian Renaissance On Wikipedia in 24 of 32 languages
Born in the humble town of Bassano del Grappa, nestled near the bustling heart of Venice, Jacopo da Ponte – later known as Jacopo Bassano – emerged from a family steeped in artistic tradition. His father, Francesco il Vecchio, was already an established painter when he welcomed young Jacopo into his workshop around 1510, initiating him into the demanding world of art.
79of 100
Italian From Florence Early Renaissance
Filippo Brunelleschi, born in Florence in 1377, stands as a monumental figure bridging the medieval world and the burgeoning Renaissance. His participation in the 1401 competition for the Florence Baptistery doors, though ultimately unsuccessful against Lorenzo Ghiberti, revealed a burgeoning talent and a bold artistic vision. His most celebrated triumph is undoubtedly the dome of Florence Cathedral—a feat that had baffled architects for decades.
80of 100
Italian From Florence Venetian School On Wikipedia in 22 of 32 languages
The precise details of Cima’s early artistic training remain shrouded in some mystery.
Learned from Andrea del Verrocchio #39
81of 100
Italian From Siena Renaissance On Wikipedia in 19 of 32 languages
In the vibrant tapestry of the Italian Quattrocento, few figures loom as large or as multifaceted as Francesco di Giorgio Martini. Born in Siena in 1439, Martini emerged from a period of profound cultural transformation, where the shadows of the Middle Ages were being chased away by the light of humanism.
82of 100
Italian From Florence Gothic, Early Renaissance On Wikipedia in 20 of 32 languages
Agnolo Gaddi, born in Florence around 1350, occupies a fascinating, pivotal position in the history of Italian painting. The Last Supper, painted in 1395, exemplifies this blend of Giottesque solidity with Gothic refinement – a scene imbued with both solemnity and exquisite detail.
Learned from Taddeo Gaddi #62
83of 100
French From Brussels Renaissance portraiture On Wikipedia in 20 of 32 languages
Born around 1480, likely in Brussels within the Low Countries—though definitive records are scarce—Clouet’s artistic journey led him to become one of the most sought-after painters at the court of Francis I. Clouet’s arrival at the French court around 1516 marked a turning point not only in his career but also in the evolution of royal portraiture.
84of 100
Italian From Dumenza Renaissance, Mannerism On Wikipedia in 20 of 32 languages
Bernardino Luini, a name resonating softly within the annals of Italian Renaissance painting, emerged from the picturesque region surrounding Lake Maggiore around 1480. While accounts vary regarding his initial training—some credit Giovan Stefano Scotto, others Ambrogio Bergognone—a more profound influence was undoubtedly on the horizon: Leonardo da Vinci.
85of 100
Italian From San Godenzo Early Renaissance On Wikipedia in 24 of 32 languages
Andrea del Castagno, a pivotal figure in the Early Renaissance, emerged from the Tuscan countryside near Florence around 1419 to leave an indelible mark on the artistic landscape. Born in Castagnoli, not far from Monte Falterona, young Andrea’s early years were touched by conflict; his family resided in Corella during periods of war between Florence and Milan before returning home.
86of 100
Italian Renaissance From Ferrara Ferrara & Bologna Schools On Wikipedia in 22 of 32 languages
Lorenzo Costa (1460–1535) stands as a cornerstone figure within the flourishing artistic landscape of the Italian Renaissance, embodying the intellectual dynamism of the Ferrara and Bologna schools.
Learned from Benozzo Gozzoli #45
87of 100
Dutch From Leiden Early Netherlandish painting On Wikipedia in 20 of 32 languages
Flourishing in Haarlem during the latter half of the 15th century—roughly between 1460 and 1490—Geertgen’s existence is pieced together primarily through the writings of Karel van Mander, a Dutch art historian writing over a century after his death.
88of 100
Flemish From Antwerp Romanism On Wikipedia in 19 of 32 languages
In the vibrant, intellectual landscape of the 16th-century Low Countries, few figures loomed as large or as influential as Frans Floris. Known to history as Frans Floris the Elder, this Flemish Renaissance pioneer acted as a vital bridge between the Northern traditions of his homeland and the monumental grandeur of the Italian High Renaissance.
89of 100
Italian From Treviso Mannerist On Wikipedia in 18 of 32 languages
In the vibrant, sun-drenched landscape of the sixteenth-century Venetian Renaissance, few figures possess a spirit as fiercely independent as Paris Bordone. Born in Treviso around 1500, Bordone emerged from the shadow of the great masters to carve out a reputation defined by a unique tension between classical grace and a restless, Mannerist energy.
90of 100
From Augsburg Renaissance portraiture On Wikipedia in 19 of 32 languages
Hans Holbein the Elder, a name synonymous with meticulous detail and profound psychological insight, stands as one of the most important figures in the transition from late Gothic to High Renaissance art.
91of 100
Italian From Bologna Siena painting style On Wikipedia in 19 of 32 languages
Francesco Francia, often referred to as Raibolini – a nickname derived from his birthplace – stands as one of the most prominent figures in Italian Renaissance art, particularly celebrated for his exquisite depictions of religious subjects and serene family portraits.
92of 100
Flemish From Bouvignes-sur-Meuse Renaissance Landscape On Wikipedia in 18 of 32 languages
Joachim Patinir, a name often whispered alongside that of Albrecht Altdorfer as a foundational figure in landscape painting, emerged from the artistic milieu of the Low Countries during the early 16th century. Born around 1480, likely in either Bouvignes or Dinant – towns nestled within present-day Belgium’s Wallonia region – Patinir's life remains shrouded in a degree of mystery.
93of 100
Flemish From Dinan Flemish Renaissance
Joachim Patenier, born around 1480 in Dinant or Bouvignes, was at the center of this change. While his predecessors like Jan van Eyck and Rogier van der Weyden focused on the sharp precision of textures and figures, Patenier looked toward the horizon. He was a man who lived and worked in Antwerp, eventually becoming a member of the city's Guild of Saint Luke in 1515.
94of 100
Italian From Florence Early Renaissance On Wikipedia in 28 of 32 languages
Born in 1378 near Florence, Italy, Lorenzo di Bartolo – a name that would become synonymous with artistic innovation as Lorenzo Ghiberti – embarked on a journey that would redefine the possibilities of sculpture. However, Ghiberti’s ambitions extended beyond the confines of the workshop; formal painting lessons from Gherardo Starnina broadened his artistic horizons, laying the groundwork for a multifaceted talent that would soon captivate Florence.
95of 100
Dutch From Utrecht Renaissance Portraiture On Wikipedia in 20 of 32 languages
Anthonis Mor van Dashorst (1517-1577) stands as a cornerstone of Dutch Renaissance portraiture, embodying the meticulous realism and symbolic depth characteristic of his era. However, he studied under Pieter Bruegel the Elder in Antwerp, absorbing Bruegel’s masterful observation of human nature and landscape—influences that would permeate Mor’s own artistic vision.
96of 100
Italian From Brescia Renaissance art On Wikipedia in 16 of 32 languages
Alessandro Bonvicino, known universally as Moretto da Brescia, stands as a pivotal figure in the artistic landscape of 16th-century Italy. Born around 1498 in Rovato, Lombardy, he emerged during a period of intense artistic innovation, inheriting the legacy of masters like Titian and Raphael while forging his own distinctive style characterized by remarkable tranquility and luminous color palettes.
97of 100
From Antwerp On Wikipedia in 13 of 32 languages
De Vos’s formal training remains somewhat shrouded in mystery, but it is widely believed that he apprenticed with Pieter Bruegel the Elder, a towering figure of Northern Renaissance painting.
98of 100
Dutch From Schoorl Romanist, Renaissance On Wikipedia in 20 of 32 languages
jan van scorel, a prominent dutch painter, was born in schoorl, netherlands, in 1495. his early life and training are not well-documented, but it is believed that he studied under various masters, including pieter gerritsz in haarlem, jacob cornelisz in amsterdam, or jan gossaert in utrecht.
Learned from Jan Gossaert #48
99of 100
Italian From Milan High Renaissance On Wikipedia in 15 of 32 languages
Francesco Melzi, born into the nobility of Milan in 1491, occupies a unique and often understated position within the narrative of Renaissance art. His father, Gerolamo Melzi, served both Francesco Sforza and Louis XII, providing a backdrop of political engagement and cultural awareness for the young artist.
Learned from Leonardo da Vinci #1
100of 100
German From Augsburg Italian Renaissance On Wikipedia in 20 of 32 languages
Born in Augsburg, Germany, around 1473, Hans Burgkmair the Elder emerged as a pivotal figure in the transition between late Gothic and early Renaissance art. His life coincided with a period of intense artistic exchange between Northern Europe and Italy, and he skillfully absorbed the innovations of the Italian Renaissance while retaining a distinctly German sensibility.
Pictures worth knowing
When it happened
Fun figures
| Italy | 69 |
|---|---|
| Germany | 10 |
| Belgium | 9 |
| Netherlands | 8 |
| France | 3 |
| United Kingdom | 1 |
| 13th century | 5 |
|---|---|
| 14th century | 11 |
| 15th century | 69 |
| 16th century | 14 |
| 17th century | 1 |
| National Gallery | 14 |
|---|---|
| The Louvre | 13 |
| Galleria degli Uffizi | 13 |
| Staatliche Museen zu Berlin | 13 |
| Metropolitan Museum of Art | 12 |
| National Gallery of Art | 9 |
| Museo del Prado | 8 |
| Kunsthistorisches Museum | 8 |
Just the names
Leonardo da VinciItalian · 1452–1519MichelangeloItalian · 1475–1564Albrecht DürerGerman · 1471–1528RaphaelItalian · 1483–1520Giotto1267–1337TitianItalian · 1490–1576Sandro BotticelliItalian · 1445–1510MasaccioItalian · 1401–1428Hieronymus Bosch1450–1516Piero della FrancescaItalian · 1415–1492Pieter Brueghel the ElderFlemish · 1525–1569Fra AngelicoItalian · 1395–1455Andrea MantegnaItalian · 1431–1506GiorgioneItalian · 1478–1510Paolo UccelloItalian · 1397–1475Hans Holbein the YoungerGerman · 1497–1543Duccio di BuoninsegnaItalian · 1255–1319Cimabue1240–1302Paolo VeroneseItalian · 1528–1588Giovanni BelliniItalian · 1430–1516Domenico GhirlandaioItalian · 1448–1494Lucas Cranach the ElderGerman · 1472–1553Pietro PeruginoItalian · 1448–1523Vittore CarpaccioItalian · 1465–1526Sofonisba AnguissolaItalian · 1532–1625Filippo LippiItalian · 1406–1469Antonio da CorreggioItalian · 1489–1534Matthias GrünewaldGerman · 1480–1528Pieter Brueghel The YoungerFlemish · 1564–1638Andrea del SartoItalian · 1486–1530Albrecht AltdorferGerman · 1480–1538Antonello Di Giovanni Di Antonio (Antonello Da Messina)Italian · 1430–1479Filippino LippiItalian · 1457–1504PinturicchioItalian · 1454–1513Ambrogio LorenzettiItalian · 1290–1348Hugo van der GoesFlemish · 1440–1482Quinten MetsysFlemish · 1466–1530DonatelloItalian · 1386–1466Andrea del VerrocchioItalian · 1435–1488Lorenzo LottoItalian · 1480–1556Luca della RobbiaItalian · 1399–1482Gentile BelliniItalian · 1429–1507Antonio del PollaiuoloItalian · 1429–1498Hans Baldung GrienGerman · 1485–1545Benozzo GozzoliItalian · 1420–1497Luca GiordanoItalian · 1634–1705Pietro LorenzettiItalian · 1280–1348Jan GossaertFlemish · 1478–1532Piero di CosimoItalian · 1462–1522Sebastiano del PiomboItalian · 1485–1547Masolino da PanicaleItalian · 1383–1447Lucas van LeydenDutch · 1494–1533Gerard DavidNetherlandish · 1460–1523Nicholas HilliardEnglish · 1547–1619Jacopo BelliniItalian · 1400–1470Il SodomaItalian · 1477–1549Cosimo TuraItalian · 1430–1495Orazio GentileschiItalian · 1563–1639François ClouetFrench · 1510–1572Domenico VenezianoItalian · 1410–1461Michael PacherTyrolean · 1435–1498Taddeo GaddiItalian · 1300–1366Konrad WitzGerman · 1400–1445Palma VecchioItalian · 1480–1528Francesco del CossaItalian · 1436–1477Jean FouquetFrench · 1420–1478Dieric BoutsDutch · 1415–1475Bartholomeus SprangerFlemish · 1546–1611Luca SignorelliItalian · 1450–1523SassettaItalian · 1392–1450Giovanni Battista Cima Da ConeglianoItalian · 1459–1517Lucas Cranach the YoungerGerman · 1515–1586Cosimo RosselliItalian · 1439–1507Carlo CrivelliItalian · 1435–1495Lorenzo MonacoItalian · 1370–1425Donato BramanteItalian · 1444–1514Fra BartolomeoItalian · 1472–1517Jacopo BassanoVenetian · 1510–1592Filippo BrunelleschiItalian · 1377–1446Lorenzo Di CrediItalian · 1459–1537Francesco di GiorgioItalian · 1439–1501Agnolo GaddiItalian · 1350–1396Jean ClouetFrench · 1480–1541Bernardino LuiniItalian · 1480–1532Andrea del CastagnoItalian · 1420–1457Lorenzo CostaItalian Renaissance · 1460–1535Geertgen tot Sint JansDutch · 1460–1490Frans FlorisFlemish · 1517–1570Paris BordoneItalian · 1500–1571Hans Holbein The Elder1465–1524Francesco FranciaItalian · 1447–1517Joachim PatinirFlemish · 1480–1524Joachim PatenierFlemish · 1481–1524Lorenzo GhibertiItalian · 1378–1455Antonis MorDutch · 1519–1575Moretto da BresciaItalian · 1498–1554Maerten De Vos1532–1603Jan van ScorelDutch · 1495–1562Francesco MelziItalian · 1491–1570Hans Burgkmair the ElderGerman · 1473–1531Good questions
Leonardo da Vinci (#1) is first in this ranking, followed by Michelangelo (#2) and Albrecht Dürer (#3).
Leonardo da Vinci (#1), Michelangelo (#2), Albrecht Dürer (#3), Raphael (#4) and Giotto (#5).
The highest-ranked painters born in Germany are Albrecht Dürer (#3), Hans Holbein the Younger (#16), Lucas Cranach the Elder (#22), Matthias Grünewald (#28) and Albrecht Altdorfer (#31).
Italy: 69 of the 100 painters in this list were born there, then Germany (10) and Belgium (9).
“The project required a departure from traditional fresco methods, as Leonardo utilized an oil-based paint mixed with mastic to allow for the slow layering and frequent revisions his process demanded.” — from our biography of Leonardo da Vinci (#1).
The earliest-born painter in this list is Cimabue (#18), born in 1240.
The highest-ranked painters born in Italy are Leonardo da Vinci (#1), Michelangelo (#2), Raphael (#4), Giotto (#5) and Titian (#6).
Florence: 17 of the painters in this list were born there.
Most painters in this list were born in the 15th century (69 of 100), between 1240 and 1634 overall.
1 women are in this ranking: Sofonisba Anguissola (#25).
Andrea del Verrocchio (#39) taught Leonardo da Vinci (#1), Lorenzo Di Credi (#80) and Pietro Perugino (#23); Giotto (#5) taught Taddeo Gaddi (#62) and Pietro Lorenzetti (#47); Giovanni Bellini (#20) taught Giorgione (#14) and Titian (#6).
Our catalogue holds 19,218 works by these painters. Each one can be ordered as a hand-painted oil reproduction or a print.
Read more
Other styles
Famous Baroque artistsNight Watch · Rembrandt
Famous Contemporary Realist artistsThe Gleaners · Jean-François Millet
Famous Impressionist artistsStarry Night (New York, MoMA) · Vincent van Gogh
Famous Romanticist artistsSaturn Devouring His Son · Francisco Goya
Famous Neoclassicist artistsThe Death of Marat · Jacques-Louis David
Famous Realist artistsThe origin of the world · Gustave Courbet
Famous Dutch Golden Age artistsThe Girl with a Pearl Earring · Johannes Vermeer
Famous Expressionist artistsComposition VII · Wassily Kandinsky
Famous Rococo artistsThe Embarkation for Cythera · Jean-Antoine Watteau
Famous Pop Art artistsCampbell's soup cans · Andy WarholOther eras
Famous Early Medieval artistsSnowy River · Wang Wei
Famous High Medieval artistsMadonna and Child Enthroned (Maesta) · Cimabue
Famous Late Medieval artistsThe Annunciation and Two Saints · Simone Martini
Famous Early Modern artistsThe Calling of Saint Matthew · Caravaggio
Famous 19th Century artistsWater Lilies (or Nympheas) · Claude Monet
Famous Modern artistsGuernica · Pablo Picasso
Famous Contemporary artistsWind Sculpture III (one in a series of nine) · Yinka ShonibareFamous paintings
Famous Impressionism paintingsWater Lilies · Claude Monet
Famous Baroque paintingsLas Meninas · Diego Velázquez
Famous Romanticism paintingsLiberty Leading the People · Eugène Delacroix
Famous Realism paintingsNighthawks · Edward HopperFamous Post-Impressionism paintingsStarry Night · Vincent van Gogh
Famous Expressionism paintingsThe Scream · Edvard Munch
Famous Surrealism paintingsThe Persistence of Memory · Salvador Dalí
Famous Neoclassicism paintingsNapoleon at the St. Bernard Pass · Jacques-Louis David
Famous Symbolism paintingsThe Birth of Venus · William-Adolphe Bouguereau
Famous Mannerism paintingsBurial of the Count of Orgaz · El Greco
Famous Rococo paintingsThe Swing · Jean-Honoré Fragonard
Famous Art Nouveau paintingsThe kiss · Gustav KlimtKeep exploring
![Saint Mary Magdalene, with an Angel [left panel] by Pietro Lorenzetti](/media/artworks/images-thumb/56/70/567081333697abce62276a169dde6184.jpg)
