100 Famous Symbolism Paintings You'll Love

Fogg Museum, Cambridge1876Watercolor72 × 105 cm

This watercolor, housed in the Musée d'Orsay, captures the biblical moment when Salome dances before Herod Antipas, her vision haunted by the severed head of John the Baptist. "The Apparition" exemplifies this style, with its rich symbolism and ethereal beauty.

Spotsalome dancing in front of Herod Antipasvision of John the Baptist's severed headlavishly decorated palace inspired by the Alhambra

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Musée d'Orsay, Paris1893Oil on canvas171 × 137.5 cm

Maurice Denis was an important figure in the transitional period between impressionism and modern art. The diffuse lighting creates gentle shadows and highlights, adding dimension to the figures and trees.

Spotintimate moment between two women at a tableblending of human figures with natural environmentuse of gold accents in foliage suggesting enchantment

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Kunsthaus Zürich, Zurich1896Tempera on panel222 × 170 cm

The composition is dense and layered, featuring a central cluster of figures in intense action. A man in red raises an axe above his head, poised to strike, while a woman with flowing hair appears to be in distress or flight.

Spotwoman with flowing hair in distressdark figure with animalistic featurescentral cluster of figures engaged in violent struggle

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Finnish National Gallery, Helsinki1903Oil on canvas127 × 154 cm

The composition focuses on the procession of the three figures across a desolate landscape. The procession moves through a recognizable landscape of Eläintarha, Helsinki. In 2006, it was voted Finland's national painting in a poll conducted by the Ateneum art museum.

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1929Tempera on canvas

The artwork portrays a solitary female figure standing on a rocky outcrop overlooking a vast landscape of mountains and water. Roerich’s style is characterized by its illustrative quality, utilizing simplified forms and flat planes of color rather than realistic detail.

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1903–1904Oil on canvas

The generous application of paint – impasto – creates a rich texture that adds both depth and physicality to the composition. The central figure—Casagemas' shrouded corpse—represents not only physical death but also the loss of youth, potential, and companionship.

Spotwinged horsenude figuresswirling vortex

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Cleveland Museum of ArtOil on canvas70.5 × 90 cm

The artwork's muted earthy tones —browns, greens, and yellows—are contrasted by the dramatic blues and grays of the sky, creating a sense of tension and mystery.

Spotdramatic sky with hints of lightinclusion of a snakedynamic composition

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Lentos Kunstmuseum LinzRed pencil on paper56 × 37 cm

The composition is strikingly simple – a full-length depiction of a woman facing forward with arms relaxed at her sides, set against an unadorned background. Executed in red pencil on cream-colored paper, “Schreitende” exemplifies Klimt’s gestural approach to sketching.

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The Munch Museum, Oslo1906Oil100 × 70 cm

The museum itself has been a guardian of these works since it was established in 1963. The artist's brush often traces the jagged lines of existential dread, most notably in the piercing terror of The Scream from 1893.

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Painting

The composition is enriched by a lush, vibrant backdrop where flowers bloom in a delicate dance of color, adding a layer of organic beauty to the architectural stillness of the porch. Technically, La siesta is a masterclass in the use of warmth and light.

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National Gallery of Bulgaria, Sofia1890Oil on canvas

In 1890, Franz von Stuck rendered Lucifer as an oil on canvas, a work that anchors his "dark monumental" period. The display explored the development of German symbolism between 1870 and 1920.

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1910Oil on canvas

The flattened perspective and emphasis on decorative patterns reflect Klimt’s engagement with both Japanese art —particularly ukiyo-e woodblock prints—and the broader aesthetic principles of the Vienna Secession movement. A master of the Symbolist movement and a key figure in the Vienna Secession.

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Alte Nationalgalerie, Berlin1872Oil on canvas75 × 61 cm

Behind him, a skeletal figure emerges from the shadows, its bony fingers dancing across the strings. The man’s gaze meets the skeleton, creating a tension that vibrates through the very air. Every element in this composition whispers of the fleeting nature of existence.

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Nagoya City Art Museum1938Painting15 × 11 cm

It’s a direct reference to Kahlo's own experiences with pain and death, particularly following her devastating bus accident in 1925. Painted in 1938, during a period of relative stability following her accident, “Girl with Death Mask” reflects a shift in Kahlo’s artistic focus.

Spotskull maskflower

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The Louvre, Paris1878Oil on canvas

The painting depicts the climactic moment from Greek mythology where Phaeton, son of the sun god Helios, attempts to drive his father’s chariot across the sky. The painting is characterized by rich colors, elaborate ornamentation, and a dramatic use of light and shadow (chiaroscuro).

Spotdramatic compositionchiaroscuro effectsallegorical narrative

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1885–1896Fresco

Light and shadow dance across the canvas to create a dynamic visual experience. In 1904, he presents The Last Judgement, a work that carries the weight of spiritual reckoning. The artist's brush also moves toward the celestial in Christ Almighty, painted in 1896.

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Galleria Nazionale d'Arte Moderna e Contemporanea, Rome1905Oil on canvas

Three Ages of Woman is a quintessential example of Klimt's “Golden Phase.” The extensive use of gold leaf, inspired by Byzantine mosaics he encountered during his travels in Italy, imbues the painting with an otherworldly quality.

Spotgeometric shapesgold leafintricate patterns

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Bergen Kunstmuseum1902Oil on canvas130 × 110 cm

This youthful figure gazes forward, seemingly oblivious to the passage of time or the experiences that lie ahead. The figures are bathed in a diffused light, creating an atmosphere of quiet contemplation rather than dramatic confrontation.

Spotsymbolismfour figures

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Tate Gallery, London1909Oil on panel65 × 54 cm

The painting is a black and white depiction of a woman sitting in a chair next to a window, lost in thought as she gazes outside.

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Nicholas Roerich Museum, New York City1924Canvas & tempera

The painting immediately draws the eye into a dramatic vista dominated by towering peaks bathed in twilight hues, conveying an atmosphere of solemn grandeur and hinting at hidden depths. Symbolism – Roerich's approach prioritized conveying spiritual truths rather than literal representation.

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Tretyakov Gallery, Moscow1912Oil on canvas160 × 186 cm

The composition is famously characterized by Petrov-Vodkin’s unique spherical perspective, a technique that defies traditional linear depth to create a sense of a curved, encompassing world. However, he brilliantly synthesized these ancient traditions with the emerging trends of Futurism and Post-Impressionism.

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National Museum of Art, Architecture and Design, Oslo1893Oil on canvas140 × 135 cm

Long shadows cast by the woman and the house dominate the canvas, creating a sense of claustrophobia and isolation. Munch’s use of color transitions from vibrant blues to warm earth tones, creating an atmosphere that is both tranquil and charged with potential energy.

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Manchester Art Gallery1878Oil on canvas106 × 183 cm

The painting presents a mesmerizing tableau of three women, draped in the flowing elegance of ancient Greek attire, standing beneath a serene sky dappioned with soft clouds.

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Kröller-Müller Museum, Otterlo1914Oils on board51 × 64 cm

The myth itself centers on Polyphemus's violent pursuit of Galatea, but Redon subtly subverts this narrative. The Cyclops represents a pivotal moment in this evolution, showcasing Redon's mastery of color and his ability to translate the intangible realms of imagination into tangible form.

Spotsleeping nymphone large eye

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1896Oil on canvas

Painted in 1896, this piece captures a specific moment in the artist's exploration of folklore and myth. Perched upon these limbs are two mythical bird-women, figures drawn from the depths of Russian folklore.

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Ateneum Art Museum, Helsinki1896Oil on canvas17 × 16 cm

The scene unfolds like a secret, overgrown sanctuary, populated by two skeletal figures who seem more like devoted gardeners than harbingers of doom.

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Munch Museum, Oslo1893Oil on canvas77.5 × 98.5 cm

The composition is dominated by their intertwined bodies, creating an immediate sense of closeness and vulnerability. Born in 1863, he witnessed the early deaths of his mother and sister from tuberculosis, and battled a lifelong fear of inherited mental illness.

Spotdramatic red lightingloose brushworkintertwined bodies

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Salford Museum - Art Gallery, Greater Manchester1904Oil122 × 213 cm

The tension between the physical hunger of the figures and the metaphorical hunger of the spirit creates a haunting duality. The brushwork carries a certain expressive quality, blending a meticulous attention to detail with loose, gestural strokes that convey a sense of immediate movement.

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Metropolitan Museum of Art, New York1908Oil on canvas129 × 210 cm

The figures themselves are rendered in a deliberately stylized manner, their poses exaggerated and distorted to amplify the drama and psychological impact. Dynamic and chaotic, guiding the viewer through a landscape of torment.

Spotdissonant colorsstylized poses

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MOMA, New YorkOil on canvas

' Hope II ' is one of the most famous works by Gustav Klimt, created between 1907-1908. ' Hope II ' is a portrait of a woman, adorned with intricate patterns and gold leaf, which was a common feature in Klimt's work during this period.

Spotgold leafskull motif

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Tate Gallery, London1872Oil on canvas

This deliberate manipulation of color and tone aligns perfectly with the tenets of Aestheticism, a movement that championed art’s intrinsic value, independent of moral or narrative content. The figures strolling across the bridge add another layer of interpretation.

Spotbridgeboatpeople

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Alte Nationalgalerie, Berlin1895Oil on canvas161.5 × 299 cm

The scene captures a group of travelers moving through a mountainous landscape, their progress marked by the steady gait of horses and the presence of carts laden with belongings. A Divisionist technique that creates a vibrating quality in the light.

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1901Oil on canvas

The work measures 107.5 x 143.5 cms, or 42 ¼ x 56 ¼ ins. Arkhip Kuindzhi approached this piece with a specific focus on the interplay of light and shadow. The composition centers on a solitary figure positioned in the heart of a dense forest.

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Oil painting

The oil painting titled Melancholy is a portrait created by the French artist Jean-Jacques Henner. The composition focuses on the woman, capturing her from the upper chest upward as she engages with a book.

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1937

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National Museum in Kraków, Krakow1893Oil on canvas310 × 275 cm

Painted in 1893 by Władysław Podkowiński, this oil on linen work emerges as the first true expression of Symbolism within the nation's artistic landscape. This placement follows a significant chapter in its history when Feliks Jasieński acquired the work in 1901 for 1,000 rubles.

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Tretyakov Gallery, Moscow1900Oil on canvas

The subject matter finds its roots in the folklore of Alexander Pushkin, specifically drawn from the tale The Tale of Tsar Sultan. The figure depicted is inspired by the role of the Swan Princess, a part performed by the artist's wife, Nadezhda Zabela- Vrubel.

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Art Institute of Chicago1893Oil on canvas96.5 × 65.4 cm

To fully appreciate “The Girl by the Window,” it's crucial to understand the context of Edvard Munch’s life. Furthermore, Munch's technique – loose brushstrokes and an emphasis on color rather than precise detail – contributes to the painting’s emotional intensity.

Spotfigureswindow

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1913Oil, canvas74 × 48 cm

Lilies appear within the composition, adding a layer of symbolic weight to the encounter. The physical presence of the canvas provides a sturdy foundation for the colors and the symbolic arrangement of the figures.

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Belvedere CollectionOil on canvas

Gustave Klimt, an Austrian symbolist painter, was a key figure in the Vienna Secession movement. The symbolist painters sought ways for color and line to express ideas rather than merely represent reality.

Spotpatternsabstract shapes

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Tretyakov Gallery, Moscow1890Oil on canvas211 × 160 cm

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Painting

The transformation of a symbol of terror into a figure of biological reality. The technique emphasizes the weight of the figure and the atmosphere of the setting, using light and shadow to ground the surreal subject in a tangible, almost heavy reality.

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1913Oil on canvas

The oil on canvas work titled Sonia de Klamery is a portrait by the Catalan artist Hermenegildo Anglada Camarasa. The subject of the painting is Countess Sonia de Klamery, a young Polish aristocrat.

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1893Oil

Near the bottom right, a dog occupies the periphery, adding a sense of lived-in reality to the composition. It is a study of light, shadow, and the quiet dignity of rural life in motion.

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Bavarian State Painting Collections, Munich1895–1905Oil on canvas27.5 × 35.5 cm

The artwork centers around a solitary female figure poised before a large, intricately decorated golden harp. During this time Klimt also worked on several other allegorical works like Death and Life, demonstrating his fascination with philosophical themes and the human condition.

Spotstatueroseswoman in dark dress

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Royal Museums of Fine Arts1891Tempera38 × 46 cm

The painting immediately draws the eye to the figures seated around the table, their faces rendered with childlike simplicity, almost as if they’ve been sketched by a young child themselves.

Spotchildlike facesempty chairs

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Painting

In this specific work, titled The Isle of the Dead, he captures a moment that feels suspended in a quiet, heavy stillness. As a leading voice in the Symbolist movement, Klinger focuses his gaze on the unseen.

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Oil

The artist, born in 1840, moved through the shadows of his early years to find a new language in color. Odilon Redon, who lived until 1916, sought to give form to the intangible.

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1886Oil on canvas

A man rides a horse through the sky, his form caught in a moment of frantic, soaring motion. Beside him, the presence of Mephistopheles looms, a shadow cast against the heavens. A color scheme that favors the intense, saturated hues of jewels.

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1896Oil

In the painting Christ Almighty by Viktor Vasnetsov, the central figure of Jesus is positioned amidst a celestial landscape. In 1896, Vasnetsov produced a series of paintings that addressed spiritual and historical subject matter.

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Musée Gustave Moreau, ParisOil on canvas

Born in 1826 into a bourgeois family—his father an architect and archivist— Moreau’s early life was steeped in intellectual curiosity and aesthetic sensibility. From a young age, he displayed a remarkable gift for drawing, nurtured through traditional academic training under figures like François-Édouard Picot.

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1896Oil

The artist utilizes a palette that feels deeply rooted in the Russian landscape — earthy tones, deep greens, and the muted light of a forest clearing—to ground the spiritual themes in a tangible, tactile reality.

Spotgroup of people cutting a tree trunk

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Musée d'Orsay, Paris1882Oil on canvas100.4 × 79.7 cm

The painting anticipates Ensor’s later, more radical explorations of color and form. The shadowy figures could symbolize unseen anxieties or the presence of grief. Look at early Impressionist paintings for comparisons in technique, particularly the use of light and color to create atmosphere.

Spotplay of lightshadowmuted color palette

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Kunsthaus Zürich, Zurich1889Oil on canvas

“The Military Band on Karl Johan Street” is a quintessential example of Symbolist art. Rather than aiming to replicate reality, Munch employed color, composition, and brushwork to communicate an underlying emotional state.

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Mongolia National Art Gallery, Ulaanbaatar1927Oil on canvas

The central figure, Rigden Jyepo – a Tibetan deity often depicted as a messenger or protector – dominates the composition, riding a magnificent horse that seems to surge upwards through swirling clouds.

Spotmandorlaclouds

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1904Oil

At the center of this swirling darkness, a figure moves with a quiet, divine purpose. The visual narrative relies on several key elements to convey its spiritual weight: The contrast between the luminous, divine figure and the dark, swallowing void of the background.

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Kommunes Kunstsam1915Oil on canvas

The lines are often jagged and uneven, mirroring the turmoil within the figures themselves. Understanding “Workers Returning Home” requires considering its historical context. Painted in 1915, during the height of World War I, the painting reflects the widespread anxieties and uncertainties of the era.

Spotworkersurban scene

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1912Oil on canvas

Created during a pivotal period in Chagall’s artistic development, The Pinch of Snuff is inextricably linked to his upbringing in Liozna, Belarus. The small town, with its unique cultural blend of Russian Orthodox and Jewish traditions, served as the wellspring for much of his imagery.

Spotsmoking manstarsbook

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190474 × 61 cm

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192340 × 33 cm

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1907Tempera on cardboard69 × 70 cm

This work, created before his groundbreaking Suprematist period, showcases a blend of Symbolist and early Cubist influences, providing valuable insight into the development of one of modern art’s most revolutionary figures. The "Self-Portrait" exemplifies Malevich's transition away from traditional representational art.

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1889Oil on canvas138 × 188 cm

The artist employs a technique that emphasizes texture and the physical presence of the paint. A color palette rooted in the organic tones of the natural world. The meticulous rendering of light and shadow across the figures.

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Kunstmuseum, St. Gallen1895Oil on canvas60 × 44 cm

Symbolist painting emerged as a reaction against the prevailing naturalism of Impressionism and Realism. Surrounding them are angelic figures, positioned as guardians and witnesses to the couple's union, adding layers of spiritual significance.

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Tate Gallery, London1872Oil on canvas67 × 49 cm

This careful manipulation of color is central to Whistler’s aim: to represent not what the eye sees, but what the soul feels in response to light. “Broken color” -thin, translucent layers of paint built up through subtle gradations.

Spotclockbridgeboat

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1909Oil painting

Within the composition, several layers of meaning emerge through specific motifs: The presence of an Eternal Flame burning on an altar. The juxtaposition of a Light Ruler on a throne against a larger, looming Dark Ruler.

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1934

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Ny Carlsberg Glyptotek, Copenhagen1906Oil on panel57 × 64 cm

In Montague Street in London, the symbolism lies in the concept of absence; the empty street becomes a canvas for the viewer's own introspection, allowing the mind to wander through the misty, silent corridors of the composition.

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1899Oil on canvas

The scene is set upon a sloping hillside, where two women are positioned amidst a rugged terrain of rocks and boulders. This method allows the light to appear as if it is emanating from within the paint itself, rather than simply falling upon it.

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Tretyakov Gallery, Moscow1890Oil on canvas

Vrubel’s technique in this piece is nothing short of revolutionary, marking him as a pioneering figure of Modernist art. Vrubel was deeply influenced by the mystical and the literary, often drawing inspiration from the romantic poetry of Mikhail Lermontov.

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1908

Odilon Redon's The Dream, created in 1908, is a quintessential representation of the Symbolism movement. This painting, characterized by its dreamlike and often mystical themes, showcases the artist's unique style and composition.

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Art Institute of Chicago1872Oil on canvas

The choice of Southampton Water itself holds significance; it was a favorite subject for Whistler, representing a connection to the English countryside and a refuge from the bustle of London.

Spotfiguressunsetboats

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Los Angeles County Museum of Art1882Lithography27 × 21 cm

This lithograph, now housed within the Los Angeles County Museum of Art, exemplifies Redon's mastery of Symbolism – a movement that sought to express ideas and emotions through suggestive imagery rather than direct representation.

Spotangeleyedark sky

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1899

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1904Oil paint on canvas65 × 76 cm

The painting presents a nude female figure, an Amazon, captured in a state of intense distress. The atmosphere of the work is thick with tension, achieved through an unsettling and dynamic composition.

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National Gallery of Wales, Cardiff1879Oil on canvas

In 1879, the city was grappling with the pressures of modernization and tourism, yet Whistler’s work captures a moment of serene beauty —a fleeting glimpse of the Venetian spirit before it was irrevocably altered.

Spotmoonlit cityscape

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1894Oil on canvas164 × 250 cm

Munch, alongside artists like Gustave Moreau and Odilon Redon, aimed to unlock inner truths rather than simply mirroring the external world. Created during a period of significant social and artistic upheaval, The Three Stages of Woman (Sphinx) reflects anxieties surrounding gender roles, sexuality, and mortality.

Spotbirdsclock

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1925

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1890Pastels

The painting La Barque Mystique emerges from the creative mind of Odilon Redon. Created between 1890 and 95, this work captures a moment of quietude on the water. One finds a similar sense of drifting in The Mysterious Boat 1.

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Oil on canvas

In the heart of the late 19th century, as the world began to grapple with the cold rationalism of the industrial age, Gustave Moreau offered a sanctuary of shadows and dreams.

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Munch Museum, Oslo1907Oil on canvas153 × 149 cm

The swirling background, rendered in shades of green and blue, creates an ambiguous space that feels both dreamlike and claustrophobic. Influenced by Paul Gauguin, Vincent van Gogh, and Henri de Toulouse-Lautrec. Part of Edvard Munch’s seminal Frieze of Life series.

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1899Oil on canvas75 × 75 cm

Athena, goddess of wisdom, strategic warfare, and crafts, is presented not as a warrior clad in armor, but as a serene yet powerful figure adorned with opulent ornamentation. The influence of Japanese prints is evident in the asymmetrical composition and emphasis on pattern.

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Belvedere, Vienna1917Oil on canvas70 × 70 cm

Gustav Klimt, an Austrian symbolist painter, is renowned for his focus on the female form and his distinct style. His painting, Portrait of a Lady in White, created in 1917, is an unfinished oil painting that showcases his unique technique and artistic vision.

Spotpatternsgold leaf

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Metropolitan Museum1912Oil on canvas

This creates an atmospheric effect, softening the edges and adding depth to the composition. The interplay of light and shadow is particularly effective, highlighting Mäda’s youthful features and drawing the viewer's eye into the heart of the painting.

Spotclockflowersbirds

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National Gallery, Athens1895Oil on canvas200 × 200 cm

The work, dated 1895, captures a moment of intense spiritual significance. At the center of the composition, a man, identified as Jesus, stands holding a cross. In 1871, he produced News of Victory, a work that responded to the contemporary tensions of the Franco-Prussian War.

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Stadtische Kunstsammlungen, Gorzów Wielkopolski1911Oil on canvas89 × 63 cm

The pose itself – relaxed yet subtly vulnerable – is characteristic of Corinth’s stylistic preference for conveying psychological depth through physical posture. The shallow perspective reinforces this feeling, creating an illusionistic space that draws us into the scene’s tranquil atmosphere.

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191130 × 25 cm

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