100 Famous Post Impressionism Paintings You'll Love

Kröller-Müller Museum, Otterlo1888Oil on canvas81 × 65 cm

Created during a period of intense creativity for Van Gogh, this painting reflects his fascination with Japanese prints and their use of bold outlines and flattened perspective. It also foreshadows the expressive power of 20th-century art movements like Fauvism and Expressionism.

Spotstarry skyartificial lightingcafé terrace

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Hermitage Museum, Saint Petersburg1908Oil on canvas180 × 220 cm

The flattened perspective, patterned surfaces, and deliberate rejection of conventional shading create a distinctly modern visual language. Originally titled “Harmony in Blue,” the artist deliberately altered the background to red, demonstrating his commitment to exploring the emotional impact of color itself.

Spotstill life arrangementbold color use (red)wallpaper pattern

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Museum of Fine Arts, Boston1897Oil on canvas139.1 × 374.6 cm

Arranged across a lush, dreamlike landscape blending Tahitian scenery with symbolic elements, the composition deliberately defies traditional Western narrative structure, reading from right to left. This painting reflects Gauguin's deep fascination with non-Western cultures, particularly that of Polynesia.

Spotnon-traditional composition (reads right to left)symbolic figures representing different stages of lifepolynesian religious imagery

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Van Gogh Museum, Amsterdam1886Oil on canvas32 × 25 cm

Vincent van Gogh’s “Skull with Burning Cigarette” (1886) is a strikingly intimate and unconventional work from his early period, offering a glimpse into the artist's developing style and fascination with existential themes.

Spotdefiancedark humorsymbolism of mortality

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MOMA - Museum of Modern Art, New York City1897Oil on canvas129.5 × 200.7 cm

A self-taught artist, Rousseau rejected conventional techniques, opting instead for a flattened perspective, simplified forms, and an almost childlike directness. Every element within this composition carries symbolic resonance.

Spotvibrant colorsjuxtaposition of vulnerabilitypower

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Bayerische Staatsgemaldesammlungen, Munich1888Oil on canvas91 × 71 cm

Van Gogh moves beyond merely representing reality; he uses vibrant color and expressive brushwork to convey his subjective experience. This duality reflects Van Gogh’s own internal struggles and his awareness of life's impermanence. The composition is deceptively simple yet powerfully effective.

Spotvibrant colorsthick brushstrokeswilting flowers

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Musée d'Orsay, Paris1893Oil on canvas97 × 130 cm

Unlike the vibrant, broken brushstrokes of Impressionism, Cézanne employs deliberate, geometric forms and carefully modulated earthy tones – browns, greys, and muted greens – to construct a sense of solidity and permanence.

Spotearthy tonesquiet contemplationsomber mood

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Van Gogh Museum, Amsterdam1885Oil on canvas82 × 114 cm

The Potato Eaters captures Vincent van Gogh's deep empathy for the rural working class. Van Gogh considered The Potato Eaters his most successful painting at the time, though it was initially criticized by contemporaries.

Spotbold, expressive linesthick, visible brushstrokessubdued lighting

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Musée d'Orsay, Paris1891Oil on canvas

Seated on what appears to be a woven mat, their postures suggest contemplation and quiet connection. The application of visible brushstrokes adds texture and depth, while the limited use of cooler colors (blues and greens) provides subtle contrast and balance.

Spotdirect gaze of one figureflattened formsbold colors

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Pushkin State Museum, Moscow1911Oil on canvas140 × 95 cm

This composition creates a sense of calm and contemplation, making it an ideal piece for those seeking to bring a touch of serenity into their living spaces. Painted in 1911, "Goldfish" exemplifies Matisse's Post-Impressionist style, characterized by bold colors and expressive brushstrokes.

Spotvibrant red fishlush greenerypatterned wallpaper

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National Gallery, London1884Oil on canvas201 × 301.5 cm

The composition is balanced with a horizontal orientation, featuring figures scattered across the foreground and middle ground. "Bañistas en Asnieres" exemplifies Seurat's Post-Impressionist style, characterized by its emphasis on color, expressive brushwork, and a departure from strict realism.

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Yale University Art Gallery, New Haven1888Oil on canvas72 × 92 cm

Scattered figures populate the space, some engaged in quiet contemplation, others appearing lost or despondent. The jarring contrast between these warm tones and cooler greens and blues creates a visual tension that mirrors the psychological state Van Gogh sought to convey.

Spotdistorted perspectivebilliard tablesymbolic isolation

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Philadelphia Museum of Art1898–1905Oil on canvas210.5 × 250.8 cm

Unlike traditional depictions of bathers steeped in mythological narrative, Cézanne’s women are archetypal, devoid of individualizing features, and exist not in the landscape but as part of it. Large Bathers (Philadelphia) emerged during a period of radical artistic experimentation.

Spotflattened perspectivenude figureswoodland setting

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1911Oil on canvas110 × 110 cm

Rejecting the constraints of academic tradition, Klimt and his fellow Secessionists sought to create a “total work of art,” integrating all artistic disciplines. Born in 1862 near Vienna, Austria, Gustav Klimt (1862-1918) rose to prominence as a rebellious force within the Austrian art scene.

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Buffalo AKG Art Museum1889Oil on canvas91 × 73 cm

At its core, the work depicts Jesus Christ on the cross, yet Gauguin deliberately subverts expectations. The figure’s yellowish-green skin tone and elongated form immediately challenge conventional portrayals of Christ's suffering. A solitary kneeling figure further back adds to the sense of isolated grief.

Spotsymbolic landscapeyellowish-green skin tone of Christbreton figures

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Van Gogh Museum, Amsterdam1888Oil on canvas72 × 92 cm

Notably, the painting showcases “The Yellow House,” where Van Gogh hoped to establish an artist’s colony with Paul Gauguin. The swirling sky echoes the turbulence within Van Gogh’s own mind, while the illuminated buildings suggest hope and warmth amidst darkness.

Spotyellow buildingsswirling blue skylamppost

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Centre Pompidou, Paris1923Oil on canvas90 × 116 cm

Executed with Valadon’s signature expressive brushwork, this painting exemplifies Post-Impressionism’s emphasis on subjective vision and emotional resonance. Suzanne Valadon was a pioneering figure in early 20th-century art, breaking barriers as the first woman admitted to the Société Nationale des Beaux-Arts.

Spotbold colorsexpressive brushstrokescigarette

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Art Institute of Chicago1895Oil on canvas62 × 79 cm

This vibrant composition features a basket brimming with apples and pears, accompanied by bread rolls on a plate and a dark bottle. Cézanne's work bridges the gap between Impressionism and Cubism, characterized by bold brushstrokes and a focus on geometric forms.

Spotbold colors and loose brushstrokesdynamic composition with fruits, bread, and a bottlevibrant contrast between warm fruits and cool background

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Van Gogh Museum, Amsterdam1888Oil on canvas72 × 90 cm

This painting is a quintessential example of Van Gogh's distinctive Post-Impressionist style. The two chairs – one yellow, one green – are often interpreted as representing Van Gogh himself and a hoped-for companion, most likely Paul Gauguin.

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Pushkin State Museum, Moscow1904Oil on canvas60 × 73 cm

The painting’s composition is deliberately unbalanced, with the two mountains positioned slightly off-center. These reproductions are not mere copies; they are artistic interpretations created by skilled artisans who have painstakingly studied Cézanne's technique and color palette.

Spotmountain rangetrees

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Kunstmuseum Den Haag, The Hague1908–1910Oil on canvas70 × 99 cm

Initially rooted in the Impressionistic traditions of his Dutch homeland – landscapes imbued with the soft light and atmospheric perspective of the Hague School – “Avond” marks a decisive turn toward a purely geometric language, foreshadowing his later development of Neoplasticism.

Spotblue backgroundred tree

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Van Gogh Museum, Amsterdam1890Oil on canvas50 × 103 cm

While recent scholarship suggests Tree Roots was likely his last painting, Wheatfield with Crows remains powerfully linked to his emotional state at the time. The contrasting colors – particularly the red in the pathway – add another layer of symbolic complexity.

Spotpathwayturbulent skycrows

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Metropolitan Museum of Art, New York1888Oil paint or pastels100 × 155 cm

This technique, known as chromoluminarism, allows the viewer's eye to blend the colors optically, resulting in a luminous and shimmering effect. The color palette of "Circus Sideshow" is rich and varied, with warm tones dominating the scene.

Spotuse of pointillist technique for textured effectvibrant color palette with warm tones

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Barnes Foundation, Philadelphia1892Oil on canvas73 × 92 cm

Cézanne’s approach shattered traditional landscape conventions. While influenced by the Impressionists’ focus on capturing fleeting moments of light and color, Cézanne moved beyond mere observation, delving into the formal elements of his subject.

Spotbrushstrokescolor

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Hastings Museum Art Gallery1899Pen and brush and ink, watercolor and pencil

Els Quatre Gats (The Four Cats) was a café located in Barcelona, Spain, that served as a gathering place for artists and intellectuals. The café was opened by Pere Romeu, who had previously operated a similar establishment in Paris called Le Chat Noir.

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Art Institute of Chicago1889Oil on canvas40 × 31 cm

This oil on canvas painting, measuring 40 x 31 cm, is a quintessential example of Post-Impressionism, characterized by bold colors and expressive brushwork. This particular Self-Portrait is notable for its simplicity and directness, with the artist wearing a blue shirt with white trim.

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1905Oil on canvas

The painting depicts Madame Matisse, the artist's wife, elegantly adorned with an extravagant hat, becoming a symbol of both personal affection and artistic innovation. Emerging in the early 20th century, Fauvism (“wild beasts” in French) shocked the art world with its radical use of color.

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Fine Arts Museums of San Francisco1889Oil on panel24 × 15 cm

Measuring just 24 x 15 cm, this intimate painting—currently housed at the Fine Arts Museums of San Francisco —packs an enormous visual punch, offering a unique perspective on one of the world's most recognizable landmarks.

Spotpointillist techniqueatmospheric perspective

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1909Oil on cardboard50 × 65 cm

The loose, gestural brushstrokes create a sense of movement and energy, while the simplified and exaggerated shapes focus on overall form rather than precise detail. Kandinsky's use of bold, unnatural colors and expressive strokes infuses the scene with a strong emotional and psychological presence.

Spottwo open doorways revealing glimpses of adjacent areasdynamic brushwork and loose, expressive strokescentral table with a red-and-white checkered cloth

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Whitney Museum of American Art, New York1894Oil on canvas59 × 72 cm

Cézanne's Post-Impressionist style is characterized by visible brushstrokes, a focus on capturing the overall impression of the scene rather than fine details, and an emphasis on light and color. These colors blend seamlessly to create a soft, almost nostalgic feel.

Spoteveryday objects arranged casuallyvibrant yet muted color paletteloose brushwork

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Pushkin State Museum, Moscow1901Oil on canvas82 × 66 cm

"Sabartes" showcases Picasso's distinctive Post-Impressionist style, characterized by bold outlines, flat planes of color, and expressive brushstrokes. Created in 1901, "Sabartes" reflects Picasso's early exploration of themes such as solitude, introspection, and melancholy.

Spotcontemplative expressionmuted palettethick expressive brushstrokes

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1890Oil on canvas (presumed)39 × 31 cm

While rooted in observation, the painting prioritizes conveying feeling through bold color choices and dynamic brushwork. The visible brushstrokes aren’t merely a technique; they are integral to the emotional narrative, creating a tactile surface that seems to pulse with energy.

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MOMA - Museum of Modern Art, New York City1905Oil on canvas72 × 59 cm

Despite its departure from realism, Matisse’s technique remains rooted in Impressionism's foundational principles. The artist skillfully utilizes color to sculpt form, subtly defining shapes through variations in hue and saturation—a technique that anticipates developments in Abstract Expressionism decades later.

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Kunstmuseum Basel1892Oil on canvas101 × 77 cm

Gauguin’s technique is immediately recognizable: broad, visible brushstrokes applied with a confident, almost impulsive energy. The older woman's expression is more subdued, her gaze directed towards an unseen horizon.

Spotsymbolic figures

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Philadelphia Museum of Art1886Oil on canvas

Subtle warm tones of yellow and orange in the distant sky provide a delicate contrast, adding depth and preventing the scene from feeling oppressive.

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45 × 33 cm

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Hermitage Museum, Saint Petersburg1890Oil on canvas35.2 × 46.2 cm

The painting features a table set with various fruits, including apples, oranges, and lemons, arranged in a harmonious composition. " Still Life with Apples " is not only a beautiful piece of art but also an important milestone in the development of modern art.

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Musée d'Orsay, Paris1888Oil on canvas73 × 92 cm

Van Gogh's Post-Impressionist style is evident in the expressive use of color and bold brushwork. The painting was first exhibited in 1889 at the annual exhibition of the Société des Artistes Indépendants in Paris.

Spotreflections in the watertwo figures standing by the riverluminous stars and lights

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The Norton Simon Museum of Art, Pasadena1888Oil on canvas64 × 54 cm

Arriving in Arles in 1888, Van Gogh sought to establish an artistic community inspired by the vibrant light and simple beauty of the southern French countryside. This period marked a significant shift in Van Gogh’s style, characterized by increased intensity and emotional depth.

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Orsay Museum, Paris1890Oil on canvas69 × 91.5 cm

The painting arrived at a pivotal moment in art history —the waning days of Impressionism and the burgeoning excitement surrounding Symbolism —marking Gauguin’s decisive break from academic conventions. The composition itself is laden with symbolic significance.

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1916Oil on canvas

Known in its original language as Le Retour de pêche au Croisic, the piece captures a specific maritime scene. This work originates from a period in the artist's life spent in the coastal regions of France.

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Eredità Bardini Museum1922Oil on canvas73 × 92 cm

The painting immediately draws the eye to a woman seated gracefully by an open window. Matisse's artistic vision was undeniably shaped by two pivotal movements: Fauvism and Cézanne’s groundbreaking approach to depicting nature.

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Dallas Museum of Art1888Oil on canvas73 × 60 cm

The composition is anchored by a large tree that dominates the background, creating a vertical axis that draws the eye upward. Pissarro's Post-Impressionist style is evident in the vibrant colors, thick brushstrokes, and emphasis on form and texture.

Spotfigures engaged in apple pickingvibrant color palette with earthy tonesthick, textured brushstrokes

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Philadelphia Museum of Art1888Oil on canvas91 × 72 cm

Van Gogh's distinctive style is on full display in this artwork. The painting is characterized by its bold colors, thick impasto technique, and expressive brushstrokes, which create a textured surface that seems to pulse with energy.

Spotthick paint applicationvibrant colorsdynamic composition

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Metropolitan Museum of Art, New York City1905Oil on canvas99 × 100 cm

The woman beside him is Germaine Pichot, a seamstress who was once involved with Picasso's close friend, Carles Casagemas. "At the Lapin Agile" is not just a depiction of a lively cabaret scene; it also carries deep emotional significance for Picasso.

Spotgermaine Pichot depicted as the woman in orange dressfrédéric Gérard depicted as the guitaristself-portrait as a harlequin

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Kröller-Müller Museum, Otterlo1893Oil on canvas

At first glance, the viewer is greeted by the commanding presence of two dark, verdant cypress trees that pierce the sky like silent sentinels. Moving away from the spontaneous, fleeting strokes of traditional Impressionism, Signac embraced a more scientific, disciplined approach to color theory.

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Philadelphia Museum of Art1918–1927Oil on canvas

While influenced by artists like Paul Cézanne and Vincent van Gogh – particularly in his use of color and expressive brushwork – Duchamp quickly moved beyond their styles to forge his own unique path.

Spotadameve

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MOMA - Museum of Modern Art, New York City1904Oil on canvas73 × 92 cm

Created in 1904, this work belongs to a pivotal period in the artist’s career when he was exploring new ways to depict form and space. This painting reflects those innovations, blending impressionistic color effects with a more analytical approach to composition.

Spotvibrant colorstextured brushworkbold forms

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Chrysler Museum of Art, Norfolk1891Oil on canvas90 × 130 cm

The figure appears relaxed and at peace, lying on the ground amidst a lush landscape. The landscape may represent a utopian or mythical world, where humans and nature coexist in harmony. Gauguin's technique is characterized by bold brushstrokes and a loose, expressive application of paint.

Spotreclining human-like figure with an animal headvibrant colorsdreamlike atmosphere

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1924Oil

The sun dips low toward the horizon, casting a warm, heavy glow across the Breton coastline. The painting reflects a deep connection to the rugged beauty of the Brittany coast, focusing on the emotional weight of the landscape rather than mere documentation.

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J. Paul Getty Museum, Los Angeles1889Oil on canvas71 × 93 cm

Rejecting the strict realism of earlier movements, he employed expressive brushwork and heightened color to convey emotion and subjective experience. Short, broken strokes build up texture and depth, making the blooms appear almost three-dimensional.

Spotvibrant bluesemotional intensitypathway

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Lenbachhaus, Munich1903Oil on canvas59 × 59 cm

Wassily Kandinsky's " Gabriele Münter painting in Kallmunz" (1903) captures a serene moment of artistic inspiration set against the backdrop of rural Bavaria. The composition beautifully balances the figure of Münter with the surrounding landscape, creating a harmonious blend of human creativity and natural beauty.

Spotexpressive brushwork creating texture and movementvibrant color palette with earthy tones and bright accents

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Metropolitan Museum of Art, New York City1905Oil on canvas99 × 100 cm

“At ‘Lapin Agile’” marks a pivotal moment in Picasso’s artistic development, firmly situated within his Rose Period (1904-1906). Created in 1905, this painting reflects a period of significant artistic experimentation and social change.

Spotle Lapin Agile cabaretharlequin figureself-portrait (possibly)

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1922Oil on canvas

Despite its categorization within Surrealism, “Olive Trees” retains traces of Impressionistic influences. Painted during Dalí’s formative years in Paris alongside Pablo Picasso, “Olive Trees” reflects the broader artistic currents of the time.

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ArtsDot.com1901Oil on canvas

Still Life with Skull is a quintessential example of Cézanne’s Post- Impressionistic style. Departing from the fleeting impressions of light favored by the Impressionists, Cézanne focused on the underlying structure and form of his subjects.

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1888Oil on canvas92 × 73 cm

Painted during Van Gogh's prolific period in Arles, France, this artwork exemplifies his Post-Impressionist approach. Unlike the Impressionists who focused on capturing fleeting moments of light, Van Gogh infused his work with emotional intensity and bold, expressive brushstrokes.

Spotthick, impasto brushstrokescontrast between warm and cool colorsvibrant and dynamic representation

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Oil on canvas on board

Theatre du Vaudeville is an oil painting by the artist Edouard Cortès. The work depicts a Parisian street scene, focusing on the urban landscape and the activity surrounding a theater. Light and shadow define the spatial depth of the work.

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Philadelphia Museum of Art1902Oil on canvas61 × 50 cm

Duchamp's Landscape at Blainville reflects his early fascination with capturing natural beauty. Today, Landscape at Blainville is celebrated as an important piece in the history of modern art. Experience the tranquility of Marcel Duchamp's 'Landscape at Blainville' with AllPaintingsStore.com.

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Gemeentemuseum den Haag, The Hague1908Ink72 × 47 cm

Post-Impressionism arose as a reaction against Impressionists' preoccupation with capturing fleeting moments of light and color. Artists like Cézanne, Gauguin, and Van Gogh sought to express emotions and ideas through art—a conscious rejection of Impressionistic objectivity.

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Metropolitan Museum of Art, New York1891Oil on canvas113.7 × 87.6 cm

Driven by disillusionment with Parisian society, Gauguin sought refuge in Tahiti, believing its untamed beauty and vibrant culture held the key to a more genuine way of life. First exhibited in Paris in 1893, “Ia Orana Maria” immediately sparked conversation and controversy.

Spotjesus as Tahitianstahitian womenbananas

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1920Oil on canvas

Created in 1920, this work reflects the post-World War I era’s exploration of human emotion and identity. During this period, many artists sought to express personal and collective introspection through bold colors and expressive forms.

Spotrich textured surfaceabstract and figurative blendvivid interplay of color, texture, and line

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National Gallery of Art, Washington1905Oil on canvas81 × 101 cm

This painting encapsulates Cézanne’s revolutionary approach to representation, moving beyond mere imitation towards an exploration of underlying structure and subjective perception. This approach bridges Impressionism’s focus on light and color with the more analytical concerns of Cubism.

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Kröller-Müller Museum, Otterlo1888Oil on canvas73 × 93 cm

This piece is a quintessential example of Post-Impressionism, showcasing Van Gogh’s departure from simply recording visual reality towards expressing subjective experience. During his time in Arles, Van Gogh sought refuge and inspiration in the rural landscape, hoping to establish an artist's colony.

Spotvibrant colorstextured brushstrokesrural scene

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1907Oil paint69 × 105 cm

The composition centers on a woman reclining within the confines of a bed. A focus on the subjective experience of the domestic scene through bold color application. Painted in 1907, this work reflects the stylistic evolution of Nicolas Tarkhoff following his time in Paris.

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1920Oil76 × 107 cm

Created about 1920, the painting captures a specific moment of military aftermath in the Middle East. The scene captures the aftermath of a destroyed Turkish aerodrome at Rayak, Lebanon, in 1919. This central placement creates a balanced arrangement against the expansive landscape behind it.

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Metropolitan Museum of Art, New York1894Oil on canvas72.4 × 90.5 cm

Farm in Brittany, painted by Paul Gauguin in 1894, is a quintessential example of Post-Impressionism. This beautiful oil on canvas painting is housed at the Metropolitan Museum of Art in New York, United States.

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Pushkin State Museum, Moscow1888Oil on canvas75 × 93 cm

Created during a period of intense experimentation and emotional turmoil, "The Red Vineyard " reflects his fascination with rural life and his desire to connect with the working class. Furthermore, Van Gogh’s artistic development during this period was significantly shaped by Japanese woodblock prints (Ukiyo-e).

Spotworkershorsegrapes

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National Gallery, London1879Oil on canvas53.5 × 72.4 cm

Cezanne's innovative approach to painting laid the groundwork for many 20th-century artistic styles, including Fauvism, Cubism, and Expressionism. Mountains in Provence near L'Estaque, painted around 1870-1871, is a remarkable example of Cezanne's early work and his transition from Impressionism to Post-Impressionism.

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Pushkin Museum1912Oil on canvas

Rejecting naturalistic representation, Matisse embraced pure color—unmixed pigments applied directly to the canvas—creating an audacious visual experience that prioritized feeling over observation. This bold chromatic palette, reminiscent of landscapes from Morocco, immediately distinguishes “Entrance to the Kasbah” from its contemporaries.

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Ohara Museum of Art, Kurashiki1890Oil on canvas81 × 65 cm

Measuring 81 x 65 cm, it's a quintessential example of his mature style – a pivotal moment bridging Impressionism and the burgeoning Cubist movement. Born and largely based in Aix-en-Provence, France, Cézanne held a lifelong fascination with his native landscape.

Spotloose brushstrokesflattened perspectivevibrant colors

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1890Oil on canvas67 × 56 cm

The portrait is rich with symbolic elements that reflect Van Gogh's inner turmoil and the melancholic atmosphere of the time. Experience the emotional resonance and artistic genius that have made "Portrait of Dr. Gachet" one of the most revered paintings in art history.

Spotfoxglove plant on the tablebold brushstrokesvivid color palette

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Musée d'Orsay, Paris1896Oil67 × 54 cm

There is no grand theatricality here, only the quiet, unvarnished reality of a domestic moment. As light filters through an unseen window, it illuminates the woman’s skin and the soft drapery around her, creating a cocoon of comfort.

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Hermitage Museum, Saint Petersburg1909Oil on canvas75 × 97 cm

Winter Landscape depicts a serene winter scene featuring a house in the middle of a snowy field, surrounded by trees. For those who appreciate the beauty of Winter Landscape, AllPaintingsStore offers high-quality, handmade oil painting reproductions.

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Musée d'Orsay, Paris1898Oil on canvas140 × 91 cm

Born Eugène Henri Paul Gauguin in Paris in 1848, Gauguin experienced a formative childhood in Peru before returning to France due to financial difficulties stemming from his unsuccessful stockbroker career.

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Virginia Museum of Fine Arts, Richmond1877Oil on canvas (presumed)46 × 38 cm

Cézanne deliberately moves away from the fleeting impressions favored by his Impressionist contemporaries. It’s a snapshot of bourgeois life in late 19th-century France, meticulously observed and translated onto canvas. The composition is deliberately static and balanced, fostering a sense of quiet contemplation.

Spotdistinctive brushworktextured surfacemuted color palette

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Centre Pompidou, Paris1907Oil24 × 33 cm

The late 19th and early 20th centuries witnessed the rise of movements like Impressionism, Post-Impressionism, and Symbolism – all of which challenged traditional notions of representation and explored new ways of expressing subjective experience.

Spotforest landscape

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Kröller-Müller Museum, Otterlo1888Oil32 × 35 cm

"Willows at Sunset" is a powerful and evocative representation of a landscape, capturing the beauty and complexity of the natural world through bold colors, expressive brushwork, and a deep sense of emotion.

Spotthick impasto texturesbold colors and expressive brushworkdynamic composition with radiating lines

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Metropolitan Museum of Art, New York1892Oil on canvas

Gauguin’s decision to relocate was fueled by a desire to distance himself from the perceived superficiality of Western civilization, seeking instead a connection with nature, indigenous cultures, and a simpler existence – themes that would permeate his art for decades to come.

Spotsynthetist style

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MOMA - Museum of Modern Art, New York City1893Oil on canvas46.3 × 56.5 cm

Rather than relying on traditional linear perspective to create depth, Vuillard employs a sophisticated layering of color and pattern. This is not just an arrangement of shapes and colors; it is a portrait of resilience and tenderness.

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22 × 30 cm

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The Phillips Collection, Washington, D.C.1914Oil on canvas

Prendergast, a master of the Post-Impressionist movement, moves far beyond the mere naturalistic depiction of light. The brushwork is thick and tactile, an application of impasto that lends a physical weight to the atmosphere.

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Soares dos Reis National Museum, Porto1914Painting

In 1905, he moved to Paris to further his education, studying under Jean-Paul Laurens at the Julian Academy. By 1917, his work K4: the blue square emerged as a significant homage to Portuguese modernism.

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Isabella Stewart Gardner Museum1904Oil on canvas72 × 58 cm

Alongside André Derain, Matisse spearheaded this revolutionary art movement which lasted from 1905 to 1908. Other notable artworks by Henri Matisse include “Odalisque” (1917), “Fatma (II)” (1912), and “Still Life with Lemon” (1917).

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Norton Simon Museum, Pasadena1878Oil on canvas52 × 56 cm

The Pond of the Jas de Bouffan exemplifies this shift. While seemingly a straightforward depiction of a rural landscape, The Pond of the Jas de Bouffan is rich in symbolic meaning.

Spotgeometric formscolor

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National Gallery, London1889Oil on canvas95 × 73 cm

The style is characterized by bold colors, expressive brushwork, and a departure from realistic representation. This period marked a significant shift in Van Gogh's style, as he embraced brighter colors and more expressive techniques.

Spotdynamic compositionexpressive brushworkvibrant yellows

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1899

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1900Oil on canvas

There's no stillness here; every figure seems to be in transit, contributing to the overall feeling of dynamism. This technique was heavily influenced by his time studying Vincent van Gogh’s expressive brushwork. For more information about Henri Matisse and his artistic legacy, please visit AllPaintingsStore.com.

Spotbold colorsdynamic brushstrokes

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Scottish National Gallery, Edinburgh1888Oil on canvas72.2 × 91 cm

Gauguin, a restless spirit driven by a desire to escape European conventions, had already begun to dismantle established artistic norms, seeking inspiration in the art of Japan and the raw energy of his own experiences – particularly those spent in Tahiti.

Spotdistorted shapesbold color

Hand-painted from $175 Canvas from $42

Minneapolis Institute of Art1889Oil on canvas92 × 73 cm

The foreground features undulating terrain with patches of grass and earthy tones, while the middle ground showcases gnarled olive trees with lush foliage. The sky is a dominant yellow with hints of orange, creating a glowing effect.

Spotswirling yellow skywarm color palettetwisted olive trees

Hand-painted from $175 Canvas from $42