Discover · Pop Art

100 Famous Pop Art Paintings You'll Love

1954 – 2004

Andy Warhol's Marilyn Diptych (1962, Tate Modern), Roy Lichtenstein's Whaam! (1963, Tate Modern) and David Hockney's A Bigger Splash (1967, Tate Britain): these are the most famous Pop Art paintings. Below, all 100 of them — painted from 1954 to 2004 by 35 artists — with their date, their size and the museum that keeps them.

Marilyn Diptych by Andy Warhol, 1962, Tate Modern — famous Pop Art painting
No. 1 · Andy WarholMarilyn Diptych1962 · Tate Modern, London
100paintings to discover
35artists to meet · Jasper Johns – Jeff Koons
19museums across 8 cities
3at the Tate Modern

The list

The 100 Pop Art paintings people love most

No jargon: the painting, who made it, where it lives today and one thing to look for — scroll until one speaks to you.

  1. Marilyn Diptych by Andy Warhol, 1962, Tate Modern
    1

    Tate Modern, London1962Silkscreen printing

    The sheer scale of the piece – nearly six feet tall – commands attention, drawing viewers into a world where image and reality blur. Emblematic of the Pop Art movement, Marilyn Diptych boldly rejects traditional artistic conventions in favor of imagery drawn directly from popular culture. Marilyn Diptych arrived at a pivotal moment in American history, coinciding with the rise of mass media saturation and the death of an icon.

    Spotmortalityrepetitiondichotomy of color

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  2. Whaam! by Roy Lichtenstein, 1963, Tate Modern
    2

    Tate Modern, London1963Oil on canvas172 × 421 cm

    This artwork is instantly recognizable as quintessential Pop Art. Created during the Cold War era, this piece reflects anxieties surrounding conflict and technological advancement. The limited color palette – primarily blues, blacks, reds, and yellows – amplifies the drama and sense of urgency.

    Spotonomatopoeia ("WHAAAM!")speech bubbleben-Day dots

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  3. A Bigger Splash by David Hockney, 1967, Tate Britain
    3

    Tate Britain, London1967Oil on canvas

    The artwork depicts a modernist house with a swimming pool in the foreground, set against a backdrop of palm trees under a clear blue sky. Hockney employs a modernist style characterized by clean lines, geometric shapes, and bright colors.

    Spotyellow diving boardpink patio with an empty director's chairlarge splash of water in a swimming pool

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  4. Marilyn by Andy Warhol, 1964
    4

    1964Screen print on paper or canvas

    The composition is centered around Monroe's face, which dominates the entire frame. The background features a light blue gradient, providing a stark contrast to her vivid features. The use of bold, black lines to outline Monroe's facial features creates a graphic, almost cartoon-like effect.

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  5. Drowning Girl by Roy Lichtenstein, 1963
    5

    1963Oil and synthetic polymer paint on canvas172 × 172 cm

    This vibrant and dynamic piece immediately draws attention with its bold lines, vivid colors, and expressive subject matter. The artwork features a central figure—a woman with striking blue hair—who appears to be in a state of distress or contemplation.

    Spotben-Day dotsturbulent sea background

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  6. Just what is it that makes today’s homes so different by Richard Hamilton, 1956
    6

    1956Collage

    Blending photorealism with collage techniques, this piece exemplifies the pioneering spirit of Pop Art. It originated as a response to post-war consumerism, media influence, and the rapidly changing domestic landscape.

    Spotsurreal interior scenecollagevintage advertisements

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  7. Campbell's Soup Cans by Andy Warhol, 1961–1962, MOMA - Museum of Modern Art
    7

    MOMA - Museum of Modern Art, New York City1961–1962Oil on canvas246.38 × 414.02 cm

    This large-scale work of Pop Art consists of a repetitive grid of thirty-two individual rectangular panels, arranged in a precise 4x8 grid. The texture appears smooth and flat, with minimal visible brushwork. The work was produced between 1961 and 1962.

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  8. Portrait of an Artist (Pool) by David Hockney, 1971
    8

    1971

    This juxtaposition of precise observation with expressive color is what defines Hockney’s unique artistic voice and cemented his place as one of Britain's most influential artists.

    Spotpoolfiguresplants

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  9. Still life no. 20 by Tom Wesselmann, 1962
    9

    1962Mixed media

    The color palette is a defining feature of this piece. Artists like Wesselmann, alongside Andy Warhol and Roy Lichtenstein, challenged traditional notions of art by incorporating everyday objects and consumer culture into their work.

    Spotsinkabstract paintingtabletop with food/beverages

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  10. Pool 2 Figures by David Hockney
    10

    Oil on canvas

    The artwork employs a harmonious yet vibrant color palette, with dominant shades of green for the foliage, blue for the pool and sky, and neutral tones like beige and white for the pool deck.

    Spotnatural lighting and subtle shadowsambiguous narrative between the two figuresorganic shapes and smooth textures

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  11. Crying Girl by Roy Lichtenstein, 1964, Museum Ludwig
    11

    Museum Ludwig, Cologne1964Porcelain enamel on steel116 × 116 cm

    Created during the 1960s, "Crying Girl" reflects the broader cultural landscape of its time. The Pop Art movement emerged in response to Abstract Expressionism, rejecting its emphasis on subjective expression in favor of embracing popular culture – advertising, comic books, and mass-produced objects. The image itself draws from a panel in DC Comics' "Secret Hearts," further grounding it within the realm of popular media.

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  12. Che Guevara by Andy Warhol, 1968, Staatsgalerie Moderner Kunst
    12

    Staatsgalerie Moderner Kunst, Munich1968Silkscreen print

    One of the leading figures of pop art was Andy Warhol, whose works explored the relationship between artistic expression, advertising, and celebrity culture. Che Guevara is a painting by Andy Warhol created in 1968, during the height of the Vietnam War and the counterculture movement.

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  13. Estate by Robert Rauschenberg, 1963
    13

    1963Mixed media

    Rauschenberg juxtaposes sharp, defined lines – most prominently seen in the clear delineation of street signs like “One Way” and “Stop” – with fluid, organic brushstrokes that suggest movement and decay. Paired with other abstract or Pop Art pieces.

    Spotlayered compositionstreet signs ("One Way", "Stop")architectural fragments

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  14. The Longest Night by Yoshitomo Nara
    14

    Likely digital or mixed media with painterly textures

    Created within the contemporary art landscape, this piece reflects the influence of Japanese pop art and graphic illustration, echoing the playful yet emotionally nuanced style of artist Nara Yoshitomo Zuzanna.

    Spotbold outlinesvibrant color palettetextured background

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  15. M-Maybe by Roy Lichtenstein, 1965, Museum Ludwig
    15

    Museum Ludwig, Cologne1965Oil on canvas152 × 152 cm

    This oil on canvas painting, currently residing at the Museum Ludwig in Cologne, Germany, exemplifies Lichtenstein’s signature style – a bold blend of comic strip aesthetics and commentary on contemporary society. The painting’s composition is striking in its simplicity and precision.

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  16. Handle with care by Corita Kent
    16

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  17. Mushrooms by Yayoi Kusama
    17

    The artwork Mushrooms by Yayoi Kusama emerges from a long history of vision and pattern. In this 1995 piece, the fungal forms appear as part of a personal mythology, manifesting the strange and repetitive structures that have defined her practice for decades.

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  18. Flag by Jasper Johns, 1954
    18

    1954Oil, encaustic, and collage on canvas (suggested)

    The proportions are subtly off-kilter, lines are blurred rather than crisp, and the colors deviate from pristine perfection. Visible brushstrokes, drips, and areas where underlying layers peek through add depth and tactility, transforming the flat canvas into a dynamic field of visual information.

    Spotunconventional paint applicationdeconstruction of symbolismtextured surface

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  19. The Road to York Through Sledmere by David Hockney
    19

    This isn't a naturalistic representation; it’s an amplified, almost theatrical, rendering of light and hue – a hallmark of Hockney’s Pop Art influences. The painting's subject matter—a small town along the A166 road in Yorkshire—is deeply rooted in the region’s history.

    Spotcolorful scenepeople

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  20. Campbells by Andy Warhol, 1961, Museum of Modern Art
    20

    Museum of Modern Art1961Silkscreen print

    The execution of Campbell’s Soup Cans is characterized by a remarkable consistency—a hallmark of Warhol's artistic style. The bold graphic style—characterized by simplified forms and vibrant hues—contrasts sharply with the gestural brushstrokes prevalent in Abstract Expressionism, signaling Warhol’s rejection of traditional artistic conventions.

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  21. Garrowby Hill by David Hockney
    21

    Oil on canvas

    The dominant curve of the road acts as a visual anchor, drawing the eye into the heart of the composition while simultaneously suggesting an endless horizon. Hockney's flattened perspective, reminiscent of Impressionism, emphasizes the overall shape and texture of the land rather than striving for photographic realism. AllPaintingsStore is proud to offer meticulously crafted, hand-painted oil painting reproductions of David Hockney's Garrowby Hill.

    Spotwinding roadfigures

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  22. Knifeship by Claes Oldenburg
    22

    Digital photography

    The imposing knife-like structure, rendered with meticulous attention to detail, symbolizes sharpness, conflict, and transformation. The scene’s layered composition, featuring a historic brick building and a tranquil waterway, enhances its narrative depth, making it a compelling centerpiece for both art enthusiasts and sophisticated interiors.

    Spotoversized knife sculpturemetallic bladesreflective surfaces

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  23. Mickey by Andy Warhol, 1982
    23

    1982

    The artwork features a bold rendition of Mickey Mouse set against a stark black background. Warhol’s technique deliberately simplifies and abstracts the character's form, employing bright, assertive colors and strong contours.

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  24. Pop by Roy Lichtenstein, 1966
    24

    1966Painting

    The brilliance of "Pop" lies in its deceptive simplicity. This method, borrowed from the industrial world of comic books and newspaper advertisements, utilizes tiny, meticulously placed dots to create shading, texture, and an illusion of depth.

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  25. Target by Jasper Johns, 1961, Art Institute of Chicago
    25

    Art Institute of Chicago1961Encaustic and newspaper on canvas

    Each stroke leaves a physical ridge, a tactile record of the brush dragging through hot wax. The 1961 work emerges from a period when familiar objects were being stripped of their traditional meanings.

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  26. Andy Mouse by Keith Haring, 1986, Nakamura Keith Haring Collection
    26

    Nakamura Keith Haring Collection, Hōkuto1986Silkscreen prints on paper

    Haring's signature bold lines, radiant colors, and cartoon-like figures are evident throughout. Andy Mouse emerged during a pivotal moment in art history – the 1980s, a decade marked by economic prosperity and burgeoning consumer culture.

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  27. Five Deaths by Andy Warhol, 1963
    27

    1963Silkscreen print

    An overturned vehicle dominates the composition, its crumpled form suggesting violent impact. The photograph’s grainy texture and somewhat flattened perspective heighten the feeling of immediacy and unease. Pair with: Neutral color schemes, geometric furniture, and abstract sculptures.

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  28. Still Life by Tom Wesselmann
    28

    Oil on canvas

    At its core, a detailed portrait of Abraham Lincoln commands attention, symbolizing American history and leadership. The artist employs precise brushwork for Lincoln’s portrait, emphasizing facial features and expression, while utilizing flat, vivid color fields for the surrounding objects.

    Spotstill life of fruits and leavescatportrait of Abraham Lincoln

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  29. Sinking Sun by Roy Lichtenstein, 1964
    29

    1964Oil on canvas

    The painting’s genesis lies in the artist's fascination with the visual techniques employed in commercial printing, particularly the use of Ben-Day dots. The deliberate flatness of the color fields contributes to the work’s immediate impact, drawing the viewer into its bold and dynamic composition.

    Spotben-Day dotsrainbow

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  30. Flower ball by Takashi Murakami
    30

    The central focus of the composition is a magnificent, spherical form, a celestial body composed of countless smaller spheres, each bearing a tiny, radiant smiling face.

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  31. Montreux by Keith Haring
    31

    Digital illustration

    This vibrant artwork captures the exhilarating spirit of the Montreux Jazz Festival, a legendary event renowned for its lively performances and cultural significance. Through bold, playful imagery, it celebrates the universal language of music, dance, and artistic expression. Though the exact creation date remains unknown, the artwork is linked to the 1983 Montreux Jazz Festival, a pivotal moment in music history.

    Spotbold linesvivid colorsstylized human figure

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  32. Watermelon Large by Wayne Thiebaud
    32

    Oil or pastel

    Rendered with loose, textured brushstrokes, this artwork exemplifies an impressionistic approach that emphasizes mood and movement over fine detail. While the specific creation date remains unknown, the style aligns with the mid-20th-century American tradition of celebrating everyday objects through bold color and expressive brushwork.

    Spotvibrant color paletteloose textured brushworkthree watermelon slices

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  33. (Untitled) from Sunset by Andy Warhol, 1972, Ulyanovsk Oblast Art Museum
    33

    Ulyanovsk Oblast Art Museum1972Oil on canvas71 × 64 cm

    The deliberate positioning – the first woman’s hands on her hips, a gesture of command, and the second woman's posture suggesting deference – establishes a dynamic of power and perhaps even a subtle tension.

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  34. Frightened by Roy Lichtenstein, 1964
    34

    1964Oil on canvas

    At first glance, the viewer is met with the striking, exaggerated features of a woman caught in a moment of pure, unadente shock. The color palette of “Frightened” is intentionally stark and high-contrast.

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  35. Nichols Canyon by David Hockney, 1968
    35

    1968

    Hockney does not simply recreate the topography of the Hollywood Hills; he reimagines it through a lens of intense emotionality. These bold, decisive lines guide the eye across the undulating terrain, mimicking the very movement of the roads depicted.

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  36. Impeller by Peter Phillips
    36

    Likely screenprint or mixed media

    The artist, Peter Phillips, a prominent figure in British pop art, often explored themes of modern life through bold imagery and layered compositions.

    Spotroaring jaguarmechanical componentsgeometric shapes

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  37. Michael Jackson by Andy Warhol
    37

    Digital

    This vibrant artwork is a striking portrait of music legend Michael Jackson, rendered in the unmistakable style of Pop Art master Andy Warhol. This technique allows for precise color control and replication of Warhol’s characteristic style.

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  38. Killer pink by Takashi Murakami
    38

    4c offset print, gold and uv white

    Each bloom carries a wide, grinning face, arranged in a dense, kaleidoscopic pattern that seems to swarm across the gray background. There are no visible brushstrokes to interrupt the gaze; instead, there is only the immaculate, uniform layer of color.

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  39. Family by Marisol Escobar
    39

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  40. Mer detaljer by Hariton Pushwagner
    40

    Painting

    Inside, two figures sit caught in a moment of sudden, jarring emotion. This is a world of high-contrast realities, where the bright colors of pop aesthetics meet the dark, psychological undercurrents of urban life.

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  41. Thinking of Him by Roy Lichtenstein, 1963
    41

    1963Magna on canvas172 × 172 cm

    Lichtenstein became a leading figure in this movement, famously translating the visual language of comic books into large-scale paintings. The bold outlines, flat planes of color, and – most notably – the Ben-Day dot technique are directly inspired by commercial printing processes. The composition is deceptively simple yet powerfully effective. The use of primary colors further amplifies the emotional impact, creating a sense of immediacy and drama.

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  42. Late spring tunnel by David Hockney
    42

    Oil on canvas

    The painting immediately draws the eye to the central pathway, winding through a dense woodland bathed in the soft light of late spring. In “Late Spring Tunnel,” this is evident in his use of flattened perspective, simplified forms, and bold color choices.

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  43. Red Race Riot by Andy Warhol, 1964
    43

    1964Collage

    This striking artwork confronts viewers with a visceral depiction of social unrest and racial tension during the 1960s. Blending elements of pop art, street art, and digital manipulation, this piece employs bold outlines, high-contrast imagery, and layered compositions to create a graphic, poster-like aesthetic.

    Spotbold silhouettesrepetitive scenesphotographic collage

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  44. Standard Station by Ed Ruscha, 1966
    44

    1966Digital illustration

    Created in 1966, this piece exemplifies the Pop Art movement’s fascination with everyday objects and commercial imagery. Produced during a pivotal era of American art, this piece reflects the rise of Pop Art’s focus on mass culture, consumerism, and vernacular imagery.

    Spotgraphic design aestheticbold geometric shapescontrasting colors

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  45. Pretending by Hariton Pushwagner
    45

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  46. Look Mickey by Roy Lichtenstein, 1961
    46

    1961121 × 175 cm

    Look Mickey was first exhibited at the Leo Castelli Gallery in New York City and was subsequently featured in Life magazine in 1964. A 1962 painting that was sold for $165 million in 2017, making it one of the most expensive paintings ever sold.

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  47. Across two hundred years by Aya Takano
    47

    This style, founded by Takashi Murakami, blends elements of manga, anime, and fine art to create visually striking pieces that challenge traditional notions of high and low culture. Takano's work, in particular, stands out for its unique blend of fantasy and reality.

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  48. The Toy Shop by Peter Blake, 1962, Tate Modern
    48

    Tate Modern, London1962Wood, glass, paper

    The piece radiates a cheerful, almost chaotic energy that can revitalize any room, whether it is a gallery wall needing a burst of color or a living space yearning for playful spirit.

    Spotcollageunion Jack

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  49. Tinkerbell, Tokyo Disneyland's 15th Anniversary by Hiro Yamagata, 1998
    49

    1998

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  50. Pink sweater by Alex Katz
    50

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  51. Scene de Famille by Fernando Botero
    51

    Oil on canvas

    Botero’s signature style immediately draws the eye, presenting figures rendered with an unmistakable, voluminous roundness. The way the figures are arranged suggests a shared history and an unspoken understanding that binds them together.

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  52. Triple Elvis by Andy Warhol, 1963
    52

    1963Silkscreen

    The repeated image emphasizes Elvis’s status as a cultural icon, symbolizing fame, rebellion, and the transformative power of music. Blending elements of pop art and street art, this piece employs silkscreen printing techniques characteristic of Andy Warhol’s signature style.

    Spothigh-contrast monochromatic palettetextured surfacetriptych

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  53. The Arrival of Spring in Woldgate by David Hockney
    53

    Ipad drawing on paper

    A dirt path occupies the lower portion of the composition, leading the eye through a collection of trees and ground cover. The creation of these images took place in 2011, specifically documenting the transition from winter to spring in East Yorkshire, England.

    SpotiPad drawing technique

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  54. Spoonbridge and Cherry (collaboration with van Bruggen) by Claes Oldenburg, 1988, Walker Art Center
    54

    Walker Art Center, Minneapolis1988

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  55. San Francisco West Side Ridge by Wayne Thiebaud, 2001
    55

    2001Oil on canvas91 × 91 cm

    Thiebaud, born in Mesa, Arizona, developed a distinct approach to the California urban landscape. Other compositions in this vein include Diagonal Freeway (1993). His studies of consumer goods and confections include Three Machines (1963), Lunch (1967), and Two and One-Half Cakes (1972).

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  56. White Flag by Jasper Johns, 1955
    56

    1955Encaustic, oil, newsprint, charcoal on canvas

    The 1950s were marked by a questioning of national ideals and identity, and Johns’ reinterpretation of the American flag in monochrome can be seen as a subtle critique or meditation on patriotism, memory, and loss.

    Spotembossed starstextured stripesmonochromatic palette

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  57. Marilyn by Andy Warhol, 1967, Lentos Kunstmuseum Linz
    57

    Lentos Kunstmuseum Linz1967Silkscreen print

    The choice of Marilyn Monroe as his subject was particularly astute. The serial nature of the work – Warhol created numerous versions of ‘Marilyn,’ each with slight variations – further reinforces this concept.

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  58. Hey You by Roy Lichtenstein, 1973, de Young Museum
    58

    de Young Museum, San Francisco197368 × 88 cm

    The bold, graphic depiction emphasizes the power of simple gestures to communicate complex emotions and messages. Produced during the height of the Pop Art movement, this piece exemplifies Roy Lichtenstein’s innovative approach to merging fine art with popular culture.

    Spotbold outlinesvibrant colorscomic strip aesthetic

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  59. Untitled by Hariton Pushwagner
    59

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  60. Normalized by Takashi Murakami
    60

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  61. Icons by Keith Haring, 1990, Nakamura Keith Haring Collection
    61

    Nakamura Keith Haring Collection, Hōkuto1990Lithograph

    The ‘Winged Man,’ with its prominent ‘x’ marking, is laden with symbolic weight. This ubiquitous figure, often described by Haring himself as having “no particular meaning,” has become an icon in its own right. The bold black and orange palette – a deliberate choice reflecting the vibrancy of 1980s New York – amplifies the impact of each figure.

    Spotangelradiant Babydog

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  62. War games by Richard Hamilton
    62

    Digital collage

    Central to the piece is a television screen displaying a stylized, cartoon-like landscape of mountains, deserts, and water, interwoven with military vehicles and international flags. Created in the early 1990s, this work reflects the heightened media saturation and global conflicts of the post-Cold War era.

    Spotblood-like driptelevision screen with stylized landscapemilitary vehicles

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  63. AC Delco Spark Plug Pin Up Girl Decal by Mel Ramos
    63

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  64. Still life autumn fashion by Patrick Caulfield
    64

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  65. Tulips by Jeff Koons, 2004, Guggenheim Museum Bilbao
    65

    Guggenheim Museum Bilbao2004Stainless steel203 × 460 cm

    Created primarily between 1995 and 2004, these colossal blooms—some towering over two meters tall and spanning five meters across—represent a pivotal moment in Koons's artistic trajectory, solidifying his exploration of consumer culture, playful irony, and the very nature of art’s value.

    Spotreflective surfaces

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  66. Gothe by Andy Warhol, 1982, The Andy Warhol Foundation for the Visual Arts
    66

    The Andy Warhol Foundation for the Visual Arts, London1982Screenprint

    However, Warhol doesn't present us with the full Romantic scene. Instead, he crops the composition dramatically, focusing solely on Goethe’s head and shoulders. Goethe himself was fascinated by color theory, publishing his influential work Theory of Colours in 1810.

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  67. Blam by Roy Lichtenstein, 1962
    67

    1962172 × 203 cm

    The composition centers around this intense scene, evoking themes of conflict, rebellion, and the raw energy of modern life. Created in 1962, this piece exemplifies Roy Lichtenstein’s pioneering approach to pop art.

    Spotcomic book stylebold linesexplosive colors

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  68. Clark Percy by David Hockney, 1970, Tate Modern
    68

    Tate Modern, London1970

    Pop Art challenged the dominance of Abstract Expressionism by embracing imagery from popular culture—advertising, comics, and television—reflecting the optimism and consumerism of the era. Completed during Hockney's prolific period, “Clark Percy” exemplifies his unwavering commitment to exploring human experience through innovative visual language.

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  69. There by Hariton Pushwagner
    69

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  70. 727 by Takashi Murakami
    70

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  71. Yellow pumpkin by Yayoi Kusama
    71

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  72. Monterey jackie by Mel Ramos
    72

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  73. Hopeless by Roy Lichtenstein, 1963, Kunstmuseum Basel
    73

    Kunstmuseum Basel1963

    "Hopeless" draws its origins from a panel within Tony Abruzzo’s “Run For Love!” storyline featured in DC Comics’ Secret Hearts no. 83 (November 1962). The creation of "Hopeless" coincided with a period of significant social and cultural change in the United States.

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  74. Frog by Andy Warhol
    74

    Andy WarholPop Art

    Frog

    Screenprint

    The bright, almost artificial hues contrast with the natural subject matter, creating a visual tension that is characteristic of Warhol’s style. This series, commissioned by his friends Ron Feldman and Freyda, reflects Warhol's engagement with social issues through art.

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  75. Landscape no. 2 by Tom Wesselmann
    75

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  76. Girl with Ball by Roy Lichtenstein, 1961
    76

    1961Oil on canvas153 × 92 cm

    The ad, which started running in 1955, was widely published in the New York metropolitan area and elsewhere, including several prominent newspapers such as The New York Times and the Daily News.

    Spotsimplified, stylized formsminimalistic background with gradient skybold outlines and primary colors

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  77. Secret Pastures by Keith Haring, 1985, Nakamura Keith Haring Collection
    77

    Nakamura Keith Haring Collection, Hōkuto1985

    Jones and Arnie Zane's ballet piece "Secret Pastures" at Brooklyn Academy of Music in 1984. WahooArt offers meticulously crafted hand-painted reproductions that capture the essence of Haring’s original work – the bold lines, vibrant colors, and dynamic energy.

    Spotlinesradiant babies

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  78. Device Circle by Jasper Johns, 1959
    78

    1959Encaustic

    At first glance, the viewer is met with a striking arrangement of concentric circles that seem to pulse with a quiet, rhythmic energy. To understand Device Circle is to understand the shifting anxieties and aspirations of the late 1950s.

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  79. Flowers by Andy Warhol, 1964, Art Institute of Chicago
    79

    Art Institute of Chicago1964Silkscreen61 × 61 cm

    The flat planes of color, bold outlines, and lack of painterly brushstrokes contribute to a distinctly graphic aesthetic—hallmarks of Pop Art. “Flowers” is quintessentially Pop Art, a movement that emerged in the 1950s and 60s as a reaction against Abstract Expressionism’s perceived elitism.

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  80. On the Balcony by Peter Blake
    80

    Oil on canvas

    The style is rooted in Pop Art, characterized by bold outlines, bright colors, and a collage technique that combines painting, print, and assemblage. The artist skillfully balances smooth, flat color areas with textured, layered elements, adding depth and tactile richness.

    Spotcaricatured figuresmagazine imagerymedia references

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  81. Spectrocoupling by Peter Phillips
    81

    Mixed media

    The layered overlapping shapes and patterns create a sense of depth and movement, despite the overall flat perspective. The use of contrasting colors—such as purples, blues, greens, and fiery background hues—enhances visual impact and emphasizes the dynamic interplay of organic and mechanical elements.

    Spotgeometric shapesmechanical imageryradiating lines

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  82. Head large by Peter Max
    82

    Painting

    Yellow, blue, red, green, and orange collide upon her skin, mapping her features in a pop art language. Bold, saturated hues that define the contours of the hair and jawline. The face becomes a landscape of primary colors.

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  83. Qe by John Wesley
    83

    John WesleyPop Art

    Qe

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  84. Dishes by James Rosenquist
    84

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  85. The holocaust by George Segal
    85

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  86. The three graces by Niki de Saint Phalle
    86

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  87. Donuts Coffee Cups and Comics by Jann Haworth
    87

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  88. Dinner Conversation with Nancy by Roger Shimomura, 1983
    88

    1983152 × 183 cm

    Shimomura donated this painting to the Spencer in 1988 in honor of Nancy Anne Zimmerman (1937–1988). Originally untitled, Shimomura renamed this painting Dinner Conversation with Nancy upon its donation to the Spencer, remembering that, “Nancy had a lot of interesting dinner parties at her house.

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  89. Pokemon Sapphire Version by Nintendo Co., Ltd., 2003, The Strong National Museum of Play
    89

    The Strong National Museum of Play, Rochester2003Digital illustration

    In the vast landscape of contemporary pop culture, few artifacts capture the collective nostalgia of a generation quite like the Pokémon Sapphire Version for the Nintendo Game Boy Advance.

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  90. My colouring book by Pauline Boty
    90

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  91. På vei I by Hariton Pushwagner
    91

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  92. 0 through 9 by Jasper Johns
    92

    Johns ' approach aligns with his pivotal role in bridging Abstract Expressionism and Pop Art. The painting showcases bold color application, layering techniques, and a deliberate resistance to traditional representational forms. This creates an energetic surface texture that demands attention and encourages multiple interpretations.

    Spotnumbersletters

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  93. Forest scene by Roy Lichtenstein, 1980
    93

    1980Oil on canvas

    Rather than offering a traditional, romanticized view of the woods, Lichtenstein presents an audacious reimagining of the natural world through his signature visual language. To understand the emotional resonance of “Forest Scene,” one must look closely at Lichtenstein’s revolutionary technique.

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  94. Custom Print No. II by Peter Phillips
    94

    Mixed media (photographic/printed imagery with graphic elements)

    The juxtaposition of stark mechanical detail with energetic, bold graphics creates a compelling narrative about the intersection of human innovation and artistic expression. The artist, Peter Phillips, a prominent figure in British pop art, was known for his innovative collages and bold visual language.

    Spotlayered compositionintricate line workvibrant geometric shapes

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  95. Fabs by Wayne Thiebaud, Not specified
    95

    Not specifiedOil on canvas

    The composition’s clean lines and balanced perspective give the piece a modern aesthetic, while the textured application adds depth and vibrancy, making the popsicles almost tangible to the viewer.

    Spotsprinklestextured surfacescolorful popsicles

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  96. Gold Marilyn Monroe by Andy Warhol, Museum of Modern Art
    96

    Museum of Modern Art, New York CitySilkscreen ink and synthetic polymer paint on canvas

    The vibrant palette, combined with flat, bold colors and clean outlines, transforms Monroe’s image into a striking visual statement. Emerging during the height of the Pop Art movement, this artwork reflects a cultural shift towards consumerism, media saturation, and celebrity obsession.

    Spotcelebrity portraitgold backgroundbold colors

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  97. Eleuthera by Alex Katz
    97

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  98. Air Show by Hiro Yamagata
    98

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  99. Towards eternity by Aya Takano
    99

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  100. Signs by Robert Rauschenberg, 1970
    100

    1970Screenprint89 × 67 cm

    The composition is a breathtakingly intricate collage, where images from the zeitgeist overlap in a dreamlike, almost chaotic dance. Through the intervention of the renowned dealer Leo Castelli, the screenprint was released as a limited edition, ensuring that Rauschenberg’s uncompromising vision reached the world.

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See them for real

Where you can see these famous Pop Art paintings

Planning a trip? London has 6 of them, 3 at the Tate Modern.

Meet the artists

The Pop Art painters behind these favourites

Portrait of Andy Warhol

Andy Warhol

1928–1987 · United States · 16

American Pop artist known for silkscreen prints of celebrity faces and mass-produced consumer goods like Campbell's soup cans.

1. Marilyn Diptych, 4. Marilyn, 7. Campbell's Soup Cans, 12. Che Guevara, 20. Campbells, 23. Mickey, 27. Five Deaths, 33. (Untitled) from Sunset, 37. Michael Jackson, 43. Red Race Riot, 52. Triple Elvis, 57. Marilyn, 66. Gothe, 74. Frog, 79. Flowers, 96. Gold Marilyn Monroe

Portrait of Roy Lichtenstein

Roy Lichtenstein

1923–1997 · United States · 14

American Pop Artist using Ben-Day dots and bold outlines to transform comic book panels and advertising into monumental, graphic works.

2. Whaam!, 5. Drowning Girl, 11. Crying Girl, 15. M-Maybe, 24. Pop, 29. Sinking Sun, 34. Frightened, 41. Thinking of Him, 46. Look Mickey, 58. Hey You, 67. Blam, 73. Hopeless, 76. Girl with Ball, 93. Forest scene

Portrait of David Hockney

David Hockney

1937–2026 · United Kingdom · 9

British Pop Artist of saturated colors and swimming pools, capturing the vibrant light of Los Angeles through acrylics and digital tools.

3. A Bigger Splash, 8. Portrait of an Artist (Pool), 10. Pool 2 Figures, 19. The Road to York Through Sledmere, 21. Garrowby Hill, 35. Nichols Canyon, 42. Late spring tunnel, 53. The Arrival of Spring in Woldgate, 68. Clark Percy

Portrait of Jasper Johns

Jasper Johns

· United States · 5

American Neo-Dadaist using encaustic wax to transform familiar flags, targets, and maps into textured explorations of visual perception.

18. Flag, 25. Target, 56. White Flag, 78. Device Circle, 92. 0 through 9

Portrait of Keith Haring

Keith Haring

1958–1990 · United States · 4

American pop artist known for bold lines, radiant babies, and vibrant street art in New York City.

26. Andy Mouse, 31. Montreux, 61. Icons, 77. Secret Pastures

Portrait of Takashi Murakami

Takashi Murakami

· Japan · 4

Japanese contemporary artist blending anime aesthetics with Superflat theory and vibrant pop art.

30. Flower ball, 38. Killer pink, 60. Normalized, 70. 727

+28more artists behind these favourites Pop Art Artists Meet the painters

Good to know

Your questions about Pop Art paintings

Hover a card to see the answer.

Which cities have the most famous Pop Art paintings?

Most of them are in London (6), Hōkuto (3) and New York City (2). The museums with the most are the Tate Modern, the Nakamura Keith Haring Collection and the Museum Ludwig.

Can I own a copy of a famous Pop Art painting?

Not of these: 100 of the 100 paintings are still under copyright, so an identical reproduction cannot be sold. A painting inspired by one of them can be commissioned from its page.

Which museum has the most famous Pop Art paintings?

The Tate Modern holds 3 of the 100, followed by the Nakamura Keith Haring Collection (3) and the Museum Ludwig (2). London is the city with the most: 6.

What techniques were used in Pop Art paintings?

20 of the 100 are oil paintings, 0 use tempera and 0 are frescoes; 0 are painted on wood and 24 on canvas.

How is this ranking made?

Each painting is ranked by how widely it is known: the number of Wikipedia language editions with an article on it (Wikidata sitelinks), its place in our catalogue's manual ranking and the visits its page receives. The same painting catalogued several times counts once, and details, copies and studies are left out.

How we picked them

We looked at all the Pop Art paintings in our collection and put the best-known first: the ones Wikipedia writes about in the most languages, the ones our team rates highest and the ones our visitors open most. Each painting is listed once — no details or copies.

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