Portrait of Abraham Rattner

Abraham Rattner's Most Famous Paintings: All 39, Ranked

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 45 works by Abraham Rattner in our catalogue

In short

The Abraham Rattner painting most people know is French Flag (1928), and you can see it at the Pennsylvania Academy of Fine Arts, Philadelphia. Right after it come Design for the Memory (1943) and Homage á Goya No. 2 (Composition in Red with Three Figures) (1963). Out of 45 works by Abraham Rattner in our catalogue, these 39 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.

1893 – 1978, Poughkeepsie Expressionism Most works: Pennsylvania Academy of Fine Arts

Abraham Rattner's top 10: the pieces everyone knows

Keep exploring Abraham Rattner: 11 to 39

Abraham Rattner's paintings, period by period

Contemporary

1940 – 1958 · 3 works in this list

What Abraham Rattner painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Abraham Rattner's paintings

The 6 museums that hold the most of the paintings on this page.

Museum City Works by Abraham Rattner Paintings from this list
Pennsylvania Academy of Fine Arts, PhiladelphiaPennsylvania Academy of Fine Arts Philadelphia 1 French Flag
Birmingham Museum of Art, BirminghamBirmingham Museum of Art Birmingham 1 Design for the Memory
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 1 Window at Montauk Point
Whitney Museum of American Art, New YorkWhitney Museum of American Art New York 1 The Emperor
New Britain Museum of American Art, New BritainNew Britain Museum of American Art New Britain 1 Rocce Del Capo Sea Storm III
Israel Museum, JerusalemIsrael Museum Jerusalem 1 Moses I Am

One famous Abraham Rattner piece for every decade

Works per decade

Pick a decade to see its standout piece.

Abraham Rattner paintings: what people want to know

What painting is Abraham Rattner best known for?See the answer

Top of the list is French Flag (1928), Pennsylvania Academy of Fine Arts, Philadelphia. Right behind it: Design for the Memory (1943) and Homage á Goya No. 2 (Composition in Red with Three Figures) (1963).

How old was Abraham Rattner at the time of French Flag?See the answer

35 years old. Abraham Rattner was born in 1893, and French Flag dates from 1928.

Which 10 Abraham Rattner paintings are the most famous?See the answer

French Flag, Design for the Memory, Homage á Goya No. 2 (Composition in Red with Three Figures), Bathers Dieppe, Seashore, Sky and Sea, Window at Montauk Point, Empire State Building, Illinois, Temptations on Saint Anthony and Study for Composition Survivors. You'll find the year and the museum of each in the list above.

How many Abraham Rattner works are there?See the answer

We have 45 works by Abraham Rattner in our catalogue, dated 1928 to 1973.

Which museums have Abraham Rattner's best-known paintings?See the answer

You'll find most of them in Pennsylvania Academy of Fine Arts (Philadelphia), Birmingham Museum of Art (Birmingham) and The Phillips Collection (Washington, D.C.). The museum list above has the full breakdown.

When were Abraham Rattner's most famous pieces painted?See the answer

In 1940s, more than any other time: 16 of the 39 pieces on this page date from then, Design for the Memory among them.

What are the oldest and newest famous paintings by Abraham Rattner?See the answer

The earliest piece here is French Flag (1928); the most recent is They Divided His Garments among Them (1973).

What did Abraham Rattner paint most?See the answer

Saints (2) and “american art” (2), out of the 39 pieces on this page.

Which art movement is Abraham Rattner linked to?See the answer

Expressionism and Abstract expressionism, as you can see in the pieces on this page.

Meet Abraham Rattner

A Life Painted in Expression: The World of Abraham Rattner

Abraham Rattner, born in Poughkeepsie, New York, in 1895, was an artist whose life and work were deeply interwoven with the tumultuous currents of the 20th century. His journey, spanning from the battlefields of World War I to the vibrant art scenes of Paris and New York, forged a unique artistic voice—one characterized by bold expressionism, spiritual yearning, and a hauntingly beautiful use of color. Rattner’s early ambition leaned toward architecture, initially pursued at George Washington University, but his true calling lay in painting, leading him to further studies at the Corcoran School of Art and the Pennsylvania Academy of the Fine Arts. This foundational training would prove crucial as he navigated the evolving landscape of modern art.

From Camouflage to Canvas: War and Artistic Awakening

The outbreak of World War I dramatically altered Rattner’s path. Recruited by Homer Saint-Gaudens for the U.S. Army's American Camouflage Corps, he served in France, a formative experience that would indelibly mark his artistic vision. Participating in significant battles like the Second Battle of the Marne, Château-Thierry, and Belleau Wood, Rattner wasn’t merely an observer of conflict; he was actively engaged in concealing it—a paradoxical role for an artist whose later work would be defined by its raw emotional honesty. A severe back wound sustained during his service brought lifelong physical discomfort, but also a profound sensitivity to the fragility of life and the enduring power of the human spirit. This experience instilled within him themes of vulnerability and resilience that resonated throughout his oeuvre. Following the war, a Cresson Traveling Fellowship provided Rattner with the opportunity to return to France, this time not as a soldier, but as an artist seeking inspiration and honing his craft.

The Parisian Years: A Crucible of Style

Paris in the 1920s was a magnet for artists from around the globe, and Rattner fully immersed himself in its dynamic art scene. He studied at several prestigious academies—the École des Beaux-Arts, Academies Julian, Ransom, and Grande Chaumière—absorbing influences from masters like Claude Monet, Georges Rouault, and Pablo Picasso. However, he didn’t simply mimic these artists; instead, he synthesized their lessons into a distinctive style that was uniquely his own. His Parisian period saw the development of an expressionist approach characterized by rich, often somber colors, distorted forms, and surreal imagery. Religious themes began to emerge as central motifs in his work, reflecting a deep spiritual questioning and a fascination with the mysteries of faith. These weren’t traditional religious paintings; rather, they were intensely personal explorations of belief, doubt, and the human condition.

Return to America & Lasting Legacy

The looming threat of Nazism forced Rattner's return to New York City in 1940. He didn’t remain static upon his arrival; he embarked on a cross-country journey with writer Henry Miller, documenting their experiences and further enriching his artistic perspective. Rattner also dedicated himself to teaching, sharing his knowledge and passion at institutions like The New School, Yale University, and Columbia University. His artwork gained recognition in prominent museums such as the Art Institute of Chicago, the Whitney Museum of American Art, and the Albright-Knox Art Gallery, solidifying his place within the canon of American art. Beyond painting, Rattner’s artistic talents extended to stained glass; he designed the breathtaking east wall of the Chicago Loop Synagogue in 1960—a masterpiece celebrated for its exceptional beauty and spiritual resonance. Today, The Leepa-Rattner Museum of Art in Tarpon Springs, Florida, stands as a testament to his enduring legacy, housing a significant collection of his works alongside those of his contemporaries. Abraham Rattner’s art bridges the gap between European modernism and American expressionism, offering viewers a powerful glimpse into the soul of an artist who lived through—and reflected upon—a century of profound change. His unique blend of religious symbolism, surreal imagery, and vibrant colors continues to captivate and inspire, ensuring his place as a significant figure in 20th-century art history.