Portrait of Pierre Daura

Meet the 100 Most Famous Paintings by Pierre Daura

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 158 works by Pierre Daura in our catalogue

In short

If you know one Pierre Daura painting, it's probably Peasant Woman (1927), which hangs in the Georgia Museum of Art, Athens. Clock (1929) and White Head, Fruit (1929) round out the three pieces people recognise right away. Our catalogue has 158 works by Pierre Daura. Below are the 100 people know best, each with its year, where to find it and what makes it special.

1896 – 1976, Ciutadella de Menorca Most works: Georgia Museum of Art

Start here: the top 10 Pierre Daura paintings

More Pierre Daura favourites, 11 to 100

11Woods (1942) by Pierre DauraWoods1942 · Georgia Museum of Art 12Frozen River at the Mill (1941) by Pierre DauraFrozen River at the Mill1941 · Georgia Museum of Art 13The Trees in the Fall (1941) by Pierre DauraThe Trees in the Fall1941 · Georgia Museum of Art 14Mr. Kayton's Truck (1941) by Pierre DauraMr. Kayton's Truck1941 · Georgia Museum of Art 15Fruit (1942) by Pierre DauraFruit1942 · Georgia Museum of Art 16Pyrenees 1939 (1939) by Pierre DauraPyrenees 19391939 · Georgia Museum of Art 17Jug and Fruit (1939) by Pierre DauraJug and Fruit1939 · Georgia Museum of Art 18Don Quixote (1947) by Pierre DauraDon Quixote1947 · Georgia Museum of Art 19Yellow Pitcher,  Apples, and Grapes (1947) by Pierre DauraYellow Pitcher, Apples, and Grapes1947 · Georgia Museum of Art 20Daura House at Night (1950) by Pierre DauraDaura House at Night1950 · Georgia Museum of Art 21Mohler Barn (1950) by Pierre DauraMohler Barn1950 · Georgia Museum of Art 22Angels and Shepherds (1956) by Pierre DauraAngels and Shepherds1956 · Georgia Museum of Art 23Angels (1959) by Pierre DauraAngels1959 · Georgia Museum of Art 24St. Anne, Mary, and Jesus (1959) by Pierre DauraSt. Anne, Mary, and Jesus1959 · Georgia Museum of Art 25Woman in Black (1962) by Pierre DauraWoman in Black1962 · Georgia Museum of Art 26Autumn Tree (1962) by Pierre DauraAutumn Tree1962 · Georgia Museum of Art 27Autumn Scene (1962) by Pierre DauraAutumn Scene1962 · Georgia Museum of Art 28Chicken House and Jump Mountain (1962) by Pierre DauraChicken House and Jump Mountain1962 · Georgia Museum of Art 29Chicken Coop and Jump Mountain (1962) by Pierre DauraChicken Coop and Jump Mountain1962 · Georgia Museum of Art 30Feeding the Chickens (1962) by Pierre DauraFeeding the Chickens1962 · Georgia Museum of Art 31Farm and Jump Mountain (1962) by Pierre DauraFarm and Jump Mountain1962 · Georgia Museum of Art 32Mohler Barn (1962) by Pierre DauraMohler Barn1962 · Georgia Museum of Art 33Mohler Farm with Snow (1962) by Pierre DauraMohler Farm with Snow1962 · Georgia Museum of Art 34Fruit (1964) by Pierre DauraFruit1964 · Georgia Museum of Art 35Fruit (1964) by Pierre DauraFruit1964 · Georgia Museum of Art 36Fruit (1964) by Pierre DauraFruit1964 · Georgia Museum of Art 37Fruit (1964) by Pierre DauraFruit1964 · Georgia Museum of Art 38Daura, at Easel with Louise (1964) by Pierre DauraDaura, at Easel with Louise1964 · Georgia Museum of Art 39White on Blue (1967) by Pierre DauraWhite on Blue1967 · Georgia Museum of Art 40White On Black (1967) by Pierre DauraWhite On Black1967 · Georgia Museum of Art 41Nativity (1971) by Pierre DauraNativity1971 · Georgia Museum of Art 42Martha at Thirteen (1944) by Pierre DauraMartha at Thirteen1944 · Georgia Museum of Art 43Angels and Shepherds by Pierre DauraAngels and ShepherdsGeorgia Museum of Art 44Adoration by Pierre DauraAdorationGeorgia Museum of Art 45Holy Family by Pierre DauraHoly FamilyGeorgia Museum of Art 46Fruit Boats in Harbor (1908) by Pierre DauraFruit Boats in Harbor1908 · Georgia Museum of Art 47Daura, Beige Shirt (1922) by Pierre DauraDaura, Beige Shirt1922 · Georgia Museum of Art 48Daura (1922) by Pierre DauraDaura1922 · Georgia Museum of Art 49Farmyard at Cargese (1928) by Pierre DauraFarmyard at Cargese1928 · Georgia Museum of Art 50Bridge Arches (1927) by Pierre DauraBridge Arches1927 · Georgia Museum of Art 51Bay (1928) by Pierre DauraBay1928 · Georgia Museum of Art 52Brown Pitcher, Fruit (1929) by Pierre DauraBrown Pitcher, Fruit1929 · Georgia Museum of Art 53Diagonal 5s (1929) by Pierre DauraDiagonal 5s1929 · Georgia Museum of Art 54Sauceboat (1929) by Pierre DauraSauceboat1929 · Georgia Museum of Art 55Jug, Pitcher, Fruit (1929) by Pierre DauraJug, Pitcher, Fruit1929 · Georgia Museum of Art 56Two Jugs (1929) by Pierre DauraTwo Jugs1929 · Georgia Museum of Art 57Nature Morte (1929) by Pierre DauraNature Morte1929 · Georgia Museum of Art 58Variation (1929) by Pierre DauraVariation1929 · Georgia Museum of Art 59Street PICIRII 3 (1929) by Pierre DauraStreet PICIRII 31929 · Georgia Museum of Art 60Numbers 1-7 (1929) by Pierre DauraNumbers 1-71929 · Georgia Museum of Art 61Della Robbia Bowl (1929) by Pierre DauraDella Robbia Bowl1929 · Georgia Museum of Art 62Cordonnerie (1929) by Pierre DauraCordonnerie1929 · Georgia Museum of Art 63Martha at Table (1933) by Pierre DauraMartha at Table1933 · Georgia Museum of Art 64Louise in Gold Dress (1929) by Pierre DauraLouise in Gold Dress1929 · Georgia Museum of Art 65Nude (1934) by Pierre DauraNude1934 · Georgia Museum of Art 66The Family (1935) by Pierre DauraThe Family1935 · Georgia Museum of Art 67Crucifixion (1935) by Pierre DauraCrucifixion1935 · Georgia Museum of Art 68Gazebo and Foot Bridge (1935) by Pierre DauraGazebo and Foot Bridge1935 · Georgia Museum of Art 69Sycamores and House Mountain (1935) by Pierre DauraSycamores and House Mountain1935 · Georgia Museum of Art 70Fenceposts and Barn (1935) by Pierre DauraFenceposts and Barn1935 · Georgia Museum of Art 71Daura, Soldier, S-V Cap (1938) by Pierre DauraDaura, Soldier, S-V Cap1938 · Georgia Museum of Art 72Louise Heron Blair (1934) by Pierre DauraLouise Heron Blair1934 · Georgia Museum of Art 73Roads to Virginia (1935) by Pierre DauraRoads to Virginia1935 · Georgia Museum of Art 74Under the Mist (1935) by Pierre DauraUnder the Mist1935 · Georgia Museum of Art 75Corpses (1939) by Pierre DauraCorpses1939 · Georgia Museum of Art 76The Zero Hour (1939) by Pierre DauraThe Zero Hour1939 · Georgia Museum of Art 77Farm Scene (1942) by Pierre DauraFarm Scene1942 · Georgia Museum of Art 78Miss Martha Randolph Daura (1940) by Pierre DauraMiss Martha Randolph Daura1940 · Georgia Museum of Art 79Martha, White Hair Ribbon (1943) by Pierre DauraMartha, White Hair Ribbon1943 · Georgia Museum of Art 80Daura In Gray Cap (1941) by Pierre DauraDaura In Gray Cap1941 · Georgia Museum of Art 81Martha (1939) by Pierre DauraMartha1939 · Georgia Museum of Art 82Martha at Thirteen (1943) by Pierre DauraMartha at Thirteen1943 · Georgia Museum of Art 83Music (1947) by Pierre DauraMusic1947 · Georgia Museum of Art 84Black Face, Gold (1947) by Pierre DauraBlack Face, Gold1947 · Georgia Museum of Art 85Green  Apples (1947) by Pierre DauraGreen Apples1947 · Georgia Museum of Art 86Shack, Farmer in Straw Hat (1944) by Pierre DauraShack, Farmer in Straw Hat1944 · Georgia Museum of Art 87White Horses Grazing (1944) by Pierre DauraWhite Horses Grazing1944 · Georgia Museum of Art 88Yellow Trees by Maury River (1944) by Pierre DauraYellow Trees by Maury River1944 · Georgia Museum of Art 89Autumn Trees (1950) by Pierre DauraAutumn Trees1950 · Georgia Museum of Art 90Pyramids Progression (1949) by Pierre DauraPyramids Progression1949 · Georgia Museum of Art 91Deep South Souvenir (1952) by Pierre DauraDeep South Souvenir1952 · Georgia Museum of Art 92When Love Is True (1952) by Pierre DauraWhen Love Is True1952 · Georgia Museum of Art 93Nude (1949) by Pierre DauraNude1949 · Georgia Museum of Art 94Nude (1949) by Pierre DauraNude1949 · Georgia Museum of Art 95Nude (1949) by Pierre DauraNude1949 · Georgia Museum of Art 96African-American Woman (1949) by Pierre DauraAfrican-American Woman1949 · Georgia Museum of Art 97My ABCs (1950) by Pierre DauraMy ABCs1950 · Georgia Museum of Art 98Christian Symbols (1950) by Pierre DauraChristian Symbols1950 · Georgia Museum of Art 99What Is In A Painting (1950) by Pierre DauraWhat Is In A Painting1950 · Georgia Museum of Art 100Fifty Fifty, 4 (1955) by Pierre DauraFifty Fifty, 41955 · Georgia Museum of Art

Where you can see Pierre Daura's paintings

The museum that holds the most of the paintings on this page.

Museum City Works by Pierre Daura Paintings from this list
Georgia Museum of Art, AthensGeorgia Museum of Art Athens 131 Peasant Woman, Clock, White Head, Fruit

Pierre Daura decade by decade: one standout piece each

Works per decade

Pick a decade to see its standout piece.

Your questions about Pierre Daura's paintings

Which Pierre Daura painting is the most famous?See the answer

Top of the list is Peasant Woman (1927), Georgia Museum of Art, Athens. Right behind it: Clock (1929) and White Head, Fruit (1929).

How old was Pierre Daura when Peasant Woman was made?See the answer

31 years old. Pierre Daura was born in 1896, and Peasant Woman dates from 1927.

What are the 10 best-known Pierre Daura paintings?See the answer

Peasant Woman, Clock, White Head, Fruit, Female Head, Farmyard with Chickens, Quercy Autumn, Village with Yellow Tree, Place du Carol, Tank Battle and The 0 Hour. You'll find the year and the museum of each in the list above.

How many paintings did Pierre Daura create?See the answer

We have 158 works by Pierre Daura in our catalogue, dated 1908 to 1971.

Where can you see Pierre Daura's famous paintings?See the answer

You'll find most of them in Georgia Museum of Art (Athens). The museum list above has the full breakdown.

When did Pierre Daura paint the best-known pieces?See the answer

In 1940s, more than any other time: 24 of the 100 pieces on this page date from then, Woods among them.

Which famous Pierre Daura paintings came first and last?See the answer

The earliest piece here is Fruit Boats in Harbor (1908); the most recent is Nativity (1971).

Which Pierre Daura pieces can you see at the Georgia Museum of Art?See the answer

You can see 100 of the pieces on this page at the Georgia Museum of Art, Athens, including Peasant Woman, Clock and White Head, Fruit.

Getting to know Pierre Daura

The Visionary Synthesis of Pierre Daura

Born in the sun-drenched landscape of Minorca, Spain, on February 21, 1896, Pedro Francisco Daura y García—known more widely by his French name, Pierre Daura—was an artist whose life and work served as a profound bridge between the classical traditions of Europe and the burgeoning abstractions of the modern era. His journey began in the vibrant cultural heart of Barcelona, where he studied at the prestigious La Llotja Academy of Fine Arts. It was here, under the tutelage of masters such as José Ruiz y Blasco, that Daura developed a rigorous technical foundation. This early training instilled in him a deep respect for the structural integrity of form and the nuanced play of light, elements that would remain foundational even as his style drifted toward the avant-garde.

The trajectory of Daura’s life was irrevocably altered by his move to Paris in 1914. Immersed in the intellectual ferment of the French capital, he worked as an assistant to the Post-Impressionist Émile Bernard, absorbing the stylistic shifts that were redefining Western art. This period of immersion led him to become a vital participant in one of the most significant movements of the early 20th century: the Cercle et Carré (Circle and Square) collective. Alongside luminaries such as Wassily Kandinsky, Jean Arp, and Piet Mondrian, Daura explored the possibilities of geometric abstraction. His involvement with this group was not merely a stylistic choice but a philosophical commitment to finding order and rhythm through mathematical precision and structural harmony.

A Tapestry of Movement and Memory

Daura’s artistic evolution is characterized by a remarkable ability to weave together disparate influences, ranging from the meticulous observation of nature to the intellectual rigors of abstraction. His work often reflects a fascination with the concept of petite perceptions—the idea that the smallest sensory details contribute to a larger, unified consciousness. This philosophical depth allowed him to create landscapes and still lifes that felt both grounded in reality and elevated by a subtle, geometric underlying structure. Whether through the vibrant colors of his early experiments or the more muted, evocative tones of his later years, Daura’s hand was always guided by an attempt to capture the essence of his subject rather than just its surface appearance.

The turbulence of the 20th century left an indelible mark on his oeuvre. During the Spanish Civil War, Daura demonstrated a profound commitment to his roots, joining the Republican militia to fight against General Francisco Franco’s forces. This period of conflict introduced a raw, visceral dimension to his work, as he documented the human cost of war through poignant scenes and portraits. Following the hardships of the war and the subsequent move to France, Daura eventually found himself in the United States in 1939. Settling in the Blue Ridge Mountains of Virginia, his art underwent a new transformation, blending his European modernist sensibilities with the rugged, pastoral beauty of American regionalism.

Legacy and Enduring Significance

The legacy of Pierre Daura is one of resilience and synthesis. His ability to navigate between the worlds of Post-Impressionism and Abstract Expressionism allowed him to create a body of work that remains timelessly relevant. His later years in Virginia saw him capturing the quiet dignity of farm life and the sweeping vistas of the Appalachians, proving that his mastery of light and texture was as effective in the American landscape as it had been in the Mediterranean or the streets of Paris.

Today, Daura is celebrated not only as a pivotal figure in Catalan art history but as a truly international modernist. His contributions are preserved in significant collections, most notably through the Daura Center at the Georgia Museum of Art, which holds an extensive archive of his life and work. Through his paintings, sculptures, and prints, Daura continues to invite viewers into a world where the boundaries between the seen and the felt are beautifully blurred, reminding us of the enduring power of art to find harmony amidst chaos.