Prince Augustus Frederick (Thomas Phillips)
Prince Augustus Frederick was made by Thomas Phillips (1770–1845).
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StatsPrince Augustus Frederick in a nutshell
- Title
- Prince Augustus Frederick
- Artist
- Thomas Phillips (1770–1845)
- Artist born in
- Dudley, United Kingdom
- Subject
- royalty
Prince Augustus Frederick, up close
We start from a bigger image in our database, not the one on this page, so you get at least 300 DPI and a much better picture. We check the colours against the real painting and tidy up the file, so it looks like the artwork, not a scan.
Get the high-res imageThings people wonder about Prince Augustus Frederick
What does "Prince Augustus Frederick" by Thomas Phillips depict?
"Prince Augustus Frederick" by Thomas Phillips depicts: royalty.
Can the image of "Prince Augustus Frederick" by Thomas Phillips be freely reproduced?
The copyright answer for "Prince Augustus Frederick" by Thomas Phillips: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.
Which artist is "Prince Augustus Frederick" attributed to?
The artist behind "Prince Augustus Frederick" is Thomas Phillips. The work is catalogued under Thomas Phillips's name.
Why is the copyright status of "Prince Augustus Frederick" what it is?
The copyright status of "Prince Augustus Frederick" - in the public domain - its copyright has expired - follows from the artist's death in 1845.
Meet Thomas Phillips
1770–1845, United Kingdom
Thomas Phillips
Early Life and Artistic Foundations Thomas Phillips, born in Dudley, Worcestershire, in 1770, emerged from relatively modest beginnings to become a prominent figure in the British art scene of the late 18th and early 19th centuries. His initial artistic training wasn’t within the traditional confines of painting, but rather in the craft of glass-painting under Francis Eginton in Birmingham. This foundational experience instilled in him a meticulous attention to detail and an understanding of color and light that would later characterize his portraiture. A pivotal moment arrived in 1790 when Phillips journeyed to London, armed with an introduction to Benjamin West, a leading artist of the time and a key figure in the Royal Academy.
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