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Untitled (96)

A haunting Surrealist vision of a seated woman captured by Pablo Picasso in 1936, this evocative painting reflects the era's deep anxieties and invites you to explore its profound mystery through a fine reproduction.

Co-founder of Cubism and creator of Guernica. Discover the revolutionary works of Pablo Picasso today.

The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.

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Total Price

$ 63

Untitled (96)

Giclée / Art Print

Reproduction Size

-

Total Price

$ 63

Quick Facts

  • Notable elements or techniques: Fragmented forms, Bold brushstrokes
  • Artist: Pablo Picasso
  • Subject or theme: Still Life
  • Title: Untitled (96)
  • Dimensions: 65 x 54 cm
  • Location: Private Collection

Art Quiz

There is only one correct answer for each question.

Question 1:
What artistic movement is Pablo Picasso’s ‘Untitled (96)’ primarily associated with?
Question 2:
In what year was ‘Untitled (96)’ painted?
Question 3:
The painting depicts a woman seated on the floor. What is one prominent symbolic element present in this depiction?
Question 4:
What stylistic influence can be observed in ‘Untitled (96)’ considering Picasso’s earlier work?
Question 5:
Why is 'Untitled (96)' considered a significant piece within the broader context of modern art?

Pablo Picasso: Untitled (96) – A Surrealist Echo of Uncertainty

Pablo Picasso, one of the most influential artists of the 20th century, left an indelible mark on modern art. His works are a testament to his innovative spirit and artistic genius. Among his numerous creations, “Untitled (96)” stands out as a captivating piece that embodies the essence of Surrealism. This painting, completed in 1936 during Picasso’s fervent engagement with the movement, isn't merely an aesthetic exercise; it’s a profound reflection on the anxieties and contradictions simmering beneath the surface of Europe at the precipice of World War II.

Artistic Context: The Birth of Surrealism

“Untitled (96)” emerged from the crucible of Surrealist experimentation. Born in Malaga, Spain, Picasso had already established himself as a pioneer of Cubism before immersing himself in this revolutionary style. Surrealists sought to liberate the imagination from rational constraints, tapping into the subconscious mind and exploring dreamlike imagery—a direct response to the pervasive fear of impending conflict. Picasso’s artistic vision during this period aligns perfectly with the movement's core tenets: unsettling juxtapositions, illogical narratives, and a deliberate rejection of conventional representation. It’s a visual declaration that challenges viewers to confront their deepest anxieties.

Composition and Symbolism: Fractured Reality

The painting depicts a woman seated on the floor, her head tilted back as if gazing intently at something unseen—perhaps a mirror reflecting an inner turmoil. Her long hair cascades down her back, conveying both vulnerability and resilience. Surrounding her is a vase filled with fruit – oranges and apples – positioned off-center, creating asymmetry that disrupts any sense of harmonious balance. Two clocks dominate the background, one perched high on the right wall and another lower to the left, symbolizing the relentless march of time and highlighting the inescapable passage of events. The bird resting on the left side adds an element of enigmatic beauty—a symbol often interpreted as representing freedom or, paradoxically, the hidden depths of the subconscious.

Artistic Influences: Bridging Cubism and Abstraction

Picasso’s artistic journey was marked by a continuous evolution, moving from the geometric precision of Cubism to bolder explorations of abstraction. “Untitled (96)” represents a crucial transitional phase, retaining elements of Cubist fragmentation while simultaneously embracing Surrealist principles. Artists like Giorgio Morandi and Joan Miró profoundly impacted Picasso's aesthetic sensibilities during this period, encouraging him to prioritize emotion over strict adherence to form. The painting’s deliberate flattening of perspective—a technique borrowed from Oriental art—further underscores its subversive intent.

Relevance to Modern Art: A Challenge to Perception

“Untitled (96)” stands as a cornerstone of modern art's preoccupation with psychological depth and emotional resonance. It embodies the Surrealist impulse to dismantle accepted notions of reality, prompting viewers to question their assumptions about how we perceive the world. Like countless other masterpieces from this era, it refuses to offer easy answers—instead inviting contemplation and fostering an awareness of the complexities inherent in human experience. For those seeking inspiration or desiring to adorn their homes with a piece of artistic history, "Untitled (41)" and "Untitled (79)" offer compelling alternatives—both showcasing Picasso’s masterful command of color and form. Furthermore, the Musée Cantini in France houses an impressive collection of modern art, including works by Picasso—a destination for discerning collectors and art enthusiasts alike. ArtsDot.com specializes in crafting exquisite oil painting reproductions of iconic artworks like “Untitled (96)” – bringing the brilliance of artistic heritage into your living space. Explore our curated selection today!

Questions & Answers

At what size is "Untitled (96)" recommended to be printed?

The recommended print size for "Untitled (96)" by Pablo Picasso is small.

What is the creation date of "Untitled (96)" by Pablo Picasso?

The creation of "Untitled (96)" by Pablo Picasso is dated 1936.

What is "Untitled (96)" about, and what atmosphere does it have?

"Untitled (96)" by Pablo Picasso depicts woman, clock, bird, fruit, reflection, abstraction, juxtaposition, time, in a dramatic mood. Subject and atmosphere together describe the work.


Artist Biography

The boy from Málaga

A child's first words in Málaga were “piz, piz,” a small attempt at saying pencil. This early pull toward the lead and paper was nurtured by his father, José Ruiz y Blasco, who taught him the basics of figure drawing and oil painting. The boy learned to copy the masters and draw from plaster casts under a disciplined eye. As he grew, the family moved through A Coruña and Barcelona. These years were marked by the quiet weight of loss, particularly the death of his sister, Conchita, from diphtheria when she was only seven. Such shadows would later find their way into the heavy, blue-green tones of his early work.

By thirteen, he was already taking entrance exams for advanced classes in Barcelona, finishing in a week what took others a month. His hands moved with a precision that even his father noticed, once seeing him paint over an unfinished sketch of a pigeon with such accuracy that the instructor realized the student had surpassed him. He eventually moved to Paris, a city where he would spend much of his adult life, constantly shifting his focus from one way of seeing to another.

Shifting palettes and fractured forms

The early twentieth century saw his work move through distinct phases of color and mood. There was the Blue Period, where the canvases were filled with beggars, the blind, and the lonely, rendered in somber shades of blue. This gave way to the Rose Period, a time when pinks, oranges, and reds appeared, often featuring the figures of circus performers like harlequins and acrobats. These years showed a man reacting to his own life and the world around him through the temperature of his palette.

In 1907, the way he handled space changed fundamentally with Les Demoiselles d'Avignon. Influenced by African masks and Iberian sculpture, he began to break objects into geometric shapes. Alongside Georges Braque, he developed Cubism. This involved two main stages:

  • Analytic Cubism: A method of fragmenting objects into muted, geometric pieces as if dissecting the form itself.
  • Synthetic Cubism: An approach that brought in collage elements like newspaper clippings and fabric scraps to add texture and new layers.

A life of constant change

His work never settled into a single way of being. He explored Neoclassicism with large, monumental figures and later engaged with the imagery of Surrealism, using distorted perspectives to tap into the subconscious. The violence of the Spanish Civil War left its mark on his canvas in 1937 through Guernica. This large oil painting used a stark palette of black, white, and grey to show the suffering of a bombed town, featuring a gored horse, a bull, and screaming women. It remains a heavy, monochromatic response to the chaos of war.

In his later years, he continued to experiment with ceramics, sculpture, and printmaking. He even created large-scale public works, such as the 1967 steel sculpture in Chicago, which was inspired by the head of his Afghan Hound, Kabul. He died in Mougins, France, leaving behind a massive collection of work that spans over seventy-six years of experimentation.

Pablo Picasso

Pablo Picasso

1881 - 1973 , Spain

Quick Facts

  • Full Name: Pablo Diego José Ruiz Picasso
  • Nationality: Spanish
  • Date Of Birth: 1881
  • Date Of Death: 1973
  • Place Of Birth: Malaga, Spain
  • Notable Artworks:
    • Les Demoiselles d'Avignon
    • Guernica
    • The Old Guitarist
    • La Vie
    • Family of Saltimbanques
  • Artistic Movement Or Style: Cubism, Surrealism
  • Artists Who Influenced This Artist:
    • Velázquez
    • Goya
    • Matisse
  • Artists Or Movements Influenced By This Artist:
    • Cubism
    • Modern art
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