Menu
Preview AR preview Buy Hand Made Painting Switch to Digital Image Send
Details Guide Add to favorites Download Similars X-Ray Diaporama Stats

Peonies

Fragmented geometric planes and vibrant ruby red blossoms define Pablo Picasso's 1901 masterpiece Peonies, a proto-Cubist floral still life that invites you to explore the dawn of modernism through this exquisite work.

Co-founder of Cubism and creator of Guernica. Discover the revolutionary works of Pablo Picasso today.

The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.

This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8

Standard
custom
CM
INCH

Pick from our preset sizes that match the artwork's original proportions.

width
height

Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.

Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (23 October)

Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
100-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer

Total Price

$ 63

Peonies

Giclée / Art Print

Reproduction Size

-

Total Price

$ 63

Quick Facts

  • Notable elements or techniques: Loose brushstrokes, textured surfaces
  • Artist: Pablo Picasso
  • Subject or theme: Floral Composition
  • Title: Peonies
  • Medium: Ceramic Painting
  • Dimensions: 75 x 57 cm

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the predominant color palette employed in Picasso’s ‘Peonies’?
Question 2:
The painting utilizes a technique characterized by loose brushstrokes. What is the primary effect this technique achieves?
Question 3:
What stylistic element contributes to the overall impression of melancholy conveyed by Picasso’s depiction of peonies?
Question 4:
Which artistic movement is Picasso's ‘Peonies’ most closely associated with?
Question 5:
The artist signed the painting with 'Piicasso'. Why is this significant in understanding Picasso's artistic legacy?

A Floral Echo of Modernism: The Soul of Picasso’s ‘Peonies’

In the quiet dawn of the twentieth century, before the world was fractured by the radical geometries of Cubism, Pablo Picasso captured a moment of deceptive simplicity that would forever alter the trajectory of modern art. His 1901 masterpiece, “Peonies,” is far more than a mere arrangement of flora; it is a profound testament to an artist on the precipice of revolution. At first glance, the viewer is greeted by a serene still life: four creamy white peonies and two ruby-red blossoms nestled within a verdant ceramic pitcher. Yet, beneath this delicate surface lies the pulse of a burgeoning movement, where the traditional boundaries of representation began to dissolve into something much more visceral and experimental.

The composition is anchored by a vertical dynamism that rejects the static, academic stillness of the past. Picasso utilizes a palette that breathes with life—the deep, lush greens of the pitcher contrast beautifully against the soft, ethereal whites and the striking, passionate reds of the petals. This interplay of color does not merely decorate the canvas; it directs the eye in a rhythmic dance across the tabletop, inviting the observer to linger on the texture of each brushstroke. There is an undeniable intimacy in this close-up view, a sense that we are sharing a private, quiet moment with the artist as he explores the very essence of form and light.

The Seeds of Revolution: Technique and Historical Context

To look closely at “Peonies” is to witness the early tremors of Analytical Cubism. While the subject remains recognizable, Picasso’s technique begins to move away from photographic mimicry toward a more structural truth. He employs loose, expressive brushstrokes and visible pigments that lend the work a tactile, breathing quality. Rather than adhering to rigid perspective, he subtly fractures the subject matter into geometric planes, hinting at the multiple viewpoints that would later define his collaboration with Georges Braque. This approach was heavily influenced by the late works of Cézanne, as Picasso sought to capture not just the outward appearance of the flowers, but their underlying volume and weight.

This period of Picasso's life was one of intense transition and searching. As he moved through the artistic hubs of Spain and France, his work acted as a laboratory for new ideas. In “Peonies,” we see the artist experimenting with how light interacts with surface, using color to define shape rather than relying solely on line. The dark blue signature scrawled across the canvas serves as a bold assertion of identity—a declaration from a young master who was already beginning to dismantle established notions of beauty to forge a path toward abstraction and emotional truth.

An Inspiration for the Modern Interior

For the discerning collector or the interior designer, “Peonies” offers an unparalleled opportunity to introduce a sense of historical depth and sophisticated vitality into a space. The painting possesses a unique ability to harmonize with diverse decor styles, from the minimalist elegance of contemporary apartments to the rich, layered textures of classical estates. Its palette of deep greens, soft creams, and vibrant reds provides a natural focal point that can anchor a room, bringing an organic yet intellectually stimulating energy to any wall.

Owning a high-quality reproduction of this work is not merely about displaying a beautiful image; it is about inviting the spirit of innovation into one's home. The piece serves as a conversation starter, a window into the formative years of the most influential artist of the modern era. Whether placed in a sunlit study or a grand dining hall, “Peonies” radiates a timeless elegance that celebrates the enduring beauty of nature and the transformative power of the human imagination.

Questions & Answers

How can I view "Peonies" by Pablo Picasso as a slideshow?

The diaporama of "Peonies" can be watched on the artwork's Diaporama page.

Where does "Peonies" sit within Pablo Picasso's body of work?

"Peonies" belongs to Pablo Picasso's Cubist Still Life work, whose recorded themes include analytical cubism, formal experimentation, symbolic representation, emotional depth, picasso legacy.

Who created "Peonies"?

"Peonies" was created by Pablo Picasso. The information on this page describes Pablo Picasso's original work.


Artist Biography

The boy from Málaga

A child's first words in Málaga were “piz, piz,” a small attempt at saying pencil. This early pull toward the lead and paper was nurtured by his father, José Ruiz y Blasco, who taught him the basics of figure drawing and oil painting. The boy learned to copy the masters and draw from plaster casts under a disciplined eye. As he grew, the family moved through A Coruña and Barcelona. These years were marked by the quiet weight of loss, particularly the death of his sister, Conchita, from diphtheria when she was only seven. Such shadows would later find their way into the heavy, blue-green tones of his early work.

By thirteen, he was already taking entrance exams for advanced classes in Barcelona, finishing in a week what took others a month. His hands moved with a precision that even his father noticed, once seeing him paint over an unfinished sketch of a pigeon with such accuracy that the instructor realized the student had surpassed him. He eventually moved to Paris, a city where he would spend much of his adult life, constantly shifting his focus from one way of seeing to another.

Shifting palettes and fractured forms

The early twentieth century saw his work move through distinct phases of color and mood. There was the Blue Period, where the canvases were filled with beggars, the blind, and the lonely, rendered in somber shades of blue. This gave way to the Rose Period, a time when pinks, oranges, and reds appeared, often featuring the figures of circus performers like harlequins and acrobats. These years showed a man reacting to his own life and the world around him through the temperature of his palette.

In 1907, the way he handled space changed fundamentally with Les Demoiselles d'Avignon. Influenced by African masks and Iberian sculpture, he began to break objects into geometric shapes. Alongside Georges Braque, he developed Cubism. This involved two main stages:

  • Analytic Cubism: A method of fragmenting objects into muted, geometric pieces as if dissecting the form itself.
  • Synthetic Cubism: An approach that brought in collage elements like newspaper clippings and fabric scraps to add texture and new layers.

A life of constant change

His work never settled into a single way of being. He explored Neoclassicism with large, monumental figures and later engaged with the imagery of Surrealism, using distorted perspectives to tap into the subconscious. The violence of the Spanish Civil War left its mark on his canvas in 1937 through Guernica. This large oil painting used a stark palette of black, white, and grey to show the suffering of a bombed town, featuring a gored horse, a bull, and screaming women. It remains a heavy, monochromatic response to the chaos of war.

In his later years, he continued to experiment with ceramics, sculpture, and printmaking. He even created large-scale public works, such as the 1967 steel sculpture in Chicago, which was inspired by the head of his Afghan Hound, Kabul. He died in Mougins, France, leaving behind a massive collection of work that spans over seventy-six years of experimentation.

Pablo Picasso

Pablo Picasso

1881 - 1973 , Spain

Quick Facts

  • Full Name: Pablo Diego José Ruiz Picasso
  • Nationality: Spanish
  • Date Of Birth: 1881
  • Date Of Death: 1973
  • Place Of Birth: Malaga, Spain
  • Notable Artworks:
    • Les Demoiselles d'Avignon
    • Guernica
    • The Old Guitarist
    • La Vie
    • Family of Saltimbanques
  • Artistic Movement Or Style: Cubism, Surrealism
  • Artists Who Influenced This Artist:
    • Velázquez
    • Goya
    • Matisse
  • Artists Or Movements Influenced By This Artist:
    • Cubism
    • Modern art
Explore artworks organized by themes, styles, and characteristics.