Number 1-82

Dimensions
208.0 x 84.0 cm

The picture follows your choices: , .

Collectible Description

Discover Morris Louis’ ‘Number 1-82,’ a vibrant Color Field masterpiece! Explore its bold horizontal bands, stark contrast & minimalist design – a key work of American art.

Artist Biography

Explore Morris Louis (1912-1962), a pioneer of Color Field painting! Discover his innovative veil paintings, vibrant hues & lasting impact on abstract art.

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

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Order your painting in four simple steps

Take your time. You can change any answer; the price in your order card follows each choice.

1 Step one of four

Which size would you like?

These sizes keep the proportions of the original painting. The drawing shows your choice on a wall, above a two-metre sofa.

Your painting: () — with its frame.

Or give your own measurements

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custom
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Pick from our preset sizes that match the artwork's original proportions.

width
height

Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.

2 Step two of four

How should it be prepared: rolled, stretched or framed?

The prices below are for the size you chose in step one.

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on solid wood bars
White $1
Corner sample of the BlurSideWrap canvas edge finish, stretched on solid wood bars
Blurside $1
Corner sample of the ExtendedWrap canvas edge finish, stretched on solid wood bars
Extended $1
Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8
Corner sample of the H24-GOLD picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-GOLD $30
Corner sample of the H24-SILVER picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-SILVER $30
Corner sample of the H36-GOLD picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-GOLD $45
Corner sample of the H36-SILVER picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-SILVER $45
Frame preview
Framed

Moulding: . Overall size with the frame: .

3 Step three of four

Would you like anything changed in the painting?

Most people answer no. Because each painting is made by hand, our artist can also adapt it for you.

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview

4 Step four of four

A few finishing options

All of them are optional. The answers already selected cost nothing extra.

Who paints it?

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (3 November). No compromise on quality.

A nameplate, as in a museum?

Engraved Bronze Plaque Details

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Transparent Acrylic Plaque Details

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Black Acrylic Plaque Details

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

✓ Check and order

Your painting, as you ordered it

Number 1-82

Reproduction Medium

Reproduction Size

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Elite Senior Artist

More detail, finesse, and extra production time

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Reproduction Frame

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For artworks or reproductions larger than 105 cm (approximately 41 inches) on any side, the frame will be shipped as a kit, disassembled. This method ensures safe delivery and prevents damage during transport.

Professional assembly required - this is not a DIY product.
The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

  • All solid wood bars are included, precisely cut to size.

  • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

  • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

Important:
The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

Nameplate

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Protective Varnish

Glossy Varnish (enhances colors, protects against light/moisture)

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Customize My Artwork

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.

-

Urgent

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (3 November). No compromise on quality.

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Express Shipping

Worldwide Delivery () in 5 weeks. (10 November).

Included

Total Price

$ 263

Total Price $ 263

Glass option is only available in size under 110 CM

Included with every order

  • Free Worldwide Express Shipping
  • High-Quality Linen Canvas
  • Full Shipping Insurance
  • Customs Tax Refund Guarantee
  • True Color Matching Guarantee
  • 100-Day Return Policy (Defects Only)
  • 100% Money-Back Guarantee
  • Bulk Discount Offer

Morris Louis: A Symphony of Color and Texture

Morris Louis (1912-1962), born in Baltimore, Maryland, emerged as a singular voice within the burgeoning landscape of American abstract expressionism. Despite eschewing formal academic training—he attended MICA but didn’t earn a degree—Louis possessed an innate artistic sensibility nurtured by influences ranging from Eugène Speicher to Paul Cézanne and bolstered by early explorations into textile art.

The Veil Technique: Innovation at Its Finest

Louis revolutionized painting with his groundbreaking “veil” technique, developed in collaboration with Leo Stein of Magna Paint. This method involved applying Magna paint onto a stretched fabric—typically muslin—allowing it to drip and spread organically across the surface. Unlike traditional brushstrokes, this process yielded unpredictable patterns of color, resulting in mesmerizing textures and captivating visual rhythms. The drips themselves weren’t merely accidental; Louis meticulously controlled their trajectory, creating deliberate variations within each veil.

“Number 1-82”: Exploring Chromatic Relationships

"Number 1-82," created in 1961, exemplifies Louis's masterful command of Color Field painting. The artwork is dominated by a vertical composition featuring eight horizontal bands of color—ranging from crimson to cadmium yellow—layered onto a stark black background. This juxtaposition immediately establishes a dramatic contrast that draws the viewer’s eye and underscores the importance of chromatic harmony. The technique employed—direct application of Magna paint—produced uneven edges and visible brushstrokes, contributing to the painting's palpable textural quality.

Symbolism Within Simplicity

The colors chosen by Louis are not merely decorative; they carry profound symbolic weight. Researchers suggest that crimson represents passion and vitality, while cadmium yellow embodies optimism and enlightenment. Collectively, these hues evoke a spectrum of emotions—joy, energy, contemplation—reflecting Louis’s belief in the transformative power of color to communicate ideas beyond literal representation. The absence of perspective or depth reinforces the painting's focus on pure chromatic experience.

A Legacy Enduring Through Reproduction

“Number 1-82” stands as a testament to Louis’s unwavering commitment to artistic experimentation and his pioneering contribution to abstract art history. ArtsDot offers exceptional reproductions of this iconic piece, allowing collectors and enthusiasts alike to appreciate its beauty and complexity in high resolution.

Questions & Answers

What size should I print "Number 1-82" for my room?

In a living room, "Number 1-82" is suggested at a large print size.

What color saturation does "Number 1-82" by Morris Louis have?

"Number 1-82" by Morris Louis is recorded with a clear color presence saturation.

Is "Number 1-82" available as a fine art print?

"Number 1-82" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on its Fine Art Print page, in the size of your choice.

Morris Louis

Morris Louis

1912 - 1962, United States of America

Artist Biography

Early Life and Education

  • Born: Morris Louis Bernstein, November 28, 1912, Baltimore, Maryland
  • Parents: Louis Bernstein (furniture salesman) and Cecelia Luckman Bernstein.
  • Education: Attended public schools in Baltimore; Maryland Institute of Fine and Applied Arts (now MICA), 1929-1932. Did not complete a degree.
  • Early influences included Eugene Speicher and Paul Cézanne.
  • Showed an early interest in art, encouraged by his family despite limited opportunities in Baltimore.

Development as an Artist & Key Influences

  • 1930s: Worked various odd jobs to support himself while painting (vegetable peeling, laundry work, Gallup Poll research).
  • 1934-1936: Participated in the Public Works of Art Project mural project under Sam Swerdloff.
  • 1936-1937: Moved to New York City; experimented with techniques at the Siqueiros Workshop.
  • Magna Paint Discovery (1948): A pivotal moment – Louis pioneered the use of Magna paint, a newly developed oil-based acrylic paint created for him by Leonard Bocour and Sam Golden. This allowed for greater fluidity and transparency in his work.
  • Influence of Helen Frankenthaler: In 1953, Louis and Kenneth Noland visited Frankenthaler's studio and were deeply impressed by her stain paintings (particularly "Mountains and Sea"). This inspired their experimentation with pouring and staining techniques.

The Veil Paintings & Color Field Innovations

  • Mature Veil Paintings (1954): Characterized by overlapping, superimposed layers of transparent color poured onto and stained into sized or unsized canvas.
  • Technique: Extremely diluted paint was applied to an unprimed, unstretched canvas, allowing it to flow over the inclined surface, creating translucent color veils. This eliminated brushstrokes and emphasized flatness.
  • Color Field Painting: Louis became a central figure in Color Field painting, simplifying pictorial space and emphasizing flat planes of intense color. He was part of the Washington Color School movement.
  • Series & Styles: Beyond the Veil paintings, he explored series like florals, columns (1960), unfurleds (1960-61) – featuring rivulets of opaque color – and stripe paintings (1961-62).

Major Achievements & Historical Significance

  • Pioneering Color Field Painting: Louis is recognized as a key innovator in Color Field painting, alongside artists like Kenneth Noland and Helen Frankenthaler.
  • Influence on Abstract Expressionism: His work expanded the boundaries of Abstract Expressionism by focusing on color and flatness rather than gesture or composition.
  • Washington Color School: A significant contributor to this influential movement, which emphasized a reductive approach to painting.
  • Destruction of Works: Notably, Louis destroyed many of his paintings between 1955 and 1957, reflecting a critical self-assessment of his work.
  • Legacy: His emphasis on color, flatness, and the materiality of paint continues to influence contemporary artists.

Later Years & Death

  • Louis continued painting prolifically until his death.
  • Death: Died September 7, 1962, in Washington, D.C., at the age of 49.
  • Memorial Exhibition (1963): A significant exhibition was held at the Solomon R. Guggenheim Museum shortly after his death.
  • Retrospective Exhibitions: Major retrospectives followed at the Museum of Fine Arts, Boston (1967), and the National Gallery of Art, Washington, D.C. (1976).