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The White Peacock

Dimensions
191.0 x 166.0 cm

Admire Jan Weenix's masterful depiction of 'The White Peacock,' a stunning oil painting showcasing a majestic peacock amidst serene nature, capturing beauty and symbolism in exquisite detail.

Jan Weenix (1641-1719): Dutch Baroque master renowned for richly detailed hunting still lifes, game paintings & landscapes. Admired for realism and vibrant color.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8

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Total Price

$ 63

The White Peacock

Giclée / Art Print

Reproduction Size

-

Total Price

$ 63

Quick Facts

  • Year: 1693
  • Title: The White Peacock
  • Medium: Oil on Canvas
  • Dimensions: 191 x 166 cm
  • Location: Academy of Fine Arts Vienna
  • Artistic style: Realism

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the artist responsible for?
Question 2:
In what year was this painting created?
Question 3:
Where is the artwork currently housed?
Question 4:
What artistic style characterizes Jan Weenix's work?
Question 5:
The painting depicts a scene featuring animals, notably a peacock and a hare. What is the significance of the peacock in this artwork?

A Symphony of Light and Decay

In the quiet, shadowed corners of the Dutch Golden Age, Jan Weenix crafted a visual language that spoke far more profoundly than mere imitation. His masterpiece, “The White Peacock,” completed in 1693, stands as a breathtaking testament to the Baroque era’s obsession with the tension between life and death. At first glance, the viewer is arrested by the luminous presence of the central figure: a magnificent white peacock, its plumage spread in an elaborate, ethereal display that seems to catch a light source from beyond the frame. Yet, as the eye wanders from this brilliant centerpiece, the scene reveals a more somber narrative. Perched upon a decaying tree stump and accompanied by a resting brown hare and the stillness of lifeless birds, the painting presents a poignant meditation on the cyclical rhythms of existence—a delicate dance between vibrant beauty and inevitable ruin.

Weenix’s technical mastery is nothing short of extraordinary, utilizing the chiaroscuro technique to sculpt form out of the darkness. Through painstaking detail, he renders the tactile reality of the natural world; one can almost feel the softness of the peacock's feathers, the coarse fur of the hare, and the rough, weathered texture of the decomposing wood. His brushstrokes, though seamlessly blended to create an illusion of profound depth, possess a controlled energy that breathes life into the organic matter. This meticulous realism serves a higher purpose, elevating the work from a simple animal study to a complex psychological landscape. The dramatic contrasts between light and shadow do more than just define shape; they imbue the atmosphere with a palpable sense of drama and mystery, drawing the collector into a world where every shadow holds a secret.

Symbolism and the Baroque Soul

To gaze upon “The White Peacock” is to engage with a rich tapestry of seventeenth-century symbolism. In the lexicon of the era, the peacock was often a symbol of nobility, pride, and even immortality due to its perceived ability to renew itself. However, by placing this regal creature amidst symbols of mortality—the dead birds and the decaying stump—Weenix creates a powerful vanitas motif. This juxtaposition reminds the viewer of the fleeting nature of earthly glory and the inescapable reality of decay. For the modern connoisseur or interior designer, this duality offers an incredible emotional depth; the painting does not merely decorate a space, it anchors it with intellectual weight and a sense of timeless contemplation.

The historical context of Amsterdam during this period adds another layer of intrigue to the work. As a period of intense artistic experimentation, the Dutch Baroque sought to explore themes that resonated with the cultural anxieties of an era grappling with change. Weenix, trained in the tradition of his father Jan Baptist Weenix, brought a refined sensitivity to these themes, blending the grandeur of the Baroque with a quiet, observational intimacy. For those seeking to incorporate a high-quality reproduction into a curated collection, this piece offers more than aesthetic pleasure; it provides a window into a vanished world of philosophical inquiry and unparalleled artistic devotion.

Questions & Answers

What does the 1693 date of "The White Peacock" correspond to in Jan Weenix's career?

"The White Peacock", created in 1693, belongs to the Mature Baroque of Jan Weenix's career.

What shape and dimensions is "The White Peacock" by Jan Weenix?

The format of "The White Peacock" is portrait, and the original measures 191 x 166 cm. Both are useful when planning a reproduction.

What size and orientation are recommended for a print of "The White Peacock" by Jan Weenix?

For "The White Peacock", the recommended print setup is a large size and a portrait orientation.


Artist Biography

A Legacy of Dutch Realism: The Life and Art of Jan Weenix

Jan Weenix, born in Amsterdam in 1641, emerged from a lineage steeped in artistic tradition, inheriting a passion for painting from his father, the esteemed Jan Baptist Weenix. While precise details surrounding his early years remain somewhat elusive, it’s clear that young Jan received foundational training within his father's workshop, absorbing techniques crucial to depicting both still life and animal subjects—a hallmark of Dutch Golden Age artistry. This familial influence wasn’t merely technical; it instilled a deep appreciation for the meticulous observation of nature and a commitment to rendering its beauty with striking realism. The elder Weenix’s own artistic journey, including sojourns in Italy that infused his work with an Italianate sensibility, undoubtedly shaped Jan's developing aesthetic as well. Though initially overshadowed by his father’s reputation, Jan quickly distinguished himself, forging a unique path within the vibrant landscape of 17th-century Dutch painting.

The Flourishing of a Baroque Style

Weenix’s artistic style blossomed during the height of the Baroque period, and it reflects the era's penchant for drama, rich detail, and dynamic composition. He wasn’t working in isolation; influences from contemporaries like Hendrick Cornelisz Vroom, renowned for his marine paintings, and potentially other animalier specialists such as Melchior de Hondecoeter and Gillis Claesz d'Hondecoeter, subtly informed his approach. However, Weenix synthesized these inspirations into a style distinctly his own. His canvases are characterized by an almost photographic precision in the rendering of textures—the sheen of feathers, the softness of fur, the delicate translucence of fruit – all achieved through masterful brushwork and a keen understanding of light and shadow. Chiaroscuro, the dramatic interplay between light and dark, is employed to create depth and visual interest, drawing the viewer into the scene with compelling realism. A vibrant color palette further enlivens his subjects, imbuing them with a sense of immediacy and vitality. He possessed an exceptional skill in arranging elements within the frame, creating balanced and harmonious compositions that are both visually appealing and narratively engaging.

Masterpieces and Patronage

Throughout his career, Jan Weenix produced a substantial body of work celebrated for its technical brilliance and captivating subject matter. Paintings like Hunting and Fruit Still Life next to a Garden Vase (1714) exemplify his ability to seamlessly integrate diverse elements—game birds, luscious fruits, architectural details – into a complex and visually stunning arrangement. Still Life with a Hare and other Game (1697) showcases his mastery of animal anatomy and texture, capturing the lifelike quality of his subjects with remarkable accuracy. Even smaller works, such as A Seated Monkey (before 1685), reveal his talent for imbuing animals with personality and expressive character. This skill did not go unnoticed by prominent patrons. In 1702, Weenix received an invitation to the court of Johann Wilhelm, Elector Palatine, where he worked alongside other renowned artists, creating large-scale hunting scenes for Schloss Bensberg—a testament to his growing reputation and artistic prowess. These commissions provided him with both financial security and opportunities to further refine his skills.

A Lasting Influence on Dutch Art

Jan Weenix played a pivotal role in popularizing hunting still lifes and game paintings during the Baroque period, elevating these genres beyond mere decoration. His works were highly sought after by collectors, contributing significantly to the development of Dutch artistic traditions. He didn’t simply replicate nature; he interpreted it through his unique lens, imbuing his paintings with a sense of realism, drama, and aesthetic beauty that resonated deeply with contemporary audiences. His legacy extends beyond his own creations; his daughter, Maria Weenix, continued the family tradition as a skilled flower painter, ensuring that the Weenix name remained synonymous with artistic excellence for generations to come. Today, Jan Weenix’s paintings are treasured in museums and private collections worldwide, continuing to inspire artists and captivate audiences with their masterful depictions of the natural world—a testament to his enduring contribution to the rich tapestry of Dutch art history.
Jan Weenix

Jan Weenix

1641 - 1719 , Netherlands

Quick Facts

  • Artistic Movement Or Style: Dutch Baroque
  • Artists Or Movements Influenced By This Artist: ['Maria Weenix']
  • Artists Who Influenced This Artist:
    • Jan Baptist Weenix
    • Hendrick Vroom
  • Date Of Birth: 1641
  • Date Of Death: 1719
  • Full Name: Jan Weenix
  • Nationality: Dutch
  • Notable Artworks:
    • Hunting and Fruit Still Life
    • Still Life with a Hare
    • A Seated Monkey
    • The White Peacock
  • Place Of Birth: Amsterdam, Netherlands
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