the collector's folio

Sebastiano Ricci Most Popular Paintings

The 25 artworks by Sebastiano Ricci our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Sebastiano Ricci · 1659 – 1734

Diana and Callisto

1712 · Gallerie dell'Accademia di Venezia, Venice · original 64 x 76 cm

Discover Sebastiano Ricci’s ‘Diana & Callisto,’ a stunning Baroque masterpiece! Explore dynamic composition, chiaroscuro lighting & mythological drama. A timeless treasure for art lovers.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 1 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$32535 × 29 cm Commission this artwork

Same size as the original$43976 × 64 cm Commission at original size

Bathsheba in her Bath

Sebastiano Ricci’s ‘Bathsheba in her Bath’: A captivating Rococo masterpiece depicting biblical allure & royal intrigue. Explore this exquisite 18th-century oil painting.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 2 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$32536 × 28 cm Commission this artwork

Childhood of Romulus and Remus

1708 · Hermitage Museum, Saint Petersburg · original 185 x 170 cm

Sebastiano Ricci's "Childhood of Romulus and Remus" (1708) depicts the legendary twins’ nurturing, showcasing Baroque drama & Venetian artistry. A captivating glimpse into Roman myth at The Hermitage.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 3 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17531 × 32 cm Commission this artwork

Same size as the original$1060170 × 185 cm Commission at original size

Bacchus and Ariadne

1713 · Chiswick House, London · original 189 x 104 cm

Experience the luminous Baroque drama of Bacchus and Ariadne by Sebastiano Ricci; capture this masterpiece of 18th-century Italian art for your collection.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 4 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17523 × 43 cm Commission this artwork

Same size as the original$719104 × 189 cm Commission at original size

Hercules at the Crossroad

1706 · Galleria degli Uffizi, Florence · original 65 x 38 cm

Witness Hercules' pivotal decision! Sebastiano Ricci’s "Hercules at the Crossroads" captures a dramatic moment of choice between virtue and vice, rendered with Baroque brilliance.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 5 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17524 × 41 cm Commission this artwork

Same size as the original$21938 × 65 cm Commission at original size

Meeting of Bacchus and Ariadne

1713 · National Gallery, London · original 76 x 63 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 6 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17529 × 35 cm Commission this artwork

Same size as the original$28763 × 76 cm Commission at original size

VENUS ENTOUREE DE NYMPHES CONTEMPLANT UNE RONDE DE CUPIDONS

The Louvre, Paris

Magnificent Baroque painting by Sebastiano Ricci depicting Venus surrounded by nymphs and cherubs. A captivating scene of love, beauty, and divine grace – a true masterpiece.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 7 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$22542 × 24 cm Commission this artwork

Bacchanal in Honour of Pan

1716 · Gallerie dell'Accademia di Venezia, Venice · original 84 x 100 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 8 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17535 × 29 cm Commission this artwork

Same size as the original$393100 × 84 cm Commission at original size

Bacchus and Ariadne

1700 · National Gallery, London · original 75 x 63 cm

Sebastiano Ricci’s “Bacchus and Ariadne” (1725) is a dramatic Baroque masterpiece! Explore this opulent scene of myth & desire, featuring rich colors, dynamic figures & masterful brushwork.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 9 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17529 × 35 cm Commission this artwork

Same size as the original$28563 × 75 cm Commission at original size

NYMPHE ET SATYRES

The Louvre, Paris

Explore Sebastiano Ricci's masterpiece 'NYMPHE ET SATYRES,' a captivating Rococo painting depicting a mythological scene brimming with elegance and moral contemplation.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 10 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$22535 × 29 cm Commission this artwork

Venus and Satyr

1720 · Szépművészeti Múzeum, Budapest · original 102 x 125 cm

Admire Sebastiano Ricci's 'Venus and Satyr,' a captivating oil on canvas masterpiece (1716-1720). Explore the sensual scene of Venus, Cupid, and a satyr in this stunning Baroque artwork.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 11 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17535 × 29 cm Commission this artwork

Same size as the original$519125 × 102 cm Commission at original size

The Battle of the Lapiths and Centaurs

High Museum of Art, Atlanta

Ricci employed meticulous brushwork and chiaroscuro (light and shadow) to heighten visual impact and imbue the scene with a palpable sense of movement. The artist’s attention to detail extends beyond the figures themselves, encompassing meticulously rendered horses and architectural elements. Ricci’s work represents a significant revival of Venetian Baroque aesthetics following the Mannerist peri

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 12 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17536 × 28 cm Commission this artwork

Bathsheba

1725 · Staatliche Museen zu Berlin, Berlin · original 109 x 142 cm

Experience Sebastiano Ricci's captivating 'Bathsheba in her Bath' (1725). A Baroque masterpiece depicting biblical allure, royal intrigue, and lavish detail – a stunning work of art.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 13 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17536 × 27 cm Commission this artwork

Same size as the original$598142 × 109 cm Commission at original size

Diana and Endymion

1716 · English Heritage, London · original 190 x 106 cm

Experience the dramatic chiaroscuro of Sebastiano Ricci's 1716 Venetian Baroque masterpiece, Diana and Endymion; discover this vision of pastoral mythology today.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 14 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17524 × 42 cm Commission this artwork

Same size as the original$733106 × 190 cm Commission at original size

Dream of Aesculapius (detail)

1710 · Gallerie dell'Accademia di Venezia, Venice

Delve into Sebastiano Ricci's 'Dream of Aesculapius,' a breathtaking Venetian Baroque fresco showcasing luminous color palettes and masterful illusionism—a testament to his artistic brilliance.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 15 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17530 × 34 cm Commission this artwork

ALLEGORIE DE LA FRANCE, SOUS LA FIGURE DE MINERVE (LA SAGESSE) QUI FOULE AUX PIEDS L'IGNORANCE ET COURONNE LA VERTU GUERRIERE

View the most popular artwork of Sebastiano Ricci ranked #16: ALLEGORIE DE LA FRANCE, SOUS LA FIGURE DE MINERVE (LA SAGESSE) QUI FOULE AUX PIEDS L'IGNORANCE ET COURONNE LA VERTU GUERRIERE

The Louvre, Paris

Sebastiano Ricci's "Allegorie de la France" (1718) depicts Minerve vanquishing Ignorance, symbolizing French virtue & wisdom. A stunning Baroque masterpiece showcasing allegory and classical themes.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 16 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17527 × 37 cm Commission this artwork

Madonna and Child with Saints

1708 · San Giorgio Maggiore, Venice · original 406 x 208 cm

Sebastiano Ricci’s luminous Madonna and Child captures the grandeur of Venetian baroque art, portraying Mary cradling Jesus amidst angelic figures and saints—a masterful depiction reflecting Dal Sole's influence. Explore this exquisite reproduction and bring Renaissance beauty into your home.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 17 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17522 × 45 cm Commission this artwork

Last Supper

1713 · National Gallery of Art, Washington · original 67 x 104 cm

Witness the iconic 'Last Supper' by Leonardo da Vinci! This masterpiece captures Jesus’s final meal with his disciples, showcasing unparalleled artistry and emotion. Explore its history & details.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 18 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17539 × 25 cm Commission this artwork

Same size as the original$351104 × 67 cm Commission at original size

Self Portrait

1704 · Galleria degli Uffizi, Florence · original 99 x 69 cm

Sebastiano Ricci’s 1704 ‘Self Portrait’ – a dramatic Baroque masterpiece! Explore this rich oil painting's details, symbolism & Venetian artistry. A captivating piece for art enthusiasts.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 19 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17527 × 38 cm Commission this artwork

Same size as the original$34769 × 99 cm Commission at original size

Dream of Aesculapius

1710 · Gallerie dell'Accademia di Venezia, Venice · original 62 x 101 cm

Explore Sebastiano Ricci’s ‘Dream of Aesculapius’! A dramatic Baroque masterpiece featuring swirling smoke & intense emotion. Oil on canvas, 1710. #BaroqueArt #Ricci #ItalianPainting

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LE SATYRE ET LE PAYSAN

The Louvre, Paris

Sebastiano Ricci’s "Le Satyre et le Paysan" captures a dramatic Baroque encounter between myth and everyday life with its rich colors and dynamic composition. This captivating 18th-century painting offers a glimpse into a world of temptation and morality – discover this stunning reproduction.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 21 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$22536 × 28 cm Commission this artwork

Aeneas Rescuing Anchises

1700 · Museo de Arte de Ponce, Ponce · original 206 x 155 cm

This painting portrays Aeneas rescuing his father Anchises from the burning city of Troy. Ricci contrasts Aeneas' strength with Anchises' dignity, capturing a poignant moment of familial courage against perilous odds. Influenced by Giovanni Gioseffo Dal Sole and Bernini’s sculptural style, this artwork exemplifies Venetian Baroque grandeur. Explore Sebastiano Ricci's masterpiece 'Aeneas Rescuing

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 22 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17527 × 37 cm Commission this artwork

Same size as the original$1074155 × 206 cm Commission at original size

Nymph and Satyrs

1712 · The Louvre, Paris · original 64 x 76 cm

Explore Sebastiano Ricci's masterpiece 'NYMPHE ET SATYRES,' a captivating Rococo painting depicting a mythological scene brimming with elegance and moral contemplation.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 23 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17535 × 29 cm Commission this artwork

Same size as the original$28976 × 64 cm Commission at original size

St Anthony of Padua Healing a Youth

1690 · The Louvre, Paris · original 98 x 124 cm

Sebastiano Ricci’s 'St Anthony Healing a Youth' (1690) – A dramatic Baroque oil painting depicting death & grief, showcasing rich detail & emotional intensity. Explore Venetian art history.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 24 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$22536 × 28 cm Commission this artwork

Same size as the original$552124 × 98 cm Commission at original size

Prayer in the Garden

1730 · Kunsthistorisches Museum, Vienna · original 95 x 76 cm

Explore Sebastiano Ricci's 'Prayer in the Garden,' a luminous baroque fresco depicting Jesus and angels in serene contemplation amidst a mountainous landscape – a masterpiece of Venetian art history.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 25 of 262 artworks by Sebastiano Ricci
Delivery: Worldwide, about 5 weeks

from$17536 × 28 cm Commission this artwork

Same size as the original$35895 × 76 cm Commission at original size

The artist

Sebastiano Ricci

1659 – 1734

Quick facts

Top-ranked workDiana and Callisto
Creative periodslate baroque, mature period
Museums on APSThe Louvre, Kunsthistorisches Museum, Gallerie dell'Accademia di Venezia, Palazzo Pitti, Thyssen-Bornemisza Museum
Art periodEarly Modern
Works on APS262
Born1659, Belluno, Italy
Copyright statusPublic domain
Movementsbaroque

Biography

The Life of Sebastiano Ricci

Born in Belluno, Italy, on August 1, 1659, Sebastiano Ricci entered a world that would eventually see him become a central figure in the late Baroque period of Venetian painting. The son of Andreana and Livio Ricci, his early years were shaped by the traditions of the Veneto, though his path was marked by significant personal turbulence. He was a man of restless energy, a trait that saw him navigate both the heights of international patronage and the depths of legal scandal. In 1678, a youthful indiscretion led to his imprisonment, an event that would shadow his reputation even as his talent drew him toward the great centers of Italian art.

His life was a series of movements between cities, driven by both professional necessity and personal flight. He moved through Bologna and Rome, often finding himself at the center of controversy. In 1688, he fled Bologna for Turin, traveling with Magdalen, the daughter of the painter Giovanni Peruzzini. This period of instability was punctuated by further legal troubles, including an incident that nearly cost him his life before the intervention of the Duke of Parma secured his freedom. These trials did not halt his ascent; instead, they became part of the complex narrative of a man who lived as intensely as he painted.

By the time of his death on May 15, 1734, Ricci had established himself as a painter of significant reach, moving between the courts of Italy and the salons of France and England. He left behind a body of work that bridged the gap between the heavy drama of the Baroque and the lighter grace of the coming Rococo. His life was a study in contrast, much like the light and shadow he employed on canvas.

Early Life, Family and Training

Born in the picturesque town of Belluno, Italy, Sebastiano Ricci was the son of Andreana and Livio Ricci. His path toward the canvas began in earnest in 1671 when he was apprenticed to Federico Cervelli in Venice. While the details of his earliest instruction remain subject to historical debate, some sources suggest that his first master was actually Sebastiano Mazzoni. These formative years in Venice provided the foundation for a career that would eventually bridge the gap between the late Baroque and the emerging Rococo style.

The trajectory of his youth was marked by both artistic promise and personal volatility. In 1678, a youthful indiscretion led to his imprisonment, a period of turmoil that would recur throughout his life. Despite such interruptions, his talent remained a constant. He was part of a significant artistic lineage, notably serving as the uncle to the painter Marco Ricci, who would later become an innovator in landscape painting.

Artistic Activity in Bologna and Rome

After leaving the formative years of his training, Ricci’s path led him to Bologna, where his developing hand began to absorb the local atmosphere. During this period, his painting style was shaped by the influence of Giovanni Gioseffo dal Sole. This exposure helped refine his approach to composition before his career took him toward the more demanding centers of Italian art.

The year 1682 brought a significant contract from the Fraternity of Saint John of Florence, requesting a depiction of the Decapitation of John the Baptist. This period of professional growth was marked by both artistic advancement and personal instability. Following a period of exile and legal difficulty, he found refuge in the service of the Duke of Parma. The Duke provided him with a monthly salary of 25 crowns and lodging within the Farnese palace in Rome, offering a stability that his earlier years had lacked.

His presence in Rome eventually led to high-level diplomatic commissions. In 1692, he was tasked with a significant undertaking for the French crown: copying Raphael's Coronation of Charlemagne in Vatican City for Louis XIV. This assignment required a disciplined adherence to the established masters, a task he completed by 1694. Such responsibilities placed him in direct contact with the highest levels of European patronage, bridging the gap between his early struggles and his eventual status as an international figure.

Patrons, Workshop and Commissions

Ricci’s career was defined by a restless movement between the great courts of Europe, driven by both high-level patronage and the necessity of escape. His reputation for grand decorative schemes led to significant appointments, such as his work for the Grand Duke Ferdinando de' Medici. In Florence, Ricci collaborated with Giuseppe Tonelli to decorate rooms within the Pitti Palace, a commission that solidified his standing among the Italian nobility. His reach extended far beyond the Italian peninsula, as his talent was sought by the French crown. On behalf of Louis XIV, he was tasked with the delicate duty of copying Raphael's Coronation of Charlemagne in Vatican City, a project that required both technical precision and an understanding of royal prestige.

His professional standing was formally recognized in France when he was admitted to the Royal French Academy of Painting and Sculpture on 18 May 1718. This membership signaled his integration into the highest circles of European art. Later, his influence crossed the English Channel. He accepted foreign patronage in London, where he undertook a commission for Lord Burlington. This period of international work demonstrated his ability to adapt his Venetian sensibilities to the specific tastes of the British aristocracy.

Coronation of Charlemagne (copy)
Venus takes leave from Adonis

Technique and Style

Ricci’s brushwork was defined by a vigorous and luminous quality, a characteristic that positioned him as a late practitioner of the Cortonesque grand manner fresco style. His approach to composition was inherently dynamic, often utilizing a sense of movement to drive the narrative of his scenes. This energy was frequently paired with a dramatic use of light and shadow, a technique that sculpted his figures and provided a sense of depth within his large-scale works. His ability to manipulate chiaroscuro allowed him to direct the viewer's eye through complex, crowded arrangements.

The artist’s visual language drew a clear lineage from the grand manner fresco painting favored by Giovanni Battista Gaulli. This influence is evident in the way he handled color and light to achieve a sense of theatricality. His palettes were often rich, utilizing deep tones to contrast with sudden bursts of light. This interplay between shadow and brilliance helped him navigate the transition between the late Baroque and the emerging Rococo sensibilities. He favored themes that were grand and vigorous, often leaning into mythological or religious subjects that demanded a certain scale and intensity.

In his more intimate works, such as his depictions of Bathsheba, he demonstrated a sophisticated command of texture and atmosphere. He utilized light to emphasize the tactile qualities of skin and fabric, creating a sense of presence that felt both substantial and airy. This technical versatility allowed him to move from the monumental requirements of ceiling frescoes to the nuanced demands of oil on canvas without losing his distinctive touch.

Key Works and Masterpieces

Ricci’s output reflects a career of constant movement and shifting allegiances. His early collaborative efforts include the decoration of the oratory of the Madonna of the Seraglio between 1685 and 1687, a project undertaken alongside Ferdinando Galli-Bibiena. This period of his life was marked by a developing ability to handle large-scale religious and decorative spaces. By 1715, his hand was applied to the oil on canvas known as the Resurrection, a work that captures the dramatic energy characteristic of his mature period.

The artist’s command of the Baroque style is particularly evident in Bacchus and Ariadne. This composition demonstrates his capacity for complex narrative and the vigorous movement required by the Venetian tradition. He also possessed a specific talent for the celestial, seen in Venus takes leave from Adonis, where he focused on capturing heavenly depictions with a particular lightness of touch. His ability to balance these grand, mythological themes with a sense of atmospheric depth allowed him to navigate the demands of both private collectors and public institutions.

St Anthony of Padua Healing a Youth (1690)
Neptune and Amphitrite (1691)
Aeneas Rescuing Anchises (1700)
The Rape of the Sabine Women (1700)
Self Portrait (1704)
Venus and Adonis (1705)

Legacy and Influence

Ricci occupied a central position in the Venetian artistic landscape, acting as a bridge between the heavy traditions of the late Baroque and the lighter sensibilities that would define the coming era. As an elder contemporary of Giovanni Battista Tiepolo, his presence in Venice helped shape the visual language that the younger generation would eventually inherit. His ability to balance grand, luminous compositions with a sense of movement provided a necessary evolution for the school of Venice, moving away from rigid structures toward a more fluid, airy aesthetic.

The reach of his influence extended beyond the lagoons of Venice. In Florence, his approach to fresco painting left a mark on the work of Giovanni Domenico Ferretti, a painter of the Rococo style. By adapting Venetian techniques to different regional demands, Ricci ensured that his specific brand of luminous, vigorous painting informed the development of decorative arts across Italy. His career was a study in adaptation, proving that a painter could maintain a distinct personal style while meeting the diverse needs of international patrons.

The Assumption (1734)
Bathsheba in her Bath (about 1720)
Bacchus and Ariadne (1713)

Questions & Answers

Can I explore Sebastiano Ricci's works by subject?

Sebastiano Ricci's works can be explored by subject on the artist's Subject Atlas page.

What are the birth city and country of Sebastiano Ricci?

Sebastiano Ricci was born in Belluno, in Italy.

How did Sebastiano Ricci's art evolve over time?

Sebastiano Ricci's career unfolds period by period on the artist's Chronicle page: a horizontal timeline of the artworks, grouped into career-period chapters.

By the ArtsDot.com Editorial Team Updated Oct. 15, 2026

Collector's quiz

In which city was Sebastiano Ricci born?
Who was one of the artists Ricci was apprenticed to in 1671?
Which artist was Sebastiano Ricci's nephew?
To which city did Ricci flee in 1688 with Magdalen?
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one You choose the size

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two We paint and send a preview

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three Delivered, certified

Rolled, stretched or framed, insured, with a certificate of authenticity.

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