Portrait of Joseph Cornell

Your Guide to the 100 Most Famous Joseph Cornell Paintings

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 424 works by Joseph Cornell in our catalogue

In short

Joseph Cornell's best-known piece is Soap Bubble Set (1950). Next on the list are The Heart on the Sleeve (1972) and Allegory of Innocence (1956). We have 424 works by Joseph Cornell in our catalogue; this guide picks out the 100 best known, with the year, the museum and the story of each piece.

1903 – 1972, Nyack Surrealism

The 10 Joseph Cornell paintings to know first

1
Soap Bubble Set (1950) by Joseph Cornell

Soap Bubble Set

1950 · Mixed Media

The Soap Bubble Set is a work by Joseph Cornell. Created in 1950, this wooden construction is held within the collection of the Smithsonian American Art Museum. It represents a significant moment in the artist's career, reflecting his particular way of organizing the world into small, contained spaces.

6
Untitled (Bellini Putto on Cratered Surface) by Joseph Cornell

Untitled (Bellini Putto on Cratered Surface)

Collage

Untitled (Bellini Putto on Cratered Surface) by Joseph Cornell is a collage that captures a singular, suspended moment. The work exists as a fragment of a dream, pulling the viewer into a quiet space where the logic of the waking world no longer applies. Within this composition, a Bellini Putto rests upon a cratered surface, a placement that creates a sense of disorientation and wonder. It is a small, contained…

7
Untitled (Eleanor Duse) (1960) by Joseph Cornell

Untitled (Eleanor Duse)

1960 · Collage

We are looking at Untitled (Eleanor Duse), a significant collage created in 1960 by the American artist Joseph Cornell. This work belongs to a period of intense creative focus for the artist, as he continued to refine his approach to the medium of assemblage. The piece is currently held within the collection of the Smithsonian American Art Museum.

Numbers 11 to 100: more Joseph Cornell paintings

11Untitled (blocked female in ethnic costume) (1971) by Joseph CornellUntitled (blocked female in ethnic costume)1971 12Untitled (Big Ben) (1971) by Joseph CornellUntitled (Big Ben)1971 13Object Beehive (1934) by Joseph CornellObject Beehive1934 14Goop Joe's Poultry Page no. 18 (1934) by Joseph CornellGoop Joe's Poultry Page no. 181934 15Untitled (Bell Jar Object) (1939) by Joseph CornellUntitled (Bell Jar Object)1939 16Portrait of the Artist's Daughter by Vigée Lebrun (1960) by Joseph CornellPortrait of the Artist's Daughter by Vigée Lebrun1960 17Untitled (The Smile in the Gift Shop) (1962) by Joseph CornellUntitled (The Smile in the Gift Shop)1962 18Untitled (Francesca, young female with bouffant hairdo) (1966) by Joseph CornellUntitled (Francesca, young female with bouffant hairdo)1966 19The Smile (1962) by Joseph CornellThe Smile1962 20Envelope of Jackie Lane Cinema (1964) by Joseph CornellEnvelope of Jackie Lane Cinema1964 21La Fee Ignorante (1964) by Joseph CornellLa Fee Ignorante1964 22Untitled (Christ Child on blue cloth of unidentified Northern Renaissance painting) (1969) by Joseph CornellUntitled (Christ Child on blue cloth of unidentified Northern Renaissance painting)1969 23Untitled (unidentified Northern Renaissance paintings) (1969) by Joseph CornellUntitled (unidentified Northern Renaissance paintings)1969 24Untitled (seated woman with spaniel and guitar) (1969) by Joseph CornellUntitled (seated woman with spaniel and guitar)1969 25Untitled (Celestial Fantasy with Tamara Toumanova) (1940) by Joseph CornellUntitled (Celestial Fantasy with Tamara Toumanova)1940 26Uses of Infinity (1969) by Joseph CornellUses of Infinity1969 27Untitled (Audubon's Snow Owls) (1968) by Joseph CornellUntitled (Audubon's Snow Owls)1968 28Untitled (Leila Hadley in Raincoat) (1971) by Joseph CornellUntitled (Leila Hadley in Raincoat)1971 29Untitled (little girl with flowers) (1970) by Joseph CornellUntitled (little girl with flowers)1970 30Untitled (hotel advertisement, Hotel de la Mer, Quai Vallee, 12 et 14) (1971) by Joseph CornellUntitled (hotel advertisement, Hotel de la Mer, Quai Vallee, 12 et 14)1971 31Untitled (Netherlandish Madonna and Child) (1970) by Joseph CornellUntitled (Netherlandish Madonna and Child)1970 32Untitled (cutout of bird in flight) (1970) by Joseph CornellUntitled (cutout of bird in flight)1970 33Untitled (wall painting of acrobat) (1970) by Joseph CornellUntitled (wall painting of acrobat)1970 34Fish Dish (1971) by Joseph CornellFish Dish1971 35L'Ascenscioniste Cartesienne (1971) by Joseph CornellL'Ascenscioniste Cartesienne1971 36Untitled (Leila Hadley in Hat, Stamps) (1971) by Joseph CornellUntitled (Leila Hadley in Hat, Stamps)1971 37Herculean (1971) by Joseph CornellHerculean1971 38Mouse King (1971) by Joseph CornellMouse King1971 39A Johnny Came Lately (1971) by Joseph CornellA Johnny Came Lately1971 40The False Entrance The False Clue (1971) by Joseph CornellThe False Entrance The False Clue1971 41On the name of Betsey (1971) by Joseph CornellOn the name of Betsey1971 42The Grasshopper Star (for Christine) (1970) by Joseph CornellThe Grasshopper Star (for Christine)1970 43Bonjour M. Balzac (Peau de Chagrin) (1971) by Joseph CornellBonjour M. Balzac (Peau de Chagrin)1971 44Untitled (Leila Hadley) (1971) by Joseph CornellUntitled (Leila Hadley)1971 45A Christmas Annual for Miss Elizabeth Thode (1971) by Joseph CornellA Christmas Annual for Miss Elizabeth Thode1971 46Untitled (interior genre painting by Chardin) by Joseph CornellUntitled (interior genre painting by Chardin) 47The Celestial Enigma by Joseph CornellThe Celestial Enigma 48Untitled (seagull in flight over rocky seashore) by Joseph CornellUntitled (seagull in flight over rocky seashore) 49Untitled (two girls jumping rope) by Joseph CornellUntitled (two girls jumping rope) 50Untitled (nude female lying in forest undergrowth) by Joseph CornellUntitled (nude female lying in forest undergrowth) 51Units of Time by Joseph CornellUnits of Time 52Untitled (white cockatoo and other birds) (1971) by Joseph CornellUntitled (white cockatoo and other birds)1971 53Untitled (tabby cat lying down) by Joseph CornellUntitled (tabby cat lying down) 54Untitled (pigeon head) (1965) by Joseph CornellUntitled (pigeon head)1965 55Untitled (Joseph Cornell's mother holding sister Elizabeth ) by Joseph CornellUntitled (Joseph Cornell's mother holding sister Elizabeth ) 56Untitled (standing nude female with kerchief) by Joseph CornellUntitled (standing nude female with kerchief) 57Untitled (red headed female nude by Modigliani) by Joseph CornellUntitled (red headed female nude by Modigliani) 58Untitled (black line drawing of female) by Joseph CornellUntitled (black line drawing of female) 59Untitled (candelabra with nude torso of woman) by Joseph CornellUntitled (candelabra with nude torso of woman) 60Untitled (nude female torso, solarized) by Joseph CornellUntitled (nude female torso, solarized) 61Untitled (Susan Sontag) by Joseph CornellUntitled (Susan Sontag) 62Untitled (Allegra Kent) by Joseph CornellUntitled (Allegra Kent) 63Tycho's Star by Joseph CornellTycho's Star 64Albrecht Durer self portrait 13 years (for Robert) by Joseph CornellAlbrecht Durer self portrait 13 years (for Robert) 65Untitled (bust length female nude with braid) by Joseph CornellUntitled (bust length female nude with braid) 66Untitled (three birds on tree branches against blue sky) by Joseph CornellUntitled (three birds on tree branches against blue sky) 67Untitled (Copley's Daniel Crommelin Verplanck ) by Joseph CornellUntitled (Copley's Daniel Crommelin Verplanck ) 68Untitled (Photostat of Parmigianino angel) by Joseph CornellUntitled (Photostat of Parmigianino angel) 69Untitled (head of a woman in frontal pose) by Joseph CornellUntitled (head of a woman in frontal pose) 70Untitled (How to Make a Rainbow, two multicolored birds with nest) by Joseph CornellUntitled (How to Make a Rainbow, two multicolored birds with nest) 71Cinema Verite by Joseph CornellCinema Verite 72Frances Pernas M.M.A by Joseph CornellFrances Pernas M.M.A 73The Light of Day (1970) by Joseph CornellThe Light of Day1970 74Untitled (Coup d'Oeil) (1932) by Joseph CornellUntitled (Coup d'Oeil)1932 75Dedication 5 (1930) by Joseph CornellDedication 51930 76Goop Joe's Useful Knowledge. Subscription Coupon (1933) by Joseph CornellGoop Joe's Useful Knowledge. Subscription Coupon1933 77Coup d'Oeil (Bird's Eye View) (1932) by Joseph CornellCoup d'Oeil (Bird's Eye View)1932 78Goop Joe's Weekly Poultry Page. Number 3 (1932) by Joseph CornellGoop Joe's Weekly Poultry Page. Number 31932 79Monsieur Phot (Copy no. 5) (1933) by Joseph CornellMonsieur Phot (Copy no. 5)1933 80Goop Joe's Poultry Sheet 10 (1934) by Joseph CornellGoop Joe's Poultry Sheet 101934 81Goop Joe's Weekly Poultry Page 5 (1934) by Joseph CornellGoop Joe's Weekly Poultry Page 51934 82Untitled (Children with Carnival Carts and Suitcases) (1934) by Joseph CornellUntitled (Children with Carnival Carts and Suitcases)1934 83Goop Joe's Useful Knowledge. Speciman Sheet (1934) by Joseph CornellGoop Joe's Useful Knowledge. Speciman Sheet1934 84Goop Joe's Poultry Page No. 17. Special Moose Number (1934) by Joseph CornellGoop Joe's Poultry Page No. 17. Special Moose Number1934 85Goop Joe's Weekly Poultry Page (1934) by Joseph CornellGoop Joe's Weekly Poultry Page1934 86Goop Joe's (Hebrew Script) no. 16 (1934) by Joseph CornellGoop Joe's (Hebrew Script) no. 161934 87Goop Joe's Poultry Page no. 19 (1934) by Joseph CornellGoop Joe's Poultry Page no. 191934 88Goop Joe's Poultry Page, no. 20. Special Sporting Extra (1934) by Joseph CornellGoop Joe's Poultry Page, no. 20. Special Sporting Extra1934 89Goop Joe's Poultry Page 15 (1934) by Joseph CornellGoop Joe's Poultry Page 151934 90Supplement to Page. 13 See Last Week (1934) by Joseph CornellSupplement to Page. 13 See Last Week1934 91Goop Joe's Weekly Poultry Page 7 (1934) by Joseph CornellGoop Joe's Weekly Poultry Page 71934 92Goop Joe's Poultry Page no. 14. Bait Special (1934) by Joseph CornellGoop Joe's Poultry Page no. 14. Bait Special1934 93Goop Joe's Poultry Sheet 11 (1934) by Joseph CornellGoop Joe's Poultry Sheet 111934 94Goop Joe's Weekly Poultry Page. 4. Extra Number (1934) by Joseph CornellGoop Joe's Weekly Poultry Page. 4. Extra Number1934 95Goop Joe's Weekly Poultry Page. Number 2 (1934) by Joseph CornellGoop Joe's Weekly Poultry Page. Number 21934 96Goop Joe's Poultry Page 8. Fat Ladies Endurance Contest No (1934) by Joseph CornellGoop Joe's Poultry Page 8. Fat Ladies Endurance Contest No1934 97Goop Joe's Weekly Poultry Page 6. Extra Especial Number Turkey Number. Turkey Number (1934) by Joseph CornellGoop Joe's Weekly Poultry Page 6. Extra Especial Number Turkey Number. Turkey Number1934 98Goop Joe's Poultry Page No. 13 with Special Supplement to Follow Next Week (1934) by Joseph CornellGoop Joe's Poultry Page No. 13 with Special Supplement to Follow Next Week1934 99Goop Joe's Poultry Page No. 17. Thanksgiving Prize Turkey Number (1934) by Joseph CornellGoop Joe's Poultry Page No. 17. Thanksgiving Prize Turkey Number1934 100Goop Joe's Poultry Page No. 16. Special Number Winner of Prize Turkey offered by this sheet (1934) by Joseph CornellGoop Joe's Poultry Page No. 16. Special Number Winner of Prize Turkey offered by this sheet1934

Joseph Cornell's paintings, period by period

What Joseph Cornell painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Decade by decade: the best-known Joseph Cornell piece of each

Works per decade

Pick a decade to see its standout piece.

Joseph Cornell: quick answers about the paintings

What is Joseph Cornell's best-known painting?See the answer

Top of the list is Soap Bubble Set (1950). Right behind it: The Heart on the Sleeve (1972) and Allegory of Innocence (1956).

What age was Joseph Cornell when creating Soap Bubble Set?See the answer

47 years old. Joseph Cornell was born in 1903, and Soap Bubble Set dates from 1950.

What are Joseph Cornell's top 10 paintings?See the answer

Soap Bubble Set, The Heart on the Sleeve, Allegory of Innocence, Untitled (Mary Taylor by Lee Miller ), Mathematics and Art (Northern Renaissance landscape, man walking over bridge), Untitled (Bellini Putto on Cratered Surface), Untitled (Eleanor Duse), Untitled (Sharon, real violets, The Cassiopeia Spoke ), Untitled (Girl with Gardenias) and Shadows (blue construction paper). You'll find the year and the museum of each in the list above.

How many works by Joseph Cornell are in your catalogue?See the answer

We have 424 works by Joseph Cornell in our catalogue, dated 1930 to 1972.

When did Joseph Cornell make the most famous pieces?See the answer

In 1930s, more than any other time: 30 of the 100 pieces on this page date from then, Object Beehive among them.

What are Joseph Cornell's first and last famous pieces?See the answer

The earliest piece here is Dedication 5 (1930); the most recent is The Heart on the Sleeve (1972).

Which subjects did Joseph Cornell paint most often?See the answer

Women (8), Nudes (5) and Arts (4), out of the 100 pieces on this page.

Which medium shows up most in Joseph Cornell's paintings?See the answer

Collage, used in 7 of the 100 pieces on this page.

What style or movement is Joseph Cornell known for?See the answer

Surrealism, as you can see in the pieces on this page.

Joseph Cornell's story

A World Within Worlds: The Enigmatic Art of Joseph Cornell

Joseph Cornell, born on Christmas Eve in 1903 in Nyack, New York, remains one of the most singular and profoundly affecting figures in American art. His life was a study in contrasts – a deeply private existence interwoven with an astonishingly imaginative artistic output. He wasn’t driven by grand manifestos or a desire for widespread acclaim; instead, Cornell cultivated a quiet, intensely personal vision that transformed discarded objects into portals to other realms. Early influences were subtle but significant. Though largely self-taught, his exposure to the burgeoning Surrealist movement in New York during the 1930s proved pivotal. The dreamlike logic and embrace of the irrational found within the work of artists like Max Ernst and René Magritte resonated deeply with Cornell’s own inclination toward poetic assemblage. However, he never fully aligned himself with any particular school, forging a path uniquely his own. His early career involved practical work as a textile salesman, a profession that perhaps honed his eye for texture, pattern, and the inherent beauty of materials – qualities that would become hallmarks of his art.

The Poetry of Found Objects

Cornell’s artistic breakthrough came with his invention of the shadow box—intricate, three-dimensional constructions housed within glass enclosures. These weren't merely collages extended into space; they were meticulously crafted worlds unto themselves. He scoured flea markets, antique shops, and libraries for forgotten treasures: vintage photographs, maps, dried flowers, miniature figurines, bits of colored glass, and fragments of everyday life. Each object wasn’t chosen arbitrarily but rather selected for its evocative power, its ability to trigger memory, or its resonance with a particular theme. The boxes are often imbued with a sense of longing, nostalgia, and melancholic beauty. Works like *Medici Princess* (1948) exemplify this perfectly—a delicate arrangement evoking Renaissance Italy, filtered through the lens of personal fantasy. He wasn’t interested in replicating reality but in constructing alternate realities, poetic narratives suspended within confined spaces. His technique was one of careful layering and juxtaposition, creating a sense of depth and mystery that invites prolonged contemplation. Cornell also ventured into experimental filmmaking, producing haunting collage films like *Rose Hobart* (1936), which further explored his fascination with fragmented imagery and dreamlike sequences.

A Life Shaped by Devotion

Cornell’s artistic practice was inextricably linked to his personal life, particularly his unwavering devotion to his family. He remained a lifelong caregiver for his mother and brother Robert, who suffered from cerebral palsy. This commitment profoundly shaped his existence, limiting his travel and social interactions but also fostering a deep sense of empathy and introspection. His reclusive nature contributed to the enigmatic quality of his work; he rarely spoke about his intentions or offered explicit interpretations of his creations, preferring to let the objects speak for themselves. This deliberate ambiguity is part of what makes his art so compelling—it allows viewers to project their own emotions and experiences onto the boxes. A notable exception to his general isolation was a platonic relationship with Japanese artist Yayoi Kusama, a connection that provided him with intellectual stimulation and emotional support during the later years of his life.

Legacy and Enduring Influence

Joseph Cornell’s influence extends far beyond the realm of assemblage art. He paved the way for subsequent generations of artists who embraced found objects and explored themes of memory, nostalgia, and the subconscious. His work anticipated Pop Art's appropriation of everyday imagery and Conceptual Art's emphasis on ideas over traditional aesthetics. Today, his boxes are held in major museum collections worldwide, including the Museum of Modern Art in New York and the Smithsonian American Art Museum.
  • His innovative use of materials continues to inspire artists across disciplines.
  • The poetic sensibility and emotional depth of his work resonate with audiences seeking art that transcends mere visual appeal.
  • Cornell’s unwavering commitment to his unique vision serves as a powerful reminder of the transformative potential of artistic expression.
He died in 1972, leaving behind a body of work that continues to captivate and intrigue. Joseph Cornell didn't just create art; he created worlds—intimate, evocative, and eternally enchanting. His legacy is not simply as an artist but as a visionary who demonstrated the profound beauty hidden within the ordinary.

All 424 works by Joseph Cornell →