Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 2 works by Hellmut Eichrodt in our catalogue
In short
Hellmut Eichrodt's best-known piece is Portrait of a Woman (1909). You'll find it at the Staatliche Kunsthalle Karlsruhe in Carlsruhe. We have 2 works by Hellmut Eichrodt in our catalogue; this guide picks out the 2 best known, with the year, the museum and the story of each piece.
The museum that holds the most of the paintings on this page.
| Museum | City | Works by Hellmut Eichrodt | Paintings from this list |
|---|---|---|---|
 Staatliche Kunsthalle Karlsruhe |
Carlsruhe | 2 | Portrait of a Woman, Female Portrait in Profile Facing Left |
Hellmut Eichrodt's dated pieces here run from 1909 to 1914, only 6 years. Here they are, one year at a time.
Pick a year to see its pieces.
Top of the list is Portrait of a Woman (1909).
37 years old. Hellmut Eichrodt was born in 1872, and Portrait of a Woman dates from 1909.
We have 2 works by Hellmut Eichrodt in our catalogue, dated 1909 to 1914.
You'll find most of them in Staatliche Kunsthalle Karlsruhe (Carlsruhe). The museum list above has the full breakdown.
The earliest piece here is Portrait of a Woman (1909); the most recent is Female Portrait in Profile Facing Left (1914).
You can see 2 of the pieces on this page at the Staatliche Kunsthalle Karlsruhe, Carlsruhe, including Portrait of a Woman and Female Portrait in Profile Facing Left.
Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.
Bruchsal, 1872. A life begins that will eventually bridge the gap between fine art and the printed page. Hellmut Eichrodt enters the studios of the Karlsruher Kunstakademie, a student navigating the rigorous training of the late nineteenth century. He moves under the guidance of Hans Thoma and Leopold Graf von Kalckreuth, absorbing the technical foundations of German painting. The years between 1890 and 1903 are defined by this academic discipline.
The focus shifts from the canvas to the periodical. Between 1897 and 1912, Eichrodt finds a rhythm within the pages of Jugend and Simplicissimus. Here, the graphic artist meets the public through mass reproduction. His hand shapes the visual identity of these influential magazines, translating complex imagery into the sharp, reproducible lines required for print. This period marks his emergence as a significant contributor to German graphic culture.
The scale of his work expands beyond the magazine spread. Eichrodt moves into the architectural realm, applying pigment to the very bones of public and sacred spaces. He leaves his mark on the Karlsruher Christuskirche through multiple murals. His reach extends far beyond German borders; he contributes a mural for the mausoleum in Addis Abeba, built for the Ethiopian emperor Menelik II. These large-scale works demand a different command of space than his graphic illustrations.
Commercial necessity drives much of his output during his later years. Through collaboration with the Kunstdruckerei Künstlerbund Karlsruhe, he becomes a designer of advertisements and posters. His name appears on the branding for various entities:
Eichrodt’s graphic legacy includes specific narrative collections created for Friedrich Dreser. In 1908 and 1909, he produces the imagery for Der Froschkönig, Der Soldat, and Die sieben Raben. He marks these collections with a simple, personal signature: "H-E".
The year 1918 brings a starker application of his skill. As the Grand Duchy of Baden calls upon its soldiers to lay down their arms and return home, Eichrodt illustrates this historical moment. The artist passes away in Karlsruhe in 1943, leaving behind a body of work held in collections such as the Staatliche Kunsthalle Karlsruhe, including portraits like his 1909 Frauenbildnis.
