Bess Larkin Housser Harris

Bess Larkin Housser Harris: A Pioneering Canadian Painter

Early Life and Education

• Born: 1890 in Brandon, Manitoba, Canada.
• Bess Larkin received her foundational education at Havergal College in Toronto, Ontario. This institution played a crucial role in shaping her future artistic pursuits.
• Though she lacked formal art school training, she later took lessons from Frederick Varley, which helped refine her skills.

Artistic Career and Associations

• Group of Seven Connection: Bess Larkin Housser Harris participated in exhibitions alongside the renowned Group of Seven, a pivotal moment in Canadian art history. While not a formal member, her association with this group significantly impacted her artistic development.
• Canadian Group of Painters: She was an esteemed member of the Canadian Group of Painters, further solidifying her position within Canada’s vibrant art scene.
• International Exposure: Her work gained international recognition through exhibitions at the Wembley Show in England (1926) and the Corcoran Gallery of Art in Washington, D.C. (1930).

Personal Life

• First Marriage: Bess married F.B. Housser in 1914. The marriage ended due to his affair with artist Yvonne McKague.
• Second Marriage: In 1934, she married Lawren Harris, a prominent member of the Group of Seven. They spent time in the United States before relocating to Vancouver, British Columbia, in 1940.

Artistic Contributions and Style

• Landscape Painting: Harris’s paintings primarily focused on landscapes, capturing the rugged beauty of the Canadian wilderness. Her style evolved over time, incorporating elements of post-impressionism and cubism.
• Mountain Sketch (1929) exemplifies her dramatic use of color and expressive brushwork to convey the grandeur of the mountains.
• Cubist Explorations: She also experimented with Cubist techniques, as seen in works like Untitled (Cubist Landscape), demonstrating a willingness to explore modern artistic trends.

Literary Contributions

• Art Criticism: Between 1923 and 1926, Harris wrote articles about art for The Canadian Bookman, showcasing her intellectual engagement with the artistic community and solidifying her influence as a critic.

Legacy and Historical Significance

• Understated Influence: While perhaps not as widely celebrated as some of her contemporaries, Bess Larkin Housser Harris’s contributions significantly enrich the Canadian art landscape.
• Shaping Artistic Identity: Her work and writings played a crucial role in shaping Canada's artistic identity during a period of significant cultural development.
• Later Life & Death: Bess Larkin Housser Harris passed away in 1969 in Vancouver, leaving behind a legacy that continues to be appreciated by art enthusiasts and scholars.