Is Allegory of the Month of March, Peeter Snijers, after 1730 under copyright?

No, this artwork is in the public domain.

What is the thematic context of Allegory of the Month of March, Peeter Snijers, after 1730?

dutch realism influence, marketplace narrative, seasonal allegory theme, agricultural society depiction, guild patronage context, snijers' recurring motifs, early 18th century style, symbolic march imagery

Purchase a hand made painting of Allegory of the Month of March, Peeter Snijers, after 1730 - Mature Period

Q: What topics does Allegory of the Month of March, Peeter Snijers, after 1730 explore?

dutch market, rural life, march symbolism, village scene, commodity trade, seasonal allegory, 18th century, everyday life

Artwork Description

There is no reason to doubt the authenticity of this signed allegory set in a village. The Rijksmuseum painting is a smaller version of one last recorded on the New York art market in 1998,7 which shows six figures before a similar though not identical village. An older woman is depicted seated by the same stand with the same fish and fruit, to which has been added a covered basket of apples (there is a pentiment in the outline of the cloth, where a fold has been filled out). The crocuses and basket of fish also appear as does the fisher girl with the half salmon. Differently disposed is the boy with the ram. This larger work was one of a series of months of the year – as specified in the inscription on the Month of January8 – and to be identified as the month of March by virtue of the ram (Aries: 21 March - 29 April)9 and the crocuses (crocus vernus), which flower in March/April. Of the series of larger paintings depicting the months of the year, ten are recorded in the RKD. No other paintings of the same size as the Rijksmuseum Allegory of the Month of March, illustrating other months are known at present. So, it is uncertain whether it was executed as part of a series or as a single variant of a composition Snijers had already devised. The Allegory of the Month of January, in the series described above, bears an inscription with the date 1727. It was retained by the artist and offered as part of lot 1 in the sale of his estate of 1763.10 There appears to be no comparable dated painting until the Markets scene of 1756.11 The museum picture seems close in style to the series of 1727. And it is likely that it was painted not long after it. The tall building in the distance at right has not been identified. Gregory Martin, 2022

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Artist Biography

a flemish master of diverse genres

peeter snijers, also known as pieter snyers, was a multifaceted flemish artist who left an indelible mark on the world of art. born in antwerp in 1681, snijers' artistic journey is a testament to his versatility and creative genius.

early life and training

snijers was born to peter, a well-off merchant, and anna de decker. his early life was marked by an innate inclination towards art, which led him to study under the tutelage of alexander van bredael (1663-1720). this foundational training not only honed his skills but also paved the way for his future success.

artistic achievements and contributions

- **master of the antwerp guild of saint luke in 1704**: a significant milestone in snijers' career, this recognition underscored his growing influence within the flemish art community. - **director of the antwerp academy in 1741**: this appointment was a testament to his stature as an artist and educator, further solidifying his position in the art world.

artistic genres and notable works

snijers' body of work is characterized by its diversity, with notable contributions to:

portraits: reflecting his skill in capturing human essence.
genre painting: offering glimpses into everyday life.
still life: demonstrating his mastery of light and composition.
landscape painting: showcasing his ability to evoke natural beauty. notably, his masterpiece series of 12 paintings, each representing a different month of the year, stands out for its thematic breadth and artistic execution.
legacy and influence
snijers' legacy extends beyond his art; he was also a collector with a significant collection that included works from prominent artists. his name frequently appears in the provenance of flemish and dutch master paintings, underscoring his influence on the art world.
- explore more of snijers' work at https://ArtsDot.com/@/peeter-snijers.
- discover other flemish artists and their contributions to the art world through the museum senate of belgium (belgium).
  conclusion
  peeter snijers' life and work serve as a compelling example of artistic versatility and dedication. through his numerous contributions to the world of art, he has left an enduring legacy that continues to inspire artists and art enthusiasts alike.
  - peeter snijers's artwork can be found in various museums; explore these masterpieces through discover the masterpieces of musées royaux des beaux-arts (brussels, belgium).
  - for more information on flemish art and its notable artists, visit wikipedia.org.

peeter snijers

1681 - 1752 , Belgium

Quick Facts

Artistic Movement Or Style: Genre painting, Portraiture
Artists Or Movements Influenced By This Artist: ['Baroque']
Artists Who Influenced This Artist: ['Gerrit Dou']
Date Of Birth: December 1617
Date Of Death: 8 December 1681
Full Name: Gerard ter Borch
Nationality: Dutch
Notable Artworks:
- The Lace-Maker
- The Cook
Place Of Birth: WahooArt (Netherlands)

Dutch Masters: 10 Golden Age Paintings That Still Inspire |

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