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StatsRed Tree
Acrylic On Canvas- WallArt
- Other
1908- Modern
70.0 x 99.0 cm
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Giclée / Art Print
Museum-quality giclée or canvas print with fast production and flexible finish options. (
Buy Hand Made Painting Switch to Digital Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
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Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.
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Red Tree
Giclée / Art Print
Reproduction Size
-
Total Price
$ 63
A Pivotal Moment in Mondrian’s Artistic Journey
Piet Mondrian, a foundational figure in modern abstract art, created the captivating painting Red Tree in 1908. This oil on canvas masterpiece is currently housed at the Haags Gemeentemuseum in the Netherlands. As we delve into the world of Mondrian’s early work, it becomes evident that "Red Tree" represents a pivotal moment in his artistic journey.Post-Impressionist Roots
Mondrian's transition from figurative painting to pure abstraction is well-documented. Red Tree exemplifies the post-impressionist style, characterized by its emphasis on capturing light and color. The painting features a blue tree with branches devoid of leaves, symbolizing winter. The striking red trunk stands out against the serene blue background, creating a sense of contrast that draws the viewer’s attention. This juxtaposition mirrors the stylistic explorations prevalent during this period—a conscious departure from traditional representation toward conveying emotion and atmosphere through color palettes reminiscent of artists like Cézanne and Van Gogh.Influence of Divisionism
Divisionism, also known as chromoluminarism, played a significant role in Mondrian's work during this period. This style, pioneered by Georges Seurat, involves separating colors into individual dots or patches to achieve maximum luminosity. Although Red Tree does not strictly adhere to divisionist principles, it reflects the influence of this movement in its use of vibrant, distinct colors. The careful placement and layering of these dots contribute to a textural quality that subtly hints at the underlying geometric structure—a precursor to Mondrian’s later embrace of neoplasticism.Proto-Cubism and Beyond
Mondrian's work during the early 1900s was also influenced by proto-cubism. This transitional phase saw artists experimenting with geometric forms and reduced color palettes. While Red Tree does not fully embrace cubist principles—specifically the fragmentation of objects into multiple perspectives—it foreshadows Mondrian’s later shift towards neoplasticism. The simplified shapes and planar surfaces anticipate the revolutionary approach to form championed by Picasso and Braque, establishing a crucial link between Impressionism and Cubism.Artistic Evolution
Mondrian's artistic evolution is evident in his subsequent works. For example, Piet Mondrian: Red Tree and Piet Mondrian: Silver Tree showcase his exploration of different styles. His later work, such as Piet Mondrian: Composition with yellow patch, reflects a more abstract and geometric approach. This progression demonstrates Mondrian’s unwavering commitment to distilling art down to its essential elements—a quest for universal beauty that would define his legacy as one of the most influential artists of the 20th century.For more information on Piet Mondrian and his works, visit Piet Mondrian at ArtsDot. To learn about the styles that influenced him, see Divisionism and Proto-Cubism.
Questions & Answers
Which period of Piet Mondrian's career does "Red Tree" belong to?
"Red Tree" represents the Early Period of Piet Mondrian.
What level of contrast does "Red Tree" by Piet Mondrian show?
"Red Tree" by Piet Mondrian shows a gentle contrast between its light and dark areas.
What size is "Red Tree" by Piet Mondrian in real life?
The original "Red Tree" by Piet Mondrian measures 70 x 99 cm.
Related Artworks
Artist Biography
The Architecture of Order
To look at a Mondrian today is to see the blueprint of modern visual culture. We encounter his logic every time we interact with a clean graphic layout or a minimalist building facade. He stripped away the unnecessary until only the essential remained. This was not an act of destruction, but one of extreme distillation. By reducing his vocabulary to straight lines, right angles, and a strict palette of red, blue, and yellow, he removed the distraction of reality to reveal a structural truth.
His early work in the Netherlands followed much more traditional paths. He began with landscapes that captured the windmills and rivers of the Dutch countryside, heavily influenced by the Hague School and Impressionism. Pieces like The Red Mill show an artist focused on naturalistic detail and the soft light of his homeland. However, even in these early years, a drive toward simplification was present. He moved through Pointillism and Fauvism, testing how much color and form could be compressed before the subject disappeared entirely.
The Parisian Shift and Neoplasticism
The move to Paris in 1912 changed everything. Encountering Cubism forced him to deconstruct objects into geometric components. He stopped trying to depict what he saw and began exploring how he saw it. This period was deeply tied to his interest in Theosophy, a mystical philosophy that sought universal principles beneath surface appearances. He believed art could express these hidden truths through pure abstraction.
By 1917, this search resulted in Neoplasticism, or "pure plastic art." Alongside Theo van Doesburg, he co-founded the De Stijl movement to promote a rigid aesthetic of horizontal and vertical lines. The rules were absolute:
- The use of primary colors: red, blue, and yellow.
- The use of primary values: black, white, and gray.
- A focus on right angles and straight lines.
This reduction was a deliberate attempt to manifest spiritual order through visual balance. Works like Composition with Red, Blue and Yellow demonstrate this commitment to geometric purity.
New York and the Final Rhythm
The arrival of World War II forced Mondrian to flee Europe for New York City in 1940. The transition from the organic landscapes of his youth to the rigid grid of Manhattan provided a new, unexpected energy. His late works, such as Broadway Boogie Woogie, show a shift in rhythm. While he maintained his core principles, the lines began to dance with a new, syncopated movement inspired by the city's pulse and jazz music.
His death in 1944 ended a career that had fundamentally altered the trajectory of 20th-century art. He left behind a legacy that moved far beyond the canvas, influencing everything from architecture to fashion, including the famous 1965 collection by Yves Saint Laurent. His work remains a standard for anyone seeking clarity and structural integrity in a chaotic visual age.
Piet Mondrian
1872 - 1944 , Netherlands
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