Composition no. II
Acrylic On Canvas
WallArt
Neoplasticism
1913
Early Medieval
88.0 x 115.0 cm
Kröller-Müller Museum
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists.
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (1 July). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Composition no. II
Reproduction Medium
Reproduction Size
-
Total Price
-
Artwork Description
A Symphony of Lines and Color: Exploring Piet Mondrian’s *Composition no. II* (1913)
Piet Mondrian's *Composition no. II*, painted in 1913, isn’t merely a painting; it’s an architectural meditation on the fundamental elements of visual experience. Emerging from his early work depicting the Dutch landscape – particularly the River ’t Gein – this piece represents a pivotal shift in Mondrian’s artistic trajectory, marking his deliberate move towards abstraction and a profound exploration of pure form and color. The canvas unfolds as a carefully constructed grid, a deceptively simple arrangement that belies an intensely complex intellectual and emotional process. It's a testament to the artist’s belief that beauty resided not in representation, but in the underlying structure of reality itself.
Deconstructing Reality: From Landscape to Pure Abstraction
Mondrian’s artistic journey began with a deep respect for the natural world. His early works, like *The Red Mill*, demonstrated a mastery of traditional landscape painting techniques – meticulous observation and skillful rendering of light and shadow. However, by 1908, he started to question the limitations of depicting reality faithfully. He sought a way to capture something more essential, something beyond the surface appearance of things. This desire led him away from direct representation and towards an increasingly geometric style. *Composition no. II* embodies this transition perfectly; the familiar forms of trees and a riverbank are reduced to their most basic components – lines and planes – creating a visual language entirely independent of nature.
The Language of Color: Yellow, Blue, Red, and White
The painting’s palette is deliberately restrained yet powerfully evocative. Mondrian employs a carefully considered selection of colors—primarily yellows, blues, greens, reds, and whites—arranged within the grid to create a dynamic interplay of hues. These aren't chosen randomly; they represent fundamental building blocks of visual perception. Yellow often symbolizes optimism and spirituality, blue represents intellect and stability, red embodies passion and energy, while white signifies purity and transcendence. The strategic juxtaposition of these colors generates tension and harmony simultaneously, reflecting Mondrian’s belief that color could be used to express universal truths. Notice how the varying shades within each square contribute to a sense of depth and movement, preventing the composition from feeling static.
Geometric Harmony: A Visual Blueprint for Universal Order
*Composition no. II* is more than just an aesthetically pleasing arrangement; it’s a visual representation of Mondrian's philosophical ideas about art and reality. He believed that the universe could be understood through geometric forms, specifically lines and rectangles. This belief stemmed from his interest in Neo-Plasticism (De Stijl), a movement he co-founded with Theo van Doesburg, which sought to create a universal language based on pure abstraction. The grid itself acts as a framework for this language, suggesting an underlying order and harmony that governs all of existence. The precise lines and squares aren’t merely decorative; they are the very foundation upon which Mondrian constructs his vision of beauty – a beauty rooted in logic, balance, and spiritual significance.
- Size: 88 x 115 cm
- Date: 1913
- Artist: Piet Mondrian
A high-quality reproduction of *Composition no. II* offers a captivating glimpse into the mind of one of modern art’s most influential figures. Its clean lines, vibrant colors, and profound symbolism make it an ideal addition to any collection or interior space, bringing a touch of intellectual elegance and spiritual depth to your surroundings.
Related Artworks
Artist Biography
A Life Unveiled: The Journey of Piet Mondrian
Born Pieter Cornelis Mondriaan in 1872, in the quiet Dutch town of Amersfoort, Piet Mondrian’s artistic path was not one of immediate revelation but a gradual unfolding. His early life was steeped in tradition; his uncle, Frits Mondriaan, was already an established painter, and this familial connection initially steered him towards landscape painting. These formative works, reminiscent of the Hague School and Dutch Impressionism – pieces like *The Red Mill* – reveal a young artist diligently studying nature, mastering technique, yet subtly searching for something beyond mere representation. Even then, a yearning for simplification seemed to tug at his brushstrokes. He wasn’t content simply mirroring the world; he wanted to distill its essence. This early period saw experimentation with Pointillism and Fauvism, each style offering a different lens through which to view color and form, but none fully satisfying his burgeoning artistic vision. It was a time of exploration, a necessary prelude to the radical departure that would define his legacy.The Parisian Awakening and the Birth of Neoplasticism
A pivotal moment arrived in 1912 with Mondrian’s move to Paris. The city pulsed with avant-garde energy, and he found himself immersed in the revolutionary world of Cubism. This encounter proved transformative. He began deconstructing forms, breaking down objects into their geometric components, moving away from depicting *what* he saw towards exploring *how* he saw it. But Mondrian wasn’t merely adopting a new style; he was embarking on a spiritual quest. Deeply influenced by Theosophy – a mystical philosophy emphasizing underlying universal principles – he believed art could be a vehicle for expressing these hidden truths. This belief fueled his relentless pursuit of abstraction, driving him to reduce color and form to their most fundamental elements. Around 1917, this journey culminated in the formulation of Neoplasticism, often referred to as ‘pure plastic art’. It was a radical aesthetic predicated on essential forms – straight lines, right angles – and a limited palette: primary colors (red, blue, yellow), black, white, and gray. For Mondrian, this reduction wasn’t about emptiness; it was about revealing the underlying harmony of the universe, a visual manifestation of spiritual order. He co-founded the *De Stijl* movement with Theo van Doesburg to promote these ideas, solidifying Neoplasticism as a defining force in modern art. Masterpieces like *Composition with Red, Blue and Yellow* and *Tableau no. 2 Composition no. V* stand as testaments to this period, iconic representations of his unwavering commitment to geometric purity.New York Rhythms: A Late-Life Flourishing
The outbreak of World War II forced Mondrian to flee Europe in 1940, finding refuge in the bustling metropolis of New York City. This relocation proved unexpectedly invigorating. The city’s rigid grid structure – a stark contrast to the more organic landscapes he had known – resonated with his artistic principles. His later works, most notably *Broadway Boogie Woogie* (1943), reflect this influence. While retaining the core tenets of Neoplasticism, the painting introduces a dynamic energy, a vibrant rhythm inspired by the city’s pulsating life and jazz music. The straight lines are still present, but they now dance and intersect with greater freedom, creating a sense of movement and joy. It was as if Mondrian had found a new language within his established vocabulary, a way to express the complexities of modern urban existence through the simplicity of geometric abstraction. He continued refining his style until his death in 1944, leaving behind a body of work that continues to captivate and inspire.A Lasting Legacy: Mondrian’s Enduring Influence
Piet Mondrian's impact on the art world is immeasurable. He wasn’t simply an artist; he was a visionary who fundamentally altered our understanding of abstraction and its potential for expressing universal truths. His work profoundly influenced countless artists, movements, and disciplines. Abstract Expressionism, Minimalism, and Color Field painting all owe a debt to his pioneering spirit. But his influence extends far beyond the canvas. The principles of Neoplasticism – simplicity, clarity, geometric order – have permeated architecture, design, and fashion. From furniture and textiles to building facades and graphic layouts, Mondrian’s aesthetic continues to shape our visual world. He remains an iconic figure in modern art, a symbol of the relentless pursuit of abstraction and the enduring power of artistic innovation. As design historian Stephen Bayley aptly noted, Mondrian has become a “totem for everything Modernism set out to be.” His legacy is not merely one of aesthetic beauty but of intellectual rigor, spiritual depth, and an unwavering belief in the transformative potential of art.Influences and Key Works
- Early Influences: The Hague School, Dutch Impressionism, Pointillism, Fauvism provided a foundation for his initial artistic explorations.
- Transformative Influence: Cubism in Paris was crucial to his shift towards abstraction and geometric forms.
- Philosophical Foundation: Theosophy deeply informed his belief that art could express universal spiritual principles.
- Key Works: *The Red Mill* (early naturalistic period), *Composition with Red, Blue and Yellow* (quintessential Neoplasticism), *Tableau no. 2 Composition no. V* (demonstrates the reduction to essential forms), *Broadway Boogie Woogie* (late-life dynamism influenced by New York City).
- Lasting Impact: Mondrian’s work continues to inspire artists, architects, and designers, shaping modern aesthetics across various disciplines.
Piet Mondrian
1872 - 1944 , Netherlands
Quick Facts
- Artistic Movement Or Style: Neoplasticism, De Stijl
- Artists Or Movements Influenced By This Artist:
- Abstract Expressionism
- Minimalism
- Color Field painting
- Artists Who Influenced This Artist:
- Hague School
- Cubism
- Theosophy
- Date Of Birth: March 7, 1872
- Date Of Death: February 1, 1944
- Full Name: Piet Mondrian
- Nationality: Dutch
- Notable Artworks:
- Composition with Red, Blue...
- Tableau no. 2 Composition V
- Broadway Boogie Woogie
- Place Of Birth: Amersfoort, Netherlands

Glass option is only available in size under 110 CM
