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Composition in Colour A

Experience the radical harmony of Piet Mondrian's Composition in Colour A, a masterpiece of Neoplasticism featuring bold primary colors and geometric precision that invites you to bring modern abstraction into your home.

Piet Mondrian pioneered Neoplasticism with works like Broadway Boogie Woogie. Discover the beauty of his geometric abstractions today.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
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Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
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W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8

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Total Price

$ 63

Composition in Colour A

Giclée / Art Print

Reproduction Size

-

Total Price

$ 63

Quick Facts

  • Location: Private Collection
  • Title: Composition in Colour A
  • Artistic style: Minimalist
  • Movement: Neoplasticism
  • Year: 1917

Art Quiz

There is only one correct answer for each question.

Question 1:
What artistic movement is Piet Mondrian’s ‘Composition in Colour A’ primarily associated with?
Question 2:
The painting utilizes a distinctive geometric style characterized by:
Question 3:
Which colors prominently appear in ‘Composition in Colour A’?
Question 4:
What was Mondrian's initial artistic inclination before exploring abstraction?
Question 5:
The painting aims to express a concept of universal harmony through:

A Pioneer of Geometric Abstraction: Exploring Piet Mondrian’s ‘Composition in Colour A’

Piet Mondrian, born Pieter Cornelis Mondriaan in 1872 amidst the serene landscapes of Amersfoort, Netherlands, wasn't initially destined for a life consumed by artistic innovation. His familial roots—his uncle Frits Mondriaan was already a respected painter—influenced his early pursuits toward landscape painting, mirroring the stylistic sensibilities of the Hague School and Impressionism. Works like *The Red Mill*, meticulously crafted with careful observation of nature, reveal a young artist diligently mastering technique while simultaneously harboring an unspoken desire for something beyond mere visual representation. These formative pieces demonstrate a dedication to capturing beauty through realism, yet they subtly foreshadow Mondrian’s transformative journey toward abstraction.
  • Style: Mondrian's artistic evolution culminated in Neoplasticism—a radical departure from traditional painting—characterized by its uncompromising simplification of form and color.
  • Color Palette: The painting utilizes a restrained palette dominated by primary colors – red, blue, and yellow – alongside white and black. These hues are strategically positioned to create harmonious geometric patterns.
  • Composition: Twelve squares meticulously arranged in horizontal and vertical lines define the canvas’s structure. Their overlapping creates depth and visual balance, reflecting Mondrian's belief in universal harmony achieved through geometric abstraction.

Historical Context & Influences

The late 1910s witnessed a seismic shift within European art—the burgeoning influence of Cubism challenged conventional perspectives on space and form. However, Mondrian transcended these movements, forging his own path toward pure abstraction inspired by Eastern philosophies and the writings of Rudolf Steiner. He sought to express spiritual truths through geometric forms, rejecting representational imagery altogether. This intellectual pursuit fueled his artistic experimentation and solidified his commitment to a vision of art as a reflection of underlying cosmic order. “Composition in Colour A” stands as a testament to Mondrian’s unwavering belief that art should liberate the human spirit from illusion and reconnect it with fundamental principles.

Technique & Material Considerations

Mondrian employed tempera paint on canvas, meticulously applying thin layers of pigment to achieve remarkable clarity and luminosity. The artist's meticulous attention to detail ensured that every square was precisely positioned and flawlessly executed—a hallmark of Neoplasticist precision. This technique prioritized visual purity, emphasizing the essential elements of form and color without embellishment or distraction. Reproductions crafted by ArtsDot.com utilize archival-quality pigments and printing methods to faithfully capture the original artwork's vibrancy and textural nuances.
  • Reproduction Quality: ArtsDot.com’s hand-painted reproductions guarantee exceptional color accuracy and detail, bringing Mondrian’s vision to life in stunning fidelity.
  • Canvas Material: Our reproductions are printed on premium canvas stretched over a sturdy wooden frame, mirroring the original artwork's presentation and enhancing its aesthetic impact.

A Reflection of Universal Harmony

Ultimately, ‘Composition in Colour A’ embodies Mondrian’s profound conviction that art could serve as a conduit for spiritual enlightenment. It represents more than just geometric shapes; it symbolizes an aspiration to transcend the limitations of earthly perception and embrace a higher order of existence—a legacy that continues to inspire artists and collectors alike. Explore this iconic masterpiece through ArtsDot.com's exceptional reproductions and experience the enduring beauty of Piet Mondrian’s groundbreaking contribution to modern art.

Questions & Answers

What feeling does "Composition in Colour A" by Piet Mondrian convey?

In "Composition in Colour A", a minimalist mood accompanies a tranquil emotion.

What mood would "Composition in Colour A" bring to a space?

The minimalist atmosphere of "Composition in Colour A" by Piet Mondrian matches its recommended space: an office.

In what period was "Composition in Colour A" by Piet Mondrian made?

"Composition in Colour A" by Piet Mondrian dates from the Modern period. The period gives the historical context of the work.


Artist Biography

The Architecture of Order

To look at a Mondrian today is to see the blueprint of modern visual culture. We encounter his logic every time we interact with a clean graphic layout or a minimalist building facade. He stripped away the unnecessary until only the essential remained. This was not an act of destruction, but one of extreme distillation. By reducing his vocabulary to straight lines, right angles, and a strict palette of red, blue, and yellow, he removed the distraction of reality to reveal a structural truth.

His early work in the Netherlands followed much more traditional paths. He began with landscapes that captured the windmills and rivers of the Dutch countryside, heavily influenced by the Hague School and Impressionism. Pieces like The Red Mill show an artist focused on naturalistic detail and the soft light of his homeland. However, even in these early years, a drive toward simplification was present. He moved through Pointillism and Fauvism, testing how much color and form could be compressed before the subject disappeared entirely.

The Parisian Shift and Neoplasticism

The move to Paris in 1912 changed everything. Encountering Cubism forced him to deconstruct objects into geometric components. He stopped trying to depict what he saw and began exploring how he saw it. This period was deeply tied to his interest in Theosophy, a mystical philosophy that sought universal principles beneath surface appearances. He believed art could express these hidden truths through pure abstraction.

By 1917, this search resulted in Neoplasticism, or "pure plastic art." Alongside Theo van Doesburg, he co-founded the De Stijl movement to promote a rigid aesthetic of horizontal and vertical lines. The rules were absolute:

  • The use of primary colors: red, blue, and yellow.
  • The use of primary values: black, white, and gray.
  • A focus on right angles and straight lines.

This reduction was a deliberate attempt to manifest spiritual order through visual balance. Works like Composition with Red, Blue and Yellow demonstrate this commitment to geometric purity.

New York and the Final Rhythm

The arrival of World War II forced Mondrian to flee Europe for New York City in 1940. The transition from the organic landscapes of his youth to the rigid grid of Manhattan provided a new, unexpected energy. His late works, such as Broadway Boogie Woogie, show a shift in rhythm. While he maintained his core principles, the lines began to dance with a new, syncopated movement inspired by the city's pulse and jazz music.

His death in 1944 ended a career that had fundamentally altered the trajectory of 20th-century art. He left behind a legacy that moved far beyond the canvas, influencing everything from architecture to fashion, including the famous 1965 collection by Yves Saint Laurent. His work remains a standard for anyone seeking clarity and structural integrity in a chaotic visual age.

Piet Mondrian

Piet Mondrian

1872 - 1944 , Netherlands

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