In the current six thresholds
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print
Switch to Digital Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (28 October). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
100-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
In the current six thresholds
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
A Symphony of Form: Decoding Paul Klee’s ‘In the Current Six Thresholds’
Paul Klee's 1929 composition, ‘In the current six thresholds,’ is not merely an arrangement of shapes and colors; it’s a visual articulation of underlying structures, a quiet exploration of spatial relationships rendered in a distinctly geometric language. The artwork immediately draws the eye into a tightly controlled world of rectangles, stacked and interwoven like architectural blocks or perhaps segments of a city viewed from above. Dominated by earthy browns, punctuated with subtle reds and cool greys, the palette evokes a sense of grounded stability, yet the dynamic interplay of forms prevents any feeling of monotony. Klee, ever the innovator, doesn’t offer a window into a recognizable scene but instead invites us to contemplate the very essence of form itself.
The Bauhaus Influence and Beyond
To understand ‘In the current six thresholds,’ one must consider its historical context. 1929 was a pivotal year in the development of modern art, and Klee was deeply engaged with the ideas circulating within the Bauhaus school – though he maintained a unique artistic independence. The influence of Constructivism and De Stijl is palpable; both movements championed abstraction, geometric precision, and a rejection of representational imagery in favor of pure form and color. However, Klee transcends simple imitation. While sharing their commitment to order, his work possesses a lyrical quality absent in the more rigorously functional aesthetic of some Constructivists. There’s a subtle warmth within the composition, a human touch that softens the austerity of purely geometric abstraction. Klee wasn't interested in imposing a rigid ideology through art; he sought instead to express a personal vision, a poetic sensibility filtered through the lens of modernism.
Technique and Materiality: A Delicate Balance
The painting’s surface reveals Klee’s masterful handling of materials. Likely executed in oil or acrylic on canvas, the application of paint is generally smooth, yet retains a subtle texture that hints at the artist's hand. The lines defining each rectangular block are bold and deliberate, creating clear boundaries between color fields. Klee avoids dramatic chiaroscuro, opting instead for an even illumination that emphasizes the flatness of the picture plane. This reinforces the artwork’s two-dimensional quality, drawing attention to its formal elements rather than attempting to create an illusion of depth. The careful layering of colors and shapes suggests a meticulous process of construction, as if Klee were building his composition piece by piece, guided by intuition and a profound understanding of color theory – a subject he explored extensively in his writings.
Emotional Resonance and Enduring Appeal
Despite its abstract nature, ‘In the current six thresholds’ is not devoid of emotional resonance. The painting evokes a sense of quiet contemplation, inviting viewers to lose themselves in its intricate arrangement of forms. The muted color palette contributes to this introspective mood, fostering a feeling of calm and stability. While lacking explicit symbolism, the artwork can be interpreted as a metaphor for the complexities of modern life – the fragmented nature of experience, the search for order within chaos. Its enduring appeal lies in its ability to transcend specific interpretations, offering instead a space for personal reflection and aesthetic appreciation. For those seeking an artwork that embodies both intellectual rigor and subtle beauty, ‘In the current six thresholds’ is a compelling choice—a testament to Paul Klee's unique artistic vision.
Questions & Answers
What is the format of "In the current six thresholds"?
The format of "In the current six thresholds" is square. This is useful when planning where a reproduction will be placed.
Who created "In the current six thresholds" and what style is it in?
Behind "In the current six thresholds" stand Paul Klee and the Constructivism movement.
What colors dominate "In the current six thresholds" by Paul Klee?
"In the current six thresholds" is defined by an earthy palette led by espresso (#373230).
Related Artworks
Artist Biography
A Life of Line and Lyricism
Born in Münchenbuchsee, Switzerland, on December 18, 1879, Paul Klee entered a world shaped by the rhythms of music. His father, Hans Wilhelm Klee, was a German music teacher, and his mother, Ida Marie, was a Swiss singer. This early immersion in sound provided a foundation for a visual language that often mirrored musical arrangement. While he initially pursued the violin with great talent, eventually deciding that modern music lacked the creative pull he craved, he turned his focus toward the Academy of Fine Arts in Munich. His studies there between 1898 and 1901 were marked by an early mastery of drawing, though he famously struggled with color during those first cold winters.
The transition from a draftsman to an abstract thinker was not immediate. Klee’s early years involved exploring the boundaries of Symbolism and Art Nouveau, often working in black and white or through experimental techniques like needle drawing on blackened glass. A significant shift occurred in 1914 during a visit to Tunisia. The intense light of North Africa allowed him to detach color from physical description, using it instead as an independent force. This period provided the necessary push toward abstraction, moving his work away from mere representation and toward a more personal, symbolic vocabulary.
The Bauhaus Years and Political Shadows
Klee’s career reached a period of intense theoretical and creative activity during his time at the Bauhaus. From 1920 to 1930, he joined the faculty of this influential school of design and architecture, working alongside figures like Wassily Kandinsky. It was here that much of his prolific output occurred, particularly small-scale watercolors and drawings on paper. His teaching allowed him to explore the relationship between color and form with scientific precision, a subject he documented extensively in his notebooks. These writings, which examined the mechanics of design, are now regarded as essential texts for understanding modern composition.
The stability of this era was abruptly interrupted by the rise of National Socialism. In 1933, Klee was dismissed from his position at the Academy of Fine Arts in Düsseldorf because the Nazi regime classified his work as “degenerate.” Forced to return to his native Bern, his later years were marked by a shift in tone. As political turmoil grew and his own health declined, his lines became heavier, turning into black bars, and his forms grew more generalized. The whimsicality of his earlier years gave way to a more somber, melancholic perspective, reflecting the gravity of the era.
A Lasting Visual Language
The breadth of Klee’s output is immense, totaling some 10,000 works that range from delicate sketches to larger, more structured compositions. His ability to blend influences from Cubism, Expressionism, and Surrealism resulted in a style that felt both childlike and deeply intellectual. He utilized a variety of media, including:
- Zinc-plate etchings
- Watercolor on gauze and paper
- Lithographs
- Charcoal and pencil drawings
His work remains a study in balance, where titles often provided the necessary context for his often cryptic imagery. Whether through the use of simple stick figures or complex, colorful grids, he sought to express the inner world of ideas rather than the surface of reality. He died on June 29, 1940, in Muralto, Switzerland, leaving behind a body of work that bridged the gap between the figurative and the abstract.
Paul Klee
1879 - 1940 , Switzerland
Quick Facts
- Artistic Movement Or Style:
- Expressionism
- Cubism
- Surrealism
- Artists Who Influenced This Artist:
- Pablo Picasso
- Georges Braque
- Robert Delaunay
- Vincent van Gogh
- Paul Cézanne
- Full Name: Paul Klee
- Nationality: German and Swiss
- Notable Artworks:
- Hammamet with Its Mosque
- Ships in the Dark
- Walpurgis Night
- The Protector
- Place Of Birth: Münchenbuchsee, Switzerland
- Date Of Birth: 1879
- Date Of Death: 1940

Glass option is only available in size under 110 CM
