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Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. (
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P118B $10
P118H $10
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W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.
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Glass option is only available in size under 110 CM
Erasing
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
The Fragility of Memory and Form
In the twilight of his prolific career, Paul Klee gifted the world with Erasing, a work that serves as a haunting meditation on the ephemeral nature of existence. Painted in 1940, amidst the profound shadows cast by the Second World War, this canvas transcends mere abstraction to touch upon the very essence of loss and transformation. The painting presents an enigmatic central face, marked by a striking cross, which acts as a focal point for a larger, fragmented dance of smaller, ghostly impressions. These faces, scattered across the composition like echoes in a fading dream, suggest a struggle against the inevitable tide of forgetting. It is a piece that does not merely depict a subject but captures a psychological state, inviting the viewer to contemplate the instability of our own recollections and the beauty found within the process of decay.A Masterful Symphony of Texture and Tone
Klee’s technical prowess is on full display through his meticulous layering of color and texture, creating a surface that feels both deeply physical and ethereally light. Utilizing a sophisticated blend of watercolor washes and gouache, the artist achieves a depth that draws the eye into its warm, earthy depths. The palette—a rich arrangement of reds, oranges, and deep browns—evokes a sense of autumnal melancholy, yet it remains vibrantly alive with energy. Through the use of thick impasto strokes, Klee adds a tactile dimension to the work, allowing light to catch the ridges of paint and breathe life into the distorted features. This interplay between the delicate transparency of washes and the heavy presence of impasto mirrors the tension between the seen and the unseen, the tangible and the spiritual.An Enduring Legacy for the Discerning Collector
For the art enthusiast or the interior designer seeking a centerpiece with profound narrative weight, Erasing offers an unparalleled opportunity to possess a fragment of modern history. The painting’s ability to harmonize geometric precision with organic spontaneity makes it a versatile yet commanding presence in any curated space. It functions not just as decoration, but as a conversation piece that bridges the gap between Surrealist mystery and Expressionist emotion. Whether placed in a contemporary gallery setting or a sophisticated private study, this reproduction of Klee’s vision brings an atmosphere of intellectual stimulation and contemplative warmth, reminding us that even in the act of erasing, there is a profound creation of meaning.Questions & Answers
How does the style of "Erasing" relate to its creator's era?
"Erasing" belongs to the Expressionist Abstraction movement, and its creator worked in the Modern era.
Which palette and lead color define "Erasing"?
"Erasing" is defined by a dark palette led by walnut (#5f3115).
What use and space are recommended for "Erasing" by Paul Klee?
"Erasing" is suggested for accent, and the recommended space is a living room.
Related Artworks
Artist Biography
A Life of Line and Lyricism
Born in Münchenbuchsee, Switzerland, on December 18, 1879, Paul Klee entered a world shaped by the rhythms of music. His father, Hans Wilhelm Klee, was a German music teacher, and his mother, Ida Marie, was a Swiss singer. This early immersion in sound provided a foundation for a visual language that often mirrored musical arrangement. While he initially pursued the violin with great talent, eventually deciding that modern music lacked the creative pull he craved, he turned his focus toward the Academy of Fine Arts in Munich. His studies there between 1898 and 1901 were marked by an early mastery of drawing, though he famously struggled with color during those first cold winters.
The transition from a draftsman to an abstract thinker was not immediate. Klee’s early years involved exploring the boundaries of Symbolism and Art Nouveau, often working in black and white or through experimental techniques like needle drawing on blackened glass. A significant shift occurred in 1914 during a visit to Tunisia. The intense light of North Africa allowed him to detach color from physical description, using it instead as an independent force. This period provided the necessary push toward abstraction, moving his work away from mere representation and toward a more personal, symbolic vocabulary.
The Bauhaus Years and Political Shadows
Klee’s career reached a period of intense theoretical and creative activity during his time at the Bauhaus. From 1920 to 1930, he joined the faculty of this influential school of design and architecture, working alongside figures like Wassily Kandinsky. It was here that much of his prolific output occurred, particularly small-scale watercolors and drawings on paper. His teaching allowed him to explore the relationship between color and form with scientific precision, a subject he documented extensively in his notebooks. These writings, which examined the mechanics of design, are now regarded as essential texts for understanding modern composition.
The stability of this era was abruptly interrupted by the rise of National Socialism. In 1933, Klee was dismissed from his position at the Academy of Fine Arts in Düsseldorf because the Nazi regime classified his work as “degenerate.” Forced to return to his native Bern, his later years were marked by a shift in tone. As political turmoil grew and his own health declined, his lines became heavier, turning into black bars, and his forms grew more generalized. The whimsicality of his earlier years gave way to a more somber, melancholic perspective, reflecting the gravity of the era.
A Lasting Visual Language
The breadth of Klee’s output is immense, totaling some 10,000 works that range from delicate sketches to larger, more structured compositions. His ability to blend influences from Cubism, Expressionism, and Surrealism resulted in a style that felt both childlike and deeply intellectual. He utilized a variety of media, including:
- Zinc-plate etchings
- Watercolor on gauze and paper
- Lithographs
- Charcoal and pencil drawings
His work remains a study in balance, where titles often provided the necessary context for his often cryptic imagery. Whether through the use of simple stick figures or complex, colorful grids, he sought to express the inner world of ideas rather than the surface of reality. He died on June 29, 1940, in Muralto, Switzerland, leaving behind a body of work that bridged the gap between the figurative and the abstract.
Paul Klee
1879 - 1940 , Switzerland
Quick Facts
- Artistic Movement Or Style:
- Expressionism
- Cubism
- Surrealism
- Artists Who Influenced This Artist:
- Pablo Picasso
- Georges Braque
- Robert Delaunay
- Vincent van Gogh
- Paul Cézanne
- Full Name: Paul Klee
- Nationality: German and Swiss
- Notable Artworks:
- Hammamet with Its Mosque
- Ships in the Dark
- Walpurgis Night
- The Protector
- Place Of Birth: Münchenbuchsee, Switzerland
- Date Of Birth: 1879
- Date Of Death: 1940
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