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Untitled

  • Creation date1962
  • Dimensions152.0 x 122.0 cm

Paul Feeley was a versatile painter, sculptor, and muralist. Discover his unique artistic legacy through our collection.

The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.

This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

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Total Price

$ 63

Untitled

Giclée / Art Print

Reproduction Size

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Total Price

$ 63


Artist Biography

The Structural Logic of Paul Feeley

To look at the work of Paul Feeley is to confront a deliberate reduction of form. He did not rely on decorative flourishes to hold attention; instead, he utilized the fundamental mechanics of painting and sculpture to command space. His practice was defined by a rigorous approach to geometry and scale. As a painter, sculptor, and muralist, his output moved between the two-dimensional plane and three-dimensional presence with a singular focus on how shapes interact within a frame.

His career was not limited to the canvas. He operated as an educator and portrait painter, yet his most significant contributions lie in his ability to manipulate visual weight. The archives of his life reveal a man deeply engaged with the physical reality of his materials, from sketchbooks to correspondence that tracked his technical evolution.

A Multidimensional Practice

Feeley’s versatility was a functional necessity rather than a pursuit of variety. His work as a muralist required an understanding of architectural integration, while his sculptural endeavors demanded a grasp of volume and mass. This breadth allowed him to approach the concept of space from multiple angles.

  • Painting: Focused on the interaction of shapes and color fields.
  • Sculpture: An exploration of physical form and spatial occupation.
  • Murals: Large-scale applications designed for specific environments.
  • Portraiture: A secondary but present engagement with figurative representation.

The technical foundation of his work is visible in the surviving records of his process. His notes and writings suggest a disciplined method where every line and color choice was calculated to achieve a specific visual equilibrium. He avoided the unnecessary, stripping his compositions down to their essential components.

The Archive of an Artist

The historical weight of Feeley’s contribution is preserved through a substantial collection of papers held by the Smithsonian Institution. These documents provide a direct look at the mechanics behind his creative decisions. The collection includes:

  • Biographical materials and personal correspondence.
  • Writings, notes, and printed materials.
  • Photographs and detailed sketchbooks.

These records do more than document a life; they map the development of an aesthetic that prioritized clarity. By examining his sketches alongside his finished works, one sees the transition from initial thought to executed form. His legacy is found in this precision.

Paul Feeley

Paul Feeley

1910 - 1966 , United States of America

Quick Facts

  • Full Name: Paul Feeley
  • Place Of Birth: Des Moines, United States of America
  • Date Of Birth: 1910
  • Date Of Death: 1966
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