Study - Landscape at Auvers

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Collectible Description

Discover 'Study - Landscape at Auvers' by Paul Cézanne, a pivotal Post-Impressionist masterpiece. Explore its vibrant colors and innovative brushstrokes – a cornerstone of modern art.

Artist Biography

Post-Impressionist master Paul Cezanne bridged Impressionism and Cubism with Mont Sainte-Victoire. Explore his revolutionary works today.

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

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1 Step one of four

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2 Step two of four

How should it be prepared: rolled, stretched or framed?

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Corner sample of the WhiteWrap canvas edge finish, stretched on solid wood bars
White $1
Corner sample of the BlurSideWrap canvas edge finish, stretched on solid wood bars
Blurside $1
Corner sample of the ExtendedWrap canvas edge finish, stretched on solid wood bars
Extended $1
Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8
Corner sample of the H24-GOLD picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-GOLD $30
Corner sample of the H24-SILVER picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-SILVER $30
Corner sample of the H36-GOLD picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-GOLD $45
Corner sample of the H36-SILVER picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-SILVER $45
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3 Step three of four

Would you like anything changed in the painting?

Most people answer no. Because each painting is made by hand, our artist can also adapt it for you.

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview

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A few finishing options

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Who paints it?

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (6 November). No compromise on quality.

A nameplate, as in a museum?

Engraved Bronze Plaque Details

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Transparent Acrylic Plaque Details

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Black Acrylic Plaque Details

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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Your painting, as you ordered it

Study - Landscape at Auvers

Reproduction Medium

Reproduction Size

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Elite Senior Artist

More detail, finesse, and extra production time

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Reproduction Frame

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For artworks or reproductions larger than 105 cm (approximately 41 inches) on any side, the frame will be shipped as a kit, disassembled. This method ensures safe delivery and prevents damage during transport.

Professional assembly required - this is not a DIY product.
The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

  • All solid wood bars are included, precisely cut to size.

  • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

  • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

Important:
The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

Nameplate

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Protective Varnish

Glossy Varnish (enhances colors, protects against light/moisture)

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Customize My Artwork

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.

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Urgent

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (6 November). No compromise on quality.

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Express Shipping

Worldwide Delivery () in 5 weeks. (13 November).

Included

Total Price

$ 263

Total Price $ 263

Glass option is only available in size under 110 CM

Included with every order

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A Window Into Auvers: Cézanne’s ‘Study – Landscape at Auvers’

Paul Cézanne's “Study – Landscape at Auvers” isn’t merely a depiction of a Provençal village; it’s a carefully constructed meditation on perception, color, and the very essence of seeing. Painted in 1890 during his sojourn in the small village of Auvers-sur-Oise, just outside Paris, this work embodies the core tenets of Post-Impressionism – a movement Cézanne profoundly shaped – moving beyond the fleeting effects of light to explore underlying forms and structures. It’s a painting that invites prolonged contemplation, revealing layers of meaning with each return visit.

Cézanne's approach was revolutionary for his time. He wasn’t interested in faithfully reproducing what he saw; instead, he sought to capture the *idea* of the landscape – its underlying geometry and the way it interacts with light. Notice how he employs flattened planes of color, reminiscent of Seurat’s pointillism but imbued with a far more expressive intent. These aren't simply decorative hues; they are carefully chosen to define shapes and create a sense of solidity within the composition. The greens and blues of the hills are not blended smoothly, but rather applied in distinct blocks, suggesting volume and depth through color alone. This deliberate manipulation of form anticipates the abstract explorations of Cubism that would follow.

The Village as a Constructed Reality

Auvers-sur-Oise itself held a particular significance for Cézanne. He had been invited there by his friend, Vincent van Gogh, who was struggling with mental illness and depression. While the two artists shared a mutual respect, their creative approaches were vastly different. Cézanne’s work in Auvers reflects a quiet intensity, a focused observation of the local environment. The village houses, rendered with simplified forms and bold colors, are not presented as charming rustic dwellings but rather as fundamental building blocks within a larger spatial arrangement. He meticulously observed the way light fell upon these structures, translating that experience onto the canvas with an almost architectural precision.

The inclusion of two figures – a man and a woman – adds a subtle layer of narrative to the scene. They are not actively engaged in any particular activity; instead, they seem to be simply present within the landscape, integrated into its fabric. Their placement is deliberate, drawing the eye across the composition and reinforcing Cézanne’s emphasis on spatial relationships. Some scholars suggest these figures represent Cézanne's wife, Marguérite, and their son, Paul, offering a glimpse into his personal life amidst his artistic endeavors.

Color, Light, and the Essence of Perception

Cézanne’s masterful use of color is central to the painting’s impact. He employs a limited palette – primarily blues, greens, browns, and ochres – but manipulates these colors with remarkable skill. The warm yellows and oranges of the sunlight contrast sharply with the cooler tones of the landscape, creating a dynamic interplay of light and shadow. He doesn't shy away from using non-naturalistic color combinations, prioritizing visual harmony over literal representation. This bold approach was revolutionary at the time, challenging traditional notions of how landscapes should be depicted.

Furthermore, Cézanne’s brushstrokes are deliberately visible, adding a tactile quality to the painting. They aren't blended or smoothed out; instead, they retain their individual character, creating a sense of movement and energy. This technique reflects his belief that the artist’s hand is an integral part of the creative process – a testament to the act of seeing itself.

A Legacy of Innovation

"Study – Landscape at Auvers" stands as a pivotal work in art history, bridging the gap between Impressionism and modernism. It demonstrates Cézanne’s profound understanding of form, color, and spatial relationships, paving the way for subsequent generations of artists to explore new ways of representing reality. Its influence can be seen in the works of Picasso, Matisse, and countless others who followed in his footsteps. Today, reproductions of this iconic painting continue to captivate viewers with its quiet beauty and enduring power.

To experience the full richness of Cézanne’s vision, explore high-quality hand-painted oil reproduction prints available at ArtsDot. Discover how these faithful recreations capture the essence of this groundbreaking masterpiece, bringing a touch of Provençal serenity to your home or studio.

Questions & Answers

Is "Study - Landscape at Auvers" by Paul Cézanne in the public domain, and why?

"Study - Landscape at Auvers" by Paul Cézanne is in the public domain - its copyright has expired. Copyright terms are measured from the artist's death, and Paul Cézanne died in 1906.

How popular is "Study - Landscape at Auvers" within Post-Impressionism?

Within the Post-Impressionism movement, "Study - Landscape at Auvers" has an iconic popularity level.

Where does "Study - Landscape at Auvers" by Paul Cézanne sit in art history?

The art-historical classification of "Study - Landscape at Auvers" by Paul Cézanne is Post-Impressionism, in the 19th-Century period.

Paul Cézanne

Paul Cézanne

1839 - 1906, France

Artist Biography

The Architect of Form

Paul Cézanne was born in Aix-en-Provence, France, into a family with deep roots in the local banking industry. His father, Louis-Auguste Cézanne, helped found the Banque Cézanne et Cabassol, providing a level of financial stability that many of his contemporaries lacked. This security allowed Paul to move away from the legal studies his father had planned for him. Though he initially studied law at the University of Aix-en-Provence, he abandoned those studies in 1860 to focus entirely on painting. His early years were spent in the company of friends like Émile Zola, and together they shared a childhood of swimming and fishing along the banks of the Arc River.

The early works of Cézanne often carried the weight of Romanticism, utilizing dark palettes and heavy, expressive brushwork. He was influenced by the dramatic tonal contrasts found in the tradition of Eugène Delacroix. However, his approach began to shift as he moved toward Paris. He sought a way to move beyond the fleeting light captured by the Impressionists. Instead of merely recording a passing moment, he wanted to find the permanent structure within nature. He looked at a mountain or a piece of fruit and saw the underlying geometry—the cones, spheres, and cylinders that form the bones of the world.

A New Way of Seeing

Cézanne developed a technique characterized by small, repetitive, and constructive brushstrokes. He layered these patches of color to build up volume and texture, creating a sense of solidity. This method allowed him to explore spatial relationships without relying on traditional single-point perspective. In many of his compositions, objects appear independent within the space, often presented from multiple viewpoints at once. This rejection of classical perspective rules helped create a new pictorial language.

His subject matter was deeply tied to his surroundings in Provence. The Mont Sainte-Victoire became a recurring presence in his work, appearing in approximately eighty different paintings and watercolors over many years. He also found profound meaning in the simplest objects. His still lifes, featuring items like apples, jars, and cups, were not mere decorations but intense studies of light, shadow, and mass. Through these works, he demonstrated how color modulation could define shape without the need for traditional shading.

  • The Bathers (Les Grandes Baigneuses)
  • Mont Sainte-Victoire series
  • Still Life with Apples and a Pot of Primroses
  • Portrait of Émile Zola
  • The Card Players

A Lasting Influence

By the time of his death in 1906, Cézanne had fundamentally altered the direction of modern painting. His emphasis on geometric form and multiple perspectives provided a foundation for the Cubist movement. Artists such as Pablo Picasso and Georges Braque drew heavily from his analytical approach to nature. His use of bold, non-naturalistic color also left an impression on the Fauvists, including Henri Matisse. He moved art away from the imitation of reality toward a construction of visual experience based on perception and structure.