Self-Portrait
Oil On Canvas
WallArt
Post-Impressionism
1880
19th Century
61.0 x 47.0 cm
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print
Switch to Digital Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (26 October). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
100-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Self-Portrait
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Self Portrait
Paul Cézanne’s Self Portrait, executed in 1880-1, stands as an emblem of Post-Impressionism—a movement that sought to transcend the fleeting impressions of light and color championed by Impressionists like Claude Monet and Auguste Renoir. More than just a likeness of the artist himself, this painting embodies Cézanne’s revolutionary approach to artistic representation, marking a pivotal moment in the transition from traditional art forms to the burgeoning avant-garde sensibilities of the early 20th century.Artistic Style and Technique
Cézanne's distinctive style is immediately recognizable through his masterful use of planes of color and small, deliberate brushstrokes—a technique that departs dramatically from Impressionism’s blending approach. Rather than attempting to capture a momentary visual experience, Cézanne meticulously constructed the image as if sculpting it from solid form. The painting utilizes oil on canvas, measuring 61 x 47 cm, demonstrating his commitment to textural richness and dimensional depth. He achieved this effect by applying paint in parallel strokes—often thick impasto—creating complex fields of color that convey a profound sense of volume and spatial illusion. Notice how Cézanne’s gaze is directed slightly off-camera, inviting contemplation and hinting at the artist's inner thoughts.Composition and Symbolism
The composition itself is deceptively simple yet profoundly significant. Cézanne positions his head tilted to one side against a pale olive-green wall—a deliberate choice that echoes patterns found in other paintings by Cézanne. This compositional device reinforces the painting’s sense of stillness and introspection, mirroring Cézanne's own contemplative demeanor. The inclusion of his beard and mustache adds to this portrayal of thoughtfulness, while his spectacles serve as a visual reminder of Cézanne’s intellectual curiosity. Furthermore, the subtle use of color—particularly blues and ochre—contributes to the painting’s emotional resonance, conveying a mood of quiet contemplation and artistic seriousness. The artist's gaze is unwavering, confronting the viewer with an unflinching honesty that transcends mere portraiture.Artistic Influences and Legacy
Cézanne’s work initially faced considerable criticism from contemporary art critics who deemed it incomprehensible and lacking in aesthetic appeal. However, fellow artists like Camille Pissarro recognized Cézanne's genius and championed his innovative vision. The first solo exhibition of Cézanne’s paintings in 1895 at Ambroise Vollard’s Paris gallery proved to be a watershed moment for his career, securing him considerable acclaim and establishing him as a leading figure in the burgeoning artistic landscape. His influence on subsequent generations of artists is undeniable—Henri Matisse and Pablo Picasso famously acknowledged Cézanne as “the father of us all.” Cézanne's groundbreaking explorations of perspective, structure, and color modulation paved the way for movements like Cubism, fundamentally reshaping the course of modern art history. ## Relevance and Availability For those seeking to immerse themselves in Cézanne’s artistic legacy, Paul Cézanne: Self Portrait (8) is available at ArtsDot. This masterpiece resides within the National Gallery of Art in Washington, D.C., offering visitors a chance to experience firsthand Cézanne’s masterful execution and enduring artistic vision. Alternatively, Paul Cézanne: Self Portrait graces The Phillips Collection in Washington, D.C., presenting another perspective on Cézanne’s exploration of self-representation and artistic innovation. ArtsDot specializes in producing exquisitely crafted oil painting reproductions—allowing enthusiasts to bring the beauty and depth of Cézanne's work into their homes. Visit https://ArtsDot.com today to explore more iconic artworks.Questions & Answers
How is "Self-Portrait" situated historically?
The art-historical classification of "Self-Portrait" by Paul Cézanne is Post-Impressionism, in the 19th-Century period.
What colors dominate "Self-Portrait" by Paul Cézanne?
"Self-Portrait" by Paul Cézanne uses an earthy palette, with espresso (#615434) as the dominant color.
How old was Paul Cézanne when creating "Self-Portrait" in 1880?
Paul Cézanne was 41 years old when creating "Self-Portrait" in 1880. The age is computed from the artist's birth year, 1839.
Related Artworks
Artist Biography
The Architect of Form
Paul Cézanne was born in Aix-en-Provence, France, into a family with deep roots in the local banking industry. His father, Louis-Auguste Cézanne, helped found the Banque Cézanne et Cabassol, providing a level of financial stability that many of his contemporaries lacked. This security allowed Paul to move away from the legal studies his father had planned for him. Though he initially studied law at the University of Aix-en-Provence, he abandoned those studies in 1860 to focus entirely on painting. His early years were spent in the company of friends like Émile Zola, and together they shared a childhood of swimming and fishing along the banks of the Arc River.
The early works of Cézanne often carried the weight of Romanticism, utilizing dark palettes and heavy, expressive brushwork. He was influenced by the dramatic tonal contrasts found in the tradition of Eugène Delacroix. However, his approach began to shift as he moved toward Paris. He sought a way to move beyond the fleeting light captured by the Impressionists. Instead of merely recording a passing moment, he wanted to find the permanent structure within nature. He looked at a mountain or a piece of fruit and saw the underlying geometry—the cones, spheres, and cylinders that form the bones of the world.
A New Way of Seeing
Cézanne developed a technique characterized by small, repetitive, and constructive brushstrokes. He layered these patches of color to build up volume and texture, creating a sense of solidity. This method allowed him to explore spatial relationships without relying on traditional single-point perspective. In many of his compositions, objects appear independent within the space, often presented from multiple viewpoints at once. This rejection of classical perspective rules helped create a new pictorial language.
His subject matter was deeply tied to his surroundings in Provence. The Mont Sainte-Victoire became a recurring presence in his work, appearing in approximately eighty different paintings and watercolors over many years. He also found profound meaning in the simplest objects. His still lifes, featuring items like apples, jars, and cups, were not mere decorations but intense studies of light, shadow, and mass. Through these works, he demonstrated how color modulation could define shape without the need for traditional shading.
- The Bathers (Les Grandes Baigneuses)
- Mont Sainte-Victoire series
- Still Life with Apples and a Pot of Primroses
- Portrait of Émile Zola
- The Card Players
A Lasting Influence
By the time of his death in 1906, Cézanne had fundamentally altered the direction of modern painting. His emphasis on geometric form and multiple perspectives provided a foundation for the Cubist movement. Artists such as Pablo Picasso and Georges Braque drew heavily from his analytical approach to nature. His use of bold, non-naturalistic color also left an impression on the Fauvists, including Henri Matisse. He moved art away from the imitation of reality toward a construction of visual experience based on perception and structure.
Paul Cézanne
1839 - 1906 , France
Quick Facts
- Artistic Movement Or Style: Post-Impressionism
- Artists Or Movements Influenced By This Artist:
- Cubism
- Fauvism
- Pablo Picasso
- Henri Matisse
- Artists Who Influenced This Artist:
- Paul Gauguin
- Georges Seurat
- Full Name: Paul Cézanne
- Nationality: French
- Notable Artworks:
- The Pond at Jas de Bouffan
- Portrait of Émile Zola
- Mont Sainte-Victoire series
- Bathers
- Place Of Birth: Aix-en-Provence, France
- Date Of Birth: 1839
- Date Of Death: 1906

Glass option is only available in size under 110 CM
