Tomato plant
Oil On Canvas
WallArt
Surrealism
1944
Modern
92.0 x 73.0 cm
The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.
This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.
Giclée / Art Print
Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting
Switch to Digital Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.
Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (26 October)
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
100-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Tomato plant
Giclée / Art Print
Reproduction Size
-
Total Price
$ 63
Pablo Picasso: A Revolutionary Artist
Pablo Ruiz y Picasso (1881-1973) stands as one of the most influential figures in 20th-century art, reshaping perceptions of painting and sculpture with his groundbreaking innovations. Born in Málaga, Spain, Picasso demonstrated artistic talent from a remarkably young age—his father, José Ruiz y Blasco, instilled in him early training that would propel him to unparalleled heights of creativity. The family’s relocation to A Coruña and later Barcelona fostered an environment ripe for artistic exploration, where Picasso challenged traditional academic instruction at the Royal Academy of San Fernando, prioritizing independent study alongside masters like Velázquez and Goya.The Blue and Rose Periods (1901-1906)
Picasso’s formative years witnessed the emergence of two distinct stylistic phases: The Blue Period (roughly 1901-1904) and The Rose Period (1904-1906). Characterized by somber hues—primarily blues and greens—the Blue Period reflected Picasso's preoccupation with themes of poverty, despair, and human suffering. Influenced by the suicide of his friend Carlos Casagemas, these paintings convey a palpable sense of melancholy and introspection. Simultaneously, The Rose Period introduced warmer tones—roses, reds, and yellows—expressing optimism and tenderness amidst depictions of circus performers, musicians, and family life. This stylistic shift signaled Picasso’s evolving artistic sensibilities and foreshadowed the monumental breakthroughs to come.Cubism: A Paradigm Shift
The true revolution arrived with Cubism, pioneered by Picasso alongside Georges Braque around 1907. Rejecting traditional perspective and representation, Cubist artists fragmented objects into geometric planes—cubes, spheres, and cylinders—presenting multiple viewpoints simultaneously on a single canvas. This radical approach challenged artistic conventions and paved the way for abstraction, fundamentally altering the course of modern art history. Picasso’s relentless experimentation with Cubism continued throughout his career, resulting in iconic masterpieces like Les Demoiselles d'Avignon and Guernica—works that remain profoundly influential today.Guernica: An Anti-War Icon
Painted in response to the bombing of Guernica during the Spanish Civil War in 1937, Guernica is arguably Picasso’s most enduring symbol of protest against violence and oppression. Executed in monochrome—black, white, and gray—the painting depicts a harrowing tableau of suffering humanity amidst chaos and destruction. Figures representing grief, terror, and resilience converge on a central pyramidal composition, conveying the devastating consequences of war with visceral intensity. Guernica transcends its historical context to become a universal indictment of brutality and an impassioned plea for peace—a testament to Picasso’s artistic genius and his unwavering commitment to social justice. ## Legacy and Influence Pablo Picasso's impact on art history is undeniable. His pioneering techniques, stylistic innovations, and thematic explorations continue to inspire artists worldwide. He redefined the boundaries of painting, sculpting, printmaking, and ceramics—leaving an indelible mark on the artistic landscape of the 20th century and beyond. Picasso’s legacy extends far beyond his individual artworks; he fostered a spirit of experimentation and challenged established norms, shaping the trajectory of modern art and cementing his place as one of history's greatest creative minds.Questions & Answers
Where can I buy a print of "Tomato plant" by Pablo Picasso?
"Tomato plant" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on its Fine Art Print page, in the size of your choice.
What space is suggested for "Tomato plant" by Pablo Picasso?
A reproduction of "Tomato plant" fits well in a living room.
Is "Tomato plant" free of copyright?
"Tomato plant" by Pablo Picasso is still protected by copyright. This status governs how the image of the work may be reproduced.
Related Artworks
Artist Biography
The boy from Málaga
A child's first words in Málaga were “piz, piz,” a small attempt at saying pencil. This early pull toward the lead and paper was nurtured by his father, José Ruiz y Blasco, who taught him the basics of figure drawing and oil painting. The boy learned to copy the masters and draw from plaster casts under a disciplined eye. As he grew, the family moved through A Coruña and Barcelona. These years were marked by the quiet weight of loss, particularly the death of his sister, Conchita, from diphtheria when she was only seven. Such shadows would later find their way into the heavy, blue-green tones of his early work.
By thirteen, he was already taking entrance exams for advanced classes in Barcelona, finishing in a week what took others a month. His hands moved with a precision that even his father noticed, once seeing him paint over an unfinished sketch of a pigeon with such accuracy that the instructor realized the student had surpassed him. He eventually moved to Paris, a city where he would spend much of his adult life, constantly shifting his focus from one way of seeing to another.
Shifting palettes and fractured forms
The early twentieth century saw his work move through distinct phases of color and mood. There was the Blue Period, where the canvases were filled with beggars, the blind, and the lonely, rendered in somber shades of blue. This gave way to the Rose Period, a time when pinks, oranges, and reds appeared, often featuring the figures of circus performers like harlequins and acrobats. These years showed a man reacting to his own life and the world around him through the temperature of his palette.
In 1907, the way he handled space changed fundamentally with Les Demoiselles d'Avignon. Influenced by African masks and Iberian sculpture, he began to break objects into geometric shapes. Alongside Georges Braque, he developed Cubism. This involved two main stages:
- Analytic Cubism: A method of fragmenting objects into muted, geometric pieces as if dissecting the form itself.
- Synthetic Cubism: An approach that brought in collage elements like newspaper clippings and fabric scraps to add texture and new layers.
A life of constant change
His work never settled into a single way of being. He explored Neoclassicism with large, monumental figures and later engaged with the imagery of Surrealism, using distorted perspectives to tap into the subconscious. The violence of the Spanish Civil War left its mark on his canvas in 1937 through Guernica. This large oil painting used a stark palette of black, white, and grey to show the suffering of a bombed town, featuring a gored horse, a bull, and screaming women. It remains a heavy, monochromatic response to the chaos of war.
In his later years, he continued to experiment with ceramics, sculpture, and printmaking. He even created large-scale public works, such as the 1967 steel sculpture in Chicago, which was inspired by the head of his Afghan Hound, Kabul. He died in Mougins, France, leaving behind a massive collection of work that spans over seventy-six years of experimentation.
Pablo Picasso
1881 - 1973 , Spain
Quick Facts
- Full Name: Pablo Diego José Ruiz Picasso
- Nationality: Spanish
- Date Of Birth: 1881
- Date Of Death: 1973
- Place Of Birth: Malaga, Spain
- Notable Artworks:
- Les Demoiselles d'Avignon
- Guernica
- The Old Guitarist
- La Vie
- Family of Saltimbanques
- Artistic Movement Or Style: Cubism, Surrealism
- Artists Who Influenced This Artist:
- Velázquez
- Goya
- Matisse
- Artists Or Movements Influenced By This Artist:
- Cubism
- Modern art

Glass option is only available in size under 110 CM
