La Gommeuse
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Giclée / Art Print
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La Gommeuse
Giclée / Art Print
Reproduction Size
-
Total Price
$ 63
A Masterpiece of the Blue Period
"CITE>Pablo Picasso" is renowned for his diverse and influential body of work, but few pieces capture the essence of his early career as poignantly as "La Gommeuse". Painted in 1901, this oil-on-canvas masterpiece belongs to Picasso's Blue Period, a phase marked by somber tones and introspective themes.The Subject: A Portrait of Pere Mañach
At the heart of "La Gommeuse" is a portrait of Pere Mañach, a Catalan anarchist and close friend of Picasso. The painting was discovered in 2000 during conservation efforts arranged by Mr. Koch, revealing a whimsical and wicked rendering of Mañach wearing an exotic headdress on a female body in a dancer's leap. This unique depiction reflects the playful yet provocative nature of their friendship.Artistic Significance
"CITE>La Gommeuse" is not only a testament to Picasso's artistic versatility but also a reflection of his fascination with the human form and identity. The painting's use of bold, expressive lines and vibrant colors, despite being part of the Blue Period, showcases Picasso's evolving style.Auction History
In 2015, "La Gommeuse" was sold at a Sotheby's auction in New York for $67.5 million, setting a record for a Blue Period Picasso and cementing its place among the most expensive paintings ever sold.Relevance to Contemporary Art
The enduring appeal of "La Gommeuse" lies in its blend of traditional portraiture with modernist experimentation. This fusion continues to inspire contemporary artists, making it a significant piece in the history of art.Conclusion
"CITE>La Gommeuse" by "Pablo Picasso" is a captivating work that encapsulates the artist's early exploration of identity and form. Its discovery and subsequent sale highlight the ongoing fascination with Picasso's oeuvre. For those interested in exploring more of his works, visit Pablo Picasso: La Gommeuse on ArtsDot.- Painting Information: "La Gommeuse" is a portrait of Pere Mañach, discovered during conservation in 2000.
- Auction Record: Sold for $67.5 million at Sotheby's in 2015.
- Artistic Period: Part of Picasso's Blue Period.
Questions & Answers
What is the perceived brightness of "La Gommeuse" by Pablo Picasso?
Overall, "La Gommeuse" is recorded as brilliant. Perceived brightness describes how light or dark the work appears.
Is "La Gommeuse" by Pablo Picasso a light or a dark artwork?
The recorded values for "La Gommeuse" by Pablo Picasso are: brilliant brightness, bright balance luminance.
Is "La Gommeuse" typical of what Pablo Picasso usually created?
Pablo Picasso's recurring themes include early modernism, psychological portraiture, symbolic representation, exploring identity, reaction to trauma, influence of toulouse lautrec; "La Gommeuse" focuses on portrait, blue period, nude, parisian nightlife, carnal pleasure, symbolism, psychological.
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Artist Biography
The boy from Málaga
A child's first words in Málaga were “piz, piz,” a small attempt at saying pencil. This early pull toward the lead and paper was nurtured by his father, José Ruiz y Blasco, who taught him the basics of figure drawing and oil painting. The boy learned to copy the masters and draw from plaster casts under a disciplined eye. As he grew, the family moved through A Coruña and Barcelona. These years were marked by the quiet weight of loss, particularly the death of his sister, Conchita, from diphtheria when she was only seven. Such shadows would later find their way into the heavy, blue-green tones of his early work.
By thirteen, he was already taking entrance exams for advanced classes in Barcelona, finishing in a week what took others a month. His hands moved with a precision that even his father noticed, once seeing him paint over an unfinished sketch of a pigeon with such accuracy that the instructor realized the student had surpassed him. He eventually moved to Paris, a city where he would spend much of his adult life, constantly shifting his focus from one way of seeing to another.
Shifting palettes and fractured forms
The early twentieth century saw his work move through distinct phases of color and mood. There was the Blue Period, where the canvases were filled with beggars, the blind, and the lonely, rendered in somber shades of blue. This gave way to the Rose Period, a time when pinks, oranges, and reds appeared, often featuring the figures of circus performers like harlequins and acrobats. These years showed a man reacting to his own life and the world around him through the temperature of his palette.
In 1907, the way he handled space changed fundamentally with Les Demoiselles d'Avignon. Influenced by African masks and Iberian sculpture, he began to break objects into geometric shapes. Alongside Georges Braque, he developed Cubism. This involved two main stages:
- Analytic Cubism: A method of fragmenting objects into muted, geometric pieces as if dissecting the form itself.
- Synthetic Cubism: An approach that brought in collage elements like newspaper clippings and fabric scraps to add texture and new layers.
A life of constant change
His work never settled into a single way of being. He explored Neoclassicism with large, monumental figures and later engaged with the imagery of Surrealism, using distorted perspectives to tap into the subconscious. The violence of the Spanish Civil War left its mark on his canvas in 1937 through Guernica. This large oil painting used a stark palette of black, white, and grey to show the suffering of a bombed town, featuring a gored horse, a bull, and screaming women. It remains a heavy, monochromatic response to the chaos of war.
In his later years, he continued to experiment with ceramics, sculpture, and printmaking. He even created large-scale public works, such as the 1967 steel sculpture in Chicago, which was inspired by the head of his Afghan Hound, Kabul. He died in Mougins, France, leaving behind a massive collection of work that spans over seventy-six years of experimentation.
Pablo Picasso
1881 - 1973 , Spain
Quick Facts
- Full Name: Pablo Diego José Ruiz Picasso
- Nationality: Spanish
- Date Of Birth: 1881
- Date Of Death: 1973
- Place Of Birth: Malaga, Spain
- Notable Artworks:
- Les Demoiselles d'Avignon
- Guernica
- The Old Guitarist
- La Vie
- Family of Saltimbanques
- Artistic Movement Or Style: Cubism, Surrealism
- Artists Who Influenced This Artist:
- Velázquez
- Goya
- Matisse
- Artists Or Movements Influenced By This Artist:
- Cubism
- Modern art

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