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StatsMissing Person (III)
1994
47.0 x 46.0 cm
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The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.
This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.
Giclée / Art Print
Museum-quality giclée or canvas print with fast production and flexible finish options. (
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Missing Person (III)
Giclée / Art Print
Reproduction Size
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Total Price
$ 63
Related Artworks
Artist Biography
Cordelia Underhill: Bridging History and Emotion Through Performance Drawing
Cordelia Underhill’s artistic journey began in Orkney, Scotland, where she honed her craft amidst the windswept landscapes of the Northern Isles. Influenced by Surrealist explorations of dreamlike imagery and Romantic ideals of sublime beauty—particularly evident in artists like Caspar David Friedrich—Underhill's work consistently seeks to capture moments of profound emotional resonance alongside meticulous observation of the natural world. Her artistic vision is rooted in a belief that drawing isn’t merely about representation but rather an active process of engagement with place and experience.- Early Influences: Underhill cites Surrealist painters like René Magritte and Giorgio Morandi as formative figures, emphasizing the importance of subconscious exploration and distilling visual language to its essence.
- Formal Training: She pursued her undergraduate studies at Edinburgh College of Art, focusing on printmaking and honing her technical skills—a foundation that continues to inform her artistic practice today.
- The Orkney Residency Experience: A pivotal moment in Underhill’s career was her participation in the DRAWING WITH PLACE Group Residency in Orkney, where she collaborated with fellow artists on a project centered around drawing and performance. This immersive experience underscored her commitment to combining artistic experimentation with social engagement.
Exploring Themes of Absence and Presence
Underhill’s oeuvre is characterized by recurring motifs—particularly the depiction of obscured faces and solitary figures—which invite contemplation on themes of loss, memory, and vulnerability. Her canvases often employ a muted palette dominated by earthy tones and subtle washes of color, creating an atmosphere of quiet introspection. Texture plays a crucial role in her work, achieved through layering techniques that imbue surfaces with palpable depth and materiality. This deliberate attention to tactile qualities underscores Underhill’s belief that drawing possesses the capacity to convey emotional nuance beyond mere visual depiction.- Recurring Imagery: The motif of obscured faces—a hallmark of Underhill's style—represents a deliberate challenge to conventional portraiture, prompting viewers to consider questions of identity and perception.
- Color Palette: Her preference for earthy hues—such as ochre, umber, and sienna—reflects her fascination with the materiality of pigment and its ability to evoke associations with geological formations and organic textures.
- Technique: Underhill’s masterful use of layering techniques—including glazing and scumbling—creates surfaces that shimmer with subtle variations in color and luminosity, enhancing the expressive power of her compositions.
Notable Works and Artistic Legacy
Among Underhill's most celebrated paintings is “Missing Person (I),” a 1994 oil painting featuring stylized faces rendered in vibrant yellow hues against a textured background—a testament to her exploration of abstraction and symbolic representation. Similarly, "Thomas Edison at His Ore-Concentrating Works, Ogdensburg, New Jersey, 1897" showcases Underhill's ability to capture historical scenes with remarkable detail and emotional sensitivity. Her work has garnered recognition from curators and critics alike, cementing her position as a distinctive voice within contemporary art.- “Missing Person (I)”: This piece exemplifies Underhill’s stylistic signature—characterized by bold color choices and textural layering—demonstrating her command of expressive visual language.
- “Thomas Edison at His Ore-Concentrating Works, Ogdensburg, New Jersey, 1897”: Underhill's meticulous rendering of this iconic image underscores her commitment to historical accuracy while simultaneously conveying a palpable sense of atmosphere and emotion.
Contemporary Relevance and Artistic Vision
Cordelia Underhill’s artistic practice continues to resonate with audiences today, reflecting a broader engagement with themes of place, memory, and the transformative potential of creative exploration. Her unwavering dedication to pushing boundaries—both technically and conceptually—serves as an inspiration for emerging artists seeking to forge their own distinctive paths within the realm of visual art. Underhill’s legacy resides not merely in her individual artworks but also in her contribution to fostering a dialogue about the role of drawing as a medium for conveying profound emotional truths.
Quick Facts
- Full Name: Cordelia Underhill
- Notable Artworks:
- Missing Person (I)
- Thomas Edison at His Ore-Concentrating Works, Ogdensburg, New Jersey
- Artistic Movement Or Style: Abstract Expressionism
