The devil
Documentary Photography
1969
73.0 x 110.0 cm
Instituto Moreira Salles
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The devil
Giclée / Art Print
Reproduction Size
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Total Price
$ 63
Questions & Answers
When was "The devil" created, and to which movement does it belong?
"The devil" was made in 1969, within the Documentary Photography movement.
Where does "The devil" sit within Claudia Andujar's body of work?
"The devil" belongs to Claudia Andujar's Documentary Photography work, whose recorded themes include yanomami advocacy, indigenous rights", social justice focus, documenting marginalized, brazilian realism, post-war documentary, humanitarian lens, andujar's witness.
How do contrast and harmony combine in "The devil"?
In "The devil", a statement contrast is paired with a softly mixed palette harmony.
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Artist Biography
A Life Etched in Light: The World of Claudia Andujar
Claudia Andujar’s journey is one of displacement, discovery, and unwavering dedication—a life profoundly shaped by the shadows of history and illuminated by a fierce commitment to social justice. Born Claudine Haas in 1931 in Neuchâtel, Switzerland, her early years were marked by the tumultuous currents of pre-war Europe. The family’s flight from Hungary, escaping the rising tide of persecution, instilled within her a deep awareness of vulnerability and loss. This formative experience, tragically culminating in the death of her father at Dachau, would become a defining force in her artistic vision, fueling a lifelong empathy for marginalized communities. After studies in humanities at Hunter College in New York City, where she met her future husband Julio Andujar, she arrived in Brazil in 1956, a pivotal moment that set the course for her extraordinary career. It was here, amidst the vastness of the Amazon rainforest and the rich cultures of its indigenous peoples, that she found her true calling.Embracing the Yanomami: A Collaborative Vision
Andujar’s initial foray into photography began with documenting the Karajá people, but it was her encounter with the Yanomami in the Amazon Basin that irrevocably transformed her work. What started as a photojournalistic assignment evolved into a decades-long immersion—a profound collaboration built on respect and understanding. She didn't approach the Yanomami as subjects to be observed from afar; instead, she sought to become a witness *with* them, learning their cosmology, participating in their rituals, and advocating for their rights. This commitment led her to experiment with photographic techniques that moved beyond simple documentation. Rejecting conventional approaches, Andujar embraced infrared film, capturing the spiritual dimension of Yanomami life—the unseen forces they believe permeate the forest. Multiple exposures became a tool to represent the layered realities of their existence, blending the tangible and the ethereal. Her portraits are particularly striking, featuring individuals adorned with intricate body paint and feathers, not as exoticized figures but as powerful expressions of cultural identity.Beyond Documentation: Activism and Artistic Innovation
Andujar’s work transcends mere aesthetic beauty; it is inherently political. She recognized the imminent threats facing the Yanomami—the encroachment of miners, loggers, and government projects that jeopardized their land, their health, and their way of life. Her photographs became a powerful form of advocacy, raising awareness about the plight of this vulnerable community on an international stage. This activism culminated in her crucial role in establishing the Yanomami Park, a protected area designed to safeguard their ancestral lands. Her dedication earned her significant recognition, including the Lannan Foundation’s Cultural Freedom Prize in 2000 and Brazil's Ordem do Mérito Cultural in 2008. But perhaps the most poignant acknowledgement came with the Goethe Medal in 2018, solidifying her legacy as a visionary artist and tireless defender of indigenous rights. Yanomami: The House, The Forest, The Invisible, published in 1998, stands as a seminal work—a testament to her deep connection with the Yanomami and a profound exploration of their worldview.A Lasting Legacy: Echoes of Resilience
Claudia Andujar’s influence extends far beyond the realm of photography. She challenged conventional notions of documentary practice, demonstrating that representation could be both aesthetically innovative and ethically responsible. Her experimental techniques paved the way for a new generation of photographers interested in exploring social justice issues with sensitivity and nuance. Her work serves as a potent reminder of the importance of listening to marginalized voices and respecting cultural diversity. By giving visibility to the Yanomami, she not only documented their existence but also empowered them to tell their own stories. Her legacy is one of unwavering commitment—a testament to the power of art to inspire change and advocate for a more just and equitable world. She continues to live and work, her dedication undiminished, ensuring that the voices of the Yanomami continue to resonate across continents.Claudia Andujar
1931 - , Switzerland
Quick Facts
- Full Name: Claudia Andujar
- Nationality: Swiss-Brazilian
- Date Of Birth: 1931
- Place Of Birth: Neuchâtel, Switzerland
- Notable Artworks:
- Yanomami: The House...
- Identity, Wakatha u
- The devil
- Waterfall of Santo...
- Artistic Movement Or Style: Documentary photography, Experimental
- Artists Or Movements Influenced By This Artist: Contemporary photographers

Glass option is only available in size under 110 CM
