Is Peter Upward, ‘Shared Time under copyright?

Yes, this artwork is still under copyright.

Where can I see Peter Upward, ‘Shared Time?

Penrith Regional Gallery - Home of the Lewers Bequest

Buy a copy of Peter Upward, ‘Shared Time - Mature Period

Quick Facts

Title: Peter Upward, ‘Shared Time
Location: Penrith Regional Gallery
Medium: Oil on canvas
Subject or theme: Textual and poetic references
Influences:
- Margo Lewers
- Lyndon Dadswell
- Frank and Margel Hinder
Artist: Christine Lamson Dean
Notable elements: Black lettering on yellow background

Artwork Description

A Dialogue with Modernism: The Poetic Minimalism of Christine Lamson Dean

In the quiet intersection where text meets abstraction, Christine Lamson Dean’s 1999 work, ‘Peter Upward, Shared Time’, emerges as a profound meditation on legacy and the interconnectedness of artistic lineage. This oil on canvas piece is far more than a mere typographic exercise; it is a vibrant, conceptual bridge between the artist and the historical weight of Australian modernism. Set against a luminous, saturated yellow background that commands immediate attention, the painting utilizes a stark, minimalist aesthetic to invite the viewer into a space of contemplation. The bold, black lettering—naming both an artist and a concept—functions as both a label and a lyrical fragment, stripping away the superfluous to focus on the raw essence of identity and temporal connection.

The technique employed by Dean is one of deliberate restraint and impactful clarity. By utilizing the medium of oil on canvas, she achieves a depth of color that allows the yellow field to vibrate with an almost solar energy, providing a high-contrast stage for the black typography. This interplay between the fluid, painterly background and the rigid, graphic precision of the text creates a rhythmic tension. The work echoes the formalist traditions of late modernism, where the physical properties of the paint and the structural arrangement of elements are paramount. For the collector or interior designer, this piece offers a sophisticated balance; its graphic strength makes it a striking focal point in contemporary settings, while its minimalist composition allows it to integrate seamlessly into spaces defined by clean lines and architectural elegance.

Historically, this work is deeply rooted in the dialogue of the Penrith Regional Gallery collection. Dean’s practice often involves an academic and emotional interrogation of the masters who preceded her, such as Margo Lewers and Peter Upward. In ‘Shared Time’, the title itself becomes a symbolic vessel, suggesting that art is not a solitary endeavor but a continuous, overlapping experience across generations. The painting captures the spirit of a shared intellectual heritage, referencing the influential critiques of figures like Clement Greenberg while maintaining a deeply personal, poetic voice. It is an invitation to consider how we inhabit time alongside those who have shaped our visual language.

To possess a reproduction of this work is to bring a piece of Australian art history into one's private sanctuary. The emotional impact of the painting lies in its ability to evoke both clarity and mystery. It provides a sense of intellectual stimulation through its textual references, yet offers a visceral, sensory pleasure through its bold use of color. Whether gracing a curated gallery wall or serving as a sophisticated accent in a modern living space, ‘Peter Upward, Shared Time’ serves as a timeless reminder of the enduring power of the abstract mark and the profound beauty found in the shared moments of our creative history.

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Artist Biography

early life and education

christine lamson dean, an australian artist born in 1963, has been making waves in the art world with her thought-provoking works. born in sydney, australia, dean's artistic journey began with a bachelor of arts from the university of sydney, majoring in fine arts, followed by a diploma in secondary art education from sydney teachers college in 1989.

artistic career and style

dean's work is characterized by her unique blend of abstraction and text, often incorporating poetic and political elements. her style, influenced by late modernism, has been shaped by her studies of european and american art movements. as a result, her paintings frequently reference the works of renowned artists, such as margo lewers, lyndon dadswell, and frank and margel hinder.

notable exhibitions and residency

one of dean's most notable residencies was at the penrith regional gallery in 2003, where she developed a series of works inspired by the gallery's collection. this residency led to the creation of several significant pieces, including:

see you at central street (tim johnson), a painting that showcases her unique style and technique.
handbag monochrome, another example of her work, which explores the relationship between abstraction and text.
after paul hopmeier and lyndon dadswell, a piece that demonstrates her ability to merge different artistic influences.

teaching and curation

in addition to her work as a painter, dean has also had a significant impact as an educator and curator. her teaching has focused on developing the relationship between abstraction and text, passing on her compositional skills to generations of students. key links from ArtsDot.com:

recommended reading:

christine lamson dean

1963 - , Australia

Quick Facts

Artistic Movement Or Style: Late Modernism
Artists Who Influenced This Artist:
- Margo Lewers
- Lyndon Dadswell
- Frank Hinder
- Margel Hinder
Date Of Birth: 1963
Full Name: Christine Lamson Dean
Nationality: Australian
Notable Artworks:
- See you at central street (tim johnson)
- Handbag monochrome
- After Paul Hopmeier and Lyndon Dadswell
Place Of Birth: Sydney, Australia

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