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StatsSaint Roch
- 70.0 x 30.0 cm
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Giclée / Art Print
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Saint Roch
Giclée / Art Print
Reproduction Size
-
Total Price
$ 63
The Artist and His Style
Carlo Crivelli was an Italian Renaissance painter known for his unique blend of Medieval decoration and Renaissance naturalism. As stated on ArtsDot.com, Carlo Crivelli spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna. His style is characterized by an exaggerated ornamentality, which sets him apart from other artists of his time.The Painting's Significance
The painting Saint Roch is significant not only for its beauty but also for its historical importance. As mentioned on Wikipedia, Carlo Crivelli was a prominent artist in the March of Ancona, and his works are highly regarded for their quality and craftsmanship. The painting is also notable for its use of tempera, a medium that was commonly used during the Early Renaissance period.- The painting measures 70 x 30 cm, making it a relatively small but intricate work of art.
- The use of tempera gives the painting a unique texture and depth.
- The painting is a testament to Carlo Crivelli's skill as an artist and his ability to capture the essence of a momentous event in Christian history.
The painting Saint Roch by Carlo Crivelli is a must-see for anyone interested in Early Renaissance art and the history of Christian iconography. With its intricate details and beautiful use of tempera, this painting is a true masterpiece of the period.
Questions & Answers
What are the author and date of "Saint Roch"?
The author of "Saint Roch" is Carlo Crivelli, and the work is dated 1480.
Where can I find statistics about "Saint Roch" by Carlo Crivelli?
A Stats page exists for "Saint Roch". It charts the monthly visits of the artwork and of the artist's other works, with country and language breakdowns.
What style does "Saint Roch" belong to?
"Saint Roch" is a work of Early Renaissance. The movement indicates the artistic tradition the work is part of.
Related Artworks
Artist Biography
The Individualist of the Veneto
Born in Venice, Carlo Crivelli emerged from a family of painters, a lineage that likely shaped his early understanding of the craft. His formative years were spent absorbing the stylistic currents of the Veneto, drawing from the Vivarini school and the linear precision of the Paduan tradition. He was a man of distinct, often stubborn, sensibilities. While his contemporaries moved toward the naturalism of the early Renaissance, Crivelli maintained a devotion to the decorative exuberance of the Late Gothic. This choice made him a singular figure in the fifteenth century, an artist who navigated the tension between the old ways and the new with a highly personal, almost mannered, expressionism.
His life was marked by a sudden departure from the Venetian center. In 1457, following a legal entanglement involving the seduction of a married woman, he left Venice. This period of exile led him toward the Marches, specifically the area around Ascoli Piceno. In these eastern Italian territories, he found a different kind of success, becoming a prolific maker of altarpieces. He was not a follower of the prevailing trends of the day; instead, he cultivated a style that prioritized clarity and a sharp, linear definition of form, often working in isolation from the major artistic shifts occurring in the larger Italian hubs.
Technique and the Illusion of Presence
Crivelli’s work is defined by a technical virtuosity that sought to bridge the gap between the sacred and the tangible. He was a master of trompe l'oeil, using paint to mimic the physical world with startling accuracy. He did not merely represent objects; he attempted to make them occupy the same space as the viewer. His surfaces are often crowded with simulated marble architecture, festoons of fruit, and parchment cartellini that seem to project from the panel. This obsession with materiality was central to his devotional intent, creating a sense of immediacy for those standing before his altarpieces.
His approach to color and light was both brilliant and deliberate. He utilized gold leaf, often punched with intricate patterns, to create an otherworldly glow that contrasted with the realistic textures of silk, jewels, and stone. His figures often possess an excessive pallor and a flawless complexion, rendered with sharp outlines that emphasize their sculptural quality. This combination of the highly decorative and the intensely realistic created a visual language that was uniquely his own, characterized by:
- A strong linear decorative sense.
- The use of raised elements to simulate depth.
- A preference for symmetrical and carefully constructed compositions.
- An emphasis on the tactile qualities of various materials.
A Legacy of Detail
The works he left behind, many of which reside in collections such as the Pinacoteca di Brera and the National Gallery, reveal a painter of immense technical skill. His Madonnas and depictions of saints are marked by an unusual expressionism, where gestures are often exaggerated to convey deep feeling. He was a painter of the details, from the glint of a knight's armor to the delicate folds of a Virgin's drapery. Even as the Renaissance progressed toward different ideals of perspective and proportion, Crivelli remained committed to his meticulous, highly detailed vision, ensuring his place as one of the most distinctive voices of his era.
Carlo Crivelli
1435 - 1495 , Italy
Quick Facts
- Artistic Movement Or Style: Late Gothic, Venetian Gothic
- Artists Who Influenced This Artist:
- Jacopo Bellini
- Antonio Vivarini
- Bartolomeo Vivarini
- Squarcione
- Andrea Mantegna
- Full Name: Carlo Crivelli
- Nationality: Italian
- Notable Artworks:
- Madonna of the Passion
- Pietà
- Saint George
- Enthroned Madonna
- Saint Michael
- Place Of Birth: Venice, Italy
- Date Of Birth: 1435
- Date Of Death: 1495
