Self Portrait
Acrylic On Canvas
WallArt
Contemporary Realism
2013
97.0 x 97.0 cm
Chrysler Museum of Art
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Self Portrait
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Artwork Description
The Genesis of a Vision: Barkley Leonard Hendricks' "Self Portrait"
Barkley Leonard Hendricks’ 2013 photograph, “Self Portrait,” isn’t merely a depiction of an artist; it’s a carefully constructed dialogue between the man and his art, a vibrant snapshot of identity forged within the crucible of Philadelphia’s urban landscape. Created during a pivotal period in Hendricks' career – following years dedicated to addressing the conspicuous absence of Black figures in Western art history – this image embodies a profound shift towards celebrating the everyday realities of African American life. The photograph captures Hendricks not as a distant icon, but as a tangible presence, a teacher, and a proud inhabitant of his community, radiating an undeniable sense of self-assuredness.
Hendricks’ decision to present himself in such a direct and unadorned manner is deliberate. He stands before two of his most celebrated portraits, “Slick” (1977) and “Brilliantly Endowed (Self-Portrait)” (1977), both monumental works that redefined the possibilities of Black portraiture. The inclusion of these paintings – vibrant testaments to his artistic vision – immediately establishes a context of creative accomplishment and intellectual rigor. The photograph’s black and white palette amplifies the impact, stripping away superficial distractions and focusing attention squarely on Hendricks' face and posture; it is a deliberate choice that echoes the stark realism characteristic of his earlier work.
A Study in Composition: Lines, Light, and the Urban Grid
The composition of “Self Portrait” is remarkably balanced, despite its slightly cluttered appearance. The photographer masterfully utilizes leading lines – created by the placement of the two finished portraits – to draw the viewer’s eye towards Hendricks' central figure. These lines converge on his face, establishing a direct connection between the artist and the observer. The strong contrast between light and shadow, generated by natural light streaming through a window, sculpts Hendricks’ form with dramatic precision, highlighting the contours of his face and emphasizing the weight of his gaze.
- Geometric Lines: The photograph is defined by geometric lines – the sharp angles of the studio equipment, the rectangular frames of the paintings, and the structured arrangement of Hendricks' clothing.
- Organic Shapes: Despite the dominant geometric elements, organic shapes are subtly present in Hendricks’ body, his posture, and the textures of his shirt.
- Texture: The wood floor, the fabric of his t-shirt, and the surfaces of the paintings all contribute to a rich tapestry of texture, adding depth and tactile quality to the image.
Symbolism and Context: A Reflection on Representation
Beyond its formal qualities, “Self Portrait” carries significant symbolic weight. Hendricks’ wearing a t-shirt referencing Simon Gratz High School – where he taught for many years – subtly anchors him within his community and underscores his commitment to education. This detail speaks volumes about his role as both an artist and a mentor, bridging the gap between the art world and the everyday experiences of Philadelphia's youth.
The photograph’s deliberate lack of embellishment is itself a powerful statement. Hendricks doesn’t pose theatrically or attempt to project an idealized image; instead, he presents himself as he truly is – a thoughtful, engaged individual deeply connected to his roots. This approach directly challenges the traditional conventions of portraiture, which often prioritize beauty and social status over authenticity and lived experience. It's a bold assertion that Black identity can be powerfully represented through realism and directness.
A Legacy in Monochrome: The Enduring Power of Hendricks’ Vision
“Self Portrait” is more than just a photograph; it’s a testament to Barkley Leonard Hendricks’ artistic vision and his unwavering commitment to representing the complexities of Black life. The image's stark beauty, combined with its subtle layers of symbolism, invites viewers to contemplate themes of identity, representation, and the enduring power of art to shape our understanding of the world. Reproductions of this compelling work offer a window into Hendricks’ creative process and his profound contribution to contemporary American art.
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Artist Biography
Early Life and Education
- Born: April 16, 1945, in Philadelphia, Pennsylvania
- Family Background: Grew up in a family that valued art and education. His parents migrated from Halifax County, Virginia to Philadelphia.
- Education: Attended Simon Gratz High School, Pennsylvania Academy of the Fine Arts (PAFA), and Yale University where he earned both a Bachelor's and Master’s degree. Studied with notable artists like Bernard Chaet, Lester Johnson, Gabor Peterdi, Robert Reed, and Walker Evans.
Artistic Development and Influences
- European Influence: Early career was significantly influenced by travels to Europe, particularly the portrait styles of artists such as van Dyck and Velázquez.
- Addressing Representation: Troubled by the absence of Black people in Western art history, he dedicated his work to correcting this imbalance.
- Style Characteristics: Paintings are characterized by life-sized, realistic depictions of Black Americans against monochromatic backdrops. A unique blend of American realism and postmodernism.
- Key Influences: The Black Power movement influenced his desire to portray Black Americans with pride and dignity.
Notable Works and Exhibitions
- Significant Paintings: Notable works include Lawdy Mama (portrait of his second cousin) and What’s Going On (inspired by Marvin Gaye's single).
- Exhibition Highlights: His work has been exhibited at prestigious venues including the Frick Collection in Manhattan (first African American artist to have a solo exhibit), the Nasher Museum of Art at Duke University, and the Chrysler Museum of Art.
- Self-Portraits: Created notable self-portraits like Brilliantly Endowed (Self portrait) and Slick in response to critical reviews.
Legacy and Historical Significance
- Contribution to Black Portraiture: Made significant contributions to Black portraiture and conceptualism, challenging traditional Western art representations.
- Black Arts Movement Figure: A key figure in the Black Arts Movement, advocating for greater representation of Black artists and culture.
- Recognition and Awards: His work has been widely recognized for its unique style and powerful message.
- Availability: Paintings are available for viewing and purchase on ArtsDot.com.
Further Information
- Wikipedia: https://en.wikipedia.org/wiki/Barkley_L._Hendricks
- ArtsDot Profile: /en/artists/barkley-leonnard-hendricks/
barkley leonnard hendricks
1945 - 2017 , United States of America
Quick Facts
- Artistic Movement Or Style: Black portraiture, Conceptualism
- Artists Who Influenced This Artist:
- Van Dyck
- Velázquez
- Date Of Birth: April 16, 1945
- Date Of Death: April 18, 2017
- Full Name: Barkley Leonnard Hendricks
- Nationality: American
- Notable Artworks:
- Lawdy Mama
- What's Going On
- Self Portrait
- Bahsir
- Place Of Birth: Philadelphia, United States

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