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Anthony van Dyck Most Popular Paintings

The 25 artworks by Anthony van Dyck our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Anthony van Dyck · 1599 – 1641

Charles I in Three Positions

1636 · Royal Collection, London

Experience Anthony van Dyck’s ‘Charles I in Three Positions’! A Baroque masterpiece showcasing royal portraiture & dynamic composition. Explore this iconic artwork's history & timeless appeal.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 1 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$22535 × 29 cm Commission this artwork

Blessed Joseph Hermann

1630 · Kunsthistorisches Museum, Vienna · original 160 x 128 cm

Witness the Baroque brilliance of Sir Anthony van Dyck's 'Blessed Joseph Hermann.' This exquisite painting captures a mystical encounter, showcasing divine grace and masterful artistry – now available as a stunning hand-painted reproduction.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 2 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17529 × 35 cm Commission this artwork

Same size as the original$743128 × 160 cm Commission at original size

Self-Portrait

1622 · Hermitage Museum, Saint Petersburg · original 117 x 94 cm

Admire Sir Anthony van Dyck’s iconic ‘Self-Portrait’ (1622). This Baroque masterpiece captures the artist's elegance & skill, reflecting his time at the English court. A stunning reproduction by ArtsDot.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 3 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17528 × 35 cm Commission this artwork

Same size as the original$46894 × 117 cm Commission at original size

Portrait of the Princes Palatine Charles-Louis I and his Brother Robert

1637 · The Louvre, Paris · original 132 x 152 cm

Capturing the regal grandeur of the Baroque era, Sir Anthony van Dyck's masterful portrait of Princes Charles-Louis I and Robert showcases luminous textures and aristocratic elegance, inviting you to explore this masterpiece.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 4 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17534 × 30 cm Commission this artwork

Same size as the original$731152 × 132 cm Commission at original size

Queen Henrietta Maria

1636 · Metropolitan Museum of Art, new york · original 106 x 85 cm

Experience the regal beauty of Queen Henrietta Maria in Sir Anthony van Dyck’s iconic 1636 portrait. This exquisite oil painting, now available as a hand-painted reproduction, captures her diplomatic grace and royal status. Elevate your art collection today!

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 5 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17529 × 34 cm Commission this artwork

Same size as the original$41085 × 106 cm Commission at original size

Saint Rosalie Interceding for the Plague-stricken of Palermo

1624 · Metropolitan Museum of Art, new york · original 100 x 74 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 6 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17527 × 37 cm Commission this artwork

Same size as the original$36374 × 100 cm Commission at original size

Family Portrait

1621 · Hermitage Museum, Saint Petersburg · original 114 x 94 cm

Elegant Baroque portrait by Sir Anthony van Dyck captures a refined family scene against a dramatic crimson backdrop. The meticulous detail of ruffled collars and opulent attire exemplifies 17th-century Flemish artistry – explore this timeless masterpiece.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 7 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17529 × 35 cm Commission this artwork

Same size as the original$46094 × 114 cm Commission at original size

Portrait of James Stuart , Duke of Richmond and Lenox

1612 · Metropolitan Museum of Art, new york · original 216 x 130 cm

A regal Baroque masterpiece featuring the noble James Stuart by Sir Anthony van Dyck captures aristocratic dignity through luminous textures and dramatic light, inviting you to explore this timeless portrait of elegance.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 8 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17524 × 42 cm Commission this artwork

Same size as the original$963130 × 216 cm Commission at original size

Ottaviano Canevari

1627 · The Frick Collection, New York City · original 130 x 99 cm

Admire Ottaviano Canevari by Anthony van Dyck – a stunning 1627 Baroque portrait showcasing rich textures & elegant style. Explore this masterpiece of Flemish art!

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 9 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17527 × 37 cm Commission this artwork

Same size as the original$52399 × 130 cm Commission at original size

Charles I in Three Positions

1636 · Royal Collection, London · original 84 x 99 cm

Charles I in Three Positions by Anthony van Dyck captures regal dignity with dramatic lighting and meticulous detail, reflecting Elizabethan court life's grandeur.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 10 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$22535 × 29 cm Commission this artwork

Same size as the original$44099 × 84 cm Commission at original size

Samson and Delilah

1630 · Kunsthistorisches Museum, Vienna · original 2540 x 1460 cm

Experience the dramatic retelling of Samson and Delilah by Sir Anthony van Dyck! This monumental Baroque masterpiece captures the poignant moment of betrayal and loss, influenced by Titian and Rubens' landscapes.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 11 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17541 × 24 cm Commission this artwork

Cupid and Psyche

1640 · Royal Collection, London · original 199 x 191 cm

Experience the romance of Anthony van Dyck's 'Cupid and Psyche' (1640). This Baroque masterpiece, featuring a tender kiss amidst an angelic backdrop, captures the essence of mythological love in exquisite detail. Own a stunning hand-painted reproduction.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 12 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17532 × 31 cm Commission this artwork

Same size as the original$1248199 × 191 cm Commission at original size

Portrait of Anna van Craesbecke

1635 · Staatliche Museen, Kassel · original 203 x 119 cm

Admire 'Portrait of Anna van Craesbecke' by Sir Anthony van Dyck (1635). A stunning Baroque masterpiece showcasing elegance and grace, capturing the refined beauty of a noblewoman in exquisite detail.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 13 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17524 × 42 cm Commission this artwork

Same size as the original$849119 × 203 cm Commission at original size

Genoese Noblewoman

1622 · The Frick Collection, New York City · original 102 x 86 cm

Admire Anthony van Dyck's 'Genoese Noblewoman' (1622-1627), a stunning portrait of a wealthy Italian lady, showcasing exquisite fabrics and masterful artistry.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 14 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17529 × 34 cm Commission this artwork

Same size as the original$40386 × 102 cm Commission at original size

Portrait of Isabella Clara Eugenia as Widow

1628 · Museo de Arte de Ponce, Ponce · original 104 x 62 cm

Admire 'Portrait of Isabella Clara Eugenia as Widow' by Sir Anthony van Dyck – a stunning Baroque masterpiece capturing the Spanish infanta’s solemn beauty and royal status, painted in 1628.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 15 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17528 × 36 cm Commission this artwork

Same size as the original$33662 × 104 cm Commission at original size

Portrait of Mary Ruthven, wife of the artist

1640 · Alte Pinakothek, Munich

Admire Sir Anthony van Dyck’s portrait of Mary Ruthven, wife of the artist! This exquisite Baroque painting captures her elegance and grace – a captivating glimpse into 17th-century court life. Explore our handcrafted reproduction today!

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 16 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17529 × 35 cm Commission this artwork

Virgin with Donors

1630 · The Louvre, Paris · original 250 x 191 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 17 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17527 × 36 cm Commission this artwork

Same size as the original$1528191 × 250 cm Commission at original size

Portrait of Charles V on Horseback

1620 · Galleria degli Uffizi, Florence · original 191 x 123 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 18 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17525 × 39 cm Commission this artwork

Same size as the original$830123 × 191 cm Commission at original size

Deposition

1634 · Alte Pinakothek, Munich

Delve into the Baroque brilliance of Anthony Van Dyck's 'Deposition'! Explore this iconic masterpiece depicting Jesus’s descent from the cross, illuminated by masterful light and shadow – now available as stunning reproductions.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 19 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17536 × 28 cm Commission this artwork

Self-Portrait

1632 · Galleria degli Uffizi, Florence · original 79 x 62 cm

Admire Sir Anthony van Dyck’s ‘Self-Portrait,’ a captivating Baroque masterpiece showcasing his elegance and skill. Explore the life & artistry of the Flemish court painter at ArtsDot.com.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 20 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17529 × 34 cm Commission this artwork

Same size as the original$29062 × 79 cm Commission at original size

Rinaldo and Armida

1629 · Baltimore Museum of Art, Baltimore

Experience Sir Anthony van Dyck’s "Rinaldo & Armida" – a Baroque masterpiece! Dynamic composition, rich colors & intense emotion capture this epic tale. A stunning art investment.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 21 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$27531 × 33 cm Commission this artwork

Portrait of a Young General

1622 · Kunsthistorisches Museum, Vienna · original 115 x 104 cm

Sir Anthony van Dyck's 'Portrait of a Young General' (1622) captures a confident nobleman in armor, showcasing his mastery of Baroque portraiture and elegant detail. A timeless piece of art history.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 22 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17529 × 34 cm Commission this artwork

Same size as the original$496104 × 115 cm Commission at original size

Samson and Delilah

1620 · Dulwich Picture Gallery, London · original 152 x 232 cm

Witness Anthony van Dyck's masterpiece, 'Samson and Delilah'! This Baroque painting captures the dramatic betrayal with exquisite detail & rich color – a timeless tale of strength & cunning.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 23 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17539 × 26 cm Commission this artwork

Same size as the original$1169232 × 152 cm Commission at original size

Margareta de Vos

1620 · The Frick Collection, New York City · original 130 x 99 cm

Experience the elegance of Sir Anthony van Dyck's 'Margareta de Vos.' This captivating portrait showcases refined beauty, intricate details & masterful brushwork – a timeless masterpiece.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 24 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17528 × 36 cm Commission this artwork

Same size as the original$52399 × 130 cm Commission at original size

Saint Rosalie Interceding for the City of Palermo

1630 · Museo de Arte de Ponce, Ponce · original 172 x 146 cm

Sir Anthony van Dyck's 'Saint Rosalie' depicts the saint interceding for Palermo during a plague outbreak, showcasing her solemnity and connection to the city. A masterpiece of Baroque art.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 25 of 1,618 artworks by Anthony van Dyck
Delivery: Worldwide, about 5 weeks

from$17529 × 34 cm Commission this artwork

Same size as the original$877146 × 172 cm Commission at original size

The artist

Anthony van Dyck

1599 – 1641

Quick facts

Lifespan42 years
Gift suitabilityanniversary
Top 3 worksCharles I in Three Positions, Blessed Joseph Hermann, Self-Portrait
Corpus themesflemish baroque style, influenced by peter paul rubens, rubens influence, influenced by rubens, english court portraiture
Works on APS1618
Color intensitymonochromatic
Movementsbaroque
Best occasionsstatement, luxury

Biography

Early Life, Family and Training

Born in Antwerp on 22 March 1599, Sir Anthony van Dyck entered a world of commerce and craft. He was the seventh of twelve children born to Maria Cupers and Francoïs "Frans" van Dijck, a silk merchant. This upbringing in a prosperous household provided a stable foundation for a child who showed an early, precocious aptitude for the visual arts. By the age of ten, his formal education in the painterly arts began under the guidance of Hendrick van Balen the Elder.

His development was marked by a rapid ascent through the traditional structures of the Flemish art world. He did not linger long in the status of a mere student; his technical proficiency allowed him to move toward independence with remarkable speed. By 18 October 1617, he had achieved the significant milestone of being admitted to the Antwerp Guild of Saint Luke as a free master. This early professional recognition signaled the arrival of a talent that would soon move beyond the borders of his native city.

Self-portrait (dated 1613–14)

The Influence of Peter Paul Rubens

The trajectory of van Dyck’s career was fundamentally shaped by his time in the studio of Peter Paul Rubens. This was no mere apprenticeship; the young artist rose to become the chief assistant to the master, a position that required both technical precision and an ability to absorb a complex visual language. Rubens himself recognized the exceptional talent of his protégé, describing the young man as the best of his pupils. This mentorship provided van Dyck with a direct connection to the leading artistic currents of the seventeenth century, allowing him to observe firsthand the creation of large-scale compositions and the management of a prolific workshop.

Rubens’ influence was wielded over the young artist through a shared focus on expression, gesture, and form. While van Dyck would eventually develop a more refined and composed manner, his early years were spent emulating the energy and observation of his mentor. He learned to translate the vitality of life into oil and pigment, a skill that would later allow him to move beyond the robust energy of the Rubens style toward something more subtle. The technical foundations laid in this studio provided the necessary tools for his eventual ascent to the royal courts of Europe.

Artistic Travels in Italy and Genoa

By his late teens, van Dyck had already achieved success as an independent painter, a feat that provided the momentum necessary for his departure from the Low Countries. Between 1621 and late 1627, he traveled through Italy, a period that would refine his ability to navigate the complex social hierarchies of European nobility. This era of travel was less a wandering and more a strategic immersion into the visual language of the Mediterranean elite.

His time in Genoa proved particularly significant. He found a steady clientele among the Genoese patricians, whose aristocratic sensibilities matched his developing style. His renderings of these local families were received with great favor in the city, establishing him as a painter capable of capturing the specific dignity required by high society. In these portraits, he moved beyond mere likeness to address the social standing and character of his sitters.

The Balbi Children

Service to the English Court

Van Dyck’s connection to the English crown began well before his permanent settlement in London. In 1620, he entered the service of King James I, a brief engagement that preceded his extensive travels through Italy and the Spanish Netherlands. These years of movement and varied commissions prepared him for a more profound arrival. By 1632, he had returned to England, settling at the court where his reputation as a premier portraitist would be solidified. He was appointed 'principalle Paynter in Ordinary to their Majesties' that same year, a position that placed him at the center of royal life.

His presence in London transformed the visual language of the monarchy. He moved away from the rigid, formal portraiture of the past, opting instead to present the king and the aristocracy with a sense of effortless grace and authority. His ability to capture the character of his sitters allowed him to become the leading court painter in England. He did not merely record faces; he constructed an image of power that would influence the English court for generations. His work during this period provided a sense of dignity and poise that defined the era's aesthetic.

Charles I in Three Positions (1636)
Queen Henrietta Maria (1636)

Technique and Artistic Style

Van Dyck possessed a technical versatility that allowed him to move seamlessly between the heavy application of oil paint and the precise, sharp lines of etching. As an accomplished draughtsman, he understood the structural necessity of a strong foundation before applying color. His compositions often relied on a masterful arrangement of form, utilizing a dramatic interplay of light and shadow to define the contours of his subjects. This use of chiaroscuro provided a sense of depth and volume, particularly in his religious and mythological scenes where light seemed to emerge from the darkness to highlight a specific gesture or expression.

His palette was characterized by deep, saturated colors and an attention to the minute details of texture. Whether rendering the sheen of silk or the subtle grain of skin, he maintained a sense of refinement that avoided the heavy-handedness of some of his contemporaries. This precision was not limited to his formal commissions; his ability to capture movement and character allowed him to excel in various genres, from the grandiosity of mythological narratives to the intimate psychological depth of his portraiture. He had a particular talent for using light to suggest a sitter's social standing or inner temperament, often employing sweeping gestures and carefully chosen backgrounds to frame the individual.

Portrait of a Young General (1622)
Charles I in Three Positions (1636)
Cupid and Psyche (1640)

Legacy and Enduring Influence

The death of Sir Anthony van Dyck in London on 9 December 1641 marked the end of a career that had already reshaped the visual language of European courts. Following in the wake of Peter Paul Rubens, he emerged as the most significant Flemish painter of the seventeenth century. His presence in the English court established a standard of portraiture that would influence the direction of art for the next 150 years. He possessed a specific ability to define the social standing and character of his subjects through a refined technique that became a benchmark for subsequent generations of painters.

His impact reached far beyond the borders of England. Throughout the period, his work exerted a profound influence over the art produced across Europe. This reach was fueled by his versatility, moving between the demands of religious narratives and the sophisticated requirements of the aristocracy. He did not merely record faces; he constructed an image of authority and grace that became the preferred aesthetic for those seeking to project power and status.

Charles I in Three Positions (1636)
The Balbi Children
Self-Portrait (1622)

Questions & Answers

Where can I see all artworks by Anthony van Dyck?

Every work by Anthony van Dyck on this website can be browsed from the artist's All Artworks page.

What other names is Anthony van Dyck known by?

Anthony van Dyck appears under the alternate names Vandech, Antoine Vandeik, Antonio Vandich, Vandeich, Deick.

Where can I find statistics about Anthony van Dyck's works?

Statistics about Anthony van Dyck's works are available on the artist's Stats page.

By the ArtsDot.com Editorial Team Updated Oct. 14, 2026

Collector's quiz

In which city was Sir Anthony van Dyck born?
Who was the famous artist that van Dyck worked in the studio of as a chief assistant?
In 1632, van Dyck was appointed as the court painter for which monarch?
Which Italian city is mentioned as a place where van Dyck found favor among aristocratic families?
At what age did van Dyck begin formal training as a painter under Hendrick van Balen the Elder?

one You choose the size

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two We paint and send a preview

A photo of the finished canvas for your approval before it is shipped.

three Delivered, certified

Rolled, stretched or framed, insured, with a certificate of authenticity.

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Every artwork by Anthony van Dyck in our catalog can be painted to order, in the size that suits the room.

All artworks by Anthony van Dyck