Portrait of Emily Coonan

Your Guide to the 4 Most Famous Emily Coonan Paintings

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 6 works by Emily Coonan in our catalogue

In short

Emily Coonan's best-known piece is Girl with a Rose (1913). You'll find it at the National Gallery of Canada in Ottawa. Next on the list are San Frediano Gate, Florence (1921) and Girl and Cat (1920). We have 6 works by Emily Coonan in our catalogue; this guide picks out the 4 best known, with the year, the museum and the story of each piece.

1885 – 1971, Montreal Most works: National Gallery of Canada

The 10 Emily Coonan paintings to know first

Where you can see Emily Coonan's paintings

The 2 museums that hold the most of the paintings on this page.

Museum City Works by Emily Coonan Paintings from this list
National Gallery of Canada, OttawaNational Gallery of Canada Ottawa 3 Girl with a Rose, San Frediano Gate, Florence, Girl and Cat
Art Gallery of Hamilton, HamiltonArt Gallery of Hamilton Hamilton 1 Girl in Dotted Dress

Year by year: the best-known Emily Coonan pieces

Here's a decade of Emily Coonan, more or less: 11 years from 1913 to 1923, shown year by year through the best-known pieces.

Works per year

Pick a year to see its pieces.

Emily Coonan: quick answers about the paintings

What is Emily Coonan's best-known painting?See the answer

Top of the list is Girl with a Rose (1913), National Gallery of Canada, Ottawa. Right behind it: San Frediano Gate, Florence (1921) and Girl and Cat (1920).

What age was Emily Coonan when creating Girl with a Rose?See the answer

28 years old. Emily Coonan was born in 1885, and Girl with a Rose dates from 1913.

How many works by Emily Coonan are in your catalogue?See the answer

We have 6 works by Emily Coonan in our catalogue, dated 1913 to 1923.

In which museums can you see Emily Coonan's famous works?See the answer

You'll find most of them in National Gallery of Canada (Ottawa) and Art Gallery of Hamilton (Hamilton). The museum list above has the full breakdown.

What are Emily Coonan's first and last famous pieces?See the answer

The earliest piece here is Girl with a Rose (1913); the most recent is Girl in Dotted Dress (1923).

Which famous Emily Coonan paintings are at the National Gallery of Canada?See the answer

You can see 3 of the pieces on this page at the National Gallery of Canada, Ottawa, including Girl with a Rose, San Frediano Gate, Florence and Girl and Cat.

Emily Coonan's story

A Visionary of Light and Form: The Life of Emily Coonan

In the vibrant, evolving landscape of early twentieth-century Canadian art, few figures possess the quiet, transformative power of Emily Geraldine Coonan. Born in 1885 within the working-class enclave of Pointe-Saint-Charles, Montreal, Coonan emerged not merely as a student of her time, but as a pioneer who bridged the gap between traditional Impressionism and the bold frontiers of Modernism. Her journey was one of profound dedication, moving from the disciplined classrooms of the Art Association of Montreal to the prestigious studios of Beaver Hall Hill, leaving behind a legacy defined by an exquisite sensitivity to color and a masterful command of light.

Coonan’s early years were marked by a precocious talent that quickly caught the attention of the Canadian art establishment. Under the mentorship of luminaries such as William Brymner and James Wilson Morrice, she began to cultivate a visual language that was both deeply personal and technically sophisticated. While her training provided a foundation in the Impressionist pursuit of capturing fleeting atmospheric effects, Coonan’s spirit was inherently drawn toward something more structural and emotive. Her travels through Europe—soaking in the light of Paris, the rugged coasts of Brittany, and the historic streets of London—further refined her ability to distill complex scenes into essential forms, a trait that would become the hallmark of her mature style.

The Mastery of Color and the Beaver Hall Spirit

As a prominent member of the Beaver Hall Group, Coonan found herself at the heart of a movement that sought to redefine Canadian identity through art. This collective of artists provided a sanctuary for experimentation, allowing her to move beyond mere representation toward a more expressive, Post-Impressionist approach. Her work often centered on the intimate and the domestic, frequently featuring women and children within serene interior spaces. These subjects were never merely decorative; rather, they served as vessels for her explorations of tonality and light. In pieces such as her celebrated 1910 study, one can observe a delicate dance of complementary pinks and greens, where thin layers of paint create a luminous, ethereal quality that transcends the physical subject.

Her technical evolution was characterized by a courageous rejection of unnecessary detail in favor of simplified compositions. This modernist impulse allowed her to emphasize the weight of form and the emotional resonance of color. Whether she was capturing the quietude of a landscape or the psychological depth of a portrait, Coonan possessed a "born colorist" instinct that commanded respect from critics and peers alike. Her ability to balance the soft, atmospheric traditions of her mentors with a sharper, more structural modernism ensured that her work remained both timeless and cutting-edge.

Legacy and Enduring Significance

The trajectory of Coonan’s career was marked by significant early triumphs, including winning first place at the Art Association of Montreal student show for her evocative piece Eva and Daisy in 1907. Her recognition reached new heights in 1913 when she was awarded the National Gallery of Canada’s prestigious travelling bursary, a testament to her immense potential as a leading figure in Canadian art. Though she eventually retreated from the public exhibition circuit in the 1930s to focus on her private practice, her impact on the development of Canadian modernism remained indelible.

Today, the works of Emily Coonan serve as vital windows into a transformative era of North American art history. Her contributions are preserved in some of the most esteemed institutions in the world, including:

Through her faithful depiction of both nature and the human spirit, Emily Coonan did more than just paint; she helped shape the very soul of Canadian Impressionism, leaving behind a body of work that continues to inspire awe through its luminous beauty and structural integrity.