In short
If you know one William Roberts painting, it's probably The Boxing Match (1890). The First German Gas Attack at Ypres (1918) and The Cinema (1920) round out the three pieces people recognise right away. Our catalogue has 59 works by William Roberts. Below are the 59 people know best, each with its year, where to find it and what makes it special.
Start here: the top 10 William Roberts paintings
More William Roberts favourites, 11 to 59
What William Roberts painted most
The four subjects that come up most often in these pieces, each with its best-known example.
British art 3 works
Victorian 2 works
Crowd 2 works
Where you can see William Roberts's paintings
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by William Roberts | Paintings from this list |
|---|---|---|---|
| London | 3 | The Garden of Eden, The Artist's Son Playing the Recorder, The Rhododendron | |
| Nottingham | 2 | The Return of Ulysses, Professor Janko Lavrin (1885–1986) | |
| Greater Manchester | 2 | The Control Room, Munitions Factory | |
| London | 2 | The Demolition Squad, Sidney James Barton (1909–1986), Chairman of London County Council (1959–1960) | |
| Ottawa | 1 | The First German Gas Attack at Ypres | |
| Wolverhampton | 1 | Kit (Katie Bissett Smith née Knewstub, 1907–2008) | |
| Oxford | 1 | The Crucifixion | |
| London | 1 | The Stockbroker's Clerk |
William Roberts decade by decade: one standout piece each
Works per decade
Pick a decade to see its standout piece.
Study for Kites
William Roberts is a British painter of figure compositions and portraits. He was a pioneer of abstract art before the First World War. Roberts worked outside the mainstream. Later in his career he would describe himself as an English Cubist. In 1914 Roberts joined the short-lived art movement the Vorticists, founded by the artist and writer Wyndam Lewis. The Vorticists believed that British art at this time was in a…
Your questions about William Roberts's paintings
Which William Roberts painting is the most famous?See the answer
Top of the list is The Boxing Match (1890). Right behind it: The First German Gas Attack at Ypres (1918) and The Cinema (1920).
What are the 10 best-known William Roberts paintings?See the answer
The Boxing Match, The First German Gas Attack at Ypres, The Cinema, The Garden of Eden, John Maynard Keynes, Baron Keynes Lydia Lopokova, Kit (Katie Bissett Smith née Knewstub, 1907–2008), The Port of London, The Return of Ulysses, The Red Turban and Portrait of a Young Woman. You'll find the year and the museum of each in the list above.
How many paintings did William Roberts create?See the answer
We have 59 works by William Roberts in our catalogue, dated 1913 to 1966.
Where can you see William Roberts's famous paintings?See the answer
You'll find most of them in The Ingram Collection of Modern British And Contemporary Art (London), Nottingham Castle Museum And Art Gallery (Nottingham) and Salford Museum - Art Gallery (Greater Manchester). The museum list above has the full breakdown.
When did William Roberts paint the best-known pieces?See the answer
In 1920s, more than any other time: 21 of the 59 pieces on this page date from then, The Cinema among them.
Which famous William Roberts paintings came first and last?See the answer
The earliest piece here is The Return of Ulysses (1913); the most recent is Study for Kites (1966).
What subjects show up most in William Roberts's paintings?See the answer
British art (3), Victorian (2) and Crowd (2), out of the 59 pieces on this page.
What art movement was William Roberts part of?See the answer
Cubism, as you can see in the pieces on this page.
Which William Roberts pieces can you see at the The Ingram Collection of Modern British And Contemporary Art?See the answer
You can see 3 of the pieces on this page at the The Ingram Collection of Modern British And Contemporary Art, London, including The Garden of Eden, The Artist's Son Playing the Recorder and The Rhododendron.
Getting to know William Roberts
The Architect of Fragmented Reality: The Life of William Patrick Roberts
In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.
Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.
A Vision of Modernity and War
The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.
Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.
Legacy and Artistic Significance
The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.
Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.





