Portrait of Tom Roberts

Tom Roberts's Most Famous Paintings: All 40, Ranked

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 40 works by Tom Roberts in our catalogue

In short

The Tom Roberts painting most people know is Slumbering sea, Mentone (1887), and you can see it at the National Gallery of Victoria, Melbourne. Right after it come Self portrait (1924) and Portrait of Louis Abrahams (1886). Out of 40 works by Tom Roberts in our catalogue, these 40 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.

1856 – 1931, Dorchester Impressionism Most works: Art Gallery of New South Wales

Tom Roberts's top 10: the pieces everyone knows

1
Slumbering sea, Mentone (1887) by Tom Roberts

Slumbering sea, Mentone

1887 · Acrylic On Canvas · National Gallery of Victoria, Melbourne

“Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and the burgeoning sense of national identity within Australia. This work, housed at the National Gallery of Victoria, offers a captivating glimpse into the heart of the Heidelberg School’s artistic philosophy – a movement that sought to capture the unique spirit of the…

2
Self portrait (1924) by Tom Roberts

Self portrait

1924 · Oil On Canvas · Art Gallery of New South Wales, Sydney

In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the artist in his later years, presenting the subject as an elderly man. It is a bust-length portrait, focusing the viewer's attention on the character and presence of the sitter rather than his surroundings.

6
Portrait of Mrs Tom Roberts (1910) by Tom Roberts

Portrait of Mrs Tom Roberts

1910 · Oil On Canvas · National Portrait Gallery, Canberra

Portrait of Mrs Tom Roberts: A Window Into Heidelberg Impressionism The painting “Portrait of Mrs Tom Roberts,” created in 1910 by the celebrated Australian artist Tom Roberts, stands as a testament to the burgeoning Heidelberg School movement and its profound influence on landscape art. More than just a likeness of Elizabeth Sarah (Lillie) Roberts—née Williamson—the portrait embodies a carefully considered aesthetic that reflects both Victorian sensibilities and the revolutionary spirit…

7
Andante (1889) by Tom Roberts

Andante

1889 · Painting · Art Gallery of South Australia, Adelaide

To gaze upon Tom Roberts' "Andante" is to step into a moment suspended in time—a quiet chamber where the only sound seems to be the gentle, melancholic spill of music. This evocative scene captures a man absorbed in the act of playing the piano, his posture suggesting both deep concentration and profound contentment. The composition itself draws the viewer inward, inviting them to share in this private performance. It is…

8
Gray day in spring, Venice (1884) by Tom Roberts

Gray day in spring, Venice

1884 · Oil · National Gallery of Australia, Canberra

In the delicate interplay of shadow and soft illumination, Gray day in spring, Venice emerges as a breathtaking window into a bygone era. Painted by the Australian master Tom Roberts in 1884, this expansive work transports the viewer to the winding canals of Italy during that fleeting, magical hour when dusk begins to settle over the Adriatic. The scene is not merely a depiction of architecture, but an atmospheric study…

9
Turning the soil (Sketch for The charcoal burners) (1886) by Tom Roberts

Turning the soil (Sketch for The charcoal burners)

In the quiet, rhythmic labor of Turning the soil (Sketch for The charcoal burners), we find a profound meditation on the relationship between humanity and the land. Created in 1886 by the visionary Australian Impressionist Tom Roberts, this preparatory sketch serves as a soulful window into a moment of shared toil. The scene unfolds with three figures embedded within a rugged landscape, their bodies engaged in the heavy, essential task…

Keep exploring Tom Roberts: 11 to 40

11Sir William Charles Windeyer (1892) by Tom RobertsSir William Charles Windeyer1892 · National Portrait Gallery 12James T. Donovan (1892) by Tom RobertsJames T. Donovan1892 · National Portrait Gallery 13Mrs Lucy Scot Skirving (1898) by Tom RobertsMrs Lucy Scot Skirving1898 · Art Gallery of New South Wales 14Percy F.S. Spence (1896) by Tom RobertsPercy F.S. Spence1896 · Art Gallery of New South Wales 15Portrait of George Selth Coppin (1895) by Tom RobertsPortrait of George Selth Coppin1895 · National Portrait Gallery 16Sir James Reading Fairfax (1898) by Tom RobertsSir James Reading Fairfax1898 · National Portrait Gallery 17Hutt Valley (1900) by Tom RobertsHutt Valley1900 · Museum of New Zealand Te Papa Tongarewa 18In Quarantine, Wellington (1900) by Tom RobertsIn Quarantine, Wellington1900 · Museum of New Zealand Te Papa Tongarewa 19Mrs W.A.B. Greaves (1899) by Tom RobertsMrs W.A.B. Greaves1899 · Art Gallery of New South Wales 20Edward Trenchard by Tom RobertsEdward TrenchardNational Gallery of Victoria 21Roses (1911) by Tom RobertsRoses1911 · Art Gallery of New South Wales 22Thames barges by Tom RobertsThames bargesArt Gallery of New South Wales 23The first basin (1913) by Tom RobertsThe first basin1913 24Sherbrooke Forest (1924) by Tom RobertsSherbrooke Forest1924 · Art Gallery of New South Wales 25An autumn morning, Milson (1888) by Tom RobertsAn autumn morning, Milson1888 · Art Gallery of New South Wales 26Harbourscape (1890) by Tom RobertsHarbourscape1890 · National Gallery of Australia 27Circular Quay (1989) by Tom RobertsCircular Quay1989 28Holiday sketch at Coogee (1888) by Tom RobertsHoliday sketch at Coogee1888 · Art Gallery of New South Wales 29Cloud study by Tom RobertsCloud studyNational Gallery of Victoria 30Washing day Kallista by Tom RobertsWashing day KallistaArt Gallery of New South Wales 31Grey lady (Mrs Ince) by Tom RobertsGrey lady (Mrs Ince)Art Gallery of New South Wales 32Storm at sea by Tom RobertsStorm at seaArt Gallery of New South Wales 33Opening of the first Parliament of the Australian Commonwealth, 9th May 1901 (1903) by Tom RobertsOpening of the first Parliament of the Australian Commonwealth, 9th May 19011903 · National Portrait Gallery 34Shearing the rams (1890) by Tom RobertsShearing the rams1890 · National Gallery of Victoria 35The Big Picture (1903) by Tom RobertsThe Big Picture1903 · Royal Collection 36Coming South (1886) by Tom RobertsComing South1886 · National Gallery of Victoria 37Bailed up (1927) by Tom RobertsBailed up1927 · Art Gallery of New South Wales 38In a corner on the Macintyre (1895) by Tom RobertsIn a corner on the Macintyre1895 · National Gallery of Australia 39Rejected (1883) by Tom RobertsRejected1883 40The Temple of Dendera, Upper Egypt (1841) by Tom RobertsThe Temple of Dendera, Upper Egypt1841 · Bristol Museum - Art Gallery

What Tom Roberts painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Tom Roberts's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Tom Roberts Paintings from this list
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 15 Self portrait, Adagio, Fog, Thames Embankment
National Portrait Gallery, CanberraNational Portrait Gallery Canberra 7 Practising the Minuet (Miss Hilda Spong), Portrait of Mrs Tom Roberts, Sir William Charles Windeyer
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 5 Slumbering sea, Mentone, Edward Trenchard, Cloud study
National Gallery of Australia, CanberraNational Gallery of Australia Canberra 4 Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners), Harbourscape
Museum of New Zealand Te Papa Tongarewa, WellingtonMuseum of New Zealand Te Papa Tongarewa Wellington 2 Hutt Valley, In Quarantine, Wellington
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 1 Andante
Royal Collection, LondonRoyal Collection London 1 The Big Picture
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 The Temple of Dendera, Upper Egypt

One famous Tom Roberts piece for every decade

Works per decade

Pick a decade to see its standout piece.

Tom Roberts paintings: what people want to know

What painting is Tom Roberts best known for?See the answer

Top of the list is Slumbering sea, Mentone (1887), National Gallery of Victoria, Melbourne. Right behind it: Self portrait (1924) and Portrait of Louis Abrahams (1886).

How old was Tom Roberts at the time of Slumbering sea, Mentone?See the answer

31 years old. Tom Roberts was born in 1856, and Slumbering sea, Mentone dates from 1887.

Which 10 Tom Roberts paintings are the most famous?See the answer

Slumbering sea, Mentone, Self portrait, Portrait of Louis Abrahams, Adagio, Practising the Minuet (Miss Hilda Spong), Portrait of Mrs Tom Roberts, Andante, Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners) and Fog, Thames Embankment. You'll find the year and the museum of each in the list above.

How many Tom Roberts works are there?See the answer

We have 40 works by Tom Roberts in our catalogue, dated 1883 to 1927.

Which museums have Tom Roberts's best-known paintings?See the answer

You'll find most of them in Art Gallery of New South Wales (Sydney), National Portrait Gallery (Canberra) and National Gallery of Victoria (Melbourne). The museum list above has the full breakdown.

When were Tom Roberts's most famous pieces painted?See the answer

In 1890s, more than any other time: 12 of the 40 pieces on this page date from then, Adagio among them.

What are the oldest and newest famous paintings by Tom Roberts?See the answer

The earliest piece here is Rejected (1883); the most recent is Bailed up (1927).

What did Tom Roberts paint most?See the answer

Landscape (6), Australia (4) and Boats (3), out of the 40 pieces on this page.

What did Tom Roberts usually paint with?See the answer

Oil On Canvas, used in 6 of the 40 pieces on this page.

Which art movement is Tom Roberts linked to?See the answer

Impressionism and Heidelberg school, as you can see in the pieces on this page.

What can you see by Tom Roberts at the Art Gallery of New South Wales?See the answer

You can see 15 of the pieces on this page at the Art Gallery of New South Wales, Sydney, including Self portrait, Adagio and Fog, Thames Embankment.

Can I order a Tom Roberts reproduction for my home?See the answer

Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.

Meet Tom Roberts

A Pioneer of the Australian Light: The Life and Art of Tom Roberts

Born in Dorchester, England, on March 8th, 1856, Thomas William Roberts would become a pivotal figure in the development of a distinctly Australian artistic identity. His early life was marked by a family migration to Melbourne in 1869, a journey that irrevocably shaped his artistic vision. The vast landscapes and unique light of Australia ignited within him a passion for capturing the essence of his adopted homeland. Initially working as a photographer’s assistant, Roberts honed his observational skills and developed an eye for composition—qualities that would become hallmarks of his celebrated paintings. He simultaneously pursued formal art training, studying under Louis Buvelot, whose influence instilled in him a love for landscape painting and a foundation in traditional techniques. However, it was a sojourn to Europe in 1881 that truly broadened Roberts’ artistic horizons.

Forging an Australian Impressionism

Roberts' time in Europe, particularly his studies at the Royal Academy in London, exposed him to the latest artistic currents, including the burgeoning Impressionist movement. He absorbed the techniques of plein air painting—working outdoors directly from nature—and a focus on capturing fleeting moments of light and atmosphere. Upon returning to Australia in 1885, he brought with him not merely technical skills but a fervent desire to create an art that was authentically Australian. This ambition led him to collaborate with fellow artists Frederick McCubbin, Arthur Streeton, and Charles Conder, forming the core of what would become known as the Heidelberg School, or Australian Impressionism. The group established artist camps at Box Hill and Eaglemont, embracing a lifestyle dedicated to observing and painting the Australian bush. These weren’t simply artistic endeavors; they were statements of cultural independence, rejecting European conventions in favor of celebrating the unique character of their nation. The 1889 “9 by 5 Impression Exhibition,” showcasing small paintings on cedar cigar box lids, was a bold declaration of this new artistic vision—a defiant challenge to established norms and a pivotal moment in Australian art history.

National Narratives and Enduring Legacy

While deeply committed to the principles of Impressionism, Roberts wasn’t content with merely replicating landscapes. He sought to create “national narratives”—paintings that depicted scenes of everyday Australian life and celebrated its people. Shearing the Rams (1890), arguably his most famous work, exemplifies this ambition. The painting is a powerful depiction of rural labor, capturing the energy and camaraderie of shearers at work. It’s not simply a record of an activity; it's a celebration of Australian masculinity and the importance of the pastoral industry. A Break Away! (1891), with its dynamic composition and sun-drenched atmosphere, similarly captures a quintessential moment of Australian life—a group of stockmen driving cattle across the plains. Bailed Up (1895), though less celebratory, offers a compelling glimpse into the realities of frontier life, depicting a stagecoach held up by bushrangers. These works weren’t just aesthetically pleasing; they were attempts to define what it meant to be Australian through art. Beyond these iconic paintings, Roberts also made significant contributions as a portraitist and, in 1903, completed The Big Picture, a monumental work commissioned to commemorate the opening of the first Australian Parliament—a visual record of a nation’s birth.

A Champion for Australian Art

Tom Roberts' influence extended far beyond his own paintings. He was a tireless advocate for the development of an Australian art scene, actively promoting the work of his fellow artists and championing the establishment of national institutions to support and showcase Australian talent. He passionately believed in the importance of creating a distinctly Australian artistic identity—one that reflected the unique landscapes, people, and experiences of the nation. He was the first to publicly advocate for an Australian National Portrait Gallery, recognizing the power of portraiture to capture the spirit of a nation. His dedication to fostering a vibrant art culture cemented his position not only as a leading artist but also as a visionary leader who helped shape the course of Australian art history. His legacy continues to inspire generations of artists and remains a testament to the enduring power of art to define and celebrate national identity.

Collections & Further Exploration

All 40 works by Tom Roberts →