Portrait of Peter Lely

Peter Lely's Most Famous Paintings: All 100, Ranked

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 240 works by Peter Lely in our catalogue

In short

The Peter Lely painting most people know is Queen Mary II (1677), and you can see it at the National Portrait Gallery, London. Right after it come James VII and II, when Duke of York (1661) and Portrait of a man, thought to be George Booth, Lord Delamere (1660). Out of 240 works by Peter Lely in our catalogue, these 100 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.

1618 – 1680, Soest Baroque Most works: National Portrait Gallery

Peter Lely's top 10: the pieces everyone knows

1
Queen Mary II (1677) by Peter Lely

Queen Mary II

1677 · Oil On Canvas · National Portrait Gallery, London

In this oil on canvas, Peter Lely captures Queen Mary II at a threshold of life and sovereignty. Painted about 1677, the portrait finds the subject at the age of fifteen. She is the eldest daughter of James, Duke of York, and Anne Hyde. A quiet stillness settles over the young woman, even as her life moves toward the gravity of the throne.

2
James VII and II, when Duke of York (1661) by Peter Lely

James VII and II, when Duke of York

1661 · Oil On Canvas · Scottish National Portrait Gallery, Edinburgh

In this commanding 1661 portrait, Sir Peter Lely captures the essence of a man destined for the throne: James VII and II during his tenure as the Duke of York. The painting serves as a breathtaking window into the late Stuart period, presenting a subject of profound importance with an air of effortless sophistication. Clad in a magnificent gold coat that catches the light, accented by a striking red sash,…

3
Portrait of a man, thought to be George Booth, Lord Delamere (1660) by Peter Lely

Portrait of a man, thought to be George Booth, Lord Delamere

1660 · Oil On Canvas · Art Gallery of South Australia, Adelaide

A man of significant standing is captured in this mid-seventeenth-century oil on canvas, his presence defined by a heavy, dark suit and a prominent collar. He holds a piece of paper, a gesture suggesting literacy, legal authority, or perhaps a specific political mandate. His long, curly hair and well-groomed beard frame a face marked by intricate detail, conveying a sense of individual temperament. The composition focuses on the interplay between…

4
Henrietta Boyle, Countess of Rochester (1646-1687) (1665) by Peter Lely

Henrietta Boyle, Countess of Rochester (1646-1687)

1665 · Oil On Canvas · Hampton Court Palace, London

The sitter emerges from a shadowed landscape, a vision of 17th-century nobility caught in a moment of quiet poise. Henrietta Boyle, Countess of Rochester, is rendered with a serene expression that masks a subtle, underlying gravity. Her gown, a luminous sky blue, catches the light from the upper left, casting soft shadows into the voluminous folds of silk. A string of pearls rests against her neck, their pale luster contrasting…

5
Portrait of Elizabeth Lady Monson (1665) by Peter Lely

Portrait of Elizabeth Lady Monson

1665 · Oil On Canvas · Birmingham Museum and Art Gallery, Birmingham

The room seems to quiet as Elizabeth Lady Monson meets the viewer's gaze. She sits in a three-quarter length pose, her body angled with a poise that speaks of a life lived within the high circles of the court. A deep, cerulean blue velvet gown envelops her, the heavy fabric catching the light in a way that suggests both weight and a soft, lustrous sheen. This intense blue cuts through…

6
Portrait of Oliver Cromwell (1599-1658) (1653) by Peter Lely

Portrait of Oliver Cromwell (1599-1658)

1653 · Oil · Birmingham Museum and Art Gallery, Birmingham

This formal and somber seventeenth-century oil portrait depicts Oliver Cromwell in a bust-length composition. Positioned slightly off-center and looking toward the right of the frame, the subject is presented within a painted trompe l'oeil oval frame. The color palette is dominated by dark, earthy tones, including deep browns, blacks, and shadows, which contrast sharply against the bright white of the subject's collar and the metallic highlights of his armor.

7
Portrait of Lady Penelope Spencer (1660) by Peter Lely

Portrait of Lady Penelope Spencer

1660 · Oil On Canvas · Minneapolis Institute of Art, Minneapolis

The air feels heavy with the scent of damp earth and blooming roses as Lady Penelope Spencer pauses in a quiet, shadowed landscape. She exists in a moment of poised stillness, her gaze meeting the viewer with a grace that suggests both high status and a gentle, private thought. The light, streaming from the upper left, washes over her skin with a soft, luminous glow, catching the delicate curve of…

8
Henrietta Maria of France, Queen of England (1660) by Peter Lely

Henrietta Maria of France, Queen of England

1660 · Acrylic On Canvas · Condé Museum, Chantilly

Sir Peter Lely’s depiction of Henrietta Maria, Queen consort of England during the tumultuous reign of Charles I, transcends mere likeness; it embodies the grandeur and anxieties of a pivotal moment in British history. Born in Soest, Westphalia, in 1618 amidst the shadow of the Thirty Years' War, Lely possessed an artistic lineage rooted in both Flemish meticulousness and burgeoning Baroque dynamism—a duality that profoundly shaped his oeuvre.

9
Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman (1675) by Peter Lely

Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman

1675 · Oil On Canvas · Rijksmuseum, Amsterdam

The Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman is an oil on canvas work by the artist Pieter Van Der Faes (Peter Lely). This portrait captures George Monk (1608-69), 1st Duke of Albemarle, in a moment of formal stillness. The paint holds the weight of a man defined by his titles and his service to the crown.

10
Edward Montagu, first Earl of Sandwich (1660) by Peter Lely

Edward Montagu, first Earl of Sandwich

1660 · Oil On Canvas · Yale Center for British Art, New Haven

Edward Montagu, first Earl of Sandwich, is presented in a formal, full-length Baroque portrait that asserts his high social standing and political importance. He stands with an imposing presence, his figure slightly off-center against a dark, shadowy background. The composition utilizes a vertical arrangement to emphasize his stature. Light enters from the upper left, striking his face and the brilliant white satin of his garments, while the rest of the…

Keep exploring Peter Lely: 11 to 100

11Sir Ralph Bankes (1660) by Peter LelySir Ralph Bankes1660 · Yale Center for British Art 12Diana Kirke, later Countess of Oxford (1665) by Peter LelyDiana Kirke, later Countess of Oxford1665 · Yale Center for British Art 13Portrait Of Sir John Nicholas (1667) by Peter LelyPortrait Of Sir John Nicholas1667 · Birmingham Museum and Art Gallery 14Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex (1655) by Peter LelyArthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex1655 · National Portrait Gallery 15Lady Diana Bruce (died 1672) (1665) by Peter LelyLady Diana Bruce (died 1672)1665 · Scottish National Gallery 16George Villiers, 2nd Duke of Buckingham (1675) by Peter LelyGeorge Villiers, 2nd Duke of Buckingham1675 · National Portrait Gallery 17Nymphs by a Fountain (1650) by Peter LelyNymphs by a Fountain1650 · Dulwich Picture Gallery 18Henrietta Anne, Duchess of Orleans (1662) by Peter LelyHenrietta Anne, Duchess of Orleans1662 · National Portrait Gallery 19Anne Hyde, Duchess of York (1637-71) (1662) by Peter LelyAnne Hyde, Duchess of York (1637-71)1662 · Hampton Court Palace 20John Maitland, 2nd Earl and 1st Duke of Lauderdale, 1616 - 1682. Statesman (1665) by Peter LelyJohn Maitland, 2nd Earl and 1st Duke of Lauderdale, 1616 - 1682. Statesman1665 · Scottish National Portrait Gallery 21Anna Maria Talbot (née Brudenell), Countess of Shrewsbury (1670) by Peter LelyAnna Maria Talbot (née Brudenell), Countess of Shrewsbury1670 · National Portrait Gallery 22Portrait of a Lady (1659) by Peter LelyPortrait of a Lady1659 · Buckingham Palace 23Portrait of Aphra Behn (1675) by Peter LelyPortrait of Aphra Behn1675 · Yale Center for British Art 24John Hay, 1st Marquess of Tweeddale, 1626 - 1697. Lord High Chancellor of Scotland (1662) by Peter LelyJohn Hay, 1st Marquess of Tweeddale, 1626 - 1697. Lord High Chancellor of Scotland1662 · Scottish National Portrait Gallery 25Bust Portrait of a Young Man (so-called Samuel Pepys) (1800) by Peter LelyBust Portrait of a Young Man (so-called Samuel Pepys)1800 · Minneapolis Institute of Art 26Henry Marten (Martin) (1650) by Peter LelyHenry Marten (Martin)1650 · National Portrait Gallery 27Edward Montagu, 2nd Earl of Manchester (1663) by Peter LelyEdward Montagu, 2nd Earl of Manchester1663 · National Portrait Gallery 28James Sharp, 1618 - 1679. Archbishop of St. Andrews (1664) by Peter LelyJames Sharp, 1618 - 1679. Archbishop of St. Andrews1664 · Scottish National Portrait Gallery 29Sir Peter Lely (1660) by Peter LelySir Peter Lely1660 · National Portrait Gallery 30Simon Patrick (1680) by Peter LelySimon Patrick1680 · National Portrait Gallery 31Margaret Brooke, Lady Denham (ca 1647-67) (1663) by Peter LelyMargaret Brooke, Lady Denham (ca 1647-67)1663 · Hampton Court Palace 32Portrait of a Lady. (1650) by Peter LelyPortrait of a Lady.1650 · National Museum in Warsaw 33John Ogilby (1662) by Peter LelyJohn Ogilby1662 · Bodleian Libraries 34The Letter (1650) by Peter LelyThe Letter1650 · Detroit Institute of Arts 35Unknown woman, formerly known as Elizabeth Hamilton, Countess de Gramont (1665) by Peter LelyUnknown woman, formerly known as Elizabeth Hamilton, Countess de Gramont1665 · National Portrait Gallery 36Bartholomew Beale (1670) by Peter LelyBartholomew Beale1670 · Dulwich Picture Gallery 37King James II (1667) by Peter LelyKing James II1667 · National Portrait Gallery 38Portrait of P. Lenéve, Alderman of Norwich (1656) by Peter LelyPortrait of P. Lenéve, Alderman of Norwich1656 · Walters Art Museum 39Diana and her Nymphs at a Fountain (1648) by Peter LelyDiana and her Nymphs at a Fountain1648 · Yale Center for British Art 40Lady Anne Percy, Lady Stanhope (1633-1654) or Lady Isabella Sydney, Viscountess Strangford (d.1663) (1648) by Peter LelyLady Anne Percy, Lady Stanhope (1633-1654) or Lady Isabella Sydney, Viscountess Strangford (d.1663)1648 · Petworth House 41The Three Younger Children of Charles I (1647) by Peter LelyThe Three Younger Children of Charles I1647 · Petworth House 42Elizabeth Murray, Countess of Dysart, later Duchess of Lauderdale (1626-1698) (1648) by Peter LelyElizabeth Murray, Countess of Dysart, later Duchess of Lauderdale (1626-1698)1648 · Ham House 43Sir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684) (1646) by Peter LelySir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684)1646 · Dunham Massey Hall 44John Selden (1584–1654) (1644) by Peter LelyJohn Selden (1584–1654)1644 · Yale University Art Gallery 45Man Playing a Pipe (1648) by Peter LelyMan Playing a Pipe1648 46Boy Playing a Jew’s Harp (1648) by Peter LelyBoy Playing a Jew’s Harp1648 47Abraham Cowley (1666) by Peter LelyAbraham Cowley1666 · National Portrait Gallery 48Sir Edward Nicholas (1662) by Peter LelySir Edward Nicholas1662 · National Portrait Gallery 49Anne Hyde, Duchess of York; King James II (1660) by Peter LelyAnne Hyde, Duchess of York; King James II1660 · National Portrait Gallery 50Portrait of Anne Digby, Countess of Sunderland (1666) by Peter LelyPortrait of Anne Digby, Countess of Sunderland1666 · Hampton Court Palace 51Henry, Duke of Gloucester (1639-60) (1647) by Peter LelyHenry, Duke of Gloucester (1639-60)1647 · Royal Collection 52John Bainbridge (1582–1643) and daughter (1640) by Peter LelyJohn Bainbridge (1582–1643) and daughter1640 · New York Historical Society 53Portrait of a Man, probably Richard Boyle, 1st Earl of Burlington (1612-1698) (1650) by Peter LelyPortrait of a Man, probably Richard Boyle, 1st Earl of Burlington (1612-1698)1650 54Susanna And The Elders (1650) by Peter LelySusanna And The Elders1650 · Birmingham Museum and Art Gallery 55Portrait Of The Earl Rivers (?) (1655) by Peter LelyPortrait Of The Earl Rivers (?)1655 · Birmingham Museum and Art Gallery 56Elizabeth Dering, Lady Darell (1660) by Peter LelyElizabeth Dering, Lady Darell1660 · National Gallery of Ireland 57Miss Mary Middleton, Plas Newydd, Wrexham (1650) by Peter LelyMiss Mary Middleton, Plas Newydd, Wrexham1650 · National Library of Wales 58Portrait of Mrs. Leneve (1657) by Peter LelyPortrait of Mrs. Leneve1657 · Cleveland Museum of Art 59Miss Lawson, Mrs (later Lady) Chicheley (1660) by Peter LelyMiss Lawson, Mrs (later Lady) Chicheley1660 · Wimpole Hall 60Called Frances Cromwell (1638-1720), the daughter of Oliver Cromwell (1654) by Peter LelyCalled Frances Cromwell (1638-1720), the daughter of Oliver Cromwell1654 61Lady Elizabeth Percy, Lady Capel, later Countess of Essex (1636 - 1717/18) (1653) by Peter LelyLady Elizabeth Percy, Lady Capel, later Countess of Essex (1636 - 1717/18)1653 · Petworth House 62Lady Anne Percy, Lady Stanhope (1633-1654) (1657) by Peter LelyLady Anne Percy, Lady Stanhope (1633-1654)1657 · Petworth House 63Called (but not) Elizabeth Murray, Countess of Dysart, Duchess of Lauderdale (1626-1698), just possibly Lady Dorothy Sydney, Countess of Sunderland (1618-1684), or Mrs John Greenhill (1658) by Peter LelyCalled (but not) Elizabeth Murray, Countess of Dysart, Duchess of Lauderdale (1626-1698), just possibly Lady Dorothy Sydney, Countess of Sunderland (1618-1684), or Mrs John Greenhill1658 · Petworth House 64Mrs Sackville (1660) by Peter LelyMrs Sackville1660 · Knole House 65Robert Spencer, 2nd Earl of Sunderland (1641-1702) (1660) by Peter LelyRobert Spencer, 2nd Earl of Sunderland (1641-1702)1660 · Knole House 66Cimon and Iphigenia (1654) by Peter LelyCimon and Iphigenia1654 · Knole House 67N. Wray (1655) by Peter LelyN. Wray1655 · Kingston Lacy 68The Penitent Magdalen (1652) by Peter LelyThe Penitent Magdalen1652 · Kingston Lacy 69Sir Ralph Bankes, MP (?1631-1677) (1655) by Peter LelySir Ralph Bankes, MP (?1631-1677)1655 · Kingston Lacy 70Called Elizabeth Palmer, Lady Wroth (d. before 1672) (1650) by Peter LelyCalled Elizabeth Palmer, Lady Wroth (d. before 1672)1650 · Killerton 71Sir William Compton (1625-1663) (1654) by Peter LelySir William Compton (1625-1663)1654 · Ham House 72An Unknown Gentleman, called Lionel Tollemache, 3rd Earl of Dysart (1649-1727) (1660) by Peter LelyAn Unknown Gentleman, called Lionel Tollemache, 3rd Earl of Dysart (1649-1727)1660 · Ham House 73Elizabeth Murray, Lady Tollemache, later Countess of Dysart and Duchess of Lauderdale (1626-1698) with a  Black Servant (1651) by Peter LelyElizabeth Murray, Lady Tollemache, later Countess of Dysart and Duchess of Lauderdale (1626-1698) with a Black Servant1651 · Ham House 74Possibly Lady Katherine Murray (d.1669/70) (1649) by Peter LelyPossibly Lady Katherine Murray (d.1669/70)1649 · Ham House 75Called Lady Elizabeth Grey, Lady Delamer (1621/2-1690) (1659) by Peter LelyCalled Lady Elizabeth Grey, Lady Delamer (1621/2-1690)1659 · Dunham Massey Hall 76Called Sir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684) (1659) by Peter LelyCalled Sir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684)1659 · Dunham Massey Hall 77Apollonia Yate (1655) by Peter LelyApollonia Yate1655 · Coughton Court 78A Gentleman Dressed 'alla Romana'  wearing a Golden-coloured Cloak (1655) by Peter LelyA Gentleman Dressed 'alla Romana' wearing a Golden-coloured Cloak1655 · Calke Abbey 79Sir Robert Long, 1st Bt (1598-1673) (1657) by Peter LelySir Robert Long, 1st Bt (1598-1673)1657 · Belton House 80Sir Christopher Myngs (1625-1666) (1650) by Peter LelySir Christopher Myngs (1625-1666)1650 · National Maritime Museum 81Edward Montagu, 1st Earl of Sandwich (1650) by Peter LelyEdward Montagu, 1st Earl of Sandwich1650 · National Maritime Museum 82Portrait of a Woman (1649) by Peter LelyPortrait of a Woman1649 · Bavarian State Painting Collections 83Susanna and the Elders (1652) by Peter LelySusanna and the Elders1652 84Henry Stone (1648) by Peter LelyHenry Stone1648 · National Portrait Gallery 85Henry, Duke of Gloucester (1639-1660) (1649) by Peter LelyHenry, Duke of Gloucester (1639-1660)1649 · Royal Collection 86Anne Hyde, Duchess of York, 1637 - 1671. First wife of James VII and II (1661) by Peter LelyAnne Hyde, Duchess of York, 1637 - 1671. First wife of James VII and II1661 · Scottish National Portrait Gallery 87Portrait of a Lady with a Blue Drape (1660) by Peter LelyPortrait of a Lady with a Blue Drape1660 · Dulwich Picture Gallery 88Lady Frances Savile, Later Lady Brudenell (1668) by Peter LelyLady Frances Savile, Later Lady Brudenell1668 · Yale Center for British Art 89Portrait of Samuel Crew (1650) by Peter LelyPortrait of Samuel Crew1650 · Groeningemuseum 90Portrait of a Man (1656) by Peter LelyPortrait of a Man1656 · Statens Museum For Kunst 91Family Portrait of Lord Wharton (1656) by Peter LelyFamily Portrait of Lord Wharton1656 92Finding of Moses (1650) by Peter LelyFinding of Moses1650 · Musée des Beaux-Arts 93Portrait Of The Hon Mrs Lucy Loftus (1667) by Peter LelyPortrait Of The Hon Mrs Lucy Loftus1667 · Birmingham Museum and Art Gallery 94Margaret Brooke (c.1647–1667), Lady Denham (1664) by Peter LelyMargaret Brooke (c.1647–1667), Lady Denham1664 95Joceline Percy, 11th Earl of Northumberland (1644-1670) (1671) by Peter LelyJoceline Percy, 11th Earl of Northumberland (1644-1670)1671 · Petworth House 96Lady Elizabeth Wriothesley, Lady Elizabeth Noel (d.c.1680) and her Black Page (1662) by Peter LelyLady Elizabeth Wriothesley, Lady Elizabeth Noel (d.c.1680) and her Black Page1662 · Petworth House 97Elizabeth Alington, Lady Seymour of Trowbridge (c.1632-1691) (1664) by Peter LelyElizabeth Alington, Lady Seymour of Trowbridge (c.1632-1691)1664 · Petworth House 98Called Sophia Fairholme, Marchioness of Annandale (1668-1716) (1664) by Peter LelyCalled Sophia Fairholme, Marchioness of Annandale (1668-1716)1664 · Petworth House 99Called Elizabeth Wriothesley, Countess of Northumberland (1646 -1690) (1662) by Peter LelyCalled Elizabeth Wriothesley, Countess of Northumberland (1646 -1690)1662 · Petworth House 100Richard Legh (1634-1687) (1667) by Peter LelyRichard Legh (1634-1687)1667 · Lyme Park

Peter Lely's paintings, period by period

What Peter Lely painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Peter Lely's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Peter Lely Paintings from this list
National Portrait Gallery, LondonNational Portrait Gallery London 18 Queen Mary II, Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex, George Villiers, 2nd Duke of Buckingham
Petworth House, PetworthPetworth House Petworth 10 Lady Anne Percy, Lady Stanhope (1633-1654) or Lady Isabella Sydney, Viscountess Strangford (d.1663), The Three Younger Children of Charles I, Lady Elizabeth Percy, Lady Capel, later Countess of Essex (1636 - 1717/18)
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 6 Portrait of Elizabeth Lady Monson, Portrait of Oliver Cromwell (1599-1658), Portrait Of Sir John Nicholas
Yale Center for British Art, New HavenYale Center for British Art New Haven 6 Edward Montagu, first Earl of Sandwich, Sir Ralph Bankes, Diana Kirke, later Countess of Oxford
Ham HouseHam House 14 Elizabeth Murray, Countess of Dysart, later Duchess of Lauderdale (1626-1698), Sir William Compton (1625-1663), An Unknown Gentleman, called Lionel Tollemache, 3rd Earl of Dysart (1649-1727)
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 8 James VII and II, when Duke of York, John Maitland, 2nd Earl and 1st Duke of Lauderdale, 1616 - 1682. Statesman, John Hay, 1st Marquess of Tweeddale, 1626 - 1697. Lord High Chancellor of Scotland
Hampton Court Palace, LondonHampton Court Palace London 11 Henrietta Boyle, Countess of Rochester (1646-1687), Anne Hyde, Duchess of York (1637-71), Margaret Brooke, Lady Denham (ca 1647-67)
Kingston Lacy, Wimborne MinsterKingston Lacy Wimborne Minster 7 N. Wray, The Penitent Magdalen, Sir Ralph Bankes, MP (?1631-1677)

One famous Peter Lely piece for every decade

Works per decade

Pick a decade to see its standout piece.

Peter Lely paintings: what people want to know

What painting is Peter Lely best known for?See the answer

Top of the list is Queen Mary II (1677), National Portrait Gallery, London. Right behind it: James VII and II, when Duke of York (1661) and Portrait of a man, thought to be George Booth, Lord Delamere (1660).

How old was Peter Lely at the time of Queen Mary II?See the answer

59 years old. Peter Lely was born in 1618, and Queen Mary II dates from 1677.

Which 10 Peter Lely paintings are the most famous?See the answer

Queen Mary II, James VII and II, when Duke of York, Portrait of a man, thought to be George Booth, Lord Delamere, Henrietta Boyle, Countess of Rochester (1646-1687), Portrait of Elizabeth Lady Monson, Portrait of Oliver Cromwell (1599-1658), Portrait of Lady Penelope Spencer, Henrietta Maria of France, Queen of England, Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman and Edward Montagu, first Earl of Sandwich. You'll find the year and the museum of each in the list above.

How many Peter Lely works are there?See the answer

We have 240 works by Peter Lely in our catalogue, dated 1640 to 1680.

Which museums have Peter Lely's best-known paintings?See the answer

You'll find most of them in National Portrait Gallery (London), Petworth House (Petworth) and Birmingham Museum and Art Gallery (Birmingham). The museum list above has the full breakdown.

When were Peter Lely's most famous pieces painted?See the answer

In 1660s, more than any other time: 41 of the 100 pieces on this page date from then, James VII and II, when Duke of York among them.

What are the oldest and newest famous paintings by Peter Lely?See the answer

The earliest piece here is John Bainbridge (1582–1643) and daughter (1640); the most recent is Simon Patrick (1680).

What did Peter Lely paint most?See the answer

Man (24), Woman (19) and Lace (12), out of the 100 pieces on this page.

What did Peter Lely usually paint with?See the answer

Oil On Canvas, used in 40 of the 100 pieces on this page.

Which art movement is Peter Lely linked to?See the answer

Baroque, as you can see in the pieces on this page.

What can you see by Peter Lely at the National Portrait Gallery?See the answer

You can see 15 of the pieces on this page at the National Portrait Gallery, London, including Queen Mary II, Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex and George Villiers, 2nd Duke of Buckingham.

Can I order a Peter Lely reproduction for my home?See the answer

Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.

Meet Peter Lely

Sir Peter Lely: The Court’s Painter of Dreams

Sir Peter Lely, born in Soest, Westphalia, in 1618, was a figure whose life and career unfolded across two continents, ultimately establishing him as the preeminent portrait painter to the English court during the late Stuart period. His journey began amidst the turmoil of the Thirty Years’ War, his Dutch heritage shaping an artistic sensibility deeply rooted in both Northern European traditions and the burgeoning Baroque style. Initially trained in Haarlem under Pieter de Grebber, a master of the Guild of Saint Luke, Lely honed his skills in the meticulous techniques of Flemish painting – a foundation that would profoundly influence his early work. However, it was his relocation to England around 1643 that truly defined his legacy, transforming him from a skilled craftsman into a courtier and a pivotal figure in shaping English artistic identity.

Early Years and Influences: Bridging the North and South

Lely’s early paintings reveal a fascinating synthesis of influences. Initially, he produced mythological and religious scenes, often set within idyllic pastoral landscapes – a style reminiscent of Anthony van Dyck, who had become immensely popular with the English court before his untimely death in 1641. These works demonstrate a clear admiration for Van Dyck’s elegant compositions, refined figures, and masterful use of light and shadow. Yet, Lely's paintings also possess a distinctly earthy quality, reflecting the traditions of Haarlem and incorporating elements of Northern European realism. He was particularly influenced by the Dutch Baroque, evident in his attention to detail, vibrant color palettes, and dynamic arrangements. The period’s political instability, marked by the English Civil War, undoubtedly shaped Lely's artistic choices, prompting a shift towards more intimate portraits that captured the personalities of those who frequented the court.

Court Painter and Royal Patronage: A New Era Begins

Following the Restoration in 1660, Lely’s career experienced a remarkable resurgence. He was appointed Principal Painter in Ordinary to King Charles II, a position previously held by Van Dyck, signifying a clear acknowledgement of his artistic merit and the enduring appeal of his style. This appointment brought with it significant privileges, including a generous stipend and access to the royal collections. Lely’s portraits became immensely popular, capturing the likenesses of prominent figures – from courtiers and nobles to members of the Royal Family. His ability to portray subjects with both dignity and charm cemented his position as the court's foremost painter. Notably, he even painted Oliver Cromwell and Richard Cromwell, offering a surprisingly candid portrayal of the former Lord Protector, demonstrating a willingness to capture reality rather than idealization.

Style and Technique: A Master of Light and Form

Lely’s artistic style is characterized by its elegance, grace, and remarkable technical skill. He possessed an exceptional ability to render fabrics with astonishing realism – a hallmark of his portraits – and his use of light and shadow created a sense of depth and atmosphere that captivated viewers. While initially influenced by Van Dyck's refined manner, Lely developed a more robust and expressive style, imbuing his subjects with personality and character. His compositions are often dynamic and engaging, drawing the eye to key elements within the frame. He was also a keen collector of Old Master drawings, which undoubtedly informed his understanding of anatomy, perspective, and artistic principles.

Legacy and Historical Significance

Sir Peter Lely’s impact on English art is undeniable. He established a tradition of court portraiture that would endure for generations, shaping the visual representation of power and status within the monarchy. His influence extended beyond mere technical skill; he fostered a sense of artistic confidence and innovation, contributing to the flourishing of the arts during the Restoration period. Although his style sometimes leaned towards repetition – a characteristic often attributed to the demands of producing numerous portraits for the court – Lely’s legacy remains secure as one of England's most important and influential painters. His work continues to be admired for its beauty, elegance, and insightful portrayal of human character, solidifying his place in art history as “The Court’s Painter of Dreams.”

All 240 works by Peter Lely →