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Your Guide to the 13 Most Famous Orcagna Paintings
Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 13 works by Orcagna in our catalogue
In short
Orcagna's best-known piece is Saint John the Baptist (1355). You'll find it at the Yale University Art Gallery in New Haven. Next on the list are The Calling of St. Matthew (1367) and Throne of Grace (1400). We have 13 works by Orcagna in our catalogue; this guide picks out the 13 best known, with the year, the museum and the story of each piece.
1315 – 1368, Florence
Most works: Cappella Strozzi
The 10 Orcagna paintings to know first
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Numbers 11 to 13: more Orcagna paintings
What Orcagna painted most
The four subjects that come up most often in these pieces, each with its best-known example.
Where you can see Orcagna's paintings
The 5 museums that hold the most of the paintings on this page.
| Museum | City | Works by Orcagna | Paintings from this list |
|---|---|---|---|
 Cappella Strozzi |
Florence | 2 | View of the Chapel, The Strozzi Altarpiece |
 Yale University Art Gallery |
New Haven | 1 | Saint John the Baptist |
 National Museum in Warsaw |
Warsaw | 1 | Throne of Grace |
 Palazzo Vecchio |
Florence | 1 | The Expulsion of the Duke of Athens |
 Rijksmuseum |
Amsterdam | 1 | Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus, Andrea di Cione named Orcagna, 1350 |
Decade by decade: the best-known Orcagna piece of each
Works per decade
Pick a decade to see its standout piece.
Orcagna: quick answers about the paintings
What is Orcagna's best-known painting?See the answer
Top of the list is Saint John the Baptist (1355), Yale University Art Gallery, New Haven. Right behind it: The Calling of St. Matthew (1367) and Throne of Grace (1400).
What age was Orcagna when creating Saint John the Baptist?See the answer
40 years old. Orcagna was born in 1315, and Saint John the Baptist dates from 1355.
What are Orcagna's top 10 paintings?See the answer
Saint John the Baptist, The Calling of St. Matthew, Throne of Grace, The Burial of the Virgin, Tabernacle (detail), Tabernacle, Dormition and Assumption of the Virgin, detail of the Tabernacle, View of the Chapel, Hell (fragment) and The Expulsion of the Duke of Athens. You'll find the year and the museum of each in the list above.
How many works by Orcagna are in your catalogue?See the answer
We have 13 works by Orcagna in our catalogue, dated 1343 to 1367.
In which museums can you see Orcagna's famous works?See the answer
You'll find most of them in Cappella Strozzi (Florence), Yale University Art Gallery (New Haven) and National Museum in Warsaw (Warsaw). The museum list above has the full breakdown.
When did Orcagna make the most famous pieces?See the answer
In 1350s, more than any other time: 8 of the 13 pieces on this page date from then, Saint John the Baptist among them.
What are Orcagna's first and last famous pieces?See the answer
The earliest piece here is The Expulsion of the Duke of Athens (1343); the most recent is The Calling of St. Matthew (1367).
Which famous Orcagna paintings are at the Cappella Strozzi?See the answer
You can see 2 of the pieces on this page at the Cappella Strozzi, Florence, including View of the Chapel and The Strozzi Altarpiece.
Where can I order a Orcagna reproduction?See the answer
Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.
Orcagna's story
Andrea di Cione: The Architect of Florentine Vision
The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century. Born around 1308 within the bustling heart of the city, Orcagna’s life was inextricably linked to its burgeoning wealth, political intrigue, and fervent religious devotion—elements that profoundly shaped his distinctive style and enduring legacy. His story isn't one of solitary genius, but rather a testament to collaborative artistry, meticulous planning, and an unwavering commitment to both technical mastery and expressive power.
Orcagna’s early life remains shrouded in some mystery, though it is believed he apprenticed under the renowned sculptor Andrea Pisano. This formative experience instilled within him a deep appreciation for classical forms and a sophisticated understanding of three-dimensional space—qualities that would later manifest in his monumental marble tabernacle for Orsanmichele. However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines.
The Grandeur of Orvieto: Mosaic Master
Orcagna's most celebrated achievement undoubtedly lies in his contribution to the magnificent façade of the cathedral in Orvieto. Commissioned in 1358, this project demanded a level of technical skill and artistic vision that pushed Orcagna to the very limits of his abilities. He oversaw the creation of an extensive mosaic decoration, including a breathtaking rose window—a masterpiece of Byzantine-inspired design that exemplifies the lavishness and spiritual intensity characteristic of the period. The mosaics themselves are characterized by their rich palette, intricate detailing, and powerful emotional impact, reflecting Orcagna’s mastery of color theory and his ability to imbue religious subjects with palpable drama.
The scale of this undertaking was immense, requiring meticulous planning and coordination. Orcagna's role extended beyond mere execution; he served as a consultant, guiding the work of numerous skilled artisans and ensuring that every element harmonized within the overall design. The Orvieto mosaics stand as a testament to his organizational prowess and his ability to synthesize diverse artistic talents into a cohesive whole.
The Sculptural Triumph: Orsanmichele’s Tabernacle
Perhaps Orcagna's most enduring legacy resides in the monumental marble tabernacle he designed and oversaw for the Orsanmichele, a former confraternity hall now serving as a public art gallery. Completed between 1352 and 1359, this architectural marvel is a complex and ambitious undertaking that showcases Orcagna’s exceptional skill as an architect and sculptor. The tabernacle's intricate façade is adorned with a multitude of sculpted figures—a veritable encyclopedia of biblical narratives, allegorical symbols, and classical motifs. Each figure is rendered with remarkable detail and expressive power, reflecting Orcagna’s deep understanding of human anatomy and his ability to convey complex emotions through gesture and expression.
The tabernacle's design incorporates a sophisticated system of arches, vaults, and niches, creating a dynamic interplay of light and shadow. The use of color—particularly the vibrant hues of the inlaid marble—further enhances its visual impact. Orcagna’s work on Orsanmichele demonstrates his mastery of both architectural form and sculptural technique, solidifying his reputation as one of Florence's most accomplished artists.
A Legacy of Innovation
Orcagna’s influence extended far beyond the immediate commissions he undertook. His innovative approach to composition—characterized by dynamic figures, dramatic lighting, and a heightened sense of realism—helped to shape the course of Florentine painting in the late 14th century. He bridged the gap between the Gothic traditions inherited from his predecessors and the emerging Renaissance style, paving the way for future generations of artists. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.
Orcagna’s untimely death at the age of sixty is a poignant reminder of the fragility of life and the immense loss suffered by the Florentine art world. Despite his relatively short career, he left behind a remarkable body of work that continues to captivate audiences today—a testament to his extraordinary talent, unwavering dedication, and enduring vision.