Portrait of Man Ray

Meet the 100 Most Famous Paintings by Man Ray

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 142 works by Man Ray in our catalogue

In short

If you know one Man Ray painting, it's probably La Galerie Surréaliste, rue Jacques Callot, which hangs in the Oscar Niemeyer Museum, Curitiba. Pisces (1938) and Rayograph (The Kiss) (1922) round out the three pieces people recognise right away. Our catalogue has 142 works by Man Ray. Below are the 100 people know best, each with its year, where to find it and what makes it special.

1890 – 1976, Philadelphia Surrealism Most works: Oscar Niemeyer Museum

Start here: the top 10 Man Ray paintings

1
La Galerie Surréaliste, rue Jacques Callot by Man Ray

La Galerie Surréaliste, rue Jacques Callot

Acrylic On Canvas · Oscar Niemeyer Museum, Curitiba

La Galerie Surréaliste et l'Étoile Scellée : Un Voyage au Cœur de la Créativité Dadaiste La Galerie Surréaliste, située rue Jacques Callot à Paris, fut bien plus qu’une simple adresse artistique ; elle incarnait les aspirations radicales d’une génération marquée par les bouleversements du début du XXe siècle. Fondée en 1926 et dirigée avec passion par Marcel Duchamp et Sophie Babet, cette galerie devint un véritable laboratoire d'expérimentation esthétique et…

2
Pisces (1938) by Man Ray

Pisces

1938 · Oil

Introduction to Man Ray and Surrealism Man Ray, born Emmanuel Radnitzky in 1890, was an American visual artist who spent most of his career in France. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. Man Ray produced major works in a variety of media but considered himself a painter above all. Surrealism is an art movement that emerged in the…

3
Rayograph (The Kiss) (1922) by Man Ray

Rayograph (The Kiss)

1922 · Black and White Photography · MOMA - Museum of Modern Art, New York City

A Dance Between Light and Shadow: Exploring Man Ray’s “The Kiss” Man Ray's "The Kiss," created in 1922 during the heady days of Dada and Surrealism, transcends mere photographic representation; it embodies a radical reimagining of artistic process and perception. This striking photogram—a technique pioneered by Ray himself—captures an intimate moment frozen in time, transforming commonplace objects into symbols of desire and connection. Unlike traditional painting, where artists meticulously render…

4
Solarisation (1931) by Man Ray

Solarisation

1931 · Black and White Photography

In this 1931 black and white photograph, titled Solarisation, Man Ray presents us with a quiet, intimate moment of repose. The subject is a man lying down, his head resting upon his arm in a state of sleep or deep rest. There is a profound sense of stillness here, a pause in time captured through the lens of a man who sought to redefine how we perceive the physical form.

5
The Pavillion of Elegance by Man Ray

The Pavillion of Elegance

Black and White Photography · Oscar Niemeyer Museum, Curitiba

To gaze upon this image is to step directly into the shimmering, slightly unsettling dreamscape of 1925 Paris. It captures not merely a moment in time, but an entire cultural sensibility—the breathless anticipation surrounding modern fashion and the burgeoning power of the photographic gaze. The subject, a woman draped in what appears to be an ocean green Georgette crepe, moves with an almost choreographed grace down a sun-dappled thoroughfare or…

6
Tristan Tzara and Jean Cocteau by Man Ray

Tristan Tzara and Jean Cocteau

Black and White Photography · Oscar Niemeyer Museum, Curitiba

This evocative black and white photograph transports us directly into the vibrant, often bewildering intellectual ferment of the early 20th century. It captures a moment steeped in the spirit of Dadaism and the burgeoning currents of Surrealism—movements that dared to dismantle the very definition of reality. The composition itself feels less like a mere documentation and more like a carefully staged dream sequence, inviting the viewer to question what they…

7
Nusch eluard with mirror (1935) by Man Ray

Nusch eluard with mirror

1935 · Black and White Photography · Kobe Fashion Museum, Kyoto

In the hauntingly beautiful monochrome of "Nusch Eluard with Mirror," captured in 1935, we are invited into a private, ephemeral moment that transcends the boundaries of traditional portraiture. The photograph features Nusch Eluard, a woman who was not only a muse but a profound presence in the Surrealist circle, draped in a delicate veil that clings to her form like a soft shadow. As she holds a mirror before her…

8
Indestructible Object (or Object to Be Destroyed) (1923) by Man Ray

Indestructible Object (or Object to Be Destroyed)

1923 · Photography · MOMA - Museum of Modern Art, New York City

In the annals of modern art, few images possess the unsettling, magnetic pull of Man Ray’s 1923 masterpiece, Indestructible Object (often known as Object to Be Destroyed). To gaze upon this work is to step directly into the fractured psyche of the Surrealist movement, where the boundaries between the living and the mechanical begin to dissolve. The composition presents a disconcerting tableau: a stark, wooden structure that serves as a…

9
Veiled Erotica by Man Ray

Veiled Erotica

Black and White Photography · Oscar Niemeyer Museum, Curitiba

Born in Philadelphia to Russian Jewish immigrant parents, Emmanuel Radnitzky—known universally as Man Ray—was a restless spirit who defied easy categorization. His formative years coincided with the tumultuous period of Dadaism, born from disillusionment with World War I’s horrors and fueled by an uncompromising critique of bourgeois values. Marcel Duchamp's provocative embrace of “ready-made” objects – like *The Gift* – served as a catalyst for Dada artists to dismantle accepted…

10
(Untitled) by Man Ray

(Untitled)

Black and White Photography · Oscar Niemeyer Museum, Curitiba

In the quiet, evocative realm of Man Ray’s photography, we encounter a profound dialogue between the mundane and the metaphysical. This stark black and white composition, often associated with the enigmatic spirit of “The Gift,” transcends mere documentation to become a window into the avant-garde mind. At first glance, the viewer is presented with an abstract arrangement of draped fabric—perhaps a heavy wool—rendered in exquisite detail against a textured surface.…

More Man Ray favourites, 11 to 100

11The Enigma of Isidore Ducasse (1920) by Man RayThe Enigma of Isidore Ducasse1920 · National Gallery of Australia 12Nusch with Mirror by Man RayNusch with MirrorOscar Niemeyer Museum 13Dada Portrait by Man RayDada PortraitOscar Niemeyer Museum 14Natalie Paley Wearing a Sequined Gown by Lelong by Man RayNatalie Paley Wearing a Sequined Gown by LelongOscar Niemeyer Museum 15Marcel Duchamp by Man RayMarcel DuchampOscar Niemeyer Museum 16The Marquise Casati, “the Empress of Austria Ramping her Horses Flick and Flock”, at the Ball of the Famous Paintings, Hosted by the Count Étienne de Beaumont, in Paris. by Man RayThe Marquise Casati, “the Empress of Austria Ramping her Horses Flick and Flock”, at the Ball of the Famous Paintings, Hosted by the Count Étienne de Beaumont, in Paris.Oscar Niemeyer Museum 17Rayograph - 1925 (1925) by Man RayRayograph - 19251925 · Museum Boijmans Van Beuningen 18Café Man Ray by Man RayCafé Man RayOscar Niemeyer Museum 19Dust Breeding (detail) by Man RayDust Breeding (detail)Oscar Niemeyer Museum 20Veiled Erotic Meret Oppenheim (1933) by Man RayVeiled Erotic Meret Oppenheim1933 21Marcel Duchamp, Belle Haleine Eau de Voilette [Belo Hálito Água de Veuzinho] by Man RayMarcel Duchamp, Belle Haleine Eau de Voilette [Belo Hálito Água de Veuzinho]Oscar Niemeyer Museum 22Larmes tears (1932) by Man RayLarmes tears1932 23Noire et Blanche by Man RayNoire et BlancheOscar Niemeyer Museum 24Georges Braque by Man RayGeorges BraqueOscar Niemeyer Museum 25The couple (1914) by Man RayThe couple1914 · Sezon Museum of Modern Art 26Pablo Picasso at the Count Étienne de Beaumont’s Ball by Man RayPablo Picasso at the Count Étienne de Beaumont’s BallOscar Niemeyer Museum 27Gertrude Stein by Man RayGertrude SteinOscar Niemeyer Museum 28Count Étienne de Beaumont by Man RayCount Étienne de BeaumontOscar Niemeyer Museum 29ABC by Man RayABCOscar Niemeyer Museum 30Square by Man RaySquareOscar Niemeyer Museum 31Prayer (1930) by Man RayPrayer1930 32Magnolia by Man RayMagnoliaOscar Niemeyer Museum 33(Untitled) by Man Ray(Untitled)Oscar Niemeyer Museum 34The International Surrealist Exhibition, Marcel Duchamp’s Mannequin by Man RayThe International Surrealist Exhibition, Marcel Duchamp’s MannequinOscar Niemeyer Museum 35Untitled (D2X7S9) (1916) by Man RayUntitled (D2X7S9)1916 · Metropolitan Museum of Art 36Self-Portrait (1941) by Man RaySelf-Portrait1941 37Self-Portrait by Man RaySelf-PortraitOscar Niemeyer Museum 38Glass Tears by Man RayGlass TearsOscar Niemeyer Museum 39Butterflies by Man RayButterfliesOscar Niemeyer Museum 40Serious Man, or The Serious One by Man RaySerious Man, or The Serious OneOscar Niemeyer Museum 41Self-Portrait by Man RaySelf-Portrait 42Invention (1916) by Man RayInvention1916 43The Gift (1921) by Man RayThe Gift1921 44Kiki in Mechanical Ballet, by Fernand Léger by Man RayKiki in Mechanical Ballet, by Fernand LégerOscar Niemeyer Museum 45La Fortune (1938) by Man RayLa Fortune1938 46Lee Miller by Man RayLee MillerOscar Niemeyer Museum 47Dora Maar by Man RayDora MaarOscar Niemeyer Museum 48Cadeau (1972) by Man RayCadeau1972 49Yves Tanguy by Man RayYves TanguyOscar Niemeyer Museum 50Untitled (Aztec figurine of the goddess Tlazoteotl) (1932) by Man RayUntitled (Aztec figurine of the goddess Tlazoteotl)1932 · MOMA - Museum of Modern Art 51Reflections by Man RayReflectionsOscar Niemeyer Museum 52Dora Maar (1936) by Man RayDora Maar1936 53As You Like It (1948) by Man RayAs You Like It1948 54Arnold Schönberg by Man RayArnold SchönbergOscar Niemeyer Museum 55Kiki by Man RayKikiOscar Niemeyer Museum 56Rrose Selavy alias Marcel Duchamp (1921) by Man RayRrose Selavy alias Marcel Duchamp1921 57Portrait of Rrose Sélavy (1921) by Man RayPortrait of Rrose Sélavy1921 58Kiki de Montparnasse (1922) by Man RayKiki de Montparnasse1922 59Black and white (1926) by Man RayBlack and white1926 60Portrait of André Breton (1930) by Man RayPortrait of André Breton1930 61Atelier Composition (1933) by Man RayAtelier Composition1933 62Tableau (Untitled) (1929) by Man RayTableau (Untitled)1929 · Smithsonian American Art Museum 63Lee Miller (1930) by Man RayLee Miller1930 64Primacy of Matter over Thought (1929) by Man RayPrimacy of Matter over Thought1929 65Woman with Long Hair (1929) by Man RayWoman with Long Hair1929 66Space Writing (Self Portrait) (1935) by Man RaySpace Writing (Self Portrait)1935 67Self Portrait with the Lamp (1934) by Man RaySelf Portrait with the Lamp1934 68The Kiss (1935) by Man RayThe Kiss1935 69Dora Marr (1936) by Man RayDora Marr1936 70Observatory Time -The Lovers (1936) by Man RayObservatory Time -The Lovers1936 71Optical Hopes and Illusions (1938) by Man RayOptical Hopes and Illusions1938 72Aurelien (1944) by Man RayAurelien1944 73Flying Dutchman (1920) by Man RayFlying Dutchman1920 · Metropolitan Museum of Art 74Untitled (The Three Graces) (1969) by Man RayUntitled (The Three Graces)1969 75Landscape (Paysage Fauve) (1913) by Man RayLandscape (Paysage Fauve)1913 · Smithsonian American Art Museum 76Me, She (1934) by Man RayMe, She1934 77The Coat Stand (1920) by Man RayThe Coat Stand1920 78Juan Gris by Man RayJuan GrisOscar Niemeyer Museum 79Percolator (1917) by Man RayPercolator1917 · Art Institute of Chicago 80Departure of Summer (1914) by Man RayDeparture of Summer1914 · Art Institute of Chicago 81Lee Miller by Man RayLee Miller 82Juliet et Margaret by Man RayJuliet et Margaret 83Untitled (1908) by Man RayUntitled1908 84Kiki de Montparnasse by Man RayKiki de Montparnasse 85The Village (1913) by Man RayThe Village1913 · Israel Museum 86The Black Tray (1914) by Man RayThe Black Tray1914 · The Phillips Collection 87The Mime (1916) by Man RayThe Mime1916 · Metropolitan Museum of Art 88Untitled (1915) by Man RayUntitled1915 89Landscape (1914) by Man RayLandscape1914 90Untitled (1915) by Man RayUntitled1915 91Premier Promenade (1912) by Man RayPremier Promenade1912 92Ridgefield Landscape (1914) by Man RayRidgefield Landscape1914 93The Black Tray (1914) by Man RayThe Black Tray1914 94Orquesta Sinfonica (1916) by Man RayOrquesta Sinfonica1916 95The Hill (1913) by Man RayThe Hill1913 96Silhouette (1916) by Man RaySilhouette1916 97The Riddle of Isidore Ducasse (1920) by Man RayThe Riddle of Isidore Ducasse1920 · Museum Boijmans Van Beuningen 98Return to Reason (1921) by Man RayReturn to Reason1921 99Tristan Tzara (1921) by Man RayTristan Tzara1921 100Seguidilla (1919) by Man RaySeguidilla1919

Man Ray's paintings, period by period

What Man Ray painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Man Ray's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Man Ray Paintings from this list
Oscar Niemeyer Museum, CuritibaOscar Niemeyer Museum Curitiba 40 La Galerie Surréaliste, rue Jacques Callot, The Pavillion of Elegance, Tristan Tzara and Jean Cocteau
MOMA - Museum of Modern Art, New York CityMOMA - Museum of Modern Art New York City 3 Rayograph (The Kiss), Indestructible Object (or Object to Be Destroyed), Untitled (Aztec figurine of the goddess Tlazoteotl)
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 3 Untitled (D2X7S9), Flying Dutchman, The Mime
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 2 Rayograph - 1925, The Riddle of Isidore Ducasse
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 Tableau (Untitled), Landscape (Paysage Fauve)
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 2 Percolator, Departure of Summer
Israel Museum, JerusalemIsrael Museum Jerusalem 4 The Village
Sezon Museum of Modern Art, KaruizawaSezon Museum of Modern Art Karuizawa 2 The couple

Man Ray decade by decade: one standout piece each

Works per decade

Pick a decade to see its standout piece.

Your questions about Man Ray's paintings

Which Man Ray painting is the most famous?See the answer

Top of the list is La Galerie Surréaliste, rue Jacques Callot, Oscar Niemeyer Museum, Curitiba. Right behind it: Pisces (1938) and Rayograph (The Kiss) (1922).

What are the 10 best-known Man Ray paintings?See the answer

La Galerie Surréaliste, rue Jacques Callot, Pisces, Rayograph (The Kiss), Solarisation, The Pavillion of Elegance, Tristan Tzara and Jean Cocteau, Nusch eluard with mirror, Indestructible Object (or Object to Be Destroyed), Veiled Erotica and (Untitled). You'll find the year and the museum of each in the list above.

How many paintings did Man Ray create?See the answer

We have 142 works by Man Ray in our catalogue, dated 1908 to 1972.

Where can you see Man Ray's famous paintings?See the answer

You'll find most of them in Oscar Niemeyer Museum (Curitiba), MOMA - Museum of Modern Art (New York City) and Metropolitan Museum of Art (New York). The museum list above has the full breakdown.

When did Man Ray paint the best-known pieces?See the answer

In 1910s, more than any other time: 19 of the 100 pieces on this page date from then, The couple among them.

Which famous Man Ray paintings came first and last?See the answer

The earliest piece here is Untitled (1908); the most recent is Cadeau (1972).

What subjects show up most in Man Ray's paintings?See the answer

Photography (27), Black and white (10) and Woman (7), out of the 100 pieces on this page.

What materials did Man Ray paint with most?See the answer

Acrylic On Canvas, used in 17 of the 100 pieces on this page.

What art movement was Man Ray part of?See the answer

Surrealism and Dadaism, as you can see in the pieces on this page.

Which Man Ray pieces can you see at the Oscar Niemeyer Museum?See the answer

You can see 35 of the pieces on this page at the Oscar Niemeyer Museum, Curitiba, including La Galerie Surréaliste, rue Jacques Callot, The Pavillion of Elegance and Tristan Tzara and Jean Cocteau.

Getting to know Man Ray

A Life Illuminated by Shadows

Emmanuel Radnitzky, known to the world as Man Ray, was a restless spirit who defied easy categorization. Born in 1890 in Philadelphia to Russian Jewish immigrant parents, his journey from aspiring painter to pioneering photographer and filmmaker embodies the radical artistic ferment of the early 20th century. The shift from “Manny” Radnitzky to the enigmatic “Man Ray” itself speaks volumes about an artist determined to forge a new identity, one unbound by convention. His family’s move to New York City proved pivotal, exposing him to the burgeoning modernist scene and instilling in him a lifelong fascination with experimentation. Early influences included the European avant-garde showcased at Alfred Stieglitz's 291 gallery, and the gritty realism of the Ashcan School – a blend that would subtly inform his later work. Though initially dedicated to painting, it was photography that ultimately became Ray’s most potent medium for exploring the boundaries of perception and reality. He wasn't merely capturing images; he was inventing new ways of *seeing*. His early artistic endeavors were marked by a desire to break from traditional styles, influenced by his exposure to both European modernism and the raw energy of New York City life. The Ferrer Centre, with its anarchist leanings and emphasis on free expression, proved particularly formative during this period, fostering an environment where experimentation was not just encouraged but expected.

Dada, Surrealism, and the Pursuit of the Impossible

Man Ray's artistic trajectory took a dramatic turn with his encounter with Marcel Duchamp in New York around 1915. This meeting sparked a shared fascination with challenging traditional notions of art, leading to explorations of “ready-mades” – ordinary manufactured objects elevated to the status of artwork. This rebellious spirit propelled Ray into the heart of the Dada movement, an anti-art protest born from the disillusionment of World War I. In 1921, he made the momentous decision to relocate to Paris, becoming a central figure in both the Dada and Surrealist circles that flourished there. While never fully aligning himself with any rigid artistic dogma, Ray embraced the Surrealists’ exploration of the unconscious mind, dreams, and the irrational. His work during this period is characterized by a dreamlike quality, often unsettling yet undeniably captivating. He wasn't interested in depicting reality as it *is*, but rather as it *feels* – fragmented, distorted, and imbued with hidden meanings. This embrace of the subconscious allowed him to move beyond mere representation towards an exploration of psychological states and emotional resonance within his art. His collaborations with other Surrealist artists, like Salvador Dalí, further solidified his position within the movement, though he always maintained a degree of independence in his artistic vision.

Rayographs and the Alchemy of Light

Perhaps Man Ray is most celebrated for his invention of the “rayograph,” a cameraless photographic technique he stumbled upon almost by accident. These images—created by placing objects directly onto light-sensitive paper and exposing them to light—resulted in ethereal, ghostly compositions that defied conventional photographic representation. The rayograph wasn't simply an alternative method; it was a philosophical statement about the nature of photography itself. By eliminating the camera lens, Ray stripped away the illusion of objectivity, revealing the inherent subjectivity of the medium. These weren't representations *of* things, but rather direct imprints *from* them, imbued with a sense of mystery and otherworldliness. Beyond rayographs, his photographic portraits – particularly those of artists like Lee Miller (who would become both his muse and collaborator) – are renowned for their striking compositions and psychological depth. He experimented relentlessly with solarization, multiple exposures, and darkroom manipulation, pushing the boundaries of what photography could achieve. Solarization, in particular, became a signature technique, creating dramatic reversals of tone that added an element of the uncanny to his portraits.

Beyond Stillness: Film and a Lasting Legacy

Man Ray’s artistic curiosity extended beyond still images into the realm of filmmaking. His experimental films, such as *Le Retour à la Raison* (1923) and *L'Étoile de Mer* (1928), were characterized by their surreal imagery, unconventional editing techniques, and rejection of narrative conventions. These weren’t stories told in a traditional sense; they were visual poems, explorations of form, rhythm, and the subconscious. He often employed innovative techniques like stop-motion animation and superimposition to create disorienting and dreamlike effects. Though his film work remained relatively small in volume, it was profoundly influential on subsequent generations of avant-garde filmmakers. Throughout his long career, Man Ray continued to challenge artistic norms, refusing to be confined by labels or expectations. He died in Paris in 1976, leaving behind a body of work that continues to inspire and provoke. His legacy lies not only in his technical innovations but also in his unwavering commitment to artistic freedom and his relentless pursuit of the impossible—a true pioneer who forever altered our perception of art and reality. His influence can be seen across various disciplines, from contemporary photography and film to fashion and design, demonstrating the enduring power of his vision.

A Continuing Influence

  • Photography: Man Ray’s techniques, particularly rayography and solarization, continue to be explored by contemporary photographers.
  • Surrealism: His contributions solidified the movement's visual language and inspired countless artists across disciplines.
  • Experimental Film: His pioneering work in film laid the groundwork for future generations of avant-garde filmmakers.
  • Fashion Photography: Ray’s innovative approach to portraiture and composition influenced the development of modern fashion photography.
Man Ray's impact extends far beyond his own lifetime, continuing to resonate with artists and audiences today. His willingness to experiment, his rejection of convention, and his unwavering commitment to artistic freedom serve as a powerful inspiration for those who seek to push the boundaries of creative expression. He remains a pivotal figure in 20th-century art, whose work continues to challenge, provoke, and delight.

All 142 works by Man Ray →