Portrait of John Marin

Your Guide to the 44 Most Famous John Marin Paintings

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 44 works by John Marin in our catalogue

In short

John Marin's best-known piece is Weehawken Sequence. Next on the list are Landscape (1921) and Quoddy Head, Maine Coast (1933). We have 44 works by John Marin in our catalogue; this guide picks out the 44 best known, with the year, the museum and the story of each piece.

1870 – 1953, Rutherford Modernism Most works: The Phillips Collection

The 10 John Marin paintings to know first

1
Weehawken Sequence by John Marin

Weehawken Sequence

Oil On Canvas

The Weehawken Sequence emerges from the mind of the American artist John Marin, who lived from 1870 to 1953. This specific work, painted about 1916, captures an abstract cityscape of Weehawken, New Jersey. It exists as a single voice within a much larger, experimental dialogue. Marin produced more than one hundred paintings under the title Weehawken Sequence, each one a distinct observation of the local terrain.

2
Landscape (1921) by John Marin

Landscape

1921 · Watercolor

The watercolor Landscape by John Marin emerges from the paper as a quiet moment captured in 1921. This work, measuring 50 x 43 cm, invites the eye into a forest scene where the boundaries between nature and light feel fluid. The artist, John Marin, uses the transparency of his medium to build a world of trees and scattered yellow flowers. There is a sense of life moving through the greenery,…

3
Quoddy Head, Maine Coast (1933) by John Marin

Quoddy Head, Maine Coast

1933 · Watercolor · The Phillips Collection, Washington, D.C.

John Marin created Quoddy Head, Maine Coast in 1933. This work focuses on the rugged topography of the Maine coastline, specifically capturing the interaction between the sea and the shore. The composition centers on the geological textures of the region, featuring a detailed arrangement of pebbles, rocks, and surging waves.

6
Black River Valley (1913) by John Marin

Black River Valley

1913 · Watercolor · The Phillips Collection, Washington, D.C.

Black River Valley is a watercolor painting by the artist John Marin. Created in 1913, the work captures a specific landscape located in Castorland, New York, situated near the Adirondacks. The composition focuses on the topographical features of the region, specifically the Black River and the surrounding river valley.

7
Maine Islands (1922) by John Marin

Maine Islands

1922 · Watercolor · The Phillips Collection, Washington, D.C.

John Marin created Maine Islands in 1922. This work presents a landscape of the Maine coast, focusing on the relationship between land and sea. The composition centers on a waterscape where various islands emerge from the surrounding environment.

Numbers 11 to 44: more John Marin paintings

What John Marin painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see John Marin's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by John Marin Paintings from this list
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 10 Quoddy Head, Maine Coast, Pertaining to Fifth Avenue and Forty-Second Street, Spring No. 1
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 The Sea, Maine, Untitled (The Blue Sea)
Birmingham Museum of Art, BirminghamBirmingham Museum of Art Birmingham 1 The Tree
John and Mable Ringling Museum of Art, SarasotaJohn and Mable Ringling Museum of Art Sarasota 1 Cape Split - September Squall
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 West Forty-Second Street from Ferryboat
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 1 Huntington, Long Island, #3
Parrish Art Museum, Water MillParrish Art Museum Water Mill 1 Tunk Mountains, Maine
Kelvingrove Art Gallery and Museum, GlasgowKelvingrove Art Gallery and Museum Glasgow 1 Sailboat

Decade by decade: the best-known John Marin piece of each

Works per decade

Pick a decade to see its standout piece.

John Marin: quick answers about the paintings

What is John Marin's best-known painting?See the answer

Top of the list is Weehawken Sequence. Right behind it: Landscape (1921) and Quoddy Head, Maine Coast (1933).

What are John Marin's top 10 paintings?See the answer

Weehawken Sequence, Landscape, Quoddy Head, Maine Coast, Pertaining to Fifth Avenue and Forty-Second Street, Spring No. 1, Black River Valley, Maine Islands, Street Crossing, New York, The Sea, Cape Split, Maine and Weehawken Sequence, No. 30. You'll find the year and the museum of each in the list above.

How many works by John Marin are in your catalogue?See the answer

We have 44 works by John Marin in our catalogue, dated 1907 to 1953.

In which museums can you see John Marin's famous works?See the answer

You'll find most of them in The Phillips Collection (Washington, D.C.), Smithsonian American Art Museum (Washington, D.C.) and Birmingham Museum of Art (Birmingham). The museum list above has the full breakdown.

When did John Marin make the most famous pieces?See the answer

In 1920s, more than any other time: 10 of the 44 pieces on this page date from then, Landscape among them.

What are John Marin's first and last famous pieces?See the answer

The earliest piece here is Portal of St. Mark's, Venice (1907); the most recent is Spring No. 1 (1953).

Which subjects did John Marin paint most often?See the answer

Beach (3), Trees (3) and Landscape (3), out of the 44 pieces on this page.

Which medium shows up most in John Marin's paintings?See the answer

Watercolor, used in 4 of the 44 pieces on this page.

What style or movement is John Marin known for?See the answer

Modernism and Expressionism, as you can see in the pieces on this page.

Which famous John Marin paintings are at the The Phillips Collection?See the answer

You can see 10 of the pieces on this page at the The Phillips Collection, Washington, D.C., including Quoddy Head, Maine Coast, Pertaining to Fifth Avenue and Forty-Second Street and Spring No. 1.

Where can I order a John Marin reproduction?See the answer

Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.

John Marin's story

Early Life and Artistic Foundations

John Marin, born in Rutherford, New Jersey, on December 23, 1870, experienced a childhood marked by early loss. His mother’s passing just nine days after his birth led to his upbringing by maternal aunts in Weehawken, overlooking the bustling cityscape of New York City across the Hudson River. This proximity to urban life would later profoundly influence his artistic vision. Initially drawn to the practicality of architecture, Marin briefly attended the Stevens Institute of Technology before dedicating himself fully to art. He pursued formal training at both the Pennsylvania Academy of the Fine Arts in Philadelphia and the Art Students League of New York, absorbing the teachings of influential figures like Thomas Pollock Anshutz and William Merritt Chase. These early experiences laid a crucial foundation for his evolving style, instilling within him a respect for draftsmanship and observation alongside an emerging desire to explore more expressive forms.

European Influences and the Dawn of Modernism

A pivotal moment in Marin’s artistic development arrived with his journey to Europe in 1905. Settling initially in Paris, he immersed himself in the vibrant art scene, exhibiting at the Salon and encountering the burgeoning currents of modern art. His travels extended beyond France, encompassing the Netherlands, Belgium, England, and Italy, each locale contributing to a distinctive watercolor technique characterized by an interplay of abstract ambience, transparency, opacity, and dynamic linear elements. The atmospheric qualities of James McNeill Whistler’s work resonated deeply with Marin, influencing his ability to evoke mood and feeling through subtle tonal variations. Simultaneously, the revolutionary approaches of Cézanne and Picasso began to shape his understanding of form and composition, pushing him toward a more modernist aesthetic. These European experiences were not merely about acquiring technique; they were about dismantling conventional artistic boundaries and embracing new possibilities.

The Stieglitz Circle and American Modernism

Marin’s return to America in 1909 marked the beginning of a transformative relationship with Alfred Stieglitz, a champion of modern art and proprietor of the influential 291 Gallery in New York City. Stieglitz hosted Marin's first solo exhibition, initiating a nearly forty-year association that proved instrumental to his career. Stieglitz consistently exhibited Marin’s work, providing him with a platform to reach a wider audience and establish himself as a leading figure in the American modernist movement. This connection extended beyond mere patronage; it was a meeting of minds dedicated to challenging artistic norms. Marin's participation in the groundbreaking 1913 Armory Show further solidified his position within this avant-garde circle, exposing his work to a diverse audience and contributing to a seismic shift in American art.

Maine’s Embrace: Landscape and Artistic Expression

From 1914 onward, the rugged coastline of Maine became an enduring source of inspiration for Marin. Spending summers there, he developed an intimate connection with the landscape, capturing its ever-changing moods – from tranquil serenity to tempestuous drama – in his paintings. His style evolved into a unique synthesis of Impressionism and Cubism, characterized by fractured forms, vibrant colors, and expressive brushwork. He didn’t merely depict what he saw; he conveyed *how* it felt to be present within the landscape. Marin's innovative approach to paint handling—treating oils with the fluidity of watercolors—was particularly groundbreaking, influencing subsequent generations of Abstract Expressionist painters. He sought not to replicate reality but to distill its essence, conveying a sense of energy and movement through bold compositions and dynamic brushstrokes.

Legacy and Enduring Influence

John Marin’s contributions to American art are undeniable. His work is now represented in major museum collections worldwide, including the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art, attesting to his lasting significance. He stands as a pioneer of American modernism, bridging the gap between traditional landscape painting and abstract expression. The Colby College Museum of Art boasts the largest collection of his work, serving as a testament to his enduring legacy. Marin’s paintings continue to captivate viewers with their innovative approach to representation, blending abstraction with keen observation and offering a powerful vision of the natural world filtered through the lens of personal experience. He left behind not just a body of artwork but a spirit of experimentation and a commitment to artistic freedom that continues to inspire artists today.

All 44 works by John Marin →