Jean-Léon Gérôme Popularity & Visitor Statistics

1824 – 1904

What is this page?

This page shows how many people visit the pages of Jean-Léon Gérôme on this website. A visit means one person opened a page. Each chart below has its own short explanation.

Statistics were reset on 1 July 2026 — no data is available before that date.

Jean-Léon Gérôme at a glance

Over the last twelve months, Truth coming from the well armed with her whip to chastise mankind was the most viewed piece by Jean-Léon Gérôme on ArtsDot.com: 2,500 visits, 6% of all views of the artist's work. It is followed by Slave Market in Rome and Drunken Bacchus and Cupid. In total, 37,500 visits went to Jean-Léon Gérôme: 3,400 to the artist page and 34,100 to the pages of individual pieces. Attention is growing: visits rose 4% from Aug 2026 to Sep 2026. The busiest month was Jul 2026, with 21,800 visits. People browse on computers (85%), phones (12%) and tablets (3%). Visitors lean towards Dramatic (Emotional Tone): 23% of the visits went to such pieces, which make up 0% of the artist's catalog.

The 10 most viewed Jean-Léon Gérôme pieces

These are the 10 pieces by Jean-Léon Gérôme that people opened most on ArtsDot.com over the last twelve months, most viewed first.

  1. Truth coming from the well armed with her whip to chastise mankind 1 Truth coming from the well armed with her whip to chastise mankind, 1896 2,500 visits · 6.3%
  2. Slave Market in Rome 2 Slave Market in Rome, 1884 1,800 visits · 4.5%
  3. Drunken Bacchus and Cupid 3 Drunken Bacchus and Cupid, 1850 1,700 visits · 4.3%
  4. L'Eminence Grise 4 L'Eminence Grise 1,700 visits · 4.3%
  5. The Slave Market 5 The Slave Market, 1871 1,500 visits · 3.8%
  6. Harem Women Feeding Pigeons in a Courtyard 6 Harem Women Feeding Pigeons in a Courtyard, 1894 1,100 visits · 2.8%
  7. Snake Charmer 7 Snake Charmer, 1889 1,000 visits · 2.5%
  8. Pollice Verso (aka Thumbs Down) 8 Pollice Verso (aka Thumbs Down) 1,000 visits · 2.5%
  9. Moorish Bath (also known as Lady of Cairo Bathing) 9 Moorish Bath (also known as Lady of Cairo Bathing), 1872 900 visits · 2.3%
  10. Prayer on the Housetops 10 Prayer on the Housetops, 1865 900 visits · 2.3%

How many people visit the Jean-Léon Gérôme page each month?

Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.

See the numbers
MonthArtist pageArtwork pages
Oct 202500
Nov 202500
Dec 202500
Jan 202600
Feb 202600
Mar 202600
Apr 202600
May 202600
Jun 202601,000
Jul 20261,30020,500
Aug 20269006,300
Sep 20261,2006,300

How often are the pieces by Jean-Léon Gérôme viewed?

Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.

The monthly figures of both charts are in the first table, above.

Which Jean-Léon Gérôme pieces are viewed most, month by month?

Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.

See the numbers
ArtworkOct 2025Nov 2025Dec 2025Jan 2026Feb 2026Mar 2026Apr 2026May 2026Jun 2026Jul 2026Aug 2026Sep 2026
Public Prayer in the Mosque…0000000005002000
Harem Women Feeding Pigeons…000000000200200500
Paryer in the Mosque000000000300100200
Slave Market in Rome000000000400300600
Turkish 0000000001001000
Tigress and Her Cubs0000000000100100
Snake Charmer000000000800100100
Moorish Bath0000000003000200
Portrait of a Lady0000000004003000
Truth coming from the well…00000000080001,600

Which devices do the visitors of Jean-Léon Gérôme use?

Each slice is one kind of device: phone, tablet or computer. The bigger the slice, the more visits came from that kind of device during the last twelve months.

See the numbers
DeviceVisitsShare
computers32,00085.3%
phones4,50012.0%
tablets1,0002.7%

Which languages do the visitors of Jean-Léon Gérôme use?

Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.

See the numbers
LanguageVisitsShare
Chinese60037.5%
English30018.8%
French20012.5%
Danish1006.2%
Spanish1006.2%
Georgian1006.2%
Portuguese1006.2%
Russian1006.2%

How many visits does Jean-Léon Gérôme get each day, and what comes next?

Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.

See the numbers
DayVisits
Sat 26 Sep400
Sun 27 Sep200
Mon 28 Sep600
Tue 29 Sep500
Wed 30 Sep500
Thu 1 Oct600
Fri 2 Oct300
Sat 3 Oct200
Sun 4 Oct1,200
Mon 5 Oct600
Tue 6 Oct100
Wed 7 Oct800
Thu 8 Oct0
Fri 9 Oct1,000
Sat 10 Oct400
Sun 11 Oct300
Mon 12 Oct2,700
Tue 13 Oct1,700
Wed 14 Oct800
Thu 15 Oct700
Fri 16 Oct600
Sat 17 Oct (forecast)600
Sun 18 Oct (forecast)1,100
Mon 19 Oct (forecast)2,500
Tue 20 Oct (forecast)1,400
Wed 21 Oct (forecast)1,300
Thu 22 Oct (forecast)800
Fri 23 Oct (forecast)1,200
Sat 24 Oct (forecast)700
Sun 25 Oct (forecast)1,200
Mon 26 Oct (forecast)2,900
Tue 27 Oct (forecast)1,700
Wed 28 Oct (forecast)1,500
Thu 29 Oct (forecast)1,000
Fri 30 Oct (forecast)1,400
Sat 31 Oct (forecast)800
Sun 1 Nov (forecast)1,400
Mon 2 Nov (forecast)3,200
Tue 3 Nov (forecast)1,900
Wed 4 Nov (forecast)1,700
Thu 5 Nov (forecast)1,100
Fri 6 Nov (forecast)1,600

Questions about Jean-Léon Gérôme on ArtsDot.com

Which Jean-Léon Gérôme pieces are the most popular?

Truth coming from the well armed with her whip to chastise mankind is the most popular, with 2,500 visits (6% of all views of Jean-Léon Gérôme). The ranking above lists the 10 most viewed pieces.

How many people look at Jean-Léon Gérôme on ArtsDot.com?

Over the last twelve months Jean-Léon Gérôme received 37,500 visits: 3,400 on the artist page and 34,100 on the pages of individual pieces.

On which devices do the visitors of Jean-Léon Gérôme browse?

Mostly on computers (85%), phones (12%) and tablets (3%): 85% of the visits come from computers.

What kind of pieces do the visitors of Jean-Léon Gérôme prefer?

They prefer Dramatic (Emotional Tone): 23% of the visits, against 0% of the artist's catalog.