What is this page?
This page shows how many people visit the pages of Henry Macartney on this website. A visit means one person opened a page. Each chart below has its own short explanation.
Henry Macartney: the numbers in a few lines
Caroline Birch Mitchell, née Dutton (c.1853–1950) is the star: 200 visits in the last twelve months, 100% of all the views of Henry Macartney. Together, the artist page (400 visits) and the pieces (100 visits) add up to 500. Best month: Jul 2026 (300 visits). The visits favour Clear Color Presence (Color Saturation), at 100% of the visits versus 29% of the catalog.
Henry Macartney: 1 pieces that people look at first
Each piece below was opened by real visitors on ArtsDot.com during the last twelve months. Rank 1 is the most visited of Henry Macartney.
When do people visit the Henry Macartney page?
Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.
Data table
| Month | Artist page | Artwork pages |
|---|---|---|
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 100 | 100 |
| Jul 2026 | 300 | 0 |
| Aug 2026 | 0 | 0 |
| Sep 2026 | 0 | 0 |
| Oct 2026 | 0 | 0 |
When are the pieces of Henry Macartney viewed?
Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.
The monthly figures of both charts are in the first table, above.
What do the visitors of Henry Macartney choose, compared with what the artist made?
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
Vibe
Emotional Tone
Luminance
Color Saturation
Color Palette
Color Intensity
Contrast
Color Harmony
Data table
| Luminance | Artworks of the artist | Visits |
|---|---|---|
| Dark | 71.4% | 100.0% |
| Soft Shadow | 14.3% | 0.0% |
| Gentle Luminance | 14.3% | 0.0% |
| Bright Balance | 0.0% | 0.0% |
| Luminous | 0.0% | 0.0% |
| Color Saturation | Artworks of the artist | Visits |
|---|---|---|
| Muted | 14.3% | 0.0% |
| Subtle Color | 42.9% | 0.0% |
| Balanced Soft | 14.3% | 0.0% |
| Clear Color Presence | 28.6% | 100.0% |
| Vivid Color | 0.0% | 0.0% |
| Color Intensity | Artworks of the artist | Visits |
|---|---|---|
| Monochromatic | 57.1% | 0.0% |
| Balanced | 28.6% | 100.0% |
| Vivid | 14.3% | 0.0% |
| Contrast | Artworks of the artist | Visits |
|---|---|---|
| Serene | 28.6% | 0.0% |
| Gentle | 28.6% | 100.0% |
| Balanced | 0.0% | 0.0% |
| Bold | 14.3% | 0.0% |
| Statement | 28.6% | 0.0% |
| Color Harmony | Artworks of the artist | Visits |
|---|---|---|
| Discordant Palette | 14.3% | 0.0% |
| Softly Mixed Palette | 0.0% | 0.0% |
| Balanced Harmony | 0.0% | 0.0% |
| Strong Color Unity | 71.4% | 100.0% |
| Unified Palette | 14.3% | 0.0% |
What are the top pieces of Henry Macartney, month by month?
Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.
Data table
| Artwork | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 | Oct 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Sir Charles Sissmore Tomes… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Moorland | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Caroline Birch Mitchell, né… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 | 0 | 0 |
| Charles Thomas Mitchell (18… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Old Mission Sonoma, Calif. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Sir John Tomes (1815–1895),… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Maxwell Macartney (c.1814–b… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
What languages does the Henry Macartney audience speak?
Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.
What are the daily visits to Henry Macartney, and the next three weeks?
Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.
Data table
| Day | Visits |
|---|---|
| Wed 14 Oct | 0 |
| Thu 15 Oct | 0 |
| Fri 16 Oct | 0 |
| Sat 17 Oct | 0 |
| Sun 18 Oct | 0 |
| Mon 19 Oct | 0 |
| Tue 20 Oct | 0 |
| Wed 21 Oct | 0 |
| Thu 22 Oct | 0 |
| Fri 23 Oct | 0 |
| Sat 24 Oct | 0 |
| Sun 25 Oct | 0 |
| Mon 26 Oct | 0 |
| Tue 27 Oct | 0 |
| Wed 28 Oct | 0 |
| Thu 29 Oct | 0 |
| Fri 30 Oct | 0 |
| Sat 31 Oct | 100 |
| Sun 1 Nov | 100 |
| Mon 2 Nov | 0 |
| Tue 3 Nov | 0 |
| Wed 4 Nov (forecast) | 0 |
| Thu 5 Nov (forecast) | 0 |
| Fri 6 Nov (forecast) | 0 |
| Sat 7 Nov (forecast) | 100 |
| Sun 8 Nov (forecast) | 100 |
| Mon 9 Nov (forecast) | 0 |
| Tue 10 Nov (forecast) | 0 |
| Wed 11 Nov (forecast) | 0 |
| Thu 12 Nov (forecast) | 0 |
| Fri 13 Nov (forecast) | 0 |
| Sat 14 Nov (forecast) | 200 |
| Sun 15 Nov (forecast) | 200 |
| Mon 16 Nov (forecast) | 0 |
| Tue 17 Nov (forecast) | 0 |
| Wed 18 Nov (forecast) | 0 |
| Thu 19 Nov (forecast) | 0 |
| Fri 20 Nov (forecast) | 0 |
| Sat 21 Nov (forecast) | 200 |
| Sun 22 Nov (forecast) | 200 |
| Mon 23 Nov (forecast) | 0 |
| Tue 24 Nov (forecast) | 0 |
What people ask about Henry Macartney
Which pieces of Henry Macartney do people open most?
- Caroline Birch Mitchell, née Dutton (c.1853–1950) first, with 200 visits or 100% of the views. 1 pieces are ranked above.
How big is the audience of Henry Macartney on ArtsDot.com?
- 500 visits in twelve months: 400 to the artist page and 100 to its pieces.
Which pieces of Henry Macartney suit the taste of the visitors best?
- Pieces tagged Clear Color Presence (Color Saturation) take 100% of the visits although they are 29% of the catalog.