Franz von Bayros Audience & Popularity on ArtsDot.com

1866 – 1924

What is this page?

This page shows how many people visit the pages of Franz von Bayros on this website. A visit means one person opened a page. Each chart below has its own short explanation.

Statistics were reset on 1 July 2026 — no data is available before that date.

Franz von Bayros: the numbers in a few lines

Dante's 'divine Comedy (15) is the star: 600 visits in the last twelve months, 21% of all the views of Franz von Bayros. Next come Illustration from Dante's 'Divine Comedy', Paradise, Canto IX and Illustration from Dante's 'Divine Comedy', Inferno, Canto V. Together, the artist page (2,100 visits) and the pieces (2,300 visits) add up to 4,400. Interest is rising, with 7% more visits between Aug 2026 and Sep 2026. Best month: Sep 2026 (1,500 visits). By device: phones (50%), computers (48%) and tablets (2%). The visits favour Balanced Harmony (Color Harmony), at 43% of the visits versus 18% of the catalog.

Franz von Bayros: 10 pieces that people look at first

Each piece below was opened by real visitors on ArtsDot.com during the last twelve months. Rank 1 is the most visited of Franz von Bayros.

  1. Dante's 'divine Comedy (15) 1 Dante's 'divine Comedy (15) 600 visits · 21.4%
  2. Illustration from Dante's 'Divine Comedy', Paradise, Canto IX 2 Illustration from Dante's 'Divine Comedy', Paradise, Canto IX, 1921 300 visits · 10.7%
  3. Illustration from Dante's 'Divine Comedy', Inferno, Canto V 3 Illustration from Dante's 'Divine Comedy', Inferno, Canto V, 1921 300 visits · 10.7%
  4. Dante's 'divine Comedy (28) 4 Dante's 'divine Comedy (28) 200 visits · 7.1%
  5. Dante's 'divine Comedy (39) 5 Dante's 'divine Comedy (39) 200 visits · 7.1%
  6. Illustration from Dante's 'Divine Comedy', Paradise, Canto XVII 6 Illustration from Dante's 'Divine Comedy', Paradise, Canto XVII, 1921 100 visits · 3.6%
  7. Illustration from Dante's 'Divine Comedy', Paradise, Canto XI 7 Illustration from Dante's 'Divine Comedy', Paradise, Canto XI, 1921 100 visits · 3.6%
  8. Illustration from Dante's 'Divine Comedy', Paradise, Canto XXIII 8 Illustration from Dante's 'Divine Comedy', Paradise, Canto XXIII, 1921 100 visits · 3.6%
  9. Illustration from Dante's 'Divine Comedy', Paradise, Canto XXVIII 9 Illustration from Dante's 'Divine Comedy', Paradise, Canto XXVIII, 1921 100 visits · 3.6%
  10. Illustration from Dante's 'Divine Comedy', Paradise, Canto IV 10 Illustration from Dante's 'Divine Comedy', Paradise, Canto IV, 1921 100 visits · 3.6%

When do people visit the Franz von Bayros page?

Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.

Data table
MonthArtist pageArtwork pages
Oct 202500
Nov 202500
Dec 202500
Jan 202600
Feb 202600
Mar 202600
Apr 202600
May 202600
Jun 20262000
Jul 2026800500
Aug 2026800600
Sep 20263001,200

When are the pieces of Franz von Bayros viewed?

Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.

The monthly figures of both charts are in the first table, above.

What are the top pieces of Franz von Bayros, month by month?

Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.

Data table
ArtworkOct 2025Nov 2025Dec 2025Jan 2026Feb 2026Mar 2026Apr 2026May 2026Jun 2026Jul 2026Aug 2026Sep 2026
Illustration from Dante's '…0000000000100100
Dante's 'divine Comedy (28)000000000000
Nude Woman in her Boudoir000000000000
Illustration from Dante's '…00000000001000
Illustration from Dante's '…0000000000100100
Illustration from Dante's '…00000000001000
Illustration from Dante's '…00000000001000
Dante's 'divine Comedy (26)000000000000
Dante's 'divine Comedy (32)00000000000100
Dante's 'divine Comedy -000000000000

What are the devices of the Franz von Bayros audience?

Each slice is one kind of device: phone, tablet or computer. The bigger the slice, the more visits came from that kind of device during the last twelve months.

Data table
DeviceVisitsShare
phones2,20050.0%
computers2,10047.7%
tablets1002.3%

What languages does the Franz von Bayros audience speak?

Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.

Data table
LanguageVisitsShare
Russian20066.7%
Hungarian10033.3%

What are the daily visits to Franz von Bayros, and the next three weeks?

Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.

Data table
DayVisits
Wed 16 Sep0
Thu 17 Sep400
Fri 18 Sep0
Sat 19 Sep100
Sun 20 Sep0
Mon 21 Sep0
Tue 22 Sep400
Wed 23 Sep100
Thu 24 Sep0
Fri 25 Sep100
Sat 26 Sep0
Sun 27 Sep600
Mon 28 Sep0
Tue 29 Sep0
Wed 30 Sep100
Thu 1 Oct0
Fri 2 Oct0
Sat 3 Oct0
Sun 4 Oct0
Mon 5 Oct0
Tue 6 Oct100
Wed 7 Oct (forecast)0
Thu 8 Oct (forecast)0
Fri 9 Oct (forecast)0
Sat 10 Oct (forecast)0
Sun 11 Oct (forecast)0
Mon 12 Oct (forecast)0
Tue 13 Oct (forecast)0
Wed 14 Oct (forecast)0
Thu 15 Oct (forecast)0
Fri 16 Oct (forecast)0
Sat 17 Oct (forecast)0
Sun 18 Oct (forecast)0
Mon 19 Oct (forecast)0
Tue 20 Oct (forecast)0
Wed 21 Oct (forecast)0
Thu 22 Oct (forecast)0
Fri 23 Oct (forecast)0
Sat 24 Oct (forecast)0
Sun 25 Oct (forecast)0
Mon 26 Oct (forecast)0
Tue 27 Oct (forecast)0

What people ask about Franz von Bayros

Which pieces of Franz von Bayros do people open most?

Dante's 'divine Comedy (15) first, with 600 visits or 21% of the views. 10 pieces are ranked above.

How big is the audience of Franz von Bayros on ArtsDot.com?

4,400 visits in twelve months: 2,100 to the artist page and 2,300 to its pieces.

Which devices bring the audience of Franz von Bayros?

The audience comes from phones (50%), computers (48%) and tablets (2%); phones bring 50% of the visits.

Which pieces of Franz von Bayros suit the taste of the visitors best?

Pieces tagged Balanced Harmony (Color Harmony) take 43% of the visits although they are 18% of the catalog.