Portrait of Sofia Borges

Meet the 6 Most Famous Paintings by Sofia Borges

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 6 works by Sofia Borges in our catalogue

In short

If you know one Sofia Borges painting, it's probably The Mask, the Gesture, the Paper (2017), which hangs in the Instituto Moreira Salles, Rio de Janeiro. The Mask, the Gesture, the Paper (2017) and The Mask, the Gesture, the Paper (2017) round out the three pieces people recognise right away. Our catalogue has 6 works by Sofia Borges. Below are the 6 people know best, each with its year, where to find it and what makes it special.

born 1984, São Paulo Most works: Instituto Moreira Salles

Start here: the top 10 Sofia Borges paintings

1
The Mask, the Gesture, the Paper (2017) by Sofia Borges

The Mask, the Gesture, the Paper

2017 · Instituto Moreira Salles, Rio de Janeiro

Sofia Borges’ photographs are the result of a period she spent in Brasília in February 2017, when she photo¬graphed what was going on in the Brazilian Congress, at a time when the actions of Congress and the Senate were weighing more heavily on the political scene. Less than a year before, Congressmen and Senators had been highly visible during disturbing voting sessions, which culminated in the removal of the sitting…

2
The Mask, the Gesture, the Paper (2017) by Sofia Borges

The Mask, the Gesture, the Paper

2017 · Photography · Instituto Moreira Salles, Rio de Janeiro

In The Mask, the Gesture, the Paper, Sofia Borges presents a profound meditation on the theater of politics, captured during a transformative period in Brasília in February 2017. The work functions as a hauntingly beautiful duality, where the artist explores the tension between the public face of authority and the raw, unscripted movements of legislative life. This piece is not merely a photographic record but an investigation into the layers…

3
The Mask, the Gesture, the Paper (2017) by Sofia Borges

The Mask, the Gesture, the Paper

2017 · Photography · Instituto Moreira Salles, Rio de Janeiro

In the evocative photographic series The Mask, the Gesture, the Paper, Sofia Borges invites the viewer into the hallowed, tension-filled corridors of the Brazilian Congress. Captured in Brasília during the transformative period of February 2017, this work serves as a profound meditation on the theater of politics. It was a time when the actions of the Senate and Congress weighed heavily upon the national psyche, following the turbulent removal of…

4
The Mask, the Gesture, the Paper (2017) by Sofia Borges

The Mask, the Gesture, the Paper

2017 · Instituto Moreira Salles, Rio de Janeiro

Sofia Borges’ photographs are the result of a period she spent in Brasília in February 2017, when she photo¬graphed what was going on in the Brazilian Congress, at a time when the actions of Congress and the Senate were weighing more heavily on the political scene. Less than a year before, Congressmen and Senators had been highly visible during disturbing voting sessions, which culminated in the removal of the sitting…

5
The Mask, the Gesture, the Paper (2017) by Sofia Borges

The Mask, the Gesture, the Paper

2017 · Instituto Moreira Salles, Rio de Janeiro

Sofia Borges’ photographs are the result of a period she spent in Brasília in February 2017, when she photo¬graphed what was going on in the Brazilian Congress, at a time when the actions of Congress and the Senate were weighing more heavily on the political scene. Less than a year before, Congressmen and Senators had been highly visible during disturbing voting sessions, which culminated in the removal of the sitting…

6
The Mask, the Gesture, the Paper (2017) by Sofia Borges

The Mask, the Gesture, the Paper

2017 · Instituto Moreira Salles, Rio de Janeiro

Sofia Borges’ photographs are the result of a period she spent in Brasília in February 2017, when she photo¬graphed what was going on in the Brazilian Congress, at a time when the actions of Congress and the Senate were weighing more heavily on the political scene. Less than a year before, Congressmen and Senators had been highly visible during disturbing voting sessions, which culminated in the removal of the sitting…

What Sofia Borges painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Sofia Borges's paintings

The museum that holds the most of the paintings on this page.

Museum City Works by Sofia Borges Paintings from this list
Instituto Moreira Salles, Rio de JaneiroInstituto Moreira Salles Rio de Janeiro 6 The Mask, the Gesture, the Paper, The Mask, the Gesture, the Paper, The Mask, the Gesture, the Paper

Sofia Borges year by year: the standout pieces

Every dated piece by Sofia Borges on this page comes from a single year, 2017. Here they are.

Works per year

Pick a year to see its pieces.

Your questions about Sofia Borges's paintings

Which Sofia Borges painting is the most famous?See the answer

Top of the list is The Mask, the Gesture, the Paper (2017), Instituto Moreira Salles, Rio de Janeiro. Right behind it: The Mask, the Gesture, the Paper (2017) and The Mask, the Gesture, the Paper (2017).

How old was Sofia Borges when The Mask, the Gesture, the Paper was made?See the answer

33 years old. Sofia Borges was born in 1984, and The Mask, the Gesture, the Paper dates from 2017.

How many paintings did Sofia Borges create?See the answer

We have 6 works by Sofia Borges in our catalogue.

Where can you see Sofia Borges's famous paintings?See the answer

You'll find most of them in Instituto Moreira Salles (Rio de Janeiro). The museum list above has the full breakdown.

When did Sofia Borges paint the best-known pieces?See the answer

In 2017, more than any other time: 6 of the 6 pieces on this page date from then, The Mask, the Gesture, the Paper among them.

What subjects show up most in Sofia Borges's paintings?See the answer

Politics (2), Masks (2) and Congress (2), out of the 6 pieces on this page.

What materials did Sofia Borges paint with most?See the answer

Photography, used in 2 of the 6 pieces on this page.

Which Sofia Borges pieces can you see at the Instituto Moreira Salles?See the answer

You can see 6 of the pieces on this page at the Instituto Moreira Salles, Rio de Janeiro, including The Mask, the Gesture, the Paper, The Mask, the Gesture, the Paper and The Mask, the Gesture, the Paper.

Getting to know Sofia Borges

The Poetic Lens of Sofia Borges

Born in Ribeirão Preto, Brazil, Sofia Borges has cultivated a practice that exists at the delicate intersection of photography, metaphysics, and the archival. Moving between the vibrant energy of São Paulo and the cultural depth of Paris, her work transcends simple documentation to become an investigation into the very nature of representation. Since graduating in Visual Arts from the Universidade de São and São Paulo in 2008, Borges has utilized the photographic medium not merely to capture reality, but to question how we perceive it. Her lens does not seek the obvious; instead, it wanders through paleontology museums, ancient caves, and spontaneous shrines, seeking out the archetypes that underpin our collective understanding of the world.

Her artistic development is characterized by a profound fascination with objects that carry the weight of history and myth. Through her large-format photographs, Borges breathes a haunting life into archival objects, illustrations, museum dioramas, and taxidermy. She approaches these items—ranging from fossils to stuffed animals—with an intuitive grace, selecting angles that strip them of their literal, documentary function. In her hands, a fragment of a sculpture or a detail of a map is liberated from its specific historical context, allowed instead to stand as a solitary, poetic entity. This process creates a sense of the unfathomable and the unrevealable, where the subject matter becomes part of a surreal and somewhat gloomy whole that invites deep contemplation.

The Architecture of Image and Memory

Borges’s technique is a sophisticated dance with reality and its reflections. She often engages in a practice of duplication and layering, photographing objects alongside their mirror images or re-photographing existing photographs to create new layers of meaning. This method challenges the traditional claim of photography to absolute truth, suggesting instead that an image can let go of reality just as a painting or sculpture might. Her work explores the tension between mimicry and imitation, investigating how much of the original essence remains when an object is captured through a secondary medium.

The thematic depth of her oeuvre is further enriched by her exploration of political and social landscapes. During a significant period in Brasília in February 2017, Borges turned her gaze toward the Brazilian Congress. In works such as The Mask, the Gesture, the Paper, she captured the atmospheric tension of a pivotal political era, documenting the legislative sessions and the weight of the Senate's actions. By juxtaposing photographs of out-of-focus mouths—reproduced from oil paintings by Urbano Villela—with gestures extracted from actual legislative sessions, she masterfully weaves together the theatricality of power with the raw reality of political movement.

Recognition and Artistic Legacy

The significance of Sofia Borges's work is reflected in her presence within prestigious international art spaces. Her ability to unify disconcertingly unfamiliar objects through a strong, cohesive aesthetic language has earned her recognition in major exhibitions across the globe. Some of her notable milestones include:

  • Degas Borges at the Museu de Arte de São Paulo (MASP), Brazil.
  • The exhibition The Sun, The Sun. But The Unconscious of The Sun at Mendes Wood DM Gallery, Brussels, Belgium.
  • Her monumental presentation Black Chalk and White Charcoal or the Myth of the Absent Matter at Foam, Amsterdam.
  • Participation in the 33rd São Paulo Biennial, contributing to the curatorial project Affective Affinities.
  • Exhibitions at the Daegu Photo Biennale in South Korea and the Padiglione d’Arte Contemporanea (PAC) in Milan.

Through her continuous research into the philosophical notions of the image, Borges has established herself as a vital voice in contemporary photography. Her work remains a profound meditation on how we use models of reality—be they fossils, maps, or shadows—to grasp the world and find meaning within the vast, mysterious expanse of history.