Mark
Oates
The Naval Eye of Mark Oates To understand the visual record of British naval history, one must look past the grand oil portraits in the galleries and toward the men who actually lived the combat they depicted. Mark Oates was not merely a spectator of …
A portrait built from Mark Oates's own colours
Every 1 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.