Li
Zhaodao
The Architect of Color and Stone The Tang Dynasty landscape shifts under the brush of Li Zhaodao. He moves away from the soft, muted tones of the Southern School, opting instead for a heavy, luminous application of mineral pigments. In the high mountain passes of …
A portrait built from Li Zhaodao's own colours
Every 1 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.