lee
jong-keun
The Scars of Hiroshima and the Birth of a Vision In the searing summer of 1945, the world changed irrevocably for a sixteen-year-old boy in Hiroshima. For Lee Jong-keun, the arrival of the atomic bomb was not merely a historical event but a visceral, sensory …
A portrait built from lee jong-keun's own colours
Every 1 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.
