Joseph-Ferdinand
Lancrenon
The Shadow of the Master Lods, France, 1794. A son of a winemaker enters a world where the lines between Neoclassicism and Romanticism begin to blur. Joseph-Ferdinand Lancrenon does not wander aimlessly into the studios of Paris; he finds his way to Anne Louis Girodet-Trioson. …
A portrait built from Joseph-Ferdinand Lancrenon's own colours
Every 3 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.