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DiaporamaFrederika Sophia Wilhelmina of Prussia (1751-1820). Wife of Prince Willem V, in the Temple of the Arts, Benjamin Samuel Bolomey, 1760 - 1790
1790
45.0 x 31.0 cm
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Frederika Sophia Wilhelmina of Prussia (1751-1820). Wife of Prince Willem V, in the Temple of the Arts, Benjamin Samuel Bolomey, 1760 - 1790
Reproduction Medium
Reproduction Size
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Total Price
¥ 1789
Artwork Description
Artist Biography
Benjamin Samuel Bolomey: Life and Legacy
Early Life and Education
Benjamin Samuel Bolomey was born on May 19, 1739, in Lausanne, Switzerland, to François Louis Bolomey, an hotelier, and Pernette Mercier. He began his artistic journey early, moving to Paris in 1752 to pursue studies as a pastel portrait painter. He formally became a pupil of Joseph-Marie Vien in 1758, further refining his skills under the guidance of this prominent artist.
During his Parisian period, Bolomey was also influenced by the works of Boucher and La Tour, absorbing elements from their distinct styles that would later inform his own artistic approach.
Career in The Netherlands
In 1763, Bolomey relocated to The Hague, joining the Confrerie Pictura – a prestigious society of artists. He quickly established himself as a sought-after portrait painter, becoming court painter to William V, Prince of Orange. This position allowed him access to Dutch high society and provided numerous opportunities to create portraits of prominent figures.
Bolomey’s success continued with his appointment as regent of the Confrerie in 1771. He further solidified his influence by becoming director of the Royal Academy of Art in The Hague from 1777 until 1791.
Artistic Style and Influences
Bolomey’s artistic style is characterized by refined portraiture, often executed in pastel. His portraits capture the personality and status of his sitters with a delicate touch and attention to detail. While influenced by French Rococo aesthetics through Boucher, and Vien's neoclassical leanings, Bolomey developed a distinctive approach that blended elegance with realism.
- Pastel Portraiture: A signature technique showcasing soft colors and subtle shading.
- Realism & Elegance: Balancing accurate representation with refined artistic presentation.
- Influence of French Art: Evident in the composition and stylistic choices.
Return to Switzerland and Political Involvement
In 1791, Bolomey returned to his hometown of Lausanne. During the years of the Helvetic Republic (1798–1803), he painted a series of portrait miniatures depicting politicians and revolutionaries from Vaud – then part of the canton of Bern.
Following Vaud’s establishment as a Swiss canton, Bolomey transitioned into politics, serving as a member of the Grand Council of Vaud from 1803 to 1807. This demonstrates his commitment to civic duty alongside his artistic pursuits.
Legacy and Historical Significance
Benjamin Samuel Bolomey’s work provides valuable insights into the social and political landscape of both the Netherlands during the late 18th century and Switzerland during a period of significant change. His portraits offer a glimpse into the lives of prominent individuals, while his miniatures document a pivotal moment in Vaud's history.
He died in Lausanne on December 19, 1819, at the age of 80, leaving behind a legacy as both a skilled artist and an engaged citizen. His contributions to portraiture and his involvement in Swiss politics mark him as a notable figure in European history.
Benjamin Samuel Bolomey
1739 - 1819 , Switzerland
Quick Facts
- Birth Date: 1739-05-19
- Birth Place: Lausanne, Switzerland
- Death Date: 1819-12-19
- Influenced By:
- Joseph-Marie Vien
- Boucher
- La Tour
- Movement: Portraiture
- Name: Benjamin Samuel Bolomey
- Nationality: Swiss
- Notable Works:
- Frederika Sophia Wilhelmina of Prussia (portrait)
- Willem V, Prince of Orange-Nassau (portrait)
