Down there the peasants were driving, driving past and away, one cart after the other, #9
German Expressionism
1974
Modern
37.0 x 55.0 cm
Leo Baeck Institute
lipman-wulf, peter (1905 – 1993)
Peter Lipman-Wulf (1905-1993) was a German-born sculptor & printmaker whose expressionist works captured the turbulence of his era. Explore his biblical themes, mythological scenes, and unique blend of German Expressionism & American influences. Find
Leo Baeck Institute (New York City, United States of America)
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A Surreal Harvest of the Mind
In the evocative painting Down there the peasants were driving, driving past and away, one cart after the other, #9, Peter Lipman-Wulf invites the viewer into a dreamscape where the boundaries between humanity and nature dissolve. The composition presents a striking, surrealist vision: a figure whose very thoughts seem to take physical form through a lush, overflowing crown of vegetables. Broccoli florets and vibrant apples emerge from the subject's head, creating a botanical halo that challenges our perception of identity. This is not merely a portrait of a person, but a profound exploration of the fertile landscape of the human psyche, where ideas grow with the organic unpredictability of a garden in bloom.
The technique employed by Lipman-Wulf reflects his deep roots in German Expressionism, blended seamlessly with the sensibilities he refined during his later years in America. There is a tactile quality to the work; the way the broccoli is rendered suggests a weight and texture that grounds the surreal subject matter in a tangible reality. The artist uses light and shadow to create depth, making the scattered pieces of produce appear as if they are floating in a space that is simultaneously intimate and infinite. For the collector or interior designer, this piece offers a sophisticated focal point—a conversation starter that rewards repeated viewing with new layers of visual complexity.
Symbolism and the Weight of History
To understand this work, one must consider the turbulent life of Peter Lipman-Wulf. Having fled Nazi Germany in 1933, his artistic language became a vessel for processing displacement and transformation. In this specific piece, the imagery of "driving past and away" suggested by the title, paired with the literal growth of nature from the mind, speaks to themes of migration, memory, and the persistence of life. The vegetables serve as symbols of sustenance and growth, perhaps representing the seeds of culture and identity that an individual carries with them across borders and through eras.
The emotional impact of the painting is one of quiet introspection mixed with a whimsical wonder. It captures a moment of stillness amidst the metaphorical movement of the "carts" passing by. For those seeking to adorn a space with art that inspires deep thought, this reproduction offers more than just aesthetic beauty; it provides an emotional anchor. It is a piece that celebrates the richness of the internal world, making it an ideal acquisition for those who appreciate art that bridges the gap between the surreal and the deeply human experience.
About this artwork
- Title: Down there the peasants were driving, driving past and away, one cart after the other, #9
- Artist: lipman-wulf, peter
- Year: 1974
- Original dimensions: 37.0 x 55.0 cm
- Format: Portrait
- Copyright status: Under copyright
- Where to see it: Leo Baeck Institute
- Movement: German Expressionism
- Corpus context: surrealist imagery , german expressionism influence
- Color palette: Neutrals
Quick Facts
- Dimensions: 37 x 55 cm
- Title: Down there the peasants were driving... #9
- Artist: Peter Lipman-Wulf
- Subject or theme: Person with head full of vegetables
- Artistic style: German Expressionism