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DiaporamaKıt’a (single piece)
Ink- WallArt
- Islamic Calligraphy
1871- 19th Century
26.0 x 21.0 cm
Sakıp Sabancı Museum
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Hand Made Oil Reproduction
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P118B S$10
P118H S$10
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P438Z S$10
P508JH S$12
P508YH S$12
P805H S$10
P805Z S$10
P919BZ S$10
P919G S$10
P919XJ S$10
P959ZH S$10
P968JZ S$12
W106C S$8
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W307PJ S$10
W316G S$10
W316PJ S$8
W316Y S$10
W398PJ S$8
W4111J S$10
W500HY S$15
W500JH S$15
W692G S$12
W849H S$8
W940BG S$15
W953PJ S$8
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Glass option is only available in size under 110 CM
Kıt’a (single piece)
Reproduction Medium
Reproduction Size
-
Total Price
S$ 340
Artwork Description
A Symphony of Script and Gold
In the delicate dance of 19th-century Ottoman artistry, few works capture the spiritual and aesthetic harmony of the era as intimately as Kıt’a. Created in 1871 by the master Kadıasker Mustafa İzzet Efendi, this single-piece masterpiece serves as a profound testament to the power of calligraphy. The artwork presents a mesmerizing field of luminous yellow, acting as a celestial stage for the fluid, rhythmic movement of Arabic script. Blue accents are scattered across the composition like fragments of a twilight sky, providing a cool, structural contrast to the warmth of the background. This interplay of color and line does more than merely present text; it creates a visual melody that resonates with the soul of the viewer.
The technique employed by Mustafa İzzet Efendi reflects his unparalleled mastery of the sülüs and naskh scripts. As a renowned composer and ney player, the artist approached the pen with the same precision and breath control required for musical performance. Every stroke of the cursive lettering possesses a lyrical quality, where the weight of the ink varies with an intentional, rhythmic grace. The way the blue accents dance around the golden expanse suggests a sense of cosmic order, transforming a piece of written word into a meditative experience. For the collector, this work offers a rare glimpse into the refined elegance of the Ottoman imperial court, where calligraphy was considered the highest form of visual devotion.
Historical Resonance and Interior Elegance
To possess a reproduction of Kıt’a is to invite a piece of history into the modern living space. Mustafa İzzet Efendi was not merely an artist but a statesman and scholar whose calligraphic legacy can be found in the world's most iconic monuments, from the Hagia Sophia to the Washington Monument. This specific work, dating from 1871, carries the weight of a vanishing era—a time when art, theology, and music were inextricably linked. The piece embodies the "Rûmi" spirit, blending intellectual depth with aesthetic splendor, making it an ideal focal point for those who appreciate art with a profound historical narrative.
- Visual Impact: The vibrant yellow and deep blue palette provides a sophisticated pop of color that complements both contemporary minimalist interiors and classic, opulent decor.
- Emotional Depth: The flowing, organic nature of the script evokes feelings of tranquility, mindfulness, and spiritual connection.
- Design Versatility: Due to its intimate size of 26 x 21 cm, this piece serves as a perfect accent for curated gallery walls, study alcoves, or as a standalone statement in a reading nook.
For interior designers and art enthusiasts alike, Kıt’a represents more than just decoration; it is an invitation to contemplation. It bridges the gap between the ancient traditions of the East and the sophisticated tastes of the modern collector. Whether placed in a sunlit foyer or a quiet library, this reproduction brings with it the enduring prestige of the Ottoman masters, offering a timeless elegance that transcends borders and centuries.
Related Artworks
Artist Biography
early life and education
kadıasker mustafa izzet efendi, also known as seyyid mustafa, was a renowned ottoman composer, neyzen, poet, and statesman born in tosya, ottoman empire in 1801. his mother, of the rûmiyya branch of the kādiriyye order, sent him to istanbul for education after his father's death.career and contributions
mustafa izzet efendi's career spanned multiple disciplines, but he is best known for his calligraphy. he studied islamic theology, science, and music, becoming an accomplished ney player and singer. his time at the imperial court, where he learned sülüs and naskh scripts, certified by moustafa wâsif, laid the foundation for his future contributions.- he developed refined versions of sülüs and naskh scripts, building upon the work of hâfiz osman, celaleddin, and râkim.
- his calligraphic inscriptions can be found in public buildings and mosques, including hagia sophia and the washington monument.
- notable students include mehmet şefik, şefik bey, abdullah zuhdi effendi, muhsinzade abdullah bey, and hasan riza effendi.
artistic legacy
mustafa izzet efendi's artistic legacy extends beyond his calligraphy. he composed numerous songs, both religious and non-religious, and was a collector of manuscripts. his son, ata bey, continued to collect manuscripts after his passing.museums and collections
mustafa izzet efendi's work can be found in various museums, including the sakıp sabancı museum (istanbul, türkiye), which houses several of his calligraphic pieces. explore kadıasker mustafa izzet efendi's artworks on ArtsDot.comreferences
kadıasker mustafa izzet efendi
1801 - 1876 , Turkey
Quick Facts
- Artistic Movement Or Style: Hudson River School
- Artists Or Movements Influenced By This Artist: ['Hudson River School']
- Artists Who Influenced This Artist: ['Francis Wheatley']
- Date Of Birth: February 1, 1801
- Date Of Death: February 11, 1848
- Full Name: Thomas Cole
- Nationality: American
- Notable Artworks:
- The Titan's Goblet
- The Course of Empire
- The Oxbow
- The Voyage of Life
- Place Of Birth: Bolton-le-Moors, England
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